Read The Wrong Mother Online

Authors: Sophie Hannah

Tags: #Fiction, #General, #Mystery & Detective, #Psychological, #Thrillers, #Suspense

The Wrong Mother (5 page)

BOOK: The Wrong Mother
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Nick turns back to the screen. He thinks I’m eager to watch this because it’s the sort of news I ‘like’, because it’s domestic and not political, because the dead woman is a mother who looks as if she might be my twin, and lives near us. And the dead girl . . . I check the caption again, trying to use as many facts as I can get my hands on to beat down the horrible haze that’s fogging up my brain. Maybe I got it wrong, maybe the shock . . . but no, it definitely says ‘deaths’. Lucy Bretherick is dead too.
The girl in the photograph looks nothing like Zoe, and I can’t explain the relief I feel. Lucy has long dark hair like her mother’s, and she’s wearing it in two fat plaits, one with a kink in it, so that it turns halfway down and points back towards her neck. Her two hair bobbles have white discs with smiling faces on them. Her grin reveals a row of straight, white, slightly prominent teeth. Geraldine is also smiling in the photograph, and has her arm draped over Lucy’s shoulder. One, two, three, four smiles—two on the faces and two on the bobbles. I feel sick.
Geraldine. Lucy.
In my head, I’ve been on first-name terms with these people for a little over a year, even though they have never heard of me. Even though we’ve never met.
The voiceover is talking about other murder-suicide cases. About parents who take their children’s lives and their own. ‘Little girl was only six,’ says Nick. ‘Doesn’t bear thinking about, does it? Mother must have been fucked in the head. Sal, put the battery back in the phone, will you? Can you imagine how that child’s dad must feel?’
I blink and look away. If I’m not careful, I will start to cry. I can feel the pressure at the back of my eyes, in my nose. If I do, it won’t occur to Nick that I have never before been reduced to tears by a news report. Usually if children are involved I shudder and order him to change channels. It’s easy to put horror to one side if one isn’t personally involved.
At last the picture disappears. I couldn’t take my eyes off it and I’m pleased it’s gone. I don’t want to see those faces again, knowing what happened. I nearly ask Nick if any of the news reports he’s seen have explained why—why did Geraldine Bretherick do this? Do the police know? But I don’t ask; I can’t cope with any more information at the moment. I’m still reeling, trying to make it part of what I know about the world that Mark Bretherick’s wife and daughter are dead.
Oh, Mark, I’m so sorry.
I want to say these words aloud but of course I can’t.
When I next focus my attention on the screen, three men and a woman are talking in a studio. One man keeps using the phrase ‘family annihilation’. ‘Who are these people?’ I ask Nick. Their faces are solemn, but I can tell they’re enjoying the discussion.
‘The woman’s our MP. The bald guy’s some pompous wanker sociologist who’s helping the police. He’s written a book about people who kill their families—he’s been on telly every night since it happened. The guy with glasses is a shrink.’
‘Are . . . are the police sure? The mother did it?’
‘It said before they’re still investigating, but they reckon it’s a murder by the mother followed by suicide.’
I watch the bald sociologist’s pale lips as he speaks. He is saying that female ‘family annihilators’—he makes quote marks in the air—have been much less common than male ones until now, but that he is certain there will be more in due course, more women who kill their children and themselves. Across his chest, a caption appears: ‘Professor Keith Harbard, University College London, Author of
Homewreckers: Extreme Killing Within the Family
’. He is talking more than anyone else; the other speakers try and fail to interrupt his flow. I wonder what he would classify as a moderate killing.
