The Witches of Eastwick (30 page)

"Aren't you still doing real estate?" she asked Sukie.

"Oh I am, honey. But it's
such
thin pickings. There are these hundreds of other divorcees running around in the mud showing houses."

"You made that sale to the Hallybreads."

"I
know I did, but that just about brought me even with my debts. Now I'm slipping back into the red again and I'm getting desperate." Sukie smiled broadly, her lips spreading like cushions sat on. She patted the empty place beside her. "Gorgeous, come over and sit by me. I feel I'm shouting. The acoustics in this hideous little house, I don't know how she can stand hearing herself."

Jane had gone up the little half-flight of stairs to where the bedrooms were in this split-level, and now returned with a linen hand towel folded to hold some delicate treasure. Her aura was the incandescent purple of Siberian iris, and pulsed in excitement. "Last night," she said, "I was so upset and angry about all
this I couldn't sleep and finally got up and rubbed myself all over with aconite and Noxema hand cream, with just a little bit of that fine gray ash you get after you put the oven on automatic cleaner, and flew to the Lenox place. It was wonderful! The spring peepers are all out, and the higher you get in the air the better you can hear them for some reason. At Darryl's, they were all still downstairs, though it was after midnight. There was this kind of Caribbean music that they make on oil drums pouring full blast out of the stereo, and some cars in the driveway I didn't recognize. I found a bedroom window open a couple of inches and slid it up, ever so carefully—"

"Janie, this is so thrilling!" Sukie cried. "Sup
pose Needlenose had smelled you!
Or Thumbkin!"

For Thumbkin, Van Home had solemnly assured them, beneath her fluffy shape was the incarnate soul of an eighteenth-century Newport barrister who had embezzled from his firm to feed his opium habit (he had been hooked during spells of the terrible toothaches and abscesses common to all ages before ours) and, to save himself from prison and his family from disgrace, had pledged his spirit after death to the dark powers. The little cat could assume at will the form of a panther, a ferret, or a hippogriff.

"A dab of Ivory detergent in the ointment quite kills the scent, I find," Jane said, displeased by the interruption.

"Go on, go on," Sukie begged. "You opened the window—do you think they sleep in the same bed? How can she stand it? That body so cold and clammy under the fur. He was like opening the door of a refrigerator with something spoiling in it."

"Let Jane tell her story," Alexandra said, a mother to them both. The last time she had attempted flight, her astral body had lifted off and her material body had been left behind in the bed, looking so small and pathetic she had felt a terrible rush of shame in midair, and had fled back into her heavy shell.

"I could hear the party downstairs," Jane said. "I think I heard Ray Neff's voice, trying to lead some singing. I found a bathroom, the one that
she
uses."

"How could you be sure?" Sukie asked.

"I know her style by now. Prim on the outside, messy on the inside. Lipsticky Kleenexes everywhere, one of those cardboard circles that hold the Pill so you don't forget the right day lying around all punched out, combs full of long hair. She dyes it, by the way. A whole bottle of pale Clairol right there on the sink. And pancake make-up and blusher, things I'd
die
before ever using. I'm a hag and I know it and a hag is what I want to look like."

"Baby, you're beautiful," Sukie told her. "You have raven hair. And naturally tortoiseshell eyes. And you take a tan. I wish I did. Nobody can take a freckled person quite seriously, for some reason. People think I'm being funny even when I feel lousy."

"What did you bring back in that sweetly folded towel?" Alexandra asked Jane.

"That's
his
towel. I stole it," Jane told them. Yet the delicate script monogram seemed to be a
P
or a
Q.
"Look. I went through the wastebasket under the bathroom sink." Carefully Jane unfolded the rose-colored hand towel upon a spidery jumble of discarded intimate matter: long hairs pulled in billowing snarls from a comb, a Kleenex bearing a tawny stain in its crumpled center, a square of toilet paper holding the vulval image of freshly lipsticked lips being blotted, a tail of cotton from a pill bottle, the scarlet pull thread of a Band-Aid, strands of used dental floss. "Best of all," Jane said, "these little specks—can you see them? Look close. Those were in the bathtub, on the bottom and stuck in the ring—she doesn't even have the decency to wash out a tub when she uses it. I dampened the towel and wiped them up. They're leg hairs. She shaved her legs in the bath."

