Authors: Robert Silverberg
They enter the classroom.
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The sun is setting. The Western face of the neighboring urban monad is streaked with red. Nicanor Gortman sits quietly at dinner with the members of the Mattern family. The children, voices tumbling in chaotic interplay, chatter of their day at school. The evening news comes on the screen; the announcer mentions the unfortunate event on the 108th floor. “The mother was not seriously injured,” he says, “and no harm came to her unborn child. Sentence on the assailant has been carried out and a threat to the security of the whole urbmon has thus been eliminated.” Principessa murmurs, “Bless god.” After dinner Mattern requests copies of his most recent technical papers from the data terminal and gives the whole sheaf to Gortman to read at his leisure. Gortman thanks him energetically.
“You look tired,” Mattern says.
“It was a busy day. And a rewarding one.”
“Yes. We really covered ground, didn't we?”
Mattern is tired too. They have visited nearly three dozen levels already; he has shown Gortman town meetings, fertility clinics, religious services, business offices, all on this first day. Tomorrow there will be much more to see. Urban Monad 116 is a varied, complex community. And a happy one, Mattern tells himself firmly. We have a few little incidents from time to time, but we're
happy.
The children, one by one, go to sleep, charmingly kissing Daddo and Mommo and the visitor good night and running across the room, sweet nude little pixies, to their cots. The lights automatically dim. Mattern feels faintly depressed; the unpleasantness on 108 has spoiled what was otherwise an excellent day. Yet he still thinks that he has succeeded in helping Gortman see past the superficialities to the innate harmony and serenity of the urbmon way. And now he will allow the guest to experience for himself one of their most useful techniques for minimizing the interpersonal conflicts that could be so destructive to their kind of society. Mattern rises.
“It's nightwalking time,” he says. “I'll go. You stay here . . . with Principessa.” He suspects that the visitor would appreciate some privacy.
Gortman looks uneasy.
“Go on,” Mattern says. “Enjoy yourself. People don't deny pleasure to people, here. We weed the selfish ones out early. Please. What I have is yours. Isn't that so, Principessa?”
“Certainly,” she says.
Mattern steps out of the room, walks quickly down the corridor, enters the dropshaft, and descends to the 770th floor. As he gets out he hears sudden angry shouts, and he stiffens, fearing that he will become involved in another nasty episode, but no one appears. He walks on. He passes the black door of a chute access and shivers a little, and he cannot avoid thinking of the young man with the fabricator torch, and what has become of him. And then, without warning, there swims up from memory the face of the brother he had once had who had gone down that same chute, the brother one year his senior, Jeffrey, the whiner, the stealer, Jeffrey the selfish, Jeffrey the
unadaptable, Jeffrey who had had to be given to a chute. For an instant Mattern is sickened and dizzied. He starts to fall, and wildly seizes a doorknob to steady himself.
The door opens. He goes in. He has never been a nightwalker on this floor before. Five children lie asleep in their cots, and on the sleeping platform are a man and a woman, both younger than he is, both asleep. Mattern removes his clothing and lies down by the woman's left side. He touches her thigh, then her small cool breast. She opens her eyes and he says, “Hello. Charles Mattern, 799.”
“Gina Burke,” she says. “My husband Lenny.”
Lenny awakens. He sees Mattern, nods, turns over, and returns to sleep. Mattern kisses Gina Burke lightly on the lips. She opens her arms to him. He trembles in his need, and sighs as she receives him. God bless, he thinks. It has been a happy day in 2381, and now it is over.
The city of Chicago is bounded on the north by Shanghai and on the south by Edinburgh. Chicago currently has 37,402 people, and is undergoing a mild crisis of population that will have to be alleviated in the customary manner. Its dominant profession is engineering. Above, in Shanghai, they are mostly scholars; below, in Edinburgh, computer men cluster.
Aurea Holston was born in Chicago in 2368 and has lived there all of her life. Aurea is now fourteen years old. Her husband, Memnon, is nearly fifteen. They have been married almost two years. God has not blessed them with children. Memnon has traveled through the entire building, but Aurea has scarcely ever been out of Chicago. Once she went to visit a fertility expert, an old midwife down in Prague, and once she went up to Louisville, where her powerful uncle, an urban administrator, lives. Many times she and Memnon have been to their friend Siegmund
Kluver's apartment in Shanghai. Other than that she has not seen much of the building. Aurea does not really care to travel. She loves her own city very much.
