Touchstone Anthology of Contemporary Creative Nonfiction (100 page)

BOOK: Touchstone Anthology of Contemporary Creative Nonfiction
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Still, after all the abstract intellection, there remain the facts of the frantically clanking lid, the pathetic clinging to the edge of the pot. Standing at the stove, it is hard to deny in any meaningful way that this is a living creature experiencing pain and wishing to avoid/escape the painful experience. To my lay mind, the lobster’s behavior in the kettle appears to be the expression of a
preference
; and it may well be that an ability to form preferences is the decisive criterion for real suffering.
*
The logic of this (preference
suffering) relation may be easiest to see in the negative case. If you cut certain kinds of worms in half, the halves will often keep crawling around and going about their vermi-form business as if nothing had happened. When we assert, based on their post-op behavior, that these worms appear not to be suffering, what we’re really saying is that there’s no sign that the worms know anything bad has happened or would
prefer
not to have gotten cut in half.

Lobsters, though, are known to exhibit preferences. Experiments have shown that they can detect changes of only a degree or two in water temperature; one reason for their complex migratory cycles (which can often cover one-hundred-plus miles a year) is to pursue the temperatures they like best.
*
And, as mentioned, they’re bottom dwellers, and do not like bright light: if a tank of food-lobsters is out in the sunlight or a store’s fluorescence, the lobsters will always congregate in whatever part is darkest. Fairly solitary in the ocean, they also clearly dislike the crowding that’s part of their captivity in tanks, since (as also mentioned) one reason why lobsters’ claws are banded on capture is to keep them from attacking one another under the stress of close-quarter storage.

 

   

In any event, at the Festival, standing by the bubbling tanks outside the World’s Largest Lobster Cooker, watching the fresh-caught lobsters pile over one another, wave their hobbled claws impotently, huddle in the rear corners, or scrabble frantically back from the glass as you approach, it is difficult not to sense that they’re unhappy, or frightened, even if it’s some rudimentary version of these feelings…and, again, why does rudimentariness even enter into it? Why is a primitive, inarticulate form of suffering less urgent or uncomfortable for the person who’s helping to inflict it by paying for the food it results in? I’m not trying to give you a PETA-like screed here — at least I don’t think so. I’m trying, rather, to work out and articulate some of the troubling questions that arise amid all the laughter and saltation and community pride of the Maine Lobster Festival. The truth is that if you, the Festival attendee, permit yourself to think that lobsters can suffer and would rather not, the MLF begins to take on the aspect of something like a Roman circus or medieval torture-fest.

Does that comparison seem a bit much? If so, exactly why? Or what about this one: Is it possible that future generations will regard our own present agribusiness and eating practices in much the same way we now view Nero’s entertainments or Aztec sacrifices? My own initial reaction is that such a comparison is hysterical, extreme — and yet the reason it seems extreme to me appears to be that I believe animals are less morally important than human beings
*
; and when it comes to defending such a belief, even to myself, I have to acknowledge that (a) I have an obvious selfish interest in this belief, since I like to eat certain kinds of animals and want to be able to keep doing it, and (b) I haven’t succeeded in working out any sort of personal ethical system in which the belief is truly defensible instead of just selfishly convenient.

Given this article’s venue and my own lack of culinary sophistication, I’m curious about whether the reader can identify with any of these reactions and acknowledgments and discomforts. I am also concerned not to come off as shrill or preachy when what I really am is more like confused, uneasy. For those
Gourmet
readers who enjoy well-prepared and-presented meals involving beef, veal, lamb, pork, chicken, lobster, etc.: How much do you think about the (possible) moral status and (probable) physical suffering of the animals involved? If so, what ethical convictions have you worked out that permit you not just to eat but to savor and enjoy flesh-based viands (since of course refined
enjoyment
, rather than just ingestion, is the whole point of gastronomy)? If, on the other hand, you’ll have no truck with confusions or convictions and regard stuff like the previous paragraph as just so much fatuous navel-gazing, what makes it feel OK, inside, to just dismiss the whole thing out of hand? That is, is your refusal to think about any of this the product of actual thought, or is it just that you don’t want to think about it? And if the latter, then why not? Do you ever think, even idly, about the possible reasons for your reluctance to think about it? I am not trying to bait anyone here — I’m genuinely curious. After all, isn’t being extra aware and attentive and thoughtful about one’s food and its overall context part of what distinguishes a real gourmet? Or is all the gourmet’s extra attention and sensibility just supposed to be sensuous? Is it really all just a matter of taste and presentation?

These last few queries, though, while sincere, obviously involve much larger and more abstract questions about the connections (if any) between aesthetics and morality — about what the adjective in a phrase like “The Magazine of Good Living” is really supposed to mean — and these questions lead straightaway into such deep and treacherous waters that it’s probably best to stop the public discussion right here. There are limits to what even interested persons can ask of each other.

*
There’s a comprehensive native apothegm: “Camden by the sea, Rockland by the smell.”

 

*
N.B. All personally connected parties have made it clear from the start that they do not want to be talked about in this article.

 

*
Midcoasters’ native term for a lobster is, in fact, “bug,” as in “Come around on Sunday and we’ll cook up some bugs.”

 

**
Factoid: Lobster traps are usually baited with dead herring.

 

*
Of course, the common practice of dipping the lobster meat in melted butter torpedoes all these happy fat-specs, which none of the council’s promotional stuff ever mentions, any more than potato industry PR talks about sour cream and bacon bits.