The woman sitting beside him, my MP, accuses him of scare-mongering, says he has no business making such grim predictions on the basis of no evidence. Does he know how counterintuitive it is for a mother to kill her own offspring? This case, she says, if indeed it does turn out to be murder-suicide, is a freak occurrence, will always be a freak occurrence.
‘Mothers do kill their own kids, though.’ Nick joins in the debate. ‘What about that baby that was thrown off a ninth-floor balcony?’
It’s all I can do to stop myself from screaming at him to shut up. At all of them. None of them knows anything about this.
I
don’t know anything about it. Except . . .
I say nothing. Nick has never been suspicious of me and he must never be. I shiver as I imagine something terrible happening to my own family. Not as terrible as this, what’s on the news, but bad enough: Nick leaving me, taking the kids every other weekend, introducing them to his new wife.
No.
That can’t happen. I must behave as if my connection with this story is the same as Nick’s: we are both concerned strangers with no personal knowledge of the Brethericks.
Suddenly the discussion is over, and there is a man on the screen, with an older man and woman on either side of him. All three of them are crying. The man in the middle is speaking into a microphone at a press conference. ‘Are they relatives?’ I ask Nick. Mark would be too upset to talk about the deaths of his wife and daughter. These people must be close friends, perhaps his parents and brother. I know he has a brother. There’s no family resemblance, though. This man has dark brown hair with streaks of grey in it, sallow skin. His eyes are blue, with heavy lids, and his nose is large and long, his lips thin. He is unusual-looking but not unattractive. Perhaps these are Geraldine’s relatives.
‘I loved Geraldine and Lucy with all my heart,’ says the younger of the two men, ‘and I will always love them, even now they’re gone.’
Why didn’t Mark tell me his wife was the image of me? Did he think it would make me angry? Make me feel used?
‘Poor sod,’ says Nick.
The man at the microphone is sobbing now. The older man and woman are holding him up. ‘Who is he?’ I ask. ‘What’s his name?’
Nick looks at me strangely. ‘That’s the madwoman’s husband, ’ he says.
I am about to tell him he’s wrong—this man is not Mark Bretherick, looks nothing like him—when I remember that I am not supposed to know this. The official story, the one Mark and I drafted together, is that we never met. I remember us laughing about this, Mark saying, ‘Although obviously I won’t go round
saying
I’ve never met or heard of a woman called Sally Thorning, because that’d be a bit of a giveaway!’
The madwoman’s husband.
Nick is laid-back about day-to-day life, but I’ve never met anyone more black and white about anything that qualifies as an important issue. He wouldn’t understand at all if I told him, and who could blame him?
I say quietly, ‘I don’t think that’s the husband, is it?’ Impartial, uninvolved.
‘Of course it’s the husband. Who do you think he is, the milkman?’
As Nick speaks, another caption appears, black letters on a strip of blue that cuts the weeping man with the long nose and heavy-lidded eyes in half. My mouth opens as I read the words: ‘Mark Bretherick, husband of Geraldine and father of Lucy’.
Except that he isn’t. He can’t be. I know, because I spent a week with Mark Bretherick last year. How many can there be in Spilling, with wives called Geraldine and daughters called Lucy?
‘Where do they live?’ I ask Nick in a stretched voice. ‘You said you knew the house.’
‘Corn Mill House—you know, that massive dobber mansion near Spilling Velvets. I cycle past it all the time.’
I feel faint, as if every drop of blood in my body has rushed to my head and filled it, pushed out all the air.
I remember the story, almost word for word. I have a good memory for words, and names.
It didn’t even used to be a corn mill. There was a corn mill nearby, and the people who owned it before us were pretentious gits, basically. And Geraldine loves the name. She won’t let me get rid of it, and believe me, I’ve tried.
Who said that to me?
I spent a week with Mark Bretherick last year, and the man I’m looking at is not him.
Police Exhibit Ref: VN8723
Case Ref: VN87
OIC: Sergeant Samuel Kombothekra
 
