To Crush the Moon (10 page)

They couldn't change their bodies, but clearly they could use their brains. And whatever they were passing, whatever they were saying to each other, the Red Sun workers seemed oblivious to it until it was too late, and their fate was sealed. When the mob had self-assembled into five clean ranks, they rushed their attackers. Silently at first, as rows one and two launched into motion, but then rows three and four let out an ululating yell, while row five raised its fists in defiance.

Nor were these kids afraid to absorb some hurt; the first two rows were sacrificial, simply throwing themselves against the Red Sun line—in some cases right up against the tazzers. This put the Red Sun workers off balance—literally—so that the third and fourth lines could sweep them off their feet, wrenching the tazzers from their hands. This was also sacrificial, as most of the kids involved went down twitching and grunting. But the fifth line swept over them without opposition, taking up the tazzers and hurling them away, without even bothering to use them against their owners.

Instead, the Red Sun people were hauled up by their armpits and threaded into cunning arm- and neck- and headlocks that made optimum use of the strengths and weaknesses of human anatomy. The guards, like everyone else, must be terribly hard to injure, but against overpowering
leverage
they had little recourse.

“Here now!” one of them said.

“This activity's unlawful,” tried another.

But more kids were streaming into the area, and the ones already here were finding their voices. “We're not hurting anything! Why are you on us like this? Leave us the hell alone!” And then, in a rising chorus: “Into the drink with you! Swim for it! Swim for it!
Swim for it!!
”

“Excuse me,” said the camera of Bernhart Bechs, buzzing down for a closer view.

Conrad didn't know what to feel. Barely fifteen seconds after the first commotion, the kids were dragging their captives toward the platform's edge, at the juncture between two of its flower petals, and they really were going to throw them in the water.

“Stop!” he shouted after them. “There are . . . there . . . shit. There are smarter ways!”

But nobody was paying attention to an old man's babbling, and if he jumped down there to intervene, in all likelihood he'd just be going for a swim himself. Damn! Whatever faults these kids might have, helplessness was clearly not among them. And Conrad had seen this all before, had
lived
it all more than once—the anger, the spontaneous order and chaos, the pent-up need for action.
Alas, Utopia,
Rodenbeck had written in the wake of the Children's Revolt,
thou retreatest from immorbid grasp as a cricket from fractious children.

And yea, verily, Conrad could feel it in his bones: the dream of a better life never ended, even when all sense said it should. And so the Queendom of Sol—forged with the loftiest of intentions by the best minds in history—was poised, once again, at the brink of revolution.

“Eternal life,” Conrad observed though no one was there to hear him, “is a tuberail car that won't stop crashing.”

chapter eight

in which old haunts are revisited

Perhaps Conrad should have stayed. Perhaps he
should have brought his negotiating skills to bear, and brokered some sort of agreement between the squatters, the platform's rightful owners, and the Constabulary who'd come pouring out of the fax gates a few minutes after the fighting had ended. Perhaps he should have let himself care. But in fact he did none of these things. Feck and Xmary knew the squatters better than Conrad did, and had also enjoyed more extensive contact with the Queendom bureaucracy. In some sense, they'd begun the negotiation process well before the actual skirmish—before Conrad's revival had even begun—and he didn't feel like playing catch-up.

Hadn't he done enough already? Didn't he have his own needs and wants? Indeed, far from helping Xmary help the kids, he tried to seduce her away.

“This so-called Basic Assistance is pretty hefty,” he said. “We can go places, do things. You've spent your life on spaceships, dear, and on worlds that might as well be spaceships. But here's a place that offers wonders beyond the dreams of Barnard.”

They were sitting side-by-side on the steps outside the park dome, enjoying the night breeze off the ocean while the crowds chattered and shouted behind them.

“Sorry,” she said with a sheepish look he could just barely read in
Sealillia
's night-light glow, “but the rest of us are already broke. We retraced our old footsteps in Denver and Tongatapu. Went to the moon, took a submarine ride. We've been here two weeks; we blew through our monthly allotment in one.”

“So get some money from your parents.”

She put her head on his shoulder and sighed. “They won't see me, Conrad. They're still livid about the Revolt.”

“Really? A thousand-year grudge?”

“You don't know my parents.”

“Hmm.”

“Anyway, I think we can make a difference here. We should get back inside.”

“I'm sick of making a difference,” Conrad said, scanning the night sky for some sign of the moon, which he still hadn't seen. “When I built the Orbital Tower, I felt like I was making a real contribution to Sorrow's future. Not like a stadium or an apartment building; this was something that
really helped
. But it wasn't enough; it didn't save the colony. And everything else I try just ends up . . . I don't know. It wasn't so bad on the ship, but we're among human beings again. And the thing about human beings . . . I just . . . It seems like wherever I go, people are fighting. And I can't help them, and I can't make them stop. Can't I be tired of that? Is that okay?”

