Twice-Told Tales (4 page)

"My young friends here have their nerves a little shaken," said the
widow, with a smile, to the clergyman at the altar. "But so many
weddings have been ushered in with the merriest peal of the bells, and
yet turned out unhappily, that I shall hope for better fortune under
such different auspices."

"Madam," answered the rector, in great perplexity, "this strange
occurrence brings to my mind a marriage-sermon of the famous Bishop
Taylor wherein he mingles so many thoughts of mortality and future woe
that, to speak somewhat after his own rich style, he seems to hang the
bridal-chamber in black and cut the wedding-garment out of a
coffin-pall. And it has been the custom of divers nations to infuse
something of sadness into their marriage ceremonies, so to keep death
in mind while contracting that engagement which is life's chiefest
business. Thus we may draw a sad but profitable moral from this
funeral-knell."

But, though the clergyman might have given his moral even a keener
point, he did not fail to despatch an attendant to inquire into the
mystery and stop those sounds so dismally appropriate to such a
marriage. A brief space elapsed, during which the silence was broken
only by whispers and a few suppressed titterings among the
wedding-party and the spectators, who after the first shock were
disposed to draw an ill-natured merriment from the affair. The young
have less charity for aged follies than the old for those of youth.
The widow's glance was observed to wander for an instant toward a
window of the church, as if searching for the time-worn marble that
she had dedicated to her first husband; then her eyelids dropped over
their faded orbs and her thoughts were drawn irresistibly to another
grave. Two buried men with a voice at her ear and a cry afar off were
calling her to lie down beside them. Perhaps, with momentary truth of
feeling, she thought how much happier had been her fate if, after
years of bliss, the bell were now tolling for her funeral and she were
followed to the grave by the old affection of her earliest lover, long
her husband. But why had she returned to him when their cold hearts
shrank from each other's embrace?

Still the death-bell tolled so mournfully that the sunshine seemed to
fade in the air. A whisper, communicated from those who stood nearest
the windows, now spread through the church: a hearse with a train of
several coaches was creeping along the street, conveying some dead man
to the churchyard, while the bride awaited a living one at the altar.
Immediately after, the footsteps of the bridegroom and his friends
were heard at the door. The widow looked down the aisle and clenched
the arm of one of her bridemaids in her bony hand with such
unconscious violence that the fair girl trembled.

"You frighten me, my dear madam," cried she. "For heaven's sake, what
is the matter?"

"Nothing, my dear—nothing," said the widow; then, whispering close to
her ear, "There is a foolish fancy that I cannot get rid of. I am
expecting my bridegroom to come into the church with my two first
husbands for groomsmen."

"Look! look!" screamed the bridemaid. "What is here? The funeral!"

As she spoke a dark procession paced into the church. First came an
old man and woman, like chief mourners at a funeral, attired from head
to foot in the deepest black, all but their pale features and hoary
hair, he leaning on a staff and supporting her decrepit form with his
nerveless arm. Behind appeared another and another pair, as aged, as
black and mournful as the first. As they drew near the widow
recognized in every face some trait of former friends long forgotten,
but now returning as if from their old graves to warn her to prepare a
shroud, or, with purpose almost as unwelcome, to exhibit their
wrinkles and infirmity and claim her as their companion by the tokens
of her own decay. Many a merry night had she danced with them in
youth, and now in joyless age she felt that some withered partner
should request her hand and all unite in a dance of death to the music
of the funeral-bell.

While these aged mourners were passing up the aisle it was observed
that from pew to pew the spectators shuddered with irrepressible awe
as some object hitherto concealed by the intervening figures came full
in sight. Many turned away their faces; others kept a fixed and rigid
stare, and a young girl giggled hysterically and fainted with the
laughter on her lips. When the spectral procession approached the
altar, each couple separated and slowly diverged, till in the centre
appeared a form that had been worthily ushered in with all this gloomy
pomp, the death-knell and the funeral. It was the bridegroom in his
shroud.

