The War of Wars
Authors: Robert Harvey
WAR
OF
WARS
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(ed)
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THE
WAR
OF
WARS
THE EPIC STRUGGLE BETWEEN
BRITAIN AND FRANCE 1789 – 1815
ROBERT HARVEY
CONSTABLE • LONDON
Constable & Robinson Ltd
55–56 Russell Square
London WC1B 4HP
www.constablerobinson.com
First published in hardback by Constable,
an imprint of Constable & Robinson Ltd, 2006
Copyright © Robert Harvey, 2006
The cover painting,
Scotland for Ever
! 1881, Butler, Lady (Elizabeth Southerden Thompson) shows the charge of the Scots Greys at Waterloo, © Leeds Museums and Galleries (City Art Gallery) UK/The Bridgeman Art Library.
All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
The right of Robert Harvey to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act, 1988.
A copy of the British Library Cataloguing in Publication Data is available from the British Library.
ISBN: 978-1-84529-635-3
eISBN: 978-1-84901-260-7
Printed and bound in the EU
1 3 5 7 9 10 8 6 4 2
CONTENTS
PART ONE: FRANCE IN TUMULT 1789–93
1 The Collapse of the Ancien Regime
PART TWO: BRITAIN ASLEEP 1789–95
PART THREE: CONQUEROR OF ITALY
PART FIVE: THE INVASION OF EGYPT
PART ELEVEN: THE INVASION OF RUSSIA
PART TWELVE: FIGHT TO THE DEATH
91 Waterloo: the British Buckle
The Revolutionary and Napoleonic wars were the first of the modern great conflicts dressed in the trappings of the old. On land they bore all the romance of a dying era: gaudy and colourful uniforms, cavalry charges, lances, swords and muskets; and at sea the billowing sails and magnificent, creaking, flexible structures of wooden ships. Many of the commanders on both sides were still romantic, dashing, often eccentric, gallant and chivalrous.
But they were also the first wars of mass mobilization – the French levee en masse – of rapid transportation of huge armies from one front to another – witness Napoleon’s army marching in weeks from Boulogne to Ulm and Austerlitz; of colossal set piece battles involving hundreds of thousands of men and huge casualties, such as Borodino, Leipzig and Waterloo; and of the laying waste of vast territories with terrible suffering inflicted on the civilian populations of the time. Proportionately more people probably died in the Revolutionary and Napoleonic Wars than in the First or Second World Wars; and they lasted more than four times as long as either. This greatest of all wars at the time was understandably dubbed the Great War – a century before the 1914–18 war.
One of the book’s central themes is that the war was a clash of national interests, not merely the whim of one man, Napoleon, much as he tried to claim the full credit. Moreover, like a Wagnerian opera, it is a story that builds up steadily to a pinnacle or climax. However dramatic the early and middle stages of the war, particularly the sea battles, they are dwarfed by the immensity of the Peninsular War,
Napoleon’s invasion of Russia, the Battle of the Nations, the fall of France and then Waterloo at the end. So far as I know no one since Sir Arthur Bryant (supremely successfully, but with an understandable patriotic slant given that he was writing during the Second World War) has attempted this.
This book seeks above all to portray the intensity of the struggle between Britain and France during this period – the first between a constitutional and a modern totalitarian power – while also covering the immense continental conflict, which determined the fate of Europe and indeed of much of the world for the next century. The book also tries to evaluate the extent to which the French Revolution’s and Napoleon’s ideals transformed Europe, in spite of his eventual defeat. I make no apology for the length of the work: there are innumerable short histories of the Revolutionary and Napoleonic wars: but very few which seek to do justice to the whole colossal experience – perhaps the greatest conflict of all time.
I owe huge debts to the many who have helped on this venture. The bibliography contains most of the sources and books I have drawn upon. I particularly want to highlight by far the best recent biography of Napoleon by Frank McClynn, which is comprehensive, well-written and always thought-provoking – although I disagree with many of its refreshingly trenchant judgments; John Ehrman’s beautifully written and exhaustive biography of William Pitt, which is surely the definitive work for decades, and is not so much a biography as a hugely comprehensive portrait of a whole age; Sir Arthur Bryant’s masterly history of the war; Christopher Herrold’s vivid and exciting study of Napoleon in Egypt; Charles Esdaile’s brilliant account of the Peninsular War, which uniquely and importantly shows a complete appreciation of the Spanish and Portuguese points of view; and General Segur’s eyewitness account and Adam Zamoyski’s superb book about the Napoleonic invasion of Russia. The many other books that are as deserving are listed in the bibliography.
In more personal terms, I am immensely grateful to my teachers Michael Phillips, Peter Lawrence, John Peake and David Evans for instilling a lasting appreciation of history; to Jonathan Wright and Alan Ryan at Oxford for showing me its relevance to modern political
decision-making; to Brian Beedham and Gordon Lee of the
Economist
for sharpening my writing skills; to my father and Raleigh Trevelyan for encouraging me to write; to Marchesa Serlupi Crescenzi for information on Napoleon’s Italian background; to Andrew Williams and his family, to Lawrence James and Grant MacIntyre for their encouragement; to my editors Nick Robinson, Leo Hollis, David Blomfield, Sarah Moore; to my brilliantly perceptive agent and friend Gillon Aitken; to my indefatigable and immensely painstaking and efficient assistant Jenny Thomas and to her historian husband Geoffrey for his helpful suggestions throughout; to my sister Antonella and her family; to my mother for her ideas and huge moral support; to many other good friends for distracting me; and above all as always to Jane and Oliver for supporting me and keeping me human during this immense enterprise.