“Sure,” she said, hugging his arm. “For a while. But every now and then you poke your head up at just the right time, and it
does
help. Sometimes fighting is the right thing to do. We can get by without you here, so yes, go on ahead. Spend your allowance; have some fun. Just don't turn your back when you
are
needed. There's no point living forever if you don't use yourself as a positive force.”

He made a smile she couldn't see. “Aye, Captain.”

“I mean it, Conrad.”

“So do I.” But then he scratched an eyebrow, cleared his throat and said, “If we all did that, all across the Queendom and throughout the colonies, a hundred and sixty billion people using their lives as a positive force . . . That seems so overwhelming. How can everybody help everybody, when we're crammed together like this, or dying out among the stars? I don't know
how
to use my life.”

“Well, not by throwing people in the ocean.”

And that, at least, they could both agree on.

He had been to every corner of Barnard system,
had
crossed every millimeter of the space between Barnard and Sol. Twice! He knew the land and seas of Sorrow from pole to pole, and he had radioed personality snapshots to a dozen other worlds, and gathered back scores of self-aware replies which he'd folded back into himself. He was quite possibly the best-traveled person in history. But Saturn's rings were a sight unequaled in the colonies, and Conrad had never seen them with his own eyes. So that was where he went first.

And God damn if it wasn't the most stunning sight his eyes had beheld since the first time he'd seen Xmary naked. From a hundred thousand kilometers above the seething cloudtops, at a latitude of twenty degrees south, he found himself looking “up” at a ring structure that filled the center of his view, leaving only the edges black.

The planet itself was more striking than either of Barnard's gas giants, Gatewood and Vandekamp. Unlike those blank turquoise spheres, Saturn's blonde atmosphere was broken into subtle bands of light and dark whose edges blended together in little swirls and ripples that were probably the size of Earthly continents. Some of the lighter bands were split by very thin ribbons of dark, snaking north to south and back again, and a few of the dark bands were home to brunette specks and ovals that were darker still: storms, shearing and growing out of the boundary ripples. In his sailing days, Conrad had been a student of Sorrow's weather, and had seen patterns like this in the thermal maps of her currents and trade winds. But not right there in the sky, all at once.

Even the limb of the atmosphere was interesting; against the blackness of space he could easily pick out three separate cloud layers—call them blonde, brunette, and redhead—floating above the general murk. You saw nothing like that when you were this close to Vandekamp, and at Gatewood it was too damned dark to see anything at all.

Conrad had seen—not personally but through the eyes of a holographic avatar—tidally locked planets like Gammon and Wolf, whose surfaces were as banded and stratified as any gas giant's atmosphere. The sun never rose or set; the melting point of water was a geographic location. That was kind of pretty, if inconvenient for the inhabitants. But for sheer visual impact it was nothing compared to the Eridanian world of Mulciber, where clouds of tin spilled as rain into quicksilver oceans, in countless craters smashed down by cometary impact. From its dusty moon—the only safe place to view it—the planet looked like an iron ball decorated with hundreds of circular mirrors.

Conrad had seen his share of ring systems, too, but here was the true majesty of Saturn; its rings were
young
, still nursing their original complexity. He could barely take his eyes off them. According to the hollie windows in the dome of the observation platform, each of the three main rings was wider than the Earth, and the innermost one began almost exactly one Earth diameter away from Saturn's visible edge. These were nice amaze-the-tourist facts, but from this vantage point Conrad couldn't really tell where the “three” rings were supposed to be; he counted at least a hundred, of so many different colors and thicknesses and brightnesses that they each, like mountains or oceans or cities, seemed to have a distinct character all their own.

The observation platform itself was interesting, too. He shared it with five other gawkers who'd come through the fax at the same time. And to keep them all from barfing in surprise as they sailed out through the print plate, there was gravity; not from a finicky graser but from actual Newtonian mass. Within its soap-bubble dome the platform was a flat triangle of diamond sitting atop another flat triangle, with a neuble's worth of neutronium squashed between them. A billion tons of matter: a fifty-fifty mix of protons and neutrons, with a haze of electrons shimmering around them, giving the substance a pearly appearance. The heart of the structure was, in essence, a single gigantic atom, pressed flat and oozing superfluidly into the corners of its prison.

Conrad had come to see the planet, but as the minutes stretched on, he found his attention drawn more and more to the floor beneath his feet. He'd learned a fair bit about neutronium during his brief tenure as a gravitic engineer, and had been fascinated by its liquid qualities. The theory of it all was far beyond him, but he'd gotten surprisingly far by thinking of neutronium as a kind of oil, impossibly slippery and impossibly dense.