"Oh that's nice," Sukie said. "You're scary, Jane. You've taught me now to always wash out the tub."

"Do you think this is enough?" Jane asked Alexandra. The eyes that Sukie had called tortoiseshell in truth looked paler, with the unsteady glow of embers.

"Enough for what?" But Alexandra already knew, she had read Jane's mind; knowing chafed that sore place in Alexandra's abdomen, the sore place that had begun the other night, with too much reality to digest.

"Enough to make the charm," Jane answered.

"Why ask me? Make the charm yourself and see how it goes."

"Oh no, dearie. I've already said. We don't have your—how can I put it?—access. To the deep currents. Sukie and I are like pins and needles, we can prick and scratch and that's about it."

Alexandra turned to Sukie. "Where do you stand on this?"

Sukie tried, high on whiskey as she was, to make a thoughtful mouth; her upper lip
bunched adorably over her slightl
y protruding teeth. "Jane and I have talk
ed about it on the phone, a littl
e. We
do
want you to do it with us. We do. It should be unanimous, like a vote.
You know, by myself last fall I
cast a little spell to bring you and Darryl together, and it worked up to a point. But only up to a point. To be honest, honey, I think my powers are lessening all the lime. Everything seems drab. I looked at Darryl the other night and he looked all slapped together somehow—I think he's running scared."

"Then why not let Jenny have him?"

"No,"
Jane interposed. "She mustn't. She stole him.

She made fools of us." Her
s's
lingered like a smoky odor in the long ugly scarred room. Beyond the little flights of stairs that went down to the kitchen area and up to the bedrooms, a distant, sizzling, murmuring sound signified that Jane's children were engrossed in television. There had been another assassination, somewhere. The President was giving speeches only at military installations. The body count was up but so was enemy infiltration.

Alexandra still turned to Sukie, hoping to be relieved of this looming necessity. "You cast a spell to bring me and Darryl together that day of the high tide? He wasn't attracted to me by himself?"

"Oh I'm sure he was, baby," Sukie said, but shrug-gingly. "Anyway who can tell? I used that green gardener's twine to tie the two of you together and I checked under the bed the other day and rats or something had nibbled it through, maybe for the salt that rubbed off from my hands."

"That wasn't very nice," Jane told Sukie, "when you knew I wanted him myself."

This was the moment for Sukie to tell Jane that she liked Alexandra better; instead she said, "We
all
wanted him, but I figured you could get what you wanted by yourself. And you did. You were over there all the time, fiddling away, if that's what you want to call it."

Alexandra's vanity had been stung. She said, "Oh hell. Let's do it." It seemed simplest, a way of cleaning up another tiny pocket of the world's endless dirt.

Taking care not to touch any of it with their hands, lest their own essences—the salt and oil from their skins, their multitudinous personal bacteria—become involved, the three of them shook the Kleenexes and the long blond hairs and the red Band-Aid thread and, most important, the fine specks of leg bristle, that jumped in the weave of the towel like live mites, into a ceramic ashtray Jane had stolen from the Bronze Barrel in the days when she would go there after rehearsal with the Neffs. She added the staring sugar head she had saved in her mouth and lit the little pyre with a paper match. The Kleenexes blazed orange, the hairs crackled blue and emitted the stink of singeing, the marzipan reduced itself to a bubbling black curdle. The smoke lifted to the ceiling and hung like a cobweb on the artificial surface, papery plasterboard roughed with a coat of sand-impregnated paint to feign real plaster.

"Now," Alexandra said to Jane Smart. "Do you have an old candle stump? Or some birthday candles in a drawer? The ashes must be crushed and mixed into about a half-cup of melted wax. Use a saucepan and butter it thoroughly first, bottom and sides; if any wax sticks, the spell is flawed."

While Jane carried out this order in the kitchen, Sukie laid a hand on the other woman's forearm. "Sweetie, I know you don't want to do this," she said.

