Authors: William Trevor
‘Is it community singing?’ Belle D inquires. ‘Is that what they mean?’ Her name is Belle Dymock, but for reasons of her own she has forbidden her surname’s use, while insisting also that her first name should not be employed on its own.
‘The community’s where you came from,’ the Spanish wife replies. Her surname, too, has caused difficulties, not because she dislikes it but because no one can pronounce it. She is not, in fact, Spanish herself, but has acquired her sobriquet through marrying a Spaniard who deserted her in Gibraltar.
‘Did you ever hear the like?’ another woman asks, a faded woman who speaks only when a subject catches her imagination.
‘It’s the tablets,’ Mrs Leavy explains. ‘Medication works wonders.’
They all say that. They say it and repeat it: the new drugs of the 1980s make the miracle possible. The doctor who cares for Belle D has told her she could easily work in the carpet factory again. Pretty Bríd Beamish – no fault of her own she
took a wrong turning – will be adorned in wedding finery yet, no reason in the world why she shouldn’t be. All that must be ensured is that the medication is taken, daily and precisely as prescribed. The assistance of family members will be required, assurances insisted upon. ‘Isn’t it the best leave-taking you could have?’ jovially remarks the doctor who has a beard, smiling at the faces of the unsmiling. Father Malley sits with each departing inmate, recalling Our Lady and her mercy.
‘Mary Louise! Come here, Mary Louise!’ Small Sadie beckons, and questions when she is obeyed: ‘Will you go back to the graveyard, Mary Louise? Will you get up to your tricks?’ Laughter cackles from the tiny woman’s throat. In the house she is often likened to a hen because of that noise she makes.
‘What tricks are those, Sadie?’
But Sadie only shakes her head. At night she is locked away alone. She broke a gardener’s arm one time. She’s in the house because too often she believes she has to break things and tear off wallpaper. A week ago she was told she would remain in care for a while yet.
‘Sadie’s the lucky one!’ she cries in the same shrill way. ‘Poor old eejits, what good is it to you? What good the Holy Apostolic Church? What good the dogs in the traps? Dog eats dog, Thundering Joe and Flashby. Tinned with rabbit.’
‘Oh, hold your damn noise,’ a woman snaps.
12
He brought binoculars in case the heron was about. The soldiers had been his father’s, he said. There were just those she’d seen, French and German: the battles he could reconstruct were limited.
‘You’ve heard about the watch?’ He lifted it from his jacket pocket. They were standing on the shallow bank of the stream he’d spoken of. If Mary Louise kept watching she’d see tiny trout swimming by.
‘It’s a pretty watch.’ She had admired it without saying anything when she’d first noticed him snapping it open. It was slender, golden, its case engraved, the chain finer than was usual.
‘My father, you know.’ He laughed. ‘You have heard, haven’t you?’
‘People tell a story.’
‘It’s true. If he had remembered the soldiers were still in the house he’d have tried to sell them too. I wish I’d known him.’
He explained that at the time when he’d ceased to come to school it hadn’t been because he was weaker than usual, but because his mother couldn’t any longer spare the time to drive there and back twice a day. She couldn’t afford help in the vegetable garden they made their living from: every hour was precious.
‘She taught me in the evenings. Not that I know much.’
‘Actually, you seem to know a lot.’
‘Certain subjects we didn’t bother with at all. I can hardly count, for instance.’ He lifted the binoculars from around his neck and handed them to her. She focused them and searched the undergrowth, upstream and down. He took them from her, then shook his head.
‘We’re out of luck today.’
But at least they saw the trout going by, a couple at a time. You could catch them with a net, he said.
‘Poor little things. I wouldn’t want to.’
He laughed. He pushed the shock of hair back from his forehead, which was his most familiar gesture. The smaller the trout were, he said, the better they tasted. Then he said:
‘They’re an intimidating pair, aren’t they, your husband’s sisters?’
‘A bit, I suppose.’
‘You live in the same house as them?’
‘Oh, yes. Above the shop.’
‘I’m not so sure I’d entirely care for that.’
They walked back the way they’d come. He said:
‘At your wedding my mother and I were in the second pew. I kept wondering what you’d look like. You passed up the aisle with your father but I only saw your back.’
‘I turned round when the whole thing was over.’
‘You were Mrs Quarry then.’
‘Yes, I was.’
