The Year of the Death Of Ricardo Reis (39 page)

A few days later, Ricardo Reis narrated what he had seen, described the airplanes, the smoke, the deafening noise of the antiaircraft artillery, the volleys of the machine guns, and Lydia listened attentively, sorry to have missed the fun. She laughed, Oh how funny, the business with the road sweeper, when suddenly she remembered that she also had something to tell, Do you know who escaped. She did not wait for Ricardo Reis to answer but went on, Manuel Guedes, the sailor I mentioned the other day, do you remember. Yes, I remember, but where did he escape. As he was being taken before the tribunal, and Lydia laughed with gusto. Ricardo Reis simply smiled. This country is going to the dogs, ships that launch themselves prematurely, prisoners who escape, and road sweepers, but what can one expect from a road sweeper. But Lydia was very pleased that Manuel Guedes had managed to escape.

Invisible, the cicadas sing in the palm trees on the Alto de Santa Catarina. Adamastor is deafened by their strident chorus, which scarcely merits the sweet name of music, but the question of music depends a great deal on who is listening. The enamored giant would not have heard them as he paced the shore waiting for the procuress Doris to arrive and arrange the much desired encounter, for the sea was singing then and the beloved voice of Thetis hovered over the waters, as is usually said of the spirit of God. But it is the male cicada that sings, rubbing his wings furiously to produce this obsessive, relentless sound, like a marble cutter's screech upon striking some harder vein inside the stone. It is stifling hot. In Fatima the sun had been a burning ember, but then for days the sky was overcast, it even drizzled. In the lowlands, the flood has finally subsided, all that remains of that vast inland sea are small pools of scummy water which the sun is gradually drying up. In the morning, when the air is still fresh, the old men bring their umbrellas, but the heat now has grown oppressive, so the umbrellas serve as parasols, which leads us to conclude that the usefulness of an object is more important than the names we give it, yet in the final analysis, like it or not, we always come back to words. The ships enter and leave with their flags, smokestacks, antlike sailors, deafening sirens. A sailor, after hearing that din so often during storms at sea, ends up learning to speak on equal terms with the deity of the deep. These two old men have never been to sea, but their blood does not chill when they hear that mighty roar, mighty though muffled by distance, it is deeper down that they quake, as if there were ships sailing through the channels of their veins, ships lost in the darkness of their bodies, amid the gigantic bones of the world. As the heat becomes sultry, the old men retrace their steps, it is time for lunch and those time-honored hours of siesta in the shade of their own homes. When the heat abates, they will return to the Alto to sit on the same bench, but with their umbrellas open, because the protection of the trees, as we know, is unreliable, the sun only has to descend a little and the shade of the palm trees is gone. These old men will die without learning that palm trees are not trees, incredible, that people can be so ignorant. But, as in the case of umbrella and parasol, it is of no importance that a palm tree is not a tree, what matters is the shade it gives, and if we were to ask that gentleman, the doctor who comes here every afternoon, whether a palm tree is a tree or not, he would have to go home to consult his encyclopedia of botany, unless he left it behind in Brazil. Most likely all he knows about the vegetable world is the skimp imagery with which he adorns his poems, flowers in general, a few laurels because they date from mythological times, some trees bearing no name but tree, vines and sunflowers, the rushes that tremble in the current, the ivy of oblivion, the lilies, and the roses, the roses. The old men converse freely with Ricardo Reis, but when he leaves his apartment it does not cross his mind to ask them, Did you know that a palm tree is not a tree. And because they are so sure of what they think they know, it will never occur to them to ask him, Doctor, is the palm tree a tree. One day they will go their separate ways and the fundamental question of whether the palm tree is a tree because it resembles a tree, or whether this passing shadow we cast on the ground is life because it resembles life, will remain unanswered.

