Read Thirteen Phantasms Online
Authors: James P. Blaylock
Thirteen Phantasms (42 page)
There’s the image in my mind of a card house built of picture postcards pulled from a rusting wire rack of memories—the sort of thing that even a mouse wouldn’t live in, preferring something more permanent and substantial. But then, nothing is quite as solid as we’d like it to be and the map of our lives, sketched out across our memory, is of a provincial little neighborhood, crisscrossed with regret and circumscribed by a couple of impassable roads and by splashes of bright color that have begun to fade even before we have them fixed in our memory.
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Lord Kelvin’s Machine
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Thirteen Phantasms
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James P. Blaylock (1950 - )
James Paul Blaylock was born in Long Beach, California, in 1950, and attended California State University, where he received an MA. He was befriended and mentored by Philip K. Dick, along with his contemporaries K.W. Jeter and Tim Powers, and is regarded – along with Powers and Jeter – as one of the founding fathers of the steampunk movement. Winner of two World Fantasy Awards and a Philip K. Dick Award, he is currently director of the Creative Writing Conservatory at the Orange County High School of the Arts, where Tim Powers is Writer in Residence.
A Gollancz eBook
Copyright © James P. Blaylock 2000
All rights reserved.
The right of James Blaylock to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
This eBook first published in Great Britain in 2011 by
Gollancz
The Orion Publishing Group Ltd
Orion House
5 Upper Saint Martin’s Lane
London, WC2H 9EA
An Hachette UK Company
A CIP catalogue record for this book
is available from the British Library.
ISBN 978 0 575 11770 9
All characters and events in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.
No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without the prior permission in writing of the publisher, nor to be otherwise circulated in any form of binding or cover other than that in which it is published without a similar condition, including this condition, being imposed on the subsequent purchaser.