‘I hadn’t seen you before that for ages.’ He paused. ‘Actually, you were beautiful that day. If you want to know, that’s what I thought.’
The flush came into her face. She looked away.
‘To tell you the truth, I’ve always thought you were a beauty.’
‘A beauty! Oh, go away with you, Robert!’
‘I always thought that,’ he repeated evenly.
He didn’t look at her; he wasn’t watching her, as he had on the previous Sunday. He stooped to pick a dandelion.
‘But I’m not in the least –’
‘You are, Mary Louise.’
She wanted him to go on, to say it again, to go into detail. But about to speak, he hesitated and then was silent.
‘I’m not beautiful in the least.’
‘Doesn’t Elmer Quarry think you are?’
‘I don’t know.’
‘Ask him and he’ll tell you. Of course he does.’
They were not walking in the direction of the house any more. He had veered off to the left, crossing the slope of a field.
‘Do you ever read Russian novels?’ he suddenly asked, disappointing her with this change of subject.
She shook her head.
‘I have a favourite Russian novelist,’ he said.
He continued on the subject as they walked. He spoke of people with difficult Russian names. He described a man with a long thin face and a tapering, flat-topped nose.
‘Where’re we going?’
‘There’s a graveyard. A most peculiar place.’
He related the plot of a story, so meticulously describing a hero and a heroine that they formed in her mind, their features like features seen on the screen of the Electric, a little more shadowy at first, but then acquiring clarity.
‘I used to think once,’ he confessed, ‘that I might try to write stuff like that.’
‘And did you try?’
‘I wasn’t any good at it.’
‘Oh, I’m sure –’
‘No, I wasn’t any good at it.’
They reached the graveyard, by the side of a lane that appeared to be no longer used. Its small iron gate could not be moved, he said, but the wall was not difficult to clamber over. He took her hand to help her.
‘I’d love to be buried here,’ he said. ‘It isn’t full but no one bothers with it now.’
It was hot among the headstones. The grass was long between the graves, like hay waiting to be cut even though it was spring.
‘A secret place,’ he said.
‘Yes, it is.’
Stunted thorn trees bounded it within its stone wall. If ever there had been paths they were no longer to be discerned. Some headstones lurched crookedly; those flat upon the graves had mostly sunk at one end.
‘I love it here,’ he said.
They sat down on the long grass, leaning against a headstone that recorded a death in the Attridge family. Other Attridges were all around them, other branches of the family, other generations.
James Attridge, born 1742, died September 1803, Safe Now in Heavenly Love. Percival Attridge, 1769–1828. Charlotte Jane Attridge, died 1840, aged one year. Susan Emily, wife of Charles. Safe Now in Heaven’s Arms. Peace, Perfect Peace.
‘It’s funny there isn’t a church,’ Mary Louise said.
‘It’s half a mile away. Derelict now.’
‘They’re Protestants buried here, aren’t they?’
‘Yes, they’re Protestants.’
‘A pity about the church.’
‘There’s a rosebush growing all over it. In and out of the windows. June’s the time to see that little church.’
‘I’d like to see it.’
‘I’ll show you some time. And the heron’s really there too, you know. I didn’t make the heron up.’
‘I didn’t think you made the heron up. Why would you do that?’
‘To make you come back.’
She wanted to say she’d thought her ignorance about the
things he liked would bore him, but she couldn’t find the courage. She traced a pattern on her pale green skirt with the tip of a forefinger. Her legs were tucked beneath her. The stone was warm on her back.
‘I’d have come back anyway.’
‘When I had to be taken away from Miss Mullover’s because there wasn’t time to drive me I wanted to try cycling. I did one day, but it didn’t work.’ He smiled. He was wearing the same corduroy trousers and the same tweed jacket he’d been wearing last week. His tie was tweed also, quite colourful, greens and reds. ‘I tried to arrange to go in with the milk lorry, but that didn’t work either because it went some roundabout way, and I wouldn’t have been able to get home again.’
‘You see buses for country children these days.’
‘D’you know why I wanted to continue at school so much?’
‘No, I don’t.’
‘D’you mind if I tell you?’
‘Why should I mind?’
‘It might embarrass you.’
‘Tessa Enright used to say everything embarrasses me. Miss Embarrassment she called me.’
‘I was fond of you, Mary Louise.’
