The Watchman (7 page)

Cole said, “I’ll see what I can find out about your boy Meesh. We’ll start with Larkin when she’s done with the shower. Maybe she knows more than she thinks.”

Pike shifted against the wall.

“We can’t hang here, Elvis.”

Cole understood. If the shooters or the police showed up, Pike wanted the girl gone.

“Then you talk to her. But one more thing. When I’m looking into Meesh, I’m going to check out your friend Bud Flynn, too.”

Pike’s mouth twitched, and Cole wondered if Larkin had noticed that Pike never laughed or smiled. As if the part of a man who could feel that free was dead in Pike, or buried so deep that only a twitch could escape.

Pike said, “Whatever.”

Cole was building the sandwiches when Pike’s cell phone rang, and Pike brought the phone out to the deck.

Cole layered the vegetables onto whole wheat bread, spread the layers with hummus, then placed the sandwiches back in the grill pan to crisp the bread.

The running water suddenly stopped and its absence was loud in the silence. A few minutes later, the girl came down the hall. Pike was still outside with his phone.

The girl said, “That smells incredible.”

“Would you like a glass of milk, or water?”

“Please. The milk.”

With her sunglasses off, her eyes were red, and Cole wondered if she had been crying. She caught him looking, and flashed the crooked smile. It was smart and inviting, and could never be made by someone who had just been crying, but there it was. Cole thought, this kid has had plenty of practice hiding herself.

Cole said, “You look familiar.”

“I do?”

“Are you an actress?”

“Oh God, no.”

She opened the sandwich and made a little squeal that didn’t go with the smile.

“This is perfect! I didn’t want to be a pain before, but I’m a vegetarian. How did you know?”

“Didn’t. I made these for Joe. He’s a vegetarian, too.”

“
Him
?”

She glanced out at Pike, and Cole thought her smile straightened.

“Red meat makes him aggressive.”

She laughed, and Cole found himself liking her. She took a tremendous bite of the sandwich, then another. She watched Pike on the deck as she chewed.

“He doesn’t say much.”

“He’s into telepathy. He can also walk through walls.”

She took another bite, though this one was not so large. She went back to staring at Pike again, but her smile was gone and her eyes seemed thoughtful.

“He shot a man right in front of me. I saw the blood.”

“A man who was trying to kill you.”

“It was so loud. Not like in the movies.”

“No. It’s loud.”

“You can feel it.”

“I know.”

“They keep finding me.”

Cole touched her back.

“Hey—”

Her eyes fixed on Pike.

“Can he get in trouble?”

Cole didn’t answer because Pike stepped in from the deck.

“We have a place. Let’s go.”

She glanced at her sandwich again, then his.

“But you haven’t eaten. I haven’t finished.”

“We’ll eat in the car.”

Cole followed them out, said his good-byes, and watched them drive away. He did not ask Pike where they were going, and Pike didn’t say. He knew Pike would call him when they were safe.

Cole looked at his house, then considered his car. Joe Pike was the only thing that had been in Cole’s life longer than the house and the car. They met back when Pike was still riding a black-and-white and Cole was working as an apprentice to old George Feider, Cole still piling up the three thousand hours of experience he needed to be licensed as a private investigator. Pike had referred to George as Cole’s T.O.—his training officer. Bud Flynn had been Pike’s training officer when Pike was a rookie, and Pike had revered the man.

Cole found himself smiling. A few years later when Cole had the hours and Pike was off the job, George retired, so Cole and Pike pooled their money to buy Feider’s business, both of them agreeing Cole’s name would be the only name on the door. Pike had no intention of getting a license. He had other businesses by then and only wanted to help Cole part-time, saying without him covering Cole’s back, Cole would probably get himself killed. Cole hadn’t known whether or not Pike had been joking, but that was part of Pike’s charm.

If these people know who I am, they might try to find me through you.

Cole took a deep breath. He drew the air deep, expanding his chest until the pain made his eyes water, then he went back into the house.

They might try to find me through you.

Cole thought, Let’m bring it—I got your back, too, brother.

He went to work.