Ricardo Reis has got into the habit of rising late. He has learned to suppress any desire to eat in the morning. The opulent trays Lydia used to bring to his room at the Hotel Brangança now seem to belong to someone else's past. He sleeps late, wakes up and goes back to sleep again, he studies his own sleeping, and after numerous attempts has succeeded in fixing his mind on a single dream, always the same dream, about one who dreams that he does not wish to conceal one dream with another, like erasing telltale footprints, It is simple, all you have to do is drag the branch of a tree behind you, leaving only scattered leaves and pieces of twig, which soon wither and merge with the dust. When he gets up, it is time for lunch. Washing, shaving, dressing are mechanical acts in which the mind barely participates. This face covered with lather is a mask that could fit any man's face, and when the razor little by little reveals what is underneath, Ricardo Reis is intrigued by what he sees, and disturbed, as if afraid that some evil might emerge. He examines himself carefully in the mirror, comparing this face with the different, unknown face he once had. He tells himself that as long as he shaves every day, sees every day these eyes, this mouth, this nose, this chin, these pale cheeks, these crumpled, absurd appendages called ears, that such a change is impossible, and yet he feels certain he spent years in some place without mirrors, because today he looks and does not recognize himself. Often, going out to lunch, he encounters the old men coming down the street, they greet him, Good afternoon, Doctor, and he replies, Good afternoon, though he does not know their names, they might as well be trees or palms. When he feels inclined, he goes to a movie, but usually he returns to his apartment after lunch. The park is deserted in the fierce glare of the sun, the river's shimmering gleam dazzles the eyes, and Adamastor, embedded in rock, is about to send forth a mighty cry, enraged at the face the sculptor gave him, aggrieved for reasons we have known ever since Camoes's epic. Like the old men, Ricardo Reis takes refuge in the shade of his dwelling, where little by little the former mustiness has returned. Lydia opens all the windows when she comes, but it doesn't help, the smell seems to emanate from the furniture, from the very walls, the contest is definitely unequal, and Lydia comes less frequently these days. Toward evening, with the first breeze, Ricardo Reis goes and sits on a bench in the park, neither too close nor too far from the old men. Giving them his morning newspaper when he is done with it is his only act of charity. He does not offer them food, they have not asked for any, although they have not asked for these printed sheets of news either, you can decide which act of generosity would be the greater if both were made. If we asked Ricardo Reis what he does at home, alone all that time, he would simply shrug, perhaps he has forgotten that he did some reading, wrote a little poetry, wandered down corridors, spent some time at the rear of the building looking into the courtyard below, the clotheslines, white sheets, towels, and the hen coops, and the cats sleeping on the walls in the shade. There are no dogs, but, then, there are no possessions that need guarding. Then he went back to his reading, to his poetry, writing, rewriting, or tearing up when the poem was not worth keeping. Then he waited for the heat to abate, for the first breeze of the evening. As he was going downstairs, the neighbor on the second floor appeared on the landing. Time had softened the malicious gossip, there was no longer the same interest, the entire building had been restored to harmony and amiable coexistence. Well now, is your husband feeling better, he inquired, and the neighbor replied, Thanks to you, Doctor, your help was an act of providence, a miracle. That is what we are all seeking, acts of providence and miracles, and is it not a miracle to have a doctor living next door who can come to our assistance when we have a pain in the tummy. Has he emptied his bowels. He got rid of the whole load, thanks be to God, Doctor. Such is life, the hand that writes the prescription for the laxative also writes the sublime or at least acceptable line,
You have sun if there is sun, flowers if there are flowers, and good fortune if fortune smiles.

