Theatre (9 page)

Next day Julia had luncheon with Charles Tamerley. His father, the Marquess of Dennorant, had married an heiress and he had inherited a considerable fortune. Julia often went to the luncheon parties he was fond of giving at his house in Hill Street. At the bottom of her heart she had a profound contempt for the great ladies and the noble lords she met there, because she was a working woman and an artist, but she knew the connection was useful. It enabled them to have first nights at the Siddons which the papers described as brilliant, and when she was photographed at week-end parties among a number of aristocratic persons she knew that it was good publicity. There were one or two leading ladies, younger than she, who did not like her any better because she called at least two duchesses by their first names. This caused her no regret. Julia was not a brilliant conversationalist, but her eyes were so bright, her manner so intelligent, that once she had learnt the language of society she passed for a very amusing woman. She had a great gift of mimicry, which ordinarily she kept in check thinking it was bad for her acting, but in these circles she turned it to good account and by means of it acquired the reputation of a wit. She was pleased that they liked her, these smart, idle women, but she laughed at them up her sleeve because they were dazzled by her glamour. She wondered what they would think if they really knew how unromantic the life of a successful actress was, the hard work it entailed, the constant care one had to take of oneself and the regular,
monotonous habits which were essential. But she good-naturedly offered them advice on make-up and let them copy her clothes. She was always beautifully dressed. Even Michael, fondly thinking she got her clothes for nothing, did not know how much she really spent on them.

Morally she had the best of both worlds. Everyone knew that her marriage with Michael was exemplary. She was a pattern of conjugal fidelity. At the same time many people in that particular set were convinced that she was Charles Tamerley's mistress. It was an affair that was supposed to have been going on so long that it had acquired respectability, and tolerant hostesses when they were asked to the same house for a week-end gave them adjoining rooms. This belief had been started by Lady Charles, from whom Charles Tamerley had been long separated, and in point of fact there was not a word of truth in it. The only foundation for it was that Charles had been madly in love with her for twenty years, and it was certainly on Julia's account that the Tamerleys, who had never got on very well, agreed to separate. It was indeed Lady Charles who had first brought Julia and Charles together. They happened, all three, to be lunching at Dolly de Vries' when Julia, a young actress, had made her first great success in London. It was a large party and she was being made much of. Lady Charles, a woman of over thirty then, who had the reputation of being a beauty, though except for her eyes she had not a good feature, but by a sort of brazen audacity managed to produce an effective appearance, leant across the table with a gracious smile.

'Oh, Miss Lambert, I think I used to know your father in Jersey. He was a doctor, wasn't he? He used to come to our house quite often.'

Julia felt a slight sickness in the pit of her stomach; she remembered now who Lady Charles was before she married, and she saw the trap that was being set for her. She gave a rippling laugh.

'Not at all,' she answered. 'He was a vet. He used to go to your house to deliver the bitches. The house was full of them.'

Lady Charles for a moment did not quite know what to say.

'My mother was very fond of dogs,' she answered.

Julia was glad that Michael was not there. Poor lamb, he would have been terribly mortified. He always referred to her father as Dr Lambert, pronouncing it as though it were a French name, and when soon after the war he died and her mother went to live with her widowed sister at St. Malo he began to speak of her as Madame de Lambert. At the beginning of her career Julia had been somewhat sensitive on the point, but when once she was established as a great actress she changed her mind. She was inclined, especially among the great, to insist on the fact that her father had been a vet. She could not quite have explained why, but she felt that by so doing she put them in their place.

But Charles Tamerley knew that his wife had deliberately tried to humiliate the young woman, and angered, went out of his way to be nice to her. He asked her if he might be allowed to call and brought her some beautiful flowers.

