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Authors: Joan Didion

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BOOK: The White Album
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In his mind
.
I recall standing in St
.
Thomas Church in New York one Monday morning in 1964 debating whether or not to steal a book by James Albert Pike, a pastoral tract called
If You Marry Outside
Your Faith
.
I had only a twenty-dollar bill and could not afford to leave it in the box but I wanted to read the book more closely, because a few weeks
before I had in fact married a
Catholic, which was what Bishop Pike seemed to have in mind
.
I had not been brought up to think it made much difference what I married, as long as I steered clear of odd sects where they didn’t drink at the wedding (my grandmother was an Episcopalian only by frontier chance; her siblings were Catholics but there was no Catholic priest around the year she needed christening), and I was struck dumb by Bishop Pike
’s
position, which appeared to be that I had not only erred but had every moral right and obligation to erase this error by regarding my marriage as null, and any promises I had made as invalid
.
In other words the way to go was to forget it and start over
.

In the end I did not steal
If You Marry Outside Your Faith,
and over the years I came to believe that I had doubtless misread it
.
After considering its source I am no longer so sure
.
“Jim never cleaned up after himself,” a friend notes, recalling his habit of opening a shirt and letting the cardboards He where they fell, and this
élan
seems to have applied to more than his laundry
.
Here was a man who moved through life believing that he was entitled to forget it and start over, to shed women when they became difficult and allegiances when they became tedious and simply
move on,
dismissing those who quibbled as petty and “judgmental” and generally threatened by his superior and more dynamic view of human possibility
.
That there was an ambivalence and a speciousness about this moral frontiersmanship has not gone unnoticed, but in the rush to call the life “only human” I suspect we are overlooking its real interest, which is as social history
.
The man was a Michelin to his time and place
.
At the peak of his career James Albert Pike carried his peace cross (he had put away his pectoral cross for the duration of the Vietnam War, which outlived him) through every charlatanic thicket in American life, from the Center for the Study of Democratic Institutions to the Aspen Institute of Humanistic Studies to Spiritual Frontiers, which was at the time the Ford Foundation of the spirit racket
.
James Albert Pike was everywhere at the right time
.
He was in Geneva for
Pacem in Terris
.
He was in Baltimore for the trial of the Catonsville Nine, although he had to be briefed on the issue in the car from the airport
.
He was in the right room at the right time to reach his son, Jim Jr
.
, an apparent suicide on Romilar, via
séance
.
The man kept moving
.
If death was troubling then start over, and reinvent it as “The Other Side
.

If faith was troubling
then leave the Church, and reinvent it as “The Foundation for Religious Transition
.

This sense that the world can be reinvented smells of the Sixties in this country, those years when no one at all seemed to have any memory or mooring, and in a way the Sixties were the years for which James Albert Pike was born
.
When the man who started out a winner was lying dead in the desert his brother-in-law joined the search party, and prayed for the assistance of God, Jim Jr
.
, and Edgar Cayce
.
I think I have never heard a more poignant trinity
.

1976

 

 

 

 

Holy Water

 

 

some of
us who live in arid parts of the world think about water with a reverence others might find excessive
.
The water I will draw tomorrow from my tap in Malibu is today crossing the Mojave Desert from the Colorado River, and I like to think about exac
tly
where that water is
.
The water I will drink tonight in a restaurant in Hollywood is by now well down the Los Angeles Aqueduct from the Owens River, and I also think about exac
tly
where that water is: I particularly like to imagine it as it cascades down the 45-degree stone steps that aerate Owens water after its airless passage through the mountain pipes and siphons
.
As it happens my own reverence for water has always taken the form of this constant meditation upon where the water is, of an obsessive interest not in the politics of water but in the waterworks themselves, in the movement of water through aqueducts and siphons and pumps and forebays and afterbays and weirs and drains, in plumbing on the grand scale
.
I know the data on water projects I will never see
.
I know the difficulty Kaiser had closing the last two sluiceway gates on the Guri Dam in Venezuela
.
I keep watch on evaporation behind the Aswan in Egypt
.
I can put myself to sleep imagining the water dropping a thousand feet into the turbines at Churchill Falls in Labrador
.
If the Churchill Falls Project fails to materialize, I fall back on waterworks closer at hand—the tailrace at Hoover on the Colorado, the surge tank in the Tehachapi Mountains that receives California Aqueduct water pumped higher than water has ever been pumped before—and finally I replay a morning when I was seventeen years old and caught, in a military-surplus life raft, in the construction of the Nimbus Afterbay Dam on the American River near Sacramento
.
I remember that at the moment it happened I was trying to open a tin of anchovies with capers
.
I recall the raft spinning into the narrow chute through which the river had been temporarily diverted
.
I recall being deliriously happy
.

