Authors: Ellen Hopkins
“I don’t plan to get drunk. And I don’t think you have the right to tell me how to live my life, or how I want to meet my mother. I’m a grown-up, Mikayla.” Her eyes drill into mine.
Maybe you
are. But sometimes lately, I wonder.
To engage or not to engage—the age-old question. I choose the latter, offer a smile.
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“Sometimes I wonder too. Anyway,
being a grown-up isn’t all that much fun.
You might consider that before you
decide to become one at seventeen.” I leave her to consider, go to the bar, and since time is relatively short, order two Bloody Marys. Can’t get drunk off those. Two much vegetable content.
I down one, nibble the green olive, think about my daughter’s observations.
What, exactly, has she seen to make her question my maturity level? I’m sure she has heard Jace and me argue, but we try to keep the ugly words behind a closed door. Is she privy to details?
I finish the second drink, arrive back at the gate minutes before they call our flight. The nervous edge has been blurred, but my speech is sharp when I tell Mikki, “Anytime you want to talk, 811/881
I’m here for you, okay?” Which turns out to be funny, because we don’t say one word to each other all the way to Vegas. I use the silent hour to nap.
ON THE FAR END
We catch a cab to our hotel. I chose one on the strip because Mik has never been here before and I wanted to immerse her in the luscious sleaze factor. Plus, they’re cheap this time of year. Even during the day, the garishness is obvious.
I watch her eyes go wide at the flesh advertisements.
God, Mom. Disgusting.
“Vegas was built on disgusting, m’dear.
But it’s kind of fun too, don’t you think?” The cabbie turns into the Venetian, with its tall pillars and marble walks and canals carved from sand. So much beauty, not quite disguising the ugly underbelly of this city.
We check into our suite—they’re all suites at the Venetian—and neither of us quite believes the impossibility of the room.
God, Mom …
(her favorite phrase)
A sunken living room, and did you
see
the bathroom? Can we stay an extra day?
“Not this trip. But maybe we can come back sometime soon.” I want to add, 813/881
“But not with a baby.” Instead, I say,
“Go relax. I’ll let Sarah know we’re here.”
SARAH AND TIA
My mother and half sister arrive
within the hour. I answer their knock, trembling trepidation. First impression: Sarah Hill is definitely my mother. For while I might have inherited a feature or two from Paul Driscoll, overall I am she, from my body type to the arch of my eyebrows. Second impression: she is every bit as nervous as I am. Tia, on the other hand, wears a halo of suspicion around a face that bears a slight resemblance to my own. “Come in. Please.” My sister walks by wordlessly, but my mother
pauses. Gently places a hand against my cheek.
I was afraid this day might
never come. I’m happy we can know
each other.
Her touch is foreign, her skin calloused and low-desert dry.
I flinch, look for deception in her eyes.
Perhaps I inherited “liar” from her too.
But I see only curiosity, and a hint 815/881
of some indefinable need. “Come on. Your granddaughter can’t wait to meet you.
And we have some catching up to do.”
WE
TALK
LONG
INTO
THE
EVENING
Sharing as much information as we
can squeeze into our time together.
Sarah’s a preschool teacher who
hates network television;
has three Maltese poodles;
is dating a “hot electrician”;
writes poetry and short stories!
Tia is a social worker who
loves sports—televised and live;
goes to church every Sunday;
is married to a prison guard;
is working on a novel!
When I tell them I’m a writer too,
there is much discussion. And then
Mikayla asks a question that stops
all conversation.
Wasn’t it hard
to give a baby up for adoption?
Sarah is direct.
Not at first. No one
encouraged me to keep her, and I
just couldn’t see doing it on my own.
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Mikayla isn’t finished.
You said
not at first. What about later?
Later I regretted my decision.
She turns to me.
I’m sorry I wasn’t
stronger.
Her words are an echo.
Close. Distant. Hollow.
WORDS ARE AN ECHO
A random repetition.
Laughter. Rhetoric.
A clash of cymbals
in empty sky, tambourines
against cloud pillows.
Words are an echo,
and when the wind tires,
they will crash,
empty syllables,
on sharp-toothed cliffs below.
Words are a breeze, weightless
as a hint of jasmine
whispered to the night.
Formless. Purposeless.
Trivial, except for the shiver
they leave in their wake.
Words are a breeze, and when
August descends, brazen,
they will
surrender
to summer’s lust.
Words are a shadow, elusive,
a scatter of promises
miring truth in abstraction.
Illusion. Theory.
The vastness contained in four
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inches between two people
on one couch.
Words are a shadow,
a source of light,
shuttered.
Marissa
THE HOUSE IS SHUTTERED
And not just the windows.
Everyone here has shuttered
our fear and sad uncertainty
behind a curtain of smiles.
We smile at each other. At
Shelby, whose light withdraws
ever deeper into the husk
of her humanity. I can’t stop
her retreat. No one can. Death
hovers at the foot of her bed.
