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Authors: James Patterson and Maxine Paetro

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This line of conversation was tricky. Rich is like a younger brother to me. We’re tight. We talk about everything. But, his ex-girlfriend
Cindy is my home girl. And Cindy was still suffering from their breakup six months ago. She hadn’t given up hope that she and Richie could get back together.

To tell the truth, I was hoping for that, too.

I kept my eyes on the road, staying on Lincoln, a two-laner flanked by historic buildings on the left and a parking lot on the right for visitors to the bridge. We drove slowly past the nifty
old houses on Pilots’ Row and then hit a wall of traffic.

“Looks like we’re walking,” I said.

I braked on the shoulder, turned on the flashers, grabbed my Windbreaker, and locked up. Then my
partner and I started up the incline. Richie didn’t miss a beat.

“So I was thinking I’d get her a pair of earrings. Or does the
ring
in
earring
send too much of a message?”

“Not unless they’re diamonds,”
I said.

“Hah,” said Conklin.

I said, “Rich, in my humble opinion, you and Tina are at flowers and dinner. That’s safe, sweet, and her mother won’t send out invitations.”

“Okay. And do I sign the card
love
or not?”

I couldn’t help it. I rolled my eyes and threw a sigh.

“Richie, do you love her? Or don’t you?
You
have to figure that one out.”

He laughed.

“Could you stop giggling?” I said.

He gave me a salute and said, “Yes, ma’am, Sergeant Boxer, ma’am. And could you put in for a sense of humor?”

“You’re asking for it,” I said.

I gave him a little shove, and he laughed some more, and we kept walking up the incline, passing cars that were inching forward and passengers who were getting out, shouting curses into the fog.

My cell phone rang again.

Claire said, “Hurry up, okay?
I can’t hold off the damned Bridge Authority much longer. The tow truck is here.”

TWO

THE SCENE WAS
surreal, and I don’t use the term lightly.

From what I could see, a late-model red Jeep had lost control in the outside northbound lane and then careered across five lanes before hitting the walkway barrier and slamming into the railing, which was bulging to accommodate the Jeep’s front end.

All but one lane had been closed, and a narrow ribbon of traffic was open to alternating
northbound and southbound traffic that crawled past the Jeep, which was swallowed by fog up to its tail lights.

Law enforcement vehicles were haphazardly parked on the roadway: Bridge Authority SUVs, Fire Department, CHP vehicles, black-and-whites, and personnel to match were all clumped up around the Jeep. I saw people I knew
from the ME’s Office shooting pictures of the accident. A traffic
cop heaved over the railing.

At the same time, a tow truck was pulling into position to remove the Jeep, in prep for reopening the road, the only thoroughfare between San Francisco and Sausalito.

A Bridge Authority uni checked out our badges and called out, “Dr. Washburn, you got company.”

Claire came out from behind her van, shaking her head, and said, “Hey, you guys. Welcome to some kind
of crazy. Let me give you the tour.”

She looked worried, and as we closed in on the Jeep, I saw why. The windshield had exploded outward, the front end was crushed accordion-style, and as I peered into the passenger compartment, my scalp actually crawled.

I’ve seen a lot of gruesome scenes in my fourteen years in Homicide, and this one vaulted to the top of the “most gruesome” list. I mean,
number one.

Two adults, white male in the driver’s seat, white female in the passenger seat, both looked to be in their late teens or early twenties. Their arms were akimbo and their heads thrown back, mouths open in silent screams.

But what drew my attention directly were the victims’ midsections, which were gaping, bloody holes. And I could see where the blood and guts had gone.

The driver’s
side was plastered with bits of human debris mixed with fragments of clothing and other detritus I couldn’t identify. One air bag was draped over the steering wheel. The other covered the passenger from the thighs down.

Claire said, “We’ve got blood and particles of human
tissue stuck all over everywhere. We’ve got damage to the seat belts and the dashboard and the instrument panel, and that’s
a button projectile stuck in the visor. Also, we’ve got a dusting of particulate from the air bags sugaring everything.

“These areas right here,” she said, pointing to the blown-out abdomens of the deceased, “this is what I’m calling explosive points of origin.”

“Aw, Christ,” Rich said. “They had bombs on their laps? What a desperate way to kill yourself.”

“I’m not ready to call manner of death,
but I’m getting a handle on cause. Look at this,” Claire said. She got an arm around the passenger and leaned the young woman’s body forward. I saw spinal tissue, bone, and blood against the back of the seat.

My morning coffee was now threatening to climb out of my throat, and the air around me seemed to get very bright. I turned away, took a couple of deep breaths, and when I turned back, I
had the presence of mind to say, “So, this bomb, or should I say
bombs
plural, blew all the way through the bodies?”

Claire said, “Correct, Lindsay. That’s why my premature but still educated opinion is that we’re looking at a bomb that exploded from inside the abdomen. Abdomens, plural.

“I’m thinking belly bombs.”

THREE

THE LUNCH-HOUR RUSH
had escalated from peeved to highly outraged. Traffic cops were taking crap from irate drivers, and TV choppers buzzed overhead like houseflies circling a warm apple pie.

The tow truck operator called out in my direction, “Hey. Like, can someone extract the victims? We gotta open the bridge.”

Here’s what I knew for sure: I was the ranking homicide cop on the scene,
the primary investigator until the case was permanently assigned. Right now, my job was to protect the scene from contamination, and, no joke, the scene was a six-lane highway.

I marched over to the tow-truck driver and told him, “Thanks, but the wreck is staying here and please extract your truck from my bridge.”

As the tow truck moved out, I addressed my fellow law enforcement officers, saying,
“Whatever this is, it’s
not
an accident. I’m locking the bridge down.”

“Bravo,” Claire said. “We agree.”

I