I suppose it was partly the memory of that delirium that led me to visit, one summer mornin
g in Sacramento, the Operations
Control Center for the California State Water Project
.
Actually so much water is moved around California by so many different agencies that maybe only the movers themselves know on any given day whose water is where, but to get a general picture it is necessary only to remember that Los Angeles moves some of it, San Francisco moves some of it, the Bureau of Reclamation’s Central Valley Project moves some of it and the California State Water Project moves most of the rest of it, moves a vast amount of it, moves more water farther than has ever been moved anywhere
.
They collect this water up in the granite keeps of the Sierra Nevada and they store roughly a trillion gallons of it behind the Oroville Dam and every morning, down at the Project’s headquarters in Sacramento, they decide how much of their water they want to move the next day
.
They make this morning decision according to supply and demand, which is simple in theory but rather more complicated in practice
.
In theory each of the Project’s five field divisions—the Oroville, the Delta, the San Luis, the San Joaquin and the Southern divisions—places a call to headquarters before nine
a
.
m
.
and tells the dispatchers how much water is needed by its local water contractors, who have in turn based their morning estimates on orders from growers and other big users
.
A schedule is made
.
The gates open and close according to schedule
.
The water flows south and the deliveries are made
.

In practice this requires prodigious coordination, precision, and the best efforts of several human minds and that of a Univac 418
.
In practice it might be necessary to hold large flows of water for power production, or to flush out encroaching salinity in the Sacramento-San Joaquin Delta, the most ecologically sensitive point on the system
.
In practice a sudden rain might obviate the need for a delivery when that delivery is already on its way
.
In practice what is being delivered here is an enormous volume of water, not quarts of milk or spools of thread, and it takes two days to move such a delivery down through Oroville into the Delta, which is the great pooling place for California water and has been for some years alive with electronic sensors and telemetering equipment and men blocking channels and diverting flows and shoveling fish away from the pumps
.
It takes perhaps another six days to move this same water down the California Aqueduct from the Delta to the
Tehachapi and put it over the hill to Southern California
.
“Putting s
ome over the hill” is what they
say around the Project Operations Control Center when they want to indicate that they are pumping Aqueduct water from the floor of the San Joaquin Valley up and over the Tehachapi Mountains
.
“Pulling it down” is what they say when they want to indicate that they are lowering a water level somewhere in the system
.
They can put some over the hill by remote control from this room in Sacramento with its Univac and its big board and its flashing lights
.
They can pull down a pool in the San Joaquin by remote control from this room in Sacramento with its locked doors and its ringing alarms and its constant print-outs of data from sensors out there in the water itself
.
From this room in Sacramento the whole system takes on the aspect of a perfect three-billion-dollar hydraulic toy, and in certain ways it is
.
“let’s start draining quail at
12:00” was the 10:51
a
.
m
.
entry on the electronically recorded communications log the day I visited the Operations Control Center
.
“Quail” is a reservoir in Los Angeles County with a gross capacity of 1,636,018,000 gallons
.

OK” was the response recorded in the log
.
I knew at that moment that I had missed the only vocation for which I had any instinctive affinity: I wanted to drain Quail myself
.

 

Not many people I know carry their end of the conversation when I want to talk about water deliveries, even when I stress that these deliveries affect their lives, indirec
tly
, every day
.
“Indirec
tly
” is not quite enough for most people I know
.
This morning, however, several people I know were affected not “indirectly” but “direc
tly
” by the way the water moves
.
They had been in New Mexico shooting a picture, one sequence of which required a river deep enough to sink a truck, the kind with a cab and a trailer and fifty or sixty wheels
.
It so happened that no river near the New Mexico location was running that deep this year
.
The production was therefore moved today to Needles, California, where the Colorado River normally runs, depending upon releases from Davis Dam, eighteen to twenty-five feet deep
.
Now
.
Follow this closely: yesterday we had a freak tropical storm in Southern California, two inches of rain in a normally dry month, and because this rain flooded the fields and provided more irrigation than any grower could possibly want for several days, no water was ordered from Davis Dam
.

No orders, no releases
.

Supply and demand
.

As a result the Colorado was running only seven feet deep past Needles today, Sam Peckinpah’s desire for eighteen feet of water in which to sink a truck not being the kind of demand anyone at Davis Dam is geared to meet
.
The production closed down for the weekend
.
Shooting will resume Tuesday, providing some grower orders water and the agencies controlling the Colorado release it
.
Meanwhile many gaffers, best boys, cameramen, assistant directors, script supervisors, stunt drivers and maybe even Sam Peckinpah are waiting out the weekend in Needles, where it is often no degrees at five
p
.
m
.
and hard to get dinner after eight
.
This is a California parable, but a true one
.

BOOK: The White Album
10.28Mb size Format: txt, pdf, ePub
ads

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