The old men read the newspaper. We already know that one of them is illiterate, he is therefore more generous when it comes to making comments, his opinions are a way of balancing the scale. If one man knows, the other explains. I say, this story about Loon Six Hundred is really very funny, I've known him for years, I knew him when he drove a tram, he was always crashing into carts and wagons, he loved it, they put him in jail thirty-eight times and finally sacked him, he was incorrigible, but the cart drivers were partly to blame, they go at a snail's pace, never hurry, and there was Loon Six Hundred stamping on the bell with the heel of his boot, foaming at the mouth until he could stand it no longer, so he rammed them, bang, and there was a fight, and the police came and marched everybody off to jail, but now Loon Six Hundred drives a cart too and fights with the tram drivers, his former colleagues, because they treat him the way he used to treat the cart drivers, as the old saying goes, As ye sow. Thus concluded the old man who could not read, with an aphorism, which had a medicinal, binding effect on his speech. Ricardo Reis was seated on the same bench, a rare occurrence, but today all the others were occupied. Aware that the old man's monologue was for his benefit, he asked, This nickname Loon Six Hundred, how did he get it. Whereupon the illiterate replied, Six hundred was his number when he worked for the tram company and people called him Loon because of his behavior. I see. When the old men went back to their reading, Ricardo Reis allowed his thoughts to wander, What nickname would suit me, perhaps Doctor Bard, Back-from-Brazil, the Spiritualist, Jack the Ode Maker, Chess Player, Casanova of Chambermaids. Suddenly the old man who was reading said, Orphan of Fortune, the nickname of a petty thief, a pickpocket caught in the act. Why not Orphan of Fortune for Ricardo Reis and Ricardo Reis for the pickpocket, a criminal could have his name, names do not choose destinies. The old men love to read about the colorful dramas of everyday life, the cases of fraud, disorderly conduct, acts of violence or despair, dark deeds in the night, crimes of passion, an abandoned fetus, a car crash, a calf born with two heads, a bitch that suckles cats, at least this bitch is not like Ugolina who ate her young. Their conversation now turns to Micas Saloia whose real name is Maria Conceição and who has received one hundred and sixty prison sentences for theft besides being exiled to Africa several times. Then there was Judite Meleças the bogus countess from Castelo Melhor who cheated a lieutenant of the National Republican Guard out of two contos and fifty reis, a sum of money that will seem rather paltry fifty years from now but in these lean times it is almost a fortune, as the women of Benavente, who work from dawn to dusk for ten thousand reis, can testify. The rest is less interesting. As announced, a gala day was held at the Jockey Club with thousands of guests, we need not be surprised that so many attended, we know how the Portuguese love celebrations, particularly celebrations organized on behalf of the flood victims of Ribatejo, among whom is Micas da Borda d'Agua from Benavente, who will receive her share of the forty-five thousand seven hundred and fifty-three escudos and five and a half centavos collected, although some accounting still has to be done, because there are a few not inconsiderable invoices outstanding, and tax bills. But the high standard and elegant presentation of the events on the program made it all worthwhile, the band of the National Republican Guard gave a concert, two troops of horsemen from the same guard staged a carousel and charge, patrols from the Cavalry School of Torres Novas demonstrated various maneuvers, there was a display of cowboy skills, the rounding up and throwing of steers from Ribatejo, and
nuestros hermanos
were represented, cattle drovers from Seville and Badajoz come expressly to take part in the festivities. In order to have a chat with them and hear the latest from Spain, the dukes of Alba and Medinaceli, guests at the Hotel Bragança, descended into the arena, a fine example of peninsular solidarity on their part, there is nothing like being a Spanish grandee in Portugal.

News from the rest of the world has not changed a great deal, the strikes continue in France, where there are now about five hundred thousand workers on strike, the government headed by Albert Sarraut is expected to resign and be succeeded by a new ministry which Léon Blum will organize, and the impression will be created, at least temporarily, that the demonstrators are satisfied. As for Spain, the drovers from Seville and Badajoz converse with the dukes, Here we are respected more than grandees of Portugal, Then remain here with us and we shall drive cattle together. In Spain, as we were saying, the strikers are sprouting up like mushrooms and Largo Caballero warns that until the working classes are protected by the law, outbreaks of violence can be expected, and if he says that, a man who supports the working classes, it must be true, therefore we must prepare ourselves for the worst. Better late than never, on the other hand there's no point closing the stable door after the horse has bolted, look at the British, they abandoned the Ethiopians to their fate and now applaud their Emperor, if you ask me, my dear fellow, this is nothing but one great swindle. The old men on the Alto de Santa Catarina chat pleasantly on, though the doctor has returned to his apartment, they talk about animals, about the white wolf that appeared in Riodades, near Sao João da Pesqueira, and that the local inhabitants call Pombo, and about the lioness Nadia that mauled the fakir Blacaman's leg in the Teatro Coliseu in full view of the audience, thus proving that circus artists really do put their lives at risk. If Ricardo Reis had not left so soon he could have taken this opportunity to tell them the story of the bitch Ugolina, completing the triumvirate of wild beasts, the wolf still at large, the lioness whose dose of drugs will have to be increased, the bitch, who eats her children, Pombo, Nadia, Ugolina, animals have nicknames as well as men.