There were whole
worlds
of this stuff out there in the wider universe: neutron stars. Atoms the size of Earth, with the mass of two or three suns, held together not by nuclear forces but by their own enormous gravity. In his more romantic moments, he sometimes dreamed of seeing one up close. What would it look like? What color would it be? If immorbidity meant anything at all, surely he must someday have the chance to find out?

In any case, between the extremes of hydrogen nuclei and neutron stars lay the man-made neuble: a two-centimeter atom held together by pure human stubbornness. They had only two uses: they could be squeezed into the tiny black holes from which collapsium was made, or they could be exploited architecturally for their intrinsic gravity, which was considerable.

In free space, the pull of an ordinary spherical neuble could break a person's back, could fold a person's limbs around itself in a bone-snapping, rib-crushing embrace that admitted no hope of escape, or even breath. He'd heard of accidents like that, where it took a team of specialists and superstrong robots a week and a half to pry the body off. Not for any sentimental reason, but because
burning
it off could ignite or destabilize the diamond shell, releasing the tremendous pressure it enclosed.
Bang.

For this reason, neubles were rarely encountered in free space, and the builders who employed them were
very
careful about surrounding them with protective structure. Their gravity fell away rapidly; two and a half meters away it was Earthlike, and at twenty-five you could barely feel it. Squashing one flat like this was a neat trick that spread the mass and gravity around, allowing you to get closer without getting killed. But it also struck Conrad as surprisingly risky for the staid old Queendom of Sol; he'd only ever heard of
circular
platforms being fashioned in this way. Squares and triangles had a nasty habit of concentrating stress at the corners.

“How old is this platform?” he asked the wall.

And one of the hollie windows replied, “A very intelligent question, sir. It has been in service as a tourist destination since Q20.”

The very earliest days of the Queendom, in other words. “Huh. And who designed it?”

“Declarant-Philander Marlon Sykes, sir.”

Ah. A man so comfortable with risk that he'd very nearly destroyed the sun, very nearly murdered the king and queen. He
had
murdered thousands of others, if incidentally, and he was a torturer, too—a closet sadist exposed only at the very end of his days. The Queendom had never imposed a death penalty, but in Sykes' case it had made something close to an exception, firing him off into the void at the speed of light, in a cage of collapsium that sealed him off forever from the universe of decent people.

A difficult man to admire, yes, but Conrad had studied architecture, and that was a subject one simply could not discuss without frequent invocation of that accursed name. Sykes had invented superreflectors and a hundred other common things, and was responsible for some of the most striking and innovative structures in human history. Including, arguably, the Nescog, which had been built amid the ruins of King Bruno's original collapsiter network. Bruno had designed the Nescog as well, but he'd had Sykes' own Ring Collapsiter, ill-fated but undeniably ingenious, to draw upon for inspiration.

“Hasn't anyone complained?” Conrad asked. “Aren't people afraid to come here? Why not just build a new platform?”

“Excellent questions,” the hollie window congratulated him. “I don't have the information here, and the speed of light is such that I may not locate it for several hours. But I will research these issues and forward the results to you.”

“Um, okay. Do you need my name?”

“I have your name, sir,” the window informed him proudly. “It's an indelible part of your fax trace, and also encoded in your genome.”

Ah. Of course. Conrad had grown up with all this, and it was slowly coming back to him. There was something vaguely unsavory about it—he'd never been crazy about machines that watched his every move, talked secretly among themselves, and also enforced such laws as they were able to. In what way did that advance the causes of freedom and human dignity? But at the same time, he felt a part of him melting with relief. On Sorrow there was no backup, no supervision,
no help
. If you got into trouble, you got yourself out or you died. Conrad and his friends got out; Bascal and
his
friends had apparently died. But no more. Here, that kind of death simply wasn't possible.

But Conrad's parents were Irish, and in spite of his best efforts they had managed to imprint him with a certain degree of superstition. He had seen a ghost once, no shit, and he looked around now, suddenly realizing all the other tourists had filed away without his noticing. He was here alone with the machines, on a platform designed by the very cleverest of history's monsters.

“I think I'll go to Denver,” he said to the fax machine, and hurried to fling himself through the plate.

But Denver, where arguably his own involvement in
the Children's Revolt had begun, was all wrong. Most of it hadn't changed at all; the old skyline was still there, instantly recognizable. The streets were still bursting with children—for this was a Children's City—and with buskers and athletes and
pedestrians
, for this was also an Urban Preservation District where short-range faxing was severely discouraged.

But though the old Denver was still visible beneath, today the city had a
lot
of extra grown-ups pushing their way through the streets of downtown, and a lot of robots scurrying daintily through morning errands. And the downtown district itself lay in the deep morning shadow of six enormous towers—not orbital towers, but simple pressurized stratscrapers capable of holding a million people each. Taller than the mountains to the west, taller even than the Green Mountain Spire which had once been the city's signature landmark, they . . . they ruined it. They made the city look small and artificial and old.