GERALDINE BRETHERICK’S DIARY, EXTRACT 1 OF 9 (taken from hard disk of Toshiba laptop computer at Corn Mill House, Castle Park, Spilling, RY29 0LE)
 
 
18 April 2006, 10.45 p.m.
 
I don’t know whose fault it is, but my daughter now believes in monsters. They are never mentioned in our house, so she must have picked it up at school, like God (about whom she’d heard so little at home that for the first few months she called him Gart—Mark found this hilarious) and her obsession with the colour pink. Education, even the fraudulent (sorry, creative) Montessori variety that we pay through the nose for, is no more than a process of brainwashing—it does the opposite of train children to think for themselves. Anyway, Lucy’s terrified of monsters now, and insists on sleeping with a night light on and her bedroom door open.
The first I knew of it was when I put her to bed yesterday at eight thirty, turned the light out as I always do and closed the door. I felt the usual sweeping relief all through my body (I don’t think I could explain to anyone how important it is to me to be able to close that door) and I punched the air in triumph as I often do, though never if Mark is watching. I don’t mean to do it, but my arm moves before my brain has time to stop it. I feel as if I’ve escaped from prison—all my dread disappears; even the certainty that it will return tomorrow can’t stifle my joy. When Lucy goes to bed, my life and home are my own again and I can be myself, free, doing whatever I want to do without fear, thinking about whatever I want to think about for a few precious hours.
Until yesterday, that is. I closed the door, punched the air, but before I was able to take more than a couple of steps towards freedom, I heard a loud wailing noise. Her. I froze, trying to close my ears from the inside. But I wasn’t mistaken, it wasn’t a cat outside or a car coming up the lane, or bell-ringers at the church across the fields (though it’s bliss when this happens the other way round: you hear a faint whine or some other high-pitched noise that you’re certain is your child wanting attention,
more
attention, and then—oh, thank you, Gart!—it turns out to be only a car alarm, and you’re saved). But I wasn’t, because the source of the awful whining noises was my daughter.
I have a rule that I’ve made for myself, and that I stick to
come what may
: whatever I feel inside, however I feel like behaving towards Lucy, I do the opposite. So when she cried after I’d closed her door, I went back into her room, stroked her hair and said, ‘What’s the matter, love?’ because what I really wanted to do was drag her out of her bed and shake her until her teeth fell out.
There must be parents who are so strict and terrifying that their children make sure never to annoy or inconvenience them. Those are the people I both envy and loathe. They must be cruel, vicious, intimidating ogres, and yet—lucky them—their children tiptoe round them trying not to be noticed. Whereas my daughter’s not at all frightened of me, which is why she screamed after I closed her door, even though she was absolutely fine: bathed, fed, kissed, hugged, the blessed recipient of at least three bedtime stories.
I need her not to be around in the evenings. Evenings! Anyone would think I meant from six until midnight or something extravagant like that. But no, I settle for a mere two and a half hours between eight thirty and eleven. I am physically unable to stay up any later than that, because every minute of my day is so exhausting. I run around like a slave on speed, a fake smile plastered to my face, saying things I don’t mean, never getting to eat, enthusing wildly over works of art that deserve to be chopped up and chucked in the bin. That’s my typical day—lucky me. That’s why the hours between half past eight and eleven must be inviolable, otherwise I will lose my sanity.
When Lucy told me she was scared of monsters getting her in the dark, I explained as reasonably and kindly as I could that there was no such thing as a monster. I kissed her again, closed the door again, and waited on the landing. The screams got louder. I did nothing, just listened for ten minutes or so. I did this partly for Lucy’s sake—I knew there was a danger (
never
underestimate the danger or something awful might happen) of my smashing her head against the wall because I was so furious with her for taking up ten extra minutes, minutes that were mine, not hers. I cannot spare her any time apart from what I already give her, not even a second. I don’t care if that sounds bad—it’s the truth. It’s important to tell the truth, isn’t it, if only to yourself?
When I was certain I had my rage under control, I went back into her room and reassured her, again, that monsters weren’t real. But, I said—ever the understanding, reasonable mummy—I would leave the landing light on. I closed the door, and this time I got halfway downstairs before she started screaming again. I went back up and asked her what was wrong. The room was still too dark, she said. She insisted that I leave the landing light on and her door open.
‘Lucy,’ I said in my best authoritative-but-kind voice, ‘you sleep with your door closed. Okay, love? You always have. If you want, I’ll open the curtains a bit so that some light comes in from outside.’
‘But it’ll get dark outside soon!’ she screamed. By this point she had worked herself up into hysterics. Her face was snot-streaked and red. My palms and the skin between my fingers started to itch, and I had to press my hands together to stop myself from punching her.
‘Even when it’s dark, some light will come in, I promise. Your eyes’ll adjust, and then the sky won’t look quite so black.’ How do you explain to a child the grey illumination of the night sky? Mark’s the intellectual in our family, the one worth listening to. (What does Mummy know about anything of any importance? Mummy has sold her soul. She contributes nothing worthwhile to society. That’s what Daddy thinks.)