She closed her eyes. She felt a flush, hot as a red-hot poker, creeping over her neck, into her cheeks, over her forehead, down into her shoulders even. It was so intense it made her skin feel tight. She’d never had one as bad as this, she thought.
‘I
have
embarrassed you,’ he said, and added hastily: ‘It all belongs to that time. It has nothing to do with now. It was awful not being able to turn my head to look at you, like having part of me cut away. I can’t tell you what it was like. And yet what good would any of it have been?’
‘When you’re that age –’
‘Oh, I know, I know.’
She felt the colour draining away from her face and neck. A
drop of perspiration itched on her chin, but she didn’t lift a hand, not wishing to draw attention to it, nor to distract him.
‘I’ve always wanted to tell you,’ he said.
She nodded, not knowing how to respond in any other way. She might have said she had thought herself to be in love with him: it was the natural thing to do, yet she could not. Did she know of his glances in Miss Mullover’s schoolroom without quite realizing it? What connection had there been? Something had been there, between them, something real – even if only for a week or two, before she transferred her affections to James Stewart. Yet a week or two was surely enough: that seemed so now.
‘You’ll still come back, Mary Louise? We’re cousins, after all. And anyway, you’re married now.’
‘Of course I’ll come back.’
‘People should know when they’ve been admired. That’s what I feel.’
‘It’s nice of you to tell me, Robert.’
The conversation ended there. Soon afterwards they walked back to the house, where the binoculars were hung on a hook in the passage outside the kitchen, and then there was tea beside the fire, as there had been the Sunday before. ‘Let me read you this,’ he said, taking a book from one of the piles around him.
It was time for her to go, but instead she watched him, opening the book, smiling, turning a page or two, raising his eyebrows before murmuring something about the length of the introduction, and then beginning:
‘A gentleman in the early forties, wearing check trousers and a dusty overcoat, came out on to the low porch of the coaching-inn…’
She believed she had never listened to a voice as beautiful. Delight caressed each word he uttered, gentleness or vigour matched phrase and sentence. If all he’d read was a timetable she would have been entranced.
‘The date was the twentieth of May in the year 1859…’
It was later than it had been last week by more than two hours when Mary Louise left. On the outskirts of the town she dismounted and unscrewed the valve of her bicycle’s back tyre. She’d had a puncture, she said when she arrived in the dining-room. The meal was over, and had been for some time.
The vet, Dennehy, was attentive. He and Letty saw
His Kind of Woman,
brought back for a second showing at the Electric, and
The Harder They Fall,
and
Cast a Dark Shadow.
Dennehy liked dancing and when he suggested the Dixie dancehall Letty did not demur, as she had in the past. It wasn’t too bad, she even agreed after they’d been there a couple of times.
Dennehy always collected her in his car. He would arrive at the farmhouse, drive into the yard and blow his horn twice, then smoke a cigarette while he waited. If Mr Dallon passed through the yard Dennehy got out and passed the time talking to him, usually about livestock prices. Sometimes Dennehy took Letty to a restaurant that had opened in a town nineteen miles away, the Rainbow Café; sometimes, when it wasn’t a night that the Dixie dancehall was open, or they’d seen the film at the Electric, they spent the evening in MacDermott’s bar. On the way home from wherever they’d been Dennehy invariably made a detour, driving to an unoccupied farm and parking in the yard. The headlights passingly illuminated tattered curtains hanging in the windows of the house, a blue halldoor in a discoloured cement façade. ‘An old fellow died there,’ Dennehy revealed. ‘You’d get a bargain with that place.’ In the yard he turned the headlights off and drew Letty into an embrace. He took liberties she had not permitted Gargan or Billie Lyndon to take. In time she laid her head back against the car seat and gave herself up to them.
*
Miss Mullover heard that Elmer Quarry had taken to drinking. She recalled the rather heavy, squarely-made child he’d been, solemn-featured, slow when he wrote down his conclusions – liking to do things properly – but swift of thought, except where algebra was concerned. In her small bungalow, regularly visited by ex-pupils of all ages, she reflected that drinking was not a Quarry weakness and that there’d been no talk of it before the marriage. Did they not get on? Did they quarrel? Was it all too much, the sisters being there too? Time was when Matilda and Rose Quarry had been the belles of Protestant whist drives for miles around, lovely-looking girls.