He was then a man of nearly forty, with a small head on an elegant body not very good-looking, but of distinguished appearance. He looked very well-bred, which indeed he was, and he had exquisite manners. He was an amateur of the arts. He bought modem pictures and collected old furniture. He was a lover of music and exceedingly well read. At first it amused him to go to the tiny flat off the Buckingham Palace Road in which these two young actors lived. He saw that they were poor and it excited him to get into touch with what he fondly thought was Bohemia. He came several times and he thought it quite an adventure when they asked him to have a luncheon with them which was cooked and served by a scarecrow of a woman whom they called Evie. This
was life. He did not pay much attention to Michael who seemed to him, notwithstanding his too obvious beauty, a somewhat ordinary young man, but he was taken by Julia. She had a warmth, a force of character, and a bubbling vitality which were outside his experience. He went to see her act several times and compared her performance with his recollections of the great foreign actresses. It seemed to him that she had in her something quite individual. Her magnetism was incontestable. It gave him quite a thrill to realize on a sudden that she had genius.

'Another Siddons perhaps. A greater Ellen Terry.'

In those days Julia did not think it necessary to go to bed in the afternoons, she was as strong as a horse and never tired, so he used often to take her for walks in the Park. She felt that he wanted her to be a child of nature. That suited her very well. It was no effort for her to be ingenuous, frank and girlishly delighted with everything. He took her to the National Gallery, and the Tate, and the British Museum, and she really enjoyed it almost as much as she said. He liked to impart information and she was glad to receive it. She had a retentive memory and learnt a great deal from him. If later she was able to talk about Proust and Cézanne with the best of them, so that you were surprised and pleased to find so much culture in an actress, it was to him she owed it. She knew that he had fallen in love with her some time before he knew it himself. She found it rather comic. From her standpoint he was a middle-aged man, and she thought of him as a nice old thing. She was madly in love with Michael. When Charles realized that he loved her his manner changed a little, he seemed struck with shyness and when they were together was often silent.

'Poor lamb,' she said to herself, 'he's such a hell of a gentleman he doesn't know what to do about it.'

But she had already prepared her course of conduct for the declaration which she felt he would sooner or later bring himself to make. One thing she was going to make quite clear to him. She wasn't going to let him think that
because he was a lord and she was an actress he had only to beckon and she would hop into bed with him. If he tried that sort of thing she'd play the outraged heroine on him, with the outflung arm and the index extended in the same line, as Jane Taitbout had taught her to make the gesture, pointed at the door. On the other hand if he was shattered and tongue-tied, she'd be all tremulous herself, sobs in the voice and all that, and she'd say it had never dawned on her that he felt like that about her, and no, no, it would break Michael's heart. They'd have a good cry together and then everything would be all right. With his beautiful manners she could count upon him not making a nuisance of himself when she had once got it into his head that there was nothing doing.

But when it happened it did not turn out in the least as she had expected. Charles Tamerley and Julia had been for a walk in St. James's Park, they had looked at the pelicans, and the scene suggesting it, they had discussed the possibility of her playing Millamant on a Sunday evening. They went back to Julia's flat to have a cup of tea. They shared a crumpet. Then Charles got up to go. He took a miniature out of his pocket and gave it to her.

'It's a portrait of Clairon. She was an eighteenth-century actress and she had many of your gifts.'

Julia looked at the pretty, clever face, with the powdered hair, and wondered whether the stones that framed the little picture were diamonds or only paste.

'Oh, Charles, how can you! You are sweet.'

'I thought you might like it. It's by way of being a parting present.'

'Are you going away?'

She was surprised, for he had said nothing about it. He looked at her with a faint smile.

'No. But I'm not going to see you any more.'

'Why?'

'I think you know just as well as I do.'

Then Julia did a disgraceful thing. She sat down and for a minute looked silently at the miniature. Timing it
perfectly, she raised her eyes till they met Charles's. She could cry almost at will, it was one of her most telling accomplishments, and now without a sound, without a sob, the tears poured down her cheeks. With her mouth slightly open, with the look in her eyes of a child that has been deeply hurt and does not know why, the effect was unbearably pathetic. His face was crossed by a twinge of agony. When he spoke his voice was hoarse with emotion.

'You're in love with Michael, aren't you?'

She gave a little nod. She tightened her lips as though she were trying to control herself, but the tears rolled down her cheeks.

