The Women (29 page)
Immediately I was struck by a gland-clenching whiff of cabbage soup à la Montenegro and the shrill rising tones of Mrs. Wright, who was stationed at the counter with Emma, Mabel and an onion-chopping apprentice. “Out!” she shouted. “Get out now—you’re all mud!”
“But, Mrs. Wrieto-San,” I began, instinctively narrowing the aperture to a crack, “I’ve got the new apprentices with me, Greiner and Hartnett. Women. Two women.”
In the next moment, Mrs. Wright was at the door, thrusting her long mournful face at us. Gwendolyn put on a smile. Daisy was trying to light a cigarette. “There is no smoking to be allowed on the premises,” Mrs. Wright said in a flat voice, no offense meant, none taken. “Mr. Wright is opposed. And I also.”
She held the door half-open. The apprentice—he’d arrived the previous day and I didn’t yet know his name—gave me a look of bewilderment, as if he couldn’t imagine how he’d wound up swapping his drafting tools for an apron and a paring knife. Out of the corner of my eye I saw one of the hens emerge from the garage, pick at something in the mud and vanish into the shadows. Rain drooled from the eaves. “And I am afraid,” Mrs. Wright went on in her thumping orotund tones, “—Well, you’re all mud and you will have to change before we can . . . Tadashi, you will show them to their rooms, won
’
t you? ” She made a sweep of her chin for emphasis and revolved her eyes round the sockets like an actor signaling to the wings. “Outside, down the courtyard behind you—in your old quarters?”
’
t you? ” She made a sweep of her chin for emphasis and revolved her eyes round the sockets like an actor signaling to the wings. “Outside, down the courtyard behind you—in your old quarters?”
She made a question of it, as if I might somehow mistake her and bring the girls tramping through the Blue Loggia or the living room, which were off-limits to apprentices save for those glorious few hours each Sunday at dinner, but there was no misconstruing her intentions. Now that I was settled into Hillside with a number of the other male apprentices, she intended to segregate the females here at the main house. Where she could, presumably, keep an eye on them.
I gave a short bow. “Yes, of course, Mrs. Wrieto-San.”
She focused on Gwendolyn and Daisy then, her mouth struggling toward a parting of the lips in what was meant to be a gracious smile. “And welcome, girls. Welcome to Taliesin. We will have a good deal of time to make our introductions once you have dried yourselves.” She paused. The smile closed down, replaced by an interrogatory moue. “You do cook, don’t you? ”
The more I consider it now, what with the passage of time and the reflection on certain painful matters my grandson-in-law’s collaboration in these pages has afforded me, the more I come to realize that Mrs. Wright was as culpable in suppressing my relationship with Daisy—“throwing a wet blanket over it,” as the expression goes—as her husband. Certainly they were in league in this. I don’t mean to suggest that Wrieto-San himself harbored any racial bias—certainly all the evidence, both public and private, shows unequivocally that he revered my people and my culture—but undeniably he exhibited what I can only call hypocrisy in his attitude not only toward my love affair but the personal affairs of all the apprentices. What am I trying to say? He was a dictator—
Daddy Frank
—and she, Mrs. Wright, Olga Lazovich Milanoff Hinzenberg Wright, was his accomplice and henchman. Or henchwoman. It was as simple as this: because of their own scandalous conduct during what scholars call “the lost years” and the way in which it had adversely affected relations with the community and, more materially, Wrieto-San’s ability to earn a living as a working architect, they were both determined to stifle any odor of impropriety in the Fellowship. If that meant manipulating the lives and emotions of the young people under their guidance, then so be it, without regret or further review: realpolitik.
Daddy Frank
—and she, Mrs. Wright, Olga Lazovich Milanoff Hinzenberg Wright, was his accomplice and henchman. Or henchwoman. It was as simple as this: because of their own scandalous conduct during what scholars call “the lost years” and the way in which it had adversely affected relations with the community and, more materially, Wrieto-San’s ability to earn a living as a working architect, they were both determined to stifle any odor of impropriety in the Fellowship. If that meant manipulating the lives and emotions of the young people under their guidance, then so be it, without regret or further review: realpolitik.