PIKE CRUISED east on Sunset Boulevard into the purpling sky, driving easy for the first time in twenty hours, invisible in the anonymous car. When they passed Echo Lake with its fountain, dim in the twilight, Pike turned north into the low hills of Echo Park. The houses would be nicer east of the park, but the twisting residential streets to the north were narrow and the homes were clapboard shotguns. Prewar street lamps were flickering on when they reached the address.

Pike said, “This is it.”

A narrow grey house with a steep roof sat off the street. A covered front porch guarded the door and a one-car garage filled the backyard. Pike’s real estate friend had left a key under a potted plant near the door.

Larkin looked warily at the house.

“Who lives here?”

“It’s a rental. The owners live in Las Vegas, and they’re between tenants. When you get out, go directly to the front door.”

A sunset breeze out of Chavez Ravine stirred the warm air. Families were outside on their porches, some listening to the radio and others just talking. Pike heard Vin Scully, calling the game from nearby Dodger Stadium, Dodgers up over the Giants, five to two. Most of the neighbors appeared to be Eastern Europeans. Across the street, five young men who sounded Armenian were standing around a late-model BMW. They laughed together, and one of them spoke loudly, trying to make a point over the laughter.

Larkin didn’t move toward the front door. She stared at the house like it was waiting to eat her, then looked at the surrounding houses, then the five men.

Pike said, “It’s okay. Let’s go.”

Pike carried her bags. He could have carried his as well, but didn’t. He found the key, then let them into a small living room. A door to their right branched into a bathroom and a front and back bedroom. The little house was fully furnished and the interior was clean and neat, but the furniture was worn and the rooms were small. A single window air conditioner hummed in the living room, left on by Pike’s friend to cool the house.

Larkin said, “I’ve been thinking. No one knows where we are now, right? We have my credit cards. We have my ATM. We can go wherever we want.”

Pike dropped her bags.

“It has two bedrooms. Take whichever you want.”

Pike continued on through both bedrooms and the bath and kitchen, checking the windows and pulling the shades. Larkin didn’t touch her bags or pick a bedroom. She followed him, walking so close that twice she stepped on his heels.

“Just listen. We can take the Gulfstream. My father won’t care. We have a fabulous apartment in Sydney. Have you ever been to Oz?”

“You’ll be recognized. Someone at the airport, there’s Larkin Barkley in her jet.”

Pike opened the fridge. Two grocery bags, a case of bottled water, and a six-pack of Corona were waiting.

“My friend left this. Help yourself.”

“You’re being a prick. Okay, look—we have a house on the rue Georges Cinq a block from the Champs-Elysées. I’ll pay our way on a commercial flight. It’s not a problem.”

“Credit cards leave a trail. Airplanes file flight plans.”

Pike headed back into the living room, and Larkin caught up.

“I’ll take cash from the ATM. It’s really no problem. This place doesn’t even have a TV.”

The window unit made a heavy
thump
when the compressor kicked on, like someone had stumbled into the wall. The air blowing from the vent roared like a windstorm with a faraway metallic vibration. Pike turned it off. The silence from the dying air conditioner was filled by barking dogs, a motorcycle echoing between the hills, and the laughter of the men across the street.

Larkin looked horrified.

“What are you doing? Why did you turn off the air?”

“I couldn’t hear.”

“But it’s hot. It’s going to be an oven in here.”

She had crossed her arms, and her fingers had dug into her flesh. Pike knew this wasn’t about Paris or Sydney. It was about being scared.

Pike touched her arm.

“I know this isn’t what you’re used to, but we have what we need. Right here—right now—this is a safe place. We’re safe.”

“I’m sorry. I didn’t mean to be a bitch.”

“I’m going to get my things from the car. You okay alone for a few minutes?”

“I miss my dog.”

Pike didn’t know what to say about that, so he didn’t say anything.

Larkin made a tired smile.

“Of course. I’ll be fine.”

Pike turned off the lamps so he wouldn’t be framed in the door, then let himself out. He had left his bags so he could return alone to check his messages. If he needed to call someone, he wanted to speak freely. He climbed into the Lexus, then used his new phone to check the messages left on his old phone. Seven messages were waiting for him. Bud had left three in a row, all pretty much the same—

“Call me, damnit! You can’t just disappear with this girl! She’s a federal witness, for Chrissakes! They’ll have the FBI looking for you!”