Caressing the delicate tendony offered hand, Alexandra noticed how the freckles, thickly strewn on the back and the first knuckles, thinned toward the fingernails, as if this mixture had been insufficiently stirred. "Oh but I do," she said. "It gives me a lot of pleasure. It's artistry. And I love the way you two believe in me so." And without forethought she leaned and kissed Sukie on the complicated cushions of her lips.

Sukie stared. Her pupils contracted as the shadow of Alexandra's head moved off her green irises. "But you had liked Jenny."

"Only her body. The way I liked my children's bodies. Remember how they smelled as babies?"

"Oh Lexa: do you think any of us will ever have any more babies?"

It was Alexandra's turn to shrug. The question seemed sentimental, unhelpful. She asked Sukie, "You know what witches used to make candles out of? Baby fat!" She stood, not altogether steadily. She had been drinking vodka, which does not stain the breath or transport too many calories but which also does not pass like a stream of neutrinos through the system altogether without effect. "We must go help Jane in the kitchen."

Jane had found an old box of birthday candles at the back of a drawer, pink and blue mixed. Melted together in the buttered saucepan, and the ashes from their tiny pyre stirred in with an egg whisk, the wax came out a pearly, flecked lavender-gray.

"Now what do you have for a mold?" Alexandra asked. They rummaged for cookie cutters, rejected a pate mold as much too big, considered demitasse cups and liqueur glasses, and settled on the underside of an old-fashioned heavy glass orange-juice squeezer, the kind shaped like a sombrero with a spout on the rim. Alexandra turned it upside down and deftly poured; the hot wax sizzled within the ridged cone but the glass didn't crack. She held the top side under running cold water and tapped on the edge of the sink until the convex cone of wax, still warm, fell into her hand. She gave it a squeeze to make it oblong. The incipient human form gazed up at her from her palm, dented four times by her fingers. "Damn," she said. "We should have saved out a few strands of her hair."

Jane said, "I'll check to see if any is still clinging to the towel."

"And do you have any orangesticks by any chance?" Alexandra asked her. "Or a long nail file. To carve with. I could even make do with a hairpin." Off Jane flew. She was used to taking orders—from Bach, from Popper, from a host of dead men. In her absence Alexandra explained to Sukie, "The trick is not to take away more than you must. Every crumb has some magic in it now."

She selected from the knives hanging on a magnetic bar a dull paring knife with a wooden handle bleached and softened by many trips t
hrough the dishwasher. She whittl
ed in to make a neck, a waist. The crumbs fell on a ScotTowel spread on the Formica countertop. Balancing the crumbs on the tip of the knife, and with the other hand holding a lighted match under this tip, she dripped the wax back onto the emerging Figurine to form breasts. The subtler convexities of belly and thighs Alexandra also built up in this way. The legs she pared down to tiny feet in her style. The crumbs left over from this became—heated, dripped, and smoothed—the buttocks. All the time she held in her mind the image of the girl, how she had glowed at their baths. The arms were unimportant and were sculpted in low relief at the sides. The sex she firmly indicated with the tip of the knife held inverted and vertical. Other creases and contours she refined with the bevelled oval edge of the orange
-
stick Jane had fetched. Jane had found one more long hair clinging to the threads of the towel. She held it up to the window light and, though a single hair scarcely has color, it appeared neither black nor red in the tint of its filament, and paler, finer, purer than a strand from Alexandra's head would have been. "I'm quite certain it's Jenny's," she said.

"It better be," Alexandra said, her voice grown husky through concentration upon the figure she was making. With the edge of the soft fragrant stick that pushed cuticles she pressed the single hair into the yielding lavender scalp.

"She has a head but no face," Jane complained over her shoulder. Her voice jarred the sacred cone of concentration.

"We provide the face" was Alexandra's whispered answer. "We know who it is and project it."

"It feels like Jenny to me already," said Sukie, who had attended so closely to the manufacture that Alexandra had felt the other woman's breath flitting across her hands.

"Smoother," Alexandra crooned to herself, using the rounded underside of a teaspoon. "Jenny is smooooth."

Jane criticized again: "It won't stand up."

"Her littl
e women never do," Sukie intervened.