Right from the beginning, Daisy and I were attracted to each other, all cultural and racial differences aside. There was the look she’d given me at the station, the natural grace with which she accepted my assistance, and, after I’d delivered the trunk to the room she was sharing with Gwendolyn (and wrestled it through the narrow doorway, skinning an elbow and barking both shins in the process), the lingering handshake she’d offered up as a reward. And why not? Despite my demurrals, I was more than simply presentable—my mother wrote repeatedly to tell me how handsome and elegant I appeared in the photos I sent her, and my previous lover, the one who’d left me for the trombone player and will remain nameless here, avowed that I was all the talk of the girls’ dormitory and more than once assured me I put the other men to shame, in bed and out. (Which begs the question, rather puzzlingly, as to why she broke off with me.) Further, as I’ve mentioned, the outdoor life had transformed me into a rugged, perhaps even dashing figure. I had a ready wit, my English was adequate, my talent for architectural design as great or greater than that of any of my fellow apprentices, and I was descended from one of the oldest and most venerated families in Japan. Was it any wonder Daisy fell for me?
That very first night, after an excruciating dinner during which all the men fumbled round trying to make conversation with the new arrivals and Herbert Mohl goggled at Daisy as if she’d been served up on the half shell for him and him alone, I took her aside and asked her to join me—or rather us, a mixed group of us—for a nightcap at the local tavern. We were standing in the corner of the dining room, Gwendolyn distracted by the attentions of four or five male apprentices who apparently didn’t share my prejudice with regard to epidermal blemishes, the rain descending from the gutterless eaves with a Niagara roar, the electric lights flickering, the air steamy, fecund, everything held in abeyance as we each privately weighed the option of turning in early or indulging our youthful high spirits. I was obliged to raise my voice in order to be heard over the tumult of the rain. “Would you like to go for a drink?” I practically shouted at the very moment that Wrieto-San and Mrs. Wright, accompanied by Svetlana and Iovanna, sallied into the room.
I don’t know if my face blanched or if the final fatal noun stuck in my throat, but I was taken by surprise. We all were. The fact was that the Wrights rarely joined us after dining, but rather went round outside, down the hill and across the courtyard and into their quarters. On this particular night, however, they apparently chose the expedient of remaining indoors as long as possible, passing through our dining room and kitchen before braving the rain. In any case, Wrieto-San was his usual self, gesturing and broadcasting, making quips about the weather and Yen’s new haircut, but Mrs. Wright looked up sharply, as if she’d heard me. I smiled. Bowed. Waved. But she was already passing by and I dropped my voice to finish the invitation: “At Stuffy’s.”
Daisy—I’d already complimented her on how much better she looked in a dry blouse and mudless skirt—leaned in complicitly. “Stuffy’s?” She let out a low laugh—or more of a giggle, actually. “Sounds like a mattress factory. Or pillows. Feather pillows.”
Stuffy’s, as I informed her, was a tavern built, owned and operated by one of the local dairymen, Stuffy Vale, who had sold his cheese factory in the face of competition from Carnation and other large-scale concerns and used the proceeds to erect a drinking establishment, much to the consternation of Wrieto-San and the delight of the apprentices. It was located on “our” side of the Wisconsin River, halfway to the town of Helena. That is, an easy walk. Even in the rain.
“You’ll see,” I said. “It’s not far.”
“We’re walking?”
“Yes,” I said, lowering my voice still further as Mrs. Wright and her daughters passed out of the room. “Because, well, you see if we start up one of the cars at this hour, Wrieto-San will be sure to hear it—”
“And he would disapprove.” She was watching me closely, her lips drawn back in an expectant smile. She was wearing a floral skirt and a white cardigan that gripped her in just the right places. Her hair, released from the prison of the hat, was combed out in a rolling tide of crimped curls after the style of the actress who’d humbled the ape in that year’s big Hollywood extravaganza.
“Yes,” I admitted, and I couldn’t help glancing up nervously to where Wrieto-San had lingered over a table of apprentices—Herbert, Wes, Yen, Edgar Tafel—holding forth on one of his myriad subjects.
His boys
he called us collectively, conveniently eliding the existence of the females amongst us.
His boys
he called us collectively, conveniently eliding the existence of the females amongst us.
“You sound as if you’re scared of him.”
To my credit, as I recall, I didn’t attempt any of the usual bluster or bravado males usually summon in response to such a question, which at root amounted to nothing less than a challenge to one’s masculinity. I simply looked away from her eyes and told the truth. “Yes,” I said.
And to Daisy’s credit—she was a free spirit and no doubt about it—she took hold of my arm and whispered, “Well, what are we waiting for then? To Stuffy’s!”
