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Authors: Richard Russo

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CENTER

A strange car was parked right in front of the house when Lin returned home that evening, a Dodge that looked brand new. Leaning his bike up against the porch railing, he went over and peered inside, looking for clues, but the interior was clean, with nothing on the seats or the floor except a paper mat on the driver’s side.

In the house he found his father, wearing a sport coat and sitting in the chair he’d used back when this was his house too. His mother, all dressed up, lounged on the near end of the sofa, and both held short highball glasses half full of murky liquid. His father’s busted lip was swollen, but otherwise he looked perfectly natural, and they were both smiling at him so smugly that Lin was forced to consider the possibility that one of the improbable scenarios required to bring this domestic scene to fruition had actually occurred: either his father had grown up, or his mother had kissed his ass.

His father spoke first. “Who won?”

“How come you’re here?” Lin said.

“I live here.”

Lin looked at his mother, who nodded, with a crooked smile that for an instant made her look like his Connecticut grandmother.

“Whose car is that outside?” he said.

“Ours,” his father smiled.

“How about that?” his mother said. “We’re no longer a foot.”

And just that quickly, a flash of understanding. “Afoot” was one word, not two. “On foot,” it meant.

“Anything else you want to know?” his father said.

There was. The baseball game had run long, making him late for dinner, but there were no food smells. “What about dinner?”

“We’re going out to eat,” his mother said.

“To Rigazzi’s?”

“If you like. Why don’t you go get cleaned up and put on some nice clothes?”

“I don’t get it,” he finally admitted, which struck both of them as about the funniest thing they’d ever heard.

Ten minutes later, they’d climbed into the new Dodge and were just about to pull away when Mr. Christie’s pickup rumbled up behind them. Lin’s father looked pleased by this turn of events and, ignoring his wife’s whispered plea to drive off, immediately turned off the ignition and got out. Lin got out too, leaving his mother the only one in the car. The two men shook hands, Mr. Christie beaming his usual good cheer, Lin’s father wearing a knowing grin.

“I guess you’re about done here,” he said.

“Just stopped by to pick up my ladder and brushes,” Mr. Christie said.

“Good,” his father said. “Then you’ll be gone when we get back.”

This remark appeared to sadden Mr. Christie more than anger him. Turning to Lin, he said, “Linwood tell you he saved the game?”

“Lin, you mean?” his father said. “My son?”

Whatever he was driving at, Mr. Christie didn’t seem all that interested. “You should’ve been there,” he smiled, and Lin found himself smiling back. Given how things had worked out, they were friends again.

“I will be, from now on.”

“Well, that’s good,” Mr. Christie said, sounding like he meant it. “Today was just the beginning, right, Linwood? Wait’ll
next
year. All he needs is to grow a little, and then he’ll be a natural shortstop.”

Lying in bed that night, Lin replayed what had happened that afternoon over and over, trying to decide if he really had saved the game. It was thrilling to think so, and to know this was the conclusion that everybody else had come to, even if he himself wasn’t so sure. The truth, insofar as he was able to reconstruct it, was that he’d been daydreaming when the big Stop & Shop kid uncoiled at Hugo Wentz’s pitch, and what followed wasn’t at all like his nightly fantasies of snagging line drives. For one thing, he didn’t have to dive, because the ball had headed straight for him—was on him, in fact, before he even had time to consider ducking. Rather, his glove had somehow been there in front of his face, and the ball had rocketed into the stiff webbing, closing the mitt around it without Lin even having to squeeze, and then yanking it clean off his wrist. Glove and ball together had described a graceful arc in the air above his head before landing in the dirt behind second base.

Recalling the moment, Lin realized he’d been in no great hurry to retrieve the glove. The batter, he’d concluded, was out, by virtue of the fact that the ball was still right there in his glove. That the glove was no longer on his hand didn’t seem all that significant, so he was confused by all the yells coming from both teams, as if everybody had forgotten that this was the third out or else couldn’t quite believe that Lin Hart, who always flinched away from slow dribblers, had managed to catch a baseball hit this hard. To prove they were wrong, he picked up the glove, turned toward the umpire to show him that the ball was still in the glove, and, in so doing, collided with the runner who’d been on first and was now bearing down on second. The collision knocked both boys down, but Lin was holding on to the glove with both hands and didn’t drop it, which meant that the runner had been tagged out. Naturally, the other boy protested, complaining that Lin hadn’t even meant to tag him, but the umpire was having none of it. “You don’t have to
mean
anything,” he explained. “This is baseball. You just have to do it.” Lin repeated this last part in the dark, satisfied, more or less, to have done it.

His parents’ voices were coming up through the heat register now, in the early stages of an argument, unless Lin was mistaken. His mother was saying that of course they were obligated to pay Mr. Christie, whereas his father was of the opinion that it would serve him right if he got stiffed. As they moved through the rooms below, the conversation went from inaudible to audible to inaudible again.