Chicago is the city that occupies the 721st through the 760th floors of Urban Monad 116. Memnon and Aurea Holston live in a dormitory for childless young couples on the 735th floor. The dorm is currently shared by thirty-one couples, eight above optimum.
“There's got to be a thinning soon,” Memnon says. “We're starting to bulge at the seams. People will have to go.”
“Many?” Aurea asks.
“Three couples here, five thereâa slice from each dorm. I suppose Urbmon 116 will lose about two thousand couples. That's how many went the last time they thinned.”
Aurea trembles. “Where will they go?”
“They tell me that the new urbmon is almost ready. Number 158.”
Her soul floods with pity and terror. “How horrid to be sent somewhere else! Memnon, they
wouldn't
make us leave here!”
“Of course not. God bless, we're valuable people! I have a skill rating ofâ”
“But we have no children. That kind goes first, doesn't it?”
“God will bless us soon.” Memnon takes her in his arms. He is strong and tall and lean, with rippling scarlet hair and a taut, solemn expression. Aurea feels weak and fragile beside him, although in fact she is sturdy and supple. Her crown of golden hair is deepening in tone. Her eyes are pale green. Her breasts are full and her hips are broad. Siegmund Kluver says she looks like a goddess of motherhood. Most men desire her
and nightwalkers come frequently to share her sleeping platform. Yet she remains barren. Lately she has become quite sensitive about that. The irony of her wasted voluptuousness is not lost on her.
Memnon releases her and she walks wearily through the dormitory. It is a long, narrow room that makes a right-angle bend around the central service core of the urbmon. Its walls glow with changing inlaid patterns of blue and gold and green. Rows of sleeping platforms, some deflated, some in use, cover the floor. The furniture is stark and simple and the lighting, though indirectly suffused from the entire area of the floor and the ceiling, is bright almost to harshness. Several viewscreens and three data terminals are mounted on the room's eastern wall. There are five excretion areas, three communal recreation areas, two cleanser stations, and two privacy areas.
By unspoken custom the privacy shields are never turned on in this dormitory. What one does, one does before the others. The total accessibility of all persons to all other persons is the only rule by which the civilization of the urbmon can survive, and in a mass residence hall such as this the rule is all the more vital.
Aurea halts by the majestic window at the dormitory's western end, and stares out. The sunset is beginning. Across the way, the magnificent bulk of Urban Monad 117 seems stained with golden red. Aurea follows the shaft of the great tower with her eyes, down from the landing stage at its thousandth-floor tip, down to the building's broad waist. She cannot see, at this angle, very far below the 400th floor of the adjoining structure.
What is it like, she wonders, to live in Urbmon 117? Or 115, or 110, or 140? She has never left the urbmon of her birth. All about her, to the horizon, sprawl the towers of the Chipitts constellation, fifty mighty concrete piles, each three kilometers high, each a self-contained entity housing some 800,000 human beings. In Urbmon 117, Aurea tells herself, there are people who look just like us. They walk, talk, dress, think, love, just like ourselves. Urbmon 117 is not another world. It is only the building next door. We are not unique. We are not unique. We are not unique.
Fear engulfs her.
“Memnon,” she says raggedly, “when the thinning time comes, they're going to send us to Urbmon 158.”
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Siegmund Kluver is one of the lucky ones. His fertility has won him an unimpeachable place in Urbmon 116. His status is secure.
Though he is just past fourteen, Siegmund has fathered two children. His son is called Janus and his newborn daughter has been named Persephone. Siegmund lives in a handsome fifty-square-meter home on the 787th floor, slightly more than midway up in Shanghai. His specialty is the theory of urban administration, and despite his youth he already spends much of his time as a consultant to the administrators in Louisville. He is short, finely made, quite strong, with a large head and thick curling hair. In boyhood he lived in Chicago and was one of Memnon's closest friends. They still see each other quite often; the fact that they now live in different cities is no bar to their friendship.