No garb but that of the grave could have befitted such a death-like
aspect. The eyes, indeed, had the wild gleam of a sepulchral lamp; all
else was fixed in the stern calmness which old men wear in the coffin.
The corpse stood motionless, but addressed the widow in accents that
seemed to melt into the clang of the bell, which fell heavily on the
air while he spoke.

"Come, my bride!" said those pale lips. "The hearse is ready; the
sexton stands waiting for us at the door of the tomb. Let us be
married, and then to our coffins!"

How shall the widow's horror be represented? It gave her the
ghastliness of a dead man's bride. Her youthful friends stood apart,
shuddering at the mourners, the shrouded bridegroom and herself; the
whole scene expressed by the strongest imagery the vain struggle of
the gilded vanities of this world when opposed to age, infirmity,
sorrow and death.

The awestruck silence was first broken by the clergyman.

"Mr. Ellenwood," said he, soothingly, yet with somewhat of authority,
"you are not well. Your mind has been agitated by the unusual
circumstances in which you are placed. The ceremony must be deferred.
As an old friend, let me entreat you to return home."

"Home—yes; but not without my bride," answered he, in the same hollow
accents. "You deem this mockery—perhaps madness. Had I bedizened my
aged and broken frame with scarlet and embroidery, had I forced my
withered lips to smile at my dead heart, that might have been mockery
or madness; but now let young and old declare which of us has come
hither without a wedding-garment—the bridegroom or the bride."

He stepped forward at a ghostly pace and stood beside the widow,
contrasting the awful simplicity of his shroud with the glare and
glitter in which she had arrayed herself for this unhappy scene. None
that beheld them could deny the terrible strength of the moral which
his disordered intellect had contrived to draw.

"Cruel! cruel!" groaned the heartstricken bride.

"Cruel?" repeated he; then, losing his deathlike composure in a wild
bitterness, "Heaven judge which of us has been cruel to the other! In
youth you deprived me of my happiness, my hopes, my aims; you took
away all the substance of my life and made it a dream without reality
enough even to grieve at—with only a pervading gloom, through which I
walked wearily and cared not whither. But after forty years, when I
have built my tomb and would not give up the thought of resting
there—no, not for such a life as we once pictured—you call me to the
altar. At your summons I am here. But other husbands have enjoyed your
youth, your beauty, your warmth of heart and all that could be termed
your life. What is there for me but your decay and death? And
therefore I have bidden these funeral-friends, and bespoken the
sexton's deepest knell, and am come in my shroud to wed you as with a
burial-service, that we may join our hands at the door of the
sepulchre and enter it together."

It was not frenzy, it was not merely the drunkenness of strong emotion
in a heart unused to it, that now wrought upon the bride. The stern
lesson of the day had done its work; her worldliness was gone. She
seized the bridegroom's hand.

"Yes!" cried she; "let us wed even at the door of the sepulchre. My
life is gone in vanity and emptiness, but at its close there is one
true feeling. It has made me what I was in youth: it makes me worthy
of you. Time is no more for both of us. Let us wed for eternity."

With a long and deep regard the bridegroom looked into her eyes, while
a tear was gathering in his own. How strange that gush of human
feeling from the frozen bosom of a corpse! He wiped away the tear,
even with his shroud.

"Beloved of my youth," said he, "I have been wild. The despair of my
whole lifetime had returned at once and maddened me. Forgive and be
forgiven. Yes; it is evening with us now, and we have realized none of
our morning dreams of happiness. But let us join our hands before the
altar as lovers whom adverse circumstances have separated through
life, yet who meet again as they are leaving it and find their earthly
affection changed into something holy as religion. And what is time to
the married of eternity?"

Amid the tears of many and a swell of exalted sentiment in those who
felt aright was solemnized the union of two immortal souls. The train
of withered mourners, the hoary bridegroom in his shroud, the pale
features of the aged bride and the death-bell tolling through the
whole till its deep voice overpowered the marriage-words,—all marked
the funeral of earthly hopes. But as the ceremony proceeded, the
organ, as if stirred by the sympathies of this impressive scene,
poured forth an anthem, first mingling with the dismal knell, then
rising to a loftier strain, till the soul looked down upon its woe.
And when the awful rite was finished and with cold hand in cold hand
the married of eternity withdrew, the organ's peal of solemn triumph
drowned the wedding-knell.