‘I want my door open!’ Lucy howled. ‘Open! Open!’
‘Sorry, darling,’ I said. ‘I know you’re scared, but there’s really no need to be. Goodnight. See you in the morning.’ I walked over, pulled her curtains half open, left the room and closed the door.
Her screams intensified. Screams for which there was no cause; her room was no longer dark in any way. I sat cross-legged on the landing, fury ripping through my body. I couldn’t comfort Lucy any more because I couldn’t think of her as a scared child—the screams were too much like a weapon. I was her victim now and she was my torturer. She could ruin my evening, and she knew it. She can ruin my whole life if she wants to, whereas I can’t ruin hers because a) Mark would stop me, and b) I love her. I don’t want her to be unhappy. I don’t want her to have a horrible mother, or to be abandoned, or to be beaten, so I’m trapped: she can make me suffer as much as she wants and I can’t retaliate in kind. I have no control—that’s what I hate more than anything.
The shrieks showed no sign of stopping. If I hadn’t known better, I’d have thought Lucy was being burned alive in her bedroom, from the noise she was making. After a while she got out of bed and tried to open the door herself. I held on to the handle from the outside to keep it shut. Then she really started to panic. She isn’t used to doors that won’t open. I still couldn’t feel anything but rage, though, and I knew I had to wait, so I sat there until Lucy’s voice grew hoarse, until she was begging me to come back in, not to leave her alone. I don’t know how long it was—maybe half an hour—before I started to feel sorrier for her than I felt for myself. I stood up, opened her door and went back into the room. She was in a heap on the floor and when she saw me she grabbed my ankles and started babbling, ‘Thank you, Mummy, thank you, oh, thank you!’
I picked her up and sat her on my lap in the chair by her window. Sweat dripped from her forehead. I calmed her down and cuddled her, stroking her hair. Once she has made me angry, I can only be kind like this when she’s reached the point of total despair and all the fight has gone out of her. Anything less and it’s hard for me to see her as deserving of sympathy, this well-fed, beloved child who has everything a girl of her age could want—a secure home, an expensive education, nice clothes, every sort of toy, book and DVD, friends, foreign holidays—and who is
still
, in spite of it all, complaining and crying.
When Lucy is desperate, grateful and limp with the relief of having been forgiven, I find it easy to feel the way a mother should. I wish I could awaken this protective feeling in myself more easily. Once she was sick before I could bring myself to comfort her, and I vowed I’d never let it go that far again.
I patted her back and she soon fell asleep on my knee. I carried her over to her bed, laid her down and covered her with her quilt. Then I left the room and closed the door. I had won, though it had taken a while.
I didn’t say anything to Mark about what had happened, and I was sure Lucy wouldn’t either, but she did. ‘Daddy,’ she said at breakfast this morning, ‘I’m scared of monsters, but Mummy wouldn’t let me have the door open last night and I was frightened.’ Her lip trembled. She stared at me, wide-eyed with resentment, and I realised that my tormentor, my torturer, is only a child, a naïve little girl. She is not as scared of me as I often fear she is, or as I am of myself, or as she should be. It’s not her fault—she’s only five.
Daddy sided with his precious daughter, of course, and now there is a new system: door open, suitable night light in place (not too bright but bright enough). I can’t object without revealing my own irrationality. ‘It makes no difference to us whether her door’s open or closed,’ Mark said when I tried to persuade him to change his mind. ‘What does it matter?’
I said nothing. It matters because I need to close that door. This evening, instead of feeling that I had successfully shut Lucy away at half past eight, I tiptoed round the house imagining I could hear her breathing and snoring and turning over, rustling her covers. I felt her presence with every molecule of my body, invading territory that was rightfully mine.
Still, it’s not that bad. As my terminally cheerful mother insists on telling me whenever I dare to complain, I’m luckier than most women: Lucy is a good girl most of the time, I have Michelle to help me, I don’t know how lucky I am, it’s hard work but it’s all worth it, and everything is basically ‘hunky-dory’. So why do I wake up every Saturday morning feeling as if I’m about to be suffocated for forty-eight hours, wondering if I’ll survive until Monday?
Spoke to Cordy on the phone today and she told me Oonagh is also preoccupied with monsters. Cordy blames the children in Lucy and Oonagh’s class who are from ‘the other side of the tracks’ (her expression, not mine). She said, ‘I bet their thick parents have been stuffing their heads full of nonsense about fairies and devils, and they’ve passed it on to our kids.’ She sounded quite cross about it. She says you pay through the nose to send your daughter to a private school where you trust she won’t encounter any ‘white trash’, but then she does because some white trash types have lots of money. ‘From setting up chains of tanning studios and pube-waxing emporia,’ she said bitterly. I didn’t ask what ‘emporia’ were.
What else? Oh, yes, a man called William Markes is very probably going to ruin my life. But he hasn’t yet, and I admit I’m not in the most positive state of mind at the moment. Let’s wait and see.
BOOK: The Wrong Mother
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