Social encounters between the Holstons and the Kluvers always take place at Siegmund's apartment. The Kluvers never come down to Chicago to visit Aurea and Memnon. Siegmund claims there is no snobbery in this. “Why should the four of us sit around a noisy dorm,” he asks, “when we can get together comfortably in the privacy of my apartment?” Aurea is suspicious of this attitude. Urbmon people are not supposed to place such a premium on privacy. Is the dorm not a good enough place for Siegmund Kluver?
Siegmund once lived in the same dorm as Aurea and Memnon. That was two years ago, when they all were newly married. Several times, in those long-ago days, Aurea yielded her body to Siegmund. She was flattered by his attentions. But very swiftly Siegmund's wife became pregnant, qualifying the Kluvers to apply for an apartment of their own, and the progress he was making in his profession permitted him to find room in the city of Shanghai. Aurea has not shared her sleeping platform with Siegmund since he left the dormitory. She is distressed by this, for she enjoyed Siegmund's embraces, but there is little she can do about it. The chance that he will come to her as a nightwalker is slight. Sexual relationships between people of different cities are currently considered improper, and Siegmund abides by custom. He may nightwalk in cities above his own, but he is not likely to go lower.
Siegmund now is evidently bound for higher things. Memnon says that by the time he is seventeen he will be, not a specialist in the theory of urban administration, but an actual administrator, and will live in lofty Louisville. Already Siegmund spends much time with the leaders of the urbmon. And with their wives as well, Aurea has heard.
He is an excellent host. His apartment is warm and agreeable, and two of its walls glisten with panels of one of the new decorative materials, which emits a soft hum keyed to the spectral pattern its owner has chosen. Tonight Siegmund has turned the panels almost into the ultraviolet and the audio emission is pitched close to the supersonic; the effect is to strain the senses, pushing them toward their maximum receptivity, a stimulating challenge. He has exquisite taste in handling the room's scent apertures too: jasmine and hyacinth flavor the air. “Care for some tingle?” he asks. “Just in from Venus. Quite blessworthy.” Aurea and Memnon smile and nod. Siegmund fills a large fluted silver bowl with the costly scintillant fluid and places it on the pedestal-table. A touch of the floor pedal and the table rises to a height of 150 centimeters.
“Mamelon?” he says. “Will you join us?”
Siegmund's wife slides her baby into the maintenance slot near the sleeping platform and crosses the room to her guests. Mamelon Kluver is quite tall, dark of complexion and hair, elegantly beautiful in a haggard way. Her forehead is high, her cheekbones prominent, her chin sharp; her eyes, alert and glossy and wide-set, seem almost too big, too dominant, in her pale and tapering face. The delicacy of Mamelon's beauty makes Aurea feel defensive about her own soft features: her snub nose, her rounded cheeks, her full lips, the light dusting of freckles over tawny skin. Mamelon is the oldest person in the room, almost sixteen. Her breasts are swollen with milk; she is only eleven days up from childbed, and she is nursing. Aurea has never known anyone else who chose to nurse. Mamelon has always been different, though. Aurea is still somewhat frightened of Siegmund's wife, who is so cool, so
self-possessed, so mature. So passionate too. At twelve, a new bride, Aurea found her sleep broken again and again by Mamelon's cries of ecstasy, echoing through the dormitory.
Now Mamelon bends forward and puts her lips to the tingle bowl. The four of them drink at the same moment. Tiny bubbles dance on Aurea's lips. The bouquet dizzies her. She peers into the depths of the bowl and sees abstract patterns forming and sundering. Tingle is faintly intoxicating, faintly hallucinogenic, an enhancer of vision, a suppressant of inner disturbance. It comes from certain musky swamps in the lowlands of Venus; the serving Siegmund has offered contains billions of alien microorganisms, fermenting and fissioning even as they are digested and absorbed. Aurea feels them spreading out through her, taking possession of her lungs, her ovaries, her liver. They make her lips slippery. They detach her from her sorrows. But the high is also a low; she gets through the early visionary moments and emerges tranquil and resigned. A spurious happiness possesses her as the last coils of color slide behind her eyelids and disappear.
After the ritual of drinking, they talk. Siegmund and Memnon discuss world events: the new urbmons, the agricultural statistics, the rumor of a spreading zone of disurbanized life outside the communes, and so forth. Mamelon shows Aurea her baby. The little girl lies within the maintenance slot, drooling, gurgling, cooing. Aurea says, “What a relief it must be not to be carrying her any longer!”