Bud had left a fourth message about an hour after the first three. Pike noted Bud was calmer in the fourth message. He wasn’t shouting—

“Joe, listen, you have to check in. For all I know those bastards tagged you, and you’re both dead. Please don’t leave me hanging like this.”

Jon Stone had left the fifth message in a quiet and wary voice.

“This is Stone. You got heavy people worried, bro. Don’t call me back. Do not call. Stay groovy.”

Pike hesitated before deleting Stone’s message. Staying groovy had nothing to do with being cool. It was an expression used by small recon units and sniper teams in hostile terrain. They would tell one another to stay groovy when the danger level was so insanely high they popped amphetamines to stay awake and ready to rock twenty-four/seven, because anything less would get them all killed. Stay groovy; take your pill. Stay groovy; safety off, finger on. Stay groovy; welcome to hell. Stone had left a warning within his message, and Pike wondered why.

Pike wanted to call Stone, but assumed Stone told him not to call for good reason. Bud and the feds had probably pushed Stone for information. He wondered if Meesh had done the same.

The sixth message was again from Bud, this time sounding drained.

“Here’s what I have so far—the stiffs from Malibu weren’t identified. I don’t know about Eagle Rock, but I’ll find out tomorrow. LAPD and the Sheriff’s haven’t connected you with the shootings. I spoke with Don Pitman—Pitman’s the DOJ agent. He’ll do what he can to take care of you with the locals, but he wants to talk to you—he absolutely must talk to you. You gotta call me, man. I don’t know what to tell her father. He wants to call the police. Joe, if you’re still alive—call.”

A dry male voice had left the last message.

“This is Special Agent Don Pitman with the Justice Department. 202-555-6241. I got your number from Bud Flynn. Call me, Mr. Pike.”

Mister.

Pike ended the call, then sat listening to the neighborhood. He wondered what Bud meant, saying the stiffs in Malibu weren’t identified. Pike had thought the shooters would be identified as soon as they reached the coroner, which would give him a lead to Meesh. Pike had been thinking about Meesh because something Larkin described was bothering him. Her accident had occurred downtown in the middle of nowhere, but Meesh had fled on foot. Larkin told him the Kings had driven away, but Meesh fled on foot. This didn’t make sense to Pike, but there was still much he didn’t know. He wanted to ask Larkin about it.

Pike unscrewed the interior light so it wouldn’t come on, then left the car. It was full-on dark now, and Pike enjoyed the darkness. Darkness, rain, snow, a storm—anything that hid you was good. He circled the house to check the windows, then slipped back onto the porch and let himself in.

Larkin was no longer in the living room, but her bags were gone and he heard her in the kitchen. He took off the long-sleeved shirt, then sat in one of the wing chairs to wait. He couldn’t see her, but he knew she was getting a bottle of water. He heard the rattle of the refrigerator as she wrestled a bottle from its plastic wrapping. He heard the door close with a plastic kiss and a zippery crack as she twisted off the cap. Her shadow played on the bright kitchen wall, so he knew she was moving, and he heard the dry slap of bare feet. She came out of the kitchen and was halfway into the living room before she saw him, and startled so abruptly a geyser of water squirted into the air.

“You scared the shit out of me.”

“Sorry.”

She was gasping the way people do, but she made an embarrassed laugh.

“Jesus, say something next time. I didn’t hear you come back.”

“Maybe you should put on something.”

She had taken off her clothes except for a sheer bra and lime green thong panties. A gold stud glinted in her navel. She straightened to face him full-on, lifting her ribs.

“I got hot. I told you it would be hot without the air. You want a bottle of water?”

Pike said, “Don’t do this.”

She went to the couch, sat, and put her bare feet up on the coffee table, staring at him between her knees.

“Do what? Are you sure you don’t want to go to Paris? It’s cooler in Paris.”

She stared into his eyes with the crooked smile slashing her face as if she and only she had discovered that everything in the world was about sex and Pike had never seen anything like her before.

Pike said, “Who’s Don Pitman?”