'There's no chance for me at all?' He waited for some answer from her, but she gave none, she raised her hand to her mouth and seemed to bite a nail, and still she stared at him with those streaming eyes. 'Don't you know what torture it is to go on seeing you? D'you want me to go on seeing you?'

Again she gave a little nod.

'Clara's making me scenes about you. She's found out I'm in love with you. It's only common sense that we shouldn't see one another any more.'

This time Julia slightly shook her head. She gave a sob. She leant back in the chair and turned her head aside. Her whole body seemed to express the hopelessness of her grief. Flesh and blood couldn't stand it. Charles stepped forward and sinking to his knees took that broken woebegone body in his arms.

'For God's sake don't look so unhappy. I can't bear it. Oh, Julia, Julia, I love you so much, I can't make you so miserable. I'll accept anything. I'll make no demands on you.'

She turned her tear-stained face to him ('God, what a sight I must look now') and gave him her lips. He kissed her tenderly. It was the first time he had ever kissed her.

'I don't want to lose you,' she muttered huskily.

'Darling, darling!'

'It'll be just as it was before?'

'Just.'

She gave a deep sigh of contentment and for a minute or two rested in his arms. When he went away she got up and looked in the glass.

'You rotten bitch,' she said to herself.

But she giggled as though she were not in the least ashamed and then went into the bathroom to wash her face and eyes. She felt wonderfully exhilarated. She heard Michael come in and called out to him.

'Michael, look at that miniature Charles has just given me. It's on the chimney-piece. Are those diamonds or paste?'

Julia was somewhat nervous when Lady Charles left her husband. She threatened to bring proceedings for divorce, and Julia did not at all like the idea of appearing as intervenor. For two or three weeks she was very jittery. She decided to say nothing to Michael till it was necessary, and she was glad she had not, for in due course it appeared that the threats had been made only to extract more substantial alimony from the innocent husband. Julia managed Charles with wonderful skill. It was understood between them that her great love for Michael made any close relation between them out of the question, but so far as the rest was concerned he was everything to her, her friend, her adviser, her confidant, the man she could rely on in any emergency or go to for comfort in any disappointment. It was a little more difficult when Charles, with his fine sensitiveness, saw that she was no longer in love with Michael. Then Julia had to exercise a great deal of tact. It was not that she had any scruples about being his mistress; if he had been an actor who loved her so much and had loved her so long she would not have minded popping into bed with him out of sheer good nature; but she just did not fancy him. She was very fond of him, but he was so elegant, so well-bred, so cultured, she could not think of him as a lover. It would be like going to bed with an objet d'art. And his love of
art filled her with a faint derision; after all she was a creator, when all was said and done he was only the public. He wished her to elope with him. They would buy a villa at Sorrento on the bay of Naples, with a large garden, and they would have a schooner so that they could spend long days on the beautiful wine-coloured sea. Love and beauty and art; the world well lost.

'The damned fool,' she thought. 'As if I'd give up my career to bury myself in some hole in Italy!'

She persuaded him that she had a duty to Michael, and then there was the baby; she couldn't let him grow up with the burden on his young life that his mother was a bad woman. Orange trees or no orange trees, she would never have a moment's peace in that beautiful Italian villa if she was tortured by the thought of Michael's unhappiness and her baby being looked after by strangers. One couldn't only think of oneself, could one? One had to think of others too. She was very sweet and womanly. She sometimes asked Charles why he did not arrange a divorce with his wife and marry some nice woman. She could not bear the thought of his wasting his life over her. He told her that she was the only woman he had ever loved and that he must go on loving her till the end.

'It seems so sad,' said Julia.

All the same she kept her eyes open, and if she noticed that any woman had predatory intentions on Charles she took care to queer her pitch. She did not hesitate if the danger seemed to warrant it to show herself extremely jealous. It had been long agreed, with all the delicacy that might be expected from his good-breeding and Julia's good heart, in no definite words, but with guarded hints and remote allusiveness, that if anything happened to Michael, Lady Charles should somehow or other be disposed of and they would then marry. But Michael had perfect health.