To the End of the War (27 page)

NOTES FOR THE INTRODUCTION

Jones to Maxwell Perkins, March 16, 1947, is quoted in George Garrett,
James Jones
. San Diego: Harcourt Brace Jovanovich, 1984, p. 89.

General biographical information about Jones is from Garrett,
James Jones
; Frank MacShane,
Into Eternity: The Life of James Jones American Writer
. Boston: Houghton Mifflin, 1985; George Hendrick, ed.,
To Reach Eternity: The Letters of James Jones
. New York: Random House, 1989.

Helen Howe and Don Sackrider provided information about Robinson.

Jones on Thomas Wolfe is from MacShane,
Into Eternity
, p. 32.

Jones on the possibility of being dead within a month is from MacShane,
Into Eternity
, p. 149.

Jones on soldiers’ acceptance that their names are on the roll of the dead is from James Jones,
WWII
. New York: Grosset & Dunlap, 1975, p. 54.

Jones on loss of confidence is from Hendrick,
To Reach Eternity
, p. 27.

Attu information is from Simon Rigge,
War in the Outposts
. Alexandria, Virginia: Time-Life Books, 1980, pp. 122, 135, 141; C. L. Sulzberger and others,
The American Heritage Picture History of World War II
. New York: American Heritage, n.d. pp. 16, 54–55, 330. The cry of “Japanese drink blood like wine” is from Sulzberger,
The American Heritage Picture History of World War II,
p. 330.

Jones’s “The Hill They Call the Horse” is published in Hendrick,
To Reach Eternity
, pp. 32–35.

Jones’s comments about his lovemaking in Memphis is from MacShane,
Into Eternity
, p. 63.

For information about the interest of Lowney Handy and James Jones in Eastern religions, see Steven R. Carter,
James Jones: An American Literary Orientalist Master
. Urbana: University of Illinois Press, 1998.

For Lowney Handy’s account of meeting Jones, see A.B.C. Whipple, “James Jones and His Angel,”
Life
, May 7, 1951, p. 144. See also, George Hendrick, Helen Howe, and Don Sackrider,
James Jones and the Handy Writers’ Colony
. Carbondale: Southern Illinois University Press, 2001, for an account of their relationship.

Jones on Lowney’s subjecting herself to him is from MacShane,
Into Eternity
, p. 77.

The summary of Jones’s talk with a psychiatrist is from MacShane,
Into Eternity
, p. 68.

For general information about Maxwell Perkins and James Jones, see A. Scott Berg,
Max Perkins: Editor of Genius
. New York: Dutton, 1978; John Hall Wheelock, ed.
Editor to Author: The Letters of Maxwell E. Perkins
. New York: Charles Scribner’s Sons, 1950; Burroughs Mitchell,
The Education of an Editor
. New York: Doubleday, 1980.

For a thought-provoking M.A. thesis, see Greg Randle,
James Jones’s First Romance: An Examination of “They Shall Inherit the Laughter.”
Sangamon State University (now the University of Illinois at Springfield), 1989. For Wheelock to Aley and Perkins to Jones, see p. 6.

Aley’s letter to Jones, March 25, 1945, is from the Handy Collection, Archives/Special Collections, University of Illinois at Springfield.

Jones to Perkins about
Laughter
lacking “resolution” from Hendrick,
To Reach Eternity
, p. 49.

Burroughs Mitchell on the faults of
Laughter
is from Mitchell,
The Education of an Editor
, p. 57.

ACKNOWLEDGMENTS

My thanks for the assistance of Helen Howe; Ray Elliott; Kaylie Jones; Librarians at the University of Illinois at Urbana-Champaign, the University of Illinois at Springfield, and the Urbana Free Library; Jean Thompson; and Don Sackrider.

—George Hendrick

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this book. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

Portions of the manuscript of
They Shall Inherit the Laughter
are published with the permission of the James Jones Estate. The new title is
To the End of the War.

copyright © 2011 the estate of James Jones

The manuscript of
They Shall Inherit the Laughter
and various documents concerning that unpublished novel are in the Handy Colony Collection, Archives/Special Collections, Norris L. Brookens Library, University of Illinois at Springfield and are published with permission.

cover design by Karen Horton

interior design by Danielle Young

ISBN 978-1-4532-1570-8

Published in 2011 by Open Road Integrated Media

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