The specifics of that night escape me after all these years, and, of course, the occasion blends memorably with so many others, but we would certainly have been convivial, quaffing beer and something stronger too, dropping coins in the jukebox, chattering, dancing, feeling as if the roof had lifted right off the place and given us the heavens just for the asking. I do, however, remember the aftermath. There was the slog back in the rain, ten or twelve of us spread out across the road that was a black vein dropped down out of a blacker sky, male hijinks, the terrorizing of the innocent cattle of the fields and an inebriate obliviousness to the dangers of vehicular traffic (of which there was none), and yet more male hijinks. We were young men. There were women to impress. Some one of us—I believe this was the night—made his mark by micturating into the radiator of Wrieto-San’s Cord Phaeton. There was, in addition, very likely to have been a degree of noise in the courtyard as we gallantly saw the women to their rooms.
The next morning, while I was bent over a section I was doing for a wing of the prospective newspaper plant, my brain swelling behind my eyes and my alimentary tract on the verge of a fatal dehiscence, one of my fellow apprentices—Herbert Mohl, he of the colorless hair and transparent eyes, looking sheepish—came to me to say that I was wanted in the living room. My eyes leapt to his. Wanted? “Yes,” he said, his voice hovering like an executioner’s. “By Mrs. Wright.”
I tried to keep my emotions in check as I made my way across the drafting room and through the loggia to the living room. Mrs. Wright didn’t summon people casually, we all knew that, and she did seem to have an almost clairvoyant hypersensitivity to what went on in the house, so that even when she wasn’t present you could feel her sending out tentacles all the same. She could be disappointed with the way I’d decorated my room or she might have noticed something I’d done while we were out in the field harvesting the potatoes or perhaps she had some complaint about my driving or my dress—it could be anything. But of course—and I will admit my blood pressure was up—the most likely occasion was what had happened the previous night. Mrs. Wright didn’t like Stuffy or his tavern. She didn’t like drinking. And she most especially didn’t like the apprentices drinking in public—and in mixed company no less.
It was still raining, the view beyond the windows obscured in cloud, the rooms damp and cold and smelling as organic as ever. For once, I took no notice of the statuary, the furniture, the bold geometry of the carpet or the way the various surfaces of the room seemed to grow out of the stacked stone pillars as if out of an infinitely branching tree. I just went on mechanically and then hesitated at the entrance to the living room long enough to clear my throat.
“Enter,” Mrs. Wright called. She was enthroned in the window seat across from the fireplace, wrapped in a shawl. Her hair had been pulled back severely so that it seemed clamped to her head. She didn’t smile. She didn’t offer me a seat. She simply waited till I was standing there before her on the edge of the carpet and then, in a low voice, observed that I had disappointed her. “Or not just me,” she went on, “but Mr. Wright and all he stands for—truth in the face of the world, the cause of organic architecture, the struggle against the tastelessness and vapidity of the International Style—not to mention letting down your colleagues, letting down Taliesin itself.”
“Is this about last night?” I ventured.
“It is.”
“Well, I—once in a while, or just this once, I felt, well, that it would be fitting to welcome some of the new people in a collegial way, let our hair down, that sort of thing—”
“Drinking.”
I held my silence and watched her eyes, dark eyes, as dark and impenetrable as the bricks of baker’s chocolate in the pantry.
“Alcohol,” she said, her lips drawn down in distaste. “Beer, whiskey, gin. And at a low place—how do you call it, a dive?—a dive like Stuffy’s Tavern. What sort of impression do you think this gives to the people who would see Taliesin destroyed? The people of the community, of the press? The gossipmongers?”
I hung my head. Murmured something nonsensical. I was so distraught at this juncture I might even have slipped into Japanese for all I knew.
Other books
The Doomed Oasis by Innes, Hammond;
Highways & Hostages by Jax Abbey
Wild Years by Jay S. Jacobs
Child of the Dawn by Coleman, Clare;
The Reluctant Cowgirl by Christine Lynxwiler
Love's Destiny (Love Trilogy #2) by Smith, Tracey
Making the Connection: Strategies to Build Effective Personal Relationships (Collection) by Jonathan Herring, Sandy Allgeier, Richard Templar, Samuel Barondes
Hidden (Marchwood Vampire Series #1) by Shalini Boland
Silver Silk Ties by Raven McAllan
Death by Sudoku by Kaye Morgan