The sexton stood in the porch of Milford meeting-house pulling lustily
at the bell-rope. The old people of the village came stooping along
the street. Children with bright faces tripped merrily beside their
parents or mimicked a graver gait in the conscious dignity of their
Sunday clothes. Spruce bachelors looked sidelong at the pretty
maidens, and fancied that the Sabbath sunshine made them prettier than
on week-days. When the throng had mostly streamed into the porch, the
sexton began to toll the bell, keeping his eye on the Reverend Mr.
Hooper's door. The first glimpse of the clergyman's figure was the
signal for the bell to cease its summons.

"But what has good Parson Hooper got upon his face?" cried the sexton,
in astonishment.

All within hearing immediately turned about and beheld the semblance
of Mr. Hooper pacing slowly his meditative way toward the
meeting-house. With one accord they started, expressing more wonder
than if some strange minister were coming to dust the cushions of Mr.
Hooper's pulpit.

"Are you sure it is our parson?" inquired Goodman Gray of the sexton.

"Of a certainty it is good Mr. Hooper," replied the sexton. "He was to
have exchanged pulpits with Parson Shute of Westbury, but Parson Shute
sent to excuse himself yesterday, being to preach a funeral sermon."

The cause of so much amazement may appear sufficiently slight. Mr.
Hooper, a gentlemanly person of about thirty, though still a bachelor,
was dressed with due clerical neatness, as if a careful wife had
starched his band and brushed the weekly dust from his Sunday's garb.
There was but one thing remarkable in his appearance. Swathed about
his forehead and hanging down over his face, so low as to be shaken by
his breath, Mr. Hooper had on a black veil. On a nearer view it seemed
to consist of two folds of crape, which entirely concealed his
features except the mouth and chin, but probably did not intercept his
sight further than to give a darkened aspect to all living and
inanimate things. With this gloomy shade before him good Mr. Hooper
walked onward at a slow and quiet pace, stooping somewhat and looking
on the ground, as is customary with abstracted men, yet nodding kindly
to those of his parishioners who still waited on the meeting-house
steps. But so wonder-struck were they that his greeting hardly met
with a return.

"I can't really feel as if good Mr. Hooper's face was behind that
piece of crape," said the sexton.

"I don't like it," muttered an old woman as she hobbled into the
meeting-house. "He has changed himself into something awful only by
hiding his face."

"Our parson has gone mad!" cried Goodman Gray, following him across
the threshold.

A rumor of some unaccountable phenomenon had preceded Mr. Hooper into
the meeting-house and set all the congregation astir. Few could
refrain from twisting their heads toward the door; many stood upright
and turned directly about; while several little boys clambered upon
the seats, and came down again with a terrible racket. There was a
general bustle, a rustling of the women's gowns and shuffling of the
men's feet, greatly at variance with that hushed repose which should
attend the entrance of the minister. But Mr. Hooper appeared not to
notice the perturbation of his people. He entered with an almost
noiseless step, bent his head mildly to the pews on each side and
bowed as he passed his oldest parishioner, a white-haired
great-grandsire, who occupied an arm-chair in the centre of the aisle.
It was strange to observe how slowly this venerable man became
conscious of something singular in the appearance of his pastor. He
seemed not fully to partake of the prevailing wonder till Mr. Hooper
had ascended the stairs and showed himself in the pulpit, face to face
with his congregation except for the black veil. That mysterious
emblem was never once withdrawn. It shook with his measured breath as
he gave out the psalm, it threw its obscurity between him and the holy
page as he read the Scriptures, and while he prayed the veil lay
heavily on his uplifted countenance. Did he seek to hide it from the
dread Being whom he was addressing?

Such was the effect of this simple piece of crape that more than one
woman of delicate nerves was forced to leave the meeting-house. Yet
perhaps the pale-faced congregation was almost as fearful a sight to
the minister as his black veil to them.