"Shhh," Alexandra said, protecting her incantatory tone. "She must take this lying down. That's how we ladies do it. We take our medicine lying down."

With the magic knife, the
Atham
e,
she incised grooves in imitat
ion of Jenny's prim new Eva Pero
n hairdo on the litde simulacrum's head. Jane's complaint about the face nagged, so with the edge of the orange
-
stick she attempted the curved dents of eye sockets. The effect, of sudden sight out of the gray lump, was alarming. The hollow in Alexandra's abdomen turned leaden. In attempting creation we take on creation's burden of guilt, of murder and irreversibility. With the tine of
a
fork she pricked
a
navel into the figure's glossy abdomen: born, not made; tied like all of us to mother Eve. "Enough," Alexandra announced, dropping her tools with
a
cl
atter into the sink. "Quickly, while the wax has
a
little warmth in it still. Sukie. Do you believe this is Jenny?"

"Why... sure, Alexandra, if you say so."

"It's important that
you
believe. Hold her in your hands. Both hands."

She did. Her thin freckled hands were trembling.

"Say to it—don't smile—say to it, 'You are Jenny. You must die.'"

"You are Jenny. You must die."

"You too, Jane. Do it. Say it."

Jane's hands were different from Sukie's, and from each other: the bow hand thick and soft, the fingering hand overdeveloped and with golden glazed calluses on the cruelly used tips.

Jane said the words, but in such a dead determined tone, just reading the notes as it were, that Alexandra warned, "You must believe them.
This is Jenny."

It did not surprise Alexandra that for all her spite Jane should be the weak sister when it came to casting the spell; for magic is fuel
l
ed by love, not hate: hate wields scissors only and is impotent to weave the threads of sympathy whereby the mind and spirit move matter.

Jane repeated
the
formula, there in this ranch-house kitchen, with its picture window, spattered by hardened bird droppings, giving on a scrappy yard nevertheless graced at this moment of the year with the glory of two dogwoods in bloom. The day's last sunlight gleamed like a background of precious metal worked in fine leaf between the drifting twists of the dark branches and the sprays, at the branches' ends, of four-petalled blossoms. A yellow plastic wading tub, exposed to the weather all winter and forever outgrown by Jane's children, rested at a slight tilt beneath one of the trees, holding a crescent of Filthy water that had been ice. The lawn was brown and tummocky yet misted by fresh green. The earth was still alive.

The voices of the other two recalled Alexandra to herself. "You too, sweetie," Jane told her harshly, handing her bubby back to her. "Say the words."

They were hateful, but on the other hand factual; Alexandra said them with calm conviction and hastily directed the spell to its close. "Pins," she told Jane. "Needles. Even thumbtacks—are there some in your kids' rooms?"

"I hate to go in there, they'll start yammering for dinner."

Alexandra said, "Tell them five more minutes. We must finish up or it could—"

"It could what?" Sukie asked, frightened.

"It could backfire. It may yet. Like Ed's bomb. Those little round-headed map pins would be nice. Even paper clips, if we straighten them. But one good-sized needle is essential." She did not explain,
To pierce the heart.
"Also, Jane. A mirror." For the magic did not occur in the three dimensions of matter but within the image matter generated in a mirror, the astral identity of mere mute things, an existence added on to existence.

"Sam left a shaving mirror I sometimes use to do my eyes."

"Perfect. Hurry. I
have to keep my mood or the elementals will dissipate."

Off Jane flew again; Sukie at Alexandra's side tempted her, "How about one more splash? I'm having just one more weak bourbon myself, before I face reality."

"This is reality, I'm sorry to say. A half-splash, honey. A thimble of vodka and fill the rest up with tonic or 7 Up or faucet water or anything. Poor little Jenny." As she carried the wax image up the six battered steps from the kitchen into the living room, imperfections and asymmetries in her work cried out to her—one leg smaller than the other, the anatomy where hips and thighs and abdomen come together not really understood, the wax breasts too heavy. Whoever had made her think she was a sculptress? Darryl: it had been wicked of him.