 

*
In truth, there’s a great deal to be said about the differences between working-class Rockland and the heavily populist flavor of its Festival versus comfortable and elitist Camden with its expensive view and shops given entirely over to two-hundred-dollar sweaters and great rows of Victorian homes converted to upscale B&Bs. And about these differences as two sides of the great coin that is U.S. tourism. Very little of which will be said here, except to amplify the above-mentioned paradox and to reveal your assigned correspondent’s own preferences. I confess that I have never understood why so many people’s idea of a fun vacation is to don flipflops and sunglasses and crawl through maddening traffic to loud, hot, crowded tourist venues in order to sample a “local flavor” that is by definition ruined by the presence of tourists. This may (as my Festival companions keep pointing out) all be a matter of personality and hardwired taste: the fact that I do not like tourist venues means that I’ll never understand their appeal and so am probably not the one to talk about it (the supposed appeal). But, since this FN will almost surely not survive magazine-editing anyway, here goes:
   As I see it, it probably really is good for the soul to be a tourist, even if it’s only once in a while. Not good for the soul in a refreshing or enlivening way, though, but rather in a grim, steely-eyed, let’s-look-honestly-at-the-facts-and-find-some-way-to-deal-with-them way. My personal experience has not been that traveling around the country is broadening or relaxing, or that radical changes in place and context have a salutary effect, but rather that intranational tourism is radically constricting, and humbling in the hardest way — hostile to my fantasy of being a true individual, of living somehow outside and above it all. (Coming up is the part that my companions find especially unhappy and repellent, a sure way to spoil the fun of vacation travel:) To be a mass tourist, for me, is to become a pure late-date American: alien, ignorant, greedy for something you cannot ever have, disappointed in a way you can never admit. It is to spoil, by way of sheer ontology, the very unspoiledness you are there to experience. It is to impose yourself on places that in all noneconomic ways would be better, realer, with out you. It is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: as a tourist, you become economically significant but existentially loathsome, an insect on a dead thing.

 

*
Datum: In a good year, the U.S. industry produces around eighty million pounds of lobster, and Maine accounts for more than half that total.

 

*
N.B. Similar reasoning underlies the practice of what’s termed “debeaking” broiler chickens and brood hens in modern factory farms. Maximum commercial efficiency requires that enormous poultry populations be confined in unnaturally close quarters, under which conditions many birds go crazy and peck one another to death. As a purely observational side note, be apprised that debeaking is usually an automated process and that the chickens receive no anesthetic. It’s not clear to me whether most
Gourmet
readers know about debeaking, or about related practices like dehorning cattle in commercial feed lots, cropping swine’s tails in factory hog farms to keep psychotically bored neighbors from chewing them off, and so forth. It so happens that your assigned correspondent knew almost nothing about standard meat-industry operations before starting work on this article.

 

**
The terminal used to be somebody’s house, for example, and the lost-luggage-reporting room was clearly once a pantry.

 

*
It turned out that one Mr. William R. Rivas-Rivas, a high-ranking PETA official out of the group’s Virginia headquarters, was indeed there this year, albeit solo, working the Festival’s main and side entrances on Saturday, 2 August, handing out pamphlets and adhesive stickers emblazoned with “Being Boiled Hurts,” which is the tagline in most of PETA’s published material about lobster. I learned that he’d been there only later, when speaking with Mr. Rivas-Rivas on the phone. I’m not sure how we missed seeing him in situ at the Festival, and I can’t see much to do except apologize for the oversight — although it’s also true that Saturday was the day of the big MLF parade through Rockland, which basic journalistic responsibility seemed to require going to (and which, with all due respect, meant that Saturday was maybe not the best day for PETA to work the Harbor Park grounds, especially if it was going to be just one person for one day, since a lot of diehard MLF partisans were off-site watching the parade [which, again with no offense intended, was in truth kind of cheesy and boring, consisting mostly of slow homemade floats and various midcoast people waving at one another, and with an extremely annoying man dressed as Blackbeard ranging up and down the length of the crowd saying “Arrr” over and over and brandishing a plastic sword at people, etc.; plus it rained]).

 

*
By profession, Dick is actually a car salesman; the midcoast region’s National Car Rental franchise operates out of a Chevy dealership in Thomaston.

 

**
The short version regarding why we were back at the airport after already arriving the previous night involves lost luggage and a miscommunication about where and what the midcoast’s National franchise was — Dick came out personally to the airport and got us, out of no evident motive but kindness. (He also talked nonstop the entire way, with a very distinctive speaking style that can be described only as manically laconic; the truth is that I now know more about this man than I do about some members of my own family.)

 

*
To elaborate by way of example: The common experience of accidentally touching a hot stove and yanking your hand back before you’re even aware that anything’s going on is explained by the fact that many of the processes by which we detect and avoid painful stimuli do not involve the cortex. In the case of the hand and stove, the brain is bypassed altogether; all the important neurochemical action takes place in the spine.

 

*
Morality-wise, let’s concede that this cuts both ways. Lobster-eating is at least not abetted by the system of corporate factory farms that produces most beef, pork, and chicken. Because, if nothing else, of the way they’re marketed and packaged for sale, we eat these latter meats with out having to consider that they were once conscious, sentient creatures to whom horrible things were done. (N.B. “Horrible” here meaning really, really horrible. Write off to PETA or peta.org for their free “Meet Your Meat” video, narrated by Mr. Alec Baldwin, if you want to see just about everything meat-related you don’t want to see or think about. [N.B.2 Not that PETA’s any sort of font of unspun truth. Like many partisans in complex moral disputes, the PETA people are fanatics, and a lot of their rhetoric seems simplistic and self-righteous. But this particular video, replete with actual factory-farm and corporate-slaughterhouse footage, is both credible and excruciating.])

BOOK: Touchstone Anthology of Contemporary Creative Nonfiction
13.81Mb size Format: txt, pdf, ePub
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