Waiting. Inviting. And I know
it is only her overriding love
for us that keeps her here.
If I were brave, I’d tell her
to let go. Instead, I read her
stories. And Christian sings
her songs. And Mom repeats
nursery rhymes. Volleys
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of words so she knows
she is not alone as her heart
hiccups toward its last beat.
FRIENDS KEEP STOPPING BY
I wanted them to know so
they would have the chance
to tell Shelby they love her too.
So she might understand, in some
small way, her impact on this world.
Claire came with her baby.
Once, the sight of that bubbly,
perfect child might have sent
waves of envy washing over
me. Instead, she was a bolt
of life against the dark backdrop
of descending night. Appreciated.
Doug Schneider brought Joey,
who doesn’t understand that
Shelby will never again take
swim therapy with him. He told
her all about his new doctor
and his new school and I swear
his words broke through
her semi-conscious shell and
she smiled. At least a little smile.
Christian didn’t so much as blink
when Drew dropped in, stuffed
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Barney in hand. He cradled the gift in the crook of Shelby’s arm, shooed me from the room, tuned in to the real Barney, and told me to take a bath.
I settled for a quick shower.
Perhaps the biggest surprise,
visitorwise, was Andrea’s ex,
Steve. His fiancée, Cassandra,
was on his arm, and though
to look at her is to think “pole
dancer,” she marched right into
Shelby’s room and didn’t flinch
at the sight of her. In fact,
she told her all about her day,
shopping for an engagement ring,
which she proudly showed her.
Steve, on the other hand, stayed
well back from the bed, as if
worried death might be contagious.
But he did come, and before
he left, he told Shelby,
Be strong.
I hear it’s pretty great where
you’re going. Catch you on
the other side. There were tears
in his eyes. And in mine too.
Andrea wasn’t here when Steve
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showed up, a lucky coincidence.
She has spent more time here
than necessary, not that I don’t
appreciate it. Within our mostly
silent waiting, we have somehow
grown closer, words unnecessary
to the synergetic exchange of love.
AS FOR MY SON
I want him to go to school.
Hang out with his friends.
Spend time with Alex, who
has been my ally in that.
I half expected Christian
to argue, but he seems to
understand the need for Shane
to escape fate’s steady approach.
Death is not a dinner table
topic. Shane has only talked
about it with me once.
Are they
sure? What if they’re wrong?
When I told him every sign
pointed to the proximity of
her demise, his resilient veneer
shattered, and he was a small
child again.
No! It’s not fair!
Why did God let her live
at all, if he was only going
to give her this little time?
“I can’t speak for God,” I said.
“But I have thought long and
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hard about this. Shelby has given
us a glimpse of human perfection,
because inside that flawed
body is a spirit untouched
by greed or artifice or hatred.
Shelby is the essence of love.
And so maybe the reason for
her short time here is to show
us how we might love better.”
I didn’t realize then that Christian had been at the door listening.
Later he found me out on the deck,
watching the city light, window by
window, burst by colorful burst.
He circled his arm around my
shoulder, and I didn’t push it
away.
I heard what you told Shane.
It resonated because I have asked
myself the same question before
and never found that answer.
Thank you for giving it to me.
I spent the last hour watching
Shelby sleep, thinking about
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the too-few hours I gave her, and
what she managed to give back
to me. If I’d have thought …
Had I known … Oh, God, Marissa,
I am so sorry about everything …
Every motherfucking thing. His chest
heaved then, and I turned into him
and the next thing I knew, we
were kissing. Tenderly at first
and then with passion born of
the need to feel something not sad.
Something representative of living.
Some little semblance of love left
breathing in the ruins. And in that kiss, I found exactly that. What I
thought was a corpse, lifting
a fog against the mirror placed
above its lips. I don’t know if
it has a future, but for now I need to nurture any remaining thread
of life, however frail. As angels call Shelby ever closer home, I sleep
only when will fails me, and only
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by her side. Too soon, I’ll return
to my bed, and when I do, I’ll invite my husband back beneath the quilts.
At least, long enough for answers.
IT IS JUST PAST DAWN
When she opens her eyes
to see the sunrise, framed
by frothy pink curtains,
opened to let the new day in.
Fittingly, it is purple—violet
and crimson, against the creep
of storm clouds. She has slept
more than not, so her barely
audible
Pri-ee surprises me—
a small surprise of great magnitude.
“Yes, Shelster. Very pretty.”
Christian is right here next
to me, so when Shelby says,
See, and tries to lift her hand,
he looks where her eyes
are pointed. Shakes his head,
as if to rid it of cobwebs. Tenses
suddenly. Hisses,
Can you see her?
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I glance around the room.
There is no one but the three
of us. “See who, Christian?”
He shakes his head again. Blinks.
Nothing. No one. I thought …