Jane's hideous Doberman, released by some door she had opened along the upstairs hall, bounded into the living room, the claws of his feet scrabbling on the naked wood. His coat was an oily black, close and rippling and tricked out like some military uniform with orange boots and patches of the same color on his chest and muzzle and, in two round spots, above his eyes. Drooling, he stared up at Alexandra's cupped hands, thinking something to be eaten was held there. Even Randolph's nostrils were watering with appetite, and the folded insides of his aroused erect ears seemed extensions of ravenous intestines. "Not for you," Alexandra told him sternly, and the dog's glassy black eyes looked polished, they were trying so hard to understand.

Sukie
followed with the drinks; Jane hurried in with a two-sided shaving mirror on a wire stand, an ashtray full of multicolored tacks, and a pincushion in the form of a little cloth apple. The time was a few minutes to seven; at seven the television programs changed and the children would be demanding to be fed. The three women set the mirror up on Jane's coffee table, an imitation cobbler's bench abandoned by the mechanical engineer as he cleared out for Texas. Within the mirror's silver circle everything was magnified, stretched and out of focus at the edges, vivid and huge at the center. In turn the women held the doll before it, as at the hungry round mouth of ano
the
r world, and stuck in pins-and thumbtacks. "Aurai, Hanlii, Thamcii, Tilinos, Athamas, Zianor, Auonail," Alexandra recited.

"Tzabaoth, Messiach, Emanuel, Elchim, Eibor, Yod, He, Vou, He!" Jane chanted in crisp sacrilege.

"Astachoth, Adonai, Agla, On, El, Tetrag
ramma
ton, Shema," Sukie said, "Ariston, Anaphaxeton, and then I forget what's next."

Breasts and head, hips and belly, in the points went. Distant indistinct shots and cries drifted into their ears as the television program's violence climaxed. The simulacrum had taken on a festive encrusted look— the bristle of a campaign map, the fey gaudiness of a Pop Art hand grenade, a voodoo glitter. The shaving mirror swam with reflected color. Jane held up the long needle, of a size to work thick thread through suede. "Who wants to poke this through the heart?"

"You may," Alexandra said, gazing down to place a yellow-headed thumbtack symmetrical with another, as if this art were abstract. Though the neck and cheeks had been pierced, no one had dared thrust a pin into the eyes, which gazed expressionless or full of mournful spirit, depending on how the shadows fell.

"Oh no, you don't shove it off on me," Jane Smart said. "It should be all of us, we should all three put a finger on it."

Left hands intertwining like a nest of snakes, they pushed the needle through. The wax resisted, as if a lump of thicker substance were at its center.
"Die,"
said one red mouth, and another,
"Take th
at!"
before giggling overtook them. The needle eased through. Alexandra's index finger showed a blue mark about to bleed. "Should have worn a thimble," she said.

"Lexa, now what?" Sukie asked. She was panting, slightly.

A little hiss arose from Jane as she contemplated their strange achievement.

"We must seal the malignancy in," Alexandra said. "Jane, do you have Reynolds Wrap?"

The other two giggled again. They were scared, Alexandra realized. Why? Nature kills constandy, and we call her beautiful. Alexandra felt drugged, immobilized, huge like a queen ant or bee; the things of the world were pouring through her and reemerging tinged with her spirit, her will.

Jane fetched too large a sheet of aluminum foil, torn off raggedly in panic. It crackled and shivered in the speed of her walk. Children's footsteps were pounding down the hall. "Each spit," Alexandra quickly commanded, having bedded Jenny upon the trembling sheet. "Spit so the seed of death will grow," she insisted, and led the way.

Jane spitting was like a cat sneezing; Sukie hawked a bit like a man. Alexandra folded the foil, bright side in, around and around the charm, softly so as not to dislodge the pins or stab herself. The result looked like a potato wrapped to be baked.

Two of Jane's children, an obese boy and a gaunt little girl with a dirty face, crowded around curiously. "What's
that?
"
the girl demanded to know. Her nose wrinkled at the smell of evil. Both her upper and lower teeth were trussed in a glittering fretwork of braces. She had been eating something sweet and greenish.

Jane told her, "A project of Mrs. Spofford's that she's been show
ing us. It's very delicate and I
know she doesn't want to undo it again so please don't ask her."