Earlier in the summer, Lin would’ve concluded that he was hearing all the important parts, that nothing essential to his understanding or well-being would be said if his ear wasn’t receiving and processing the information. Now it seemed just as likely that the really important things— like his parents’ decision to live together again, like his father quitting bartending and selling cars for Uncle Brian, like his mother’s refusal to do as his grandfather, Linwood the Third, had asked—would play out quite naturally in scenes that did not require his presence. Coming home from the restaurant, they’d parked in front of the barbershop and climbed the dark, evil-smelling stairs up to the dingy flat to gather the last of his father’s things. It was an awful place, but Lin understood it was as perfectly real as every place else in the world, which was large beyond imagining, containing every single place he himself had ever been or never would see in his entire life. Earlier, when he’d been sent upstairs to clean up and change clothes, he’d passed by his mother’s room and seen through the open door the unmade bed—his parents’ bed again, not just his mother’s—and intuited in the tangle of sheets at least part of what made the world go round. And he knew that when Sunday came and the three of them were at church, for the first time since last autumn, it would be a different usher who leaned the wicker offering basket down their pew, and that it wouldn’t linger there before them like some hard-to-ask question.

It was into this entirely different world that Linwood Hart now fell asleep, sadly grateful that he was not and never had been, nor ever would be, its center.

RICHARD RUSSO

The Whore’s Child

Richard Russo lives in coastal Maine with his wife and their two daughters. He has also written five novels:
Mohawk
,
The Risk Pool
,
Nobody’s
Fool
,
Straight Man
, and
Empire Falls
.

ALSO BY
R
ICHARD
R
USSO

BRIDGE OF SIGHS

Louis Charles Lynch (known as Lucy) is sixty years old and has lived in Thomaston, New York, his entire life. Lucy’s oldest friend, once a rival for his wife’s affection, leads a life in Venice far from Thomaston. Lucy writes the story of his town, his family, and his own life, interspersed with that of the native son who left so long ago and never looked back.

Fiction/Literature

MOHAWK

Mohawk, New York, is one of those small towns that lie almost entirely on the wrong side of the tracks. Dallas Younger, a star athlete in high school, now drifts from tavern to poker game, while his ex-wife, Anne, is stuck in a losing battle with her moth-er over the care of her sick father. Richard Russo explores these lives with profound compassion and flint-hard wit.

Fiction/Literature

NOBODY’S FOOL

Nobody’s Fool
follows the unexpected operation of grace in the life of an unlucky man, Sully, who has been triumphantly doing the wrong thing for fifty years. Divorced and carrying on with another man’s wife, saddled with a bum knee and friends who make enemies redundant, Sully now has a new problem: a son who is in danger of following in his father’s footsteps. With humor and a heart that embraces humanity’s follies, this is storytelling at its most generous.

Fiction/Literature

THE RISK POOL

Ned Hall is doing his best to grow up, even though neither of his estranged parents can properly be called adult. His father, Sam, cultivates bad habits so assiduously that he is stuck at the bottom of his auto insurance risk pool. His mother, Jenny, is slowly going crazy from resentment at a husband who refuses either to stay or to stay away. As Ned veers between allegiances to these grossly inadequate role models, Russo gives us a book that overflows with outsized characters and outlandish predicaments.

Fiction/Literature

STRAIGHT MAN

William Henry Devereaux, Jr., is the reluctant chair of the English department at an underfunded college in the Pennsylvania rust belt. In the course of a week, Devereaux will have his nose mangled by an angry colleague, imagine his wife is having an affair with the dean, wonder if an adjunct is trying to seduce him with peach pits, and threaten to execute a goose on local television. At the same time, he must come to terms with the dereliction of his youthful promise and the ominous failure of certain vital body functions. In short,
Straight Man
is classic Russo—side-splitting, true-to-life, and impossible to put down.

Fiction/Literature

THAT OLD CAPE MAGIC

It’s a perfectly lovely wedding weekend on the Cape, but for Griffin, the middle-aged father of the bride, it marks the beginning of his descent into a failed marriage, a confrontation with his parents’ deaths, and the realization that his life does not measure up to the life he thought he wanted. With moments of great comedy alternating with ones of rueful understanding,
That Old Cape Magic
is unlike anything Richard Russo has ever written.

Fiction/Literature

THE WHORE’S CHILD

To this irresistible debut collection of short stories, Richard Russo brings the same bittersweet wit, deep knowledge of human nature, and spellbinding narrative gifts that distinguish his best-selling novels. A cynical Hollywood moviemaker confronts his dead wife’s lover and abruptly realizes the depth of his own passion. As his parents’ marriage disintegrates, a precocious fifth-grader distracts himself with meditations on baseball, spaghetti, and his place in the universe. And in the title story, an elderly nun enters a college creative writing class and plays havoc with its tidy notions of fact and fiction.

Fiction/Short Stories

VINTAGE CONTEMPORARIES
Available at your local bookstore, or visit
www.randomhouse.com

FIRST VINTAGE CONTEMPORARIES EDITION, JULY 2003

Copyright
©
2002 by Richard Russo

“The Whore’s Child” was originally published in
Harper’s
. “Monhegan
Light” was originally published in
Esquire
. “The Farther You Go”
was originally published in
Shenandoah
. “Joy Ride” was originally
published in
Meridian
. “Poison” was originally published in
Kiosk
.
“Buoyancy” was originally published in
High Infidelity
, ed. John
McNally (William Morrow, 1997).

Vintage is a registered trademark and Vintage Contemporaries and
colophon are trademarks of Random House, Inc.

The Library of Congress has cataloged the Knopf edition as follows:
Russo, Richard, [date]
The whore’s child and other stories / Richard Russo.
p. cm.

I. Title.
PS3568.U812 W48 2002
813’.54—dc21 2002019023

www.vintagebooks.com

www.randomhouse.com

eISBN: 978-0-307-42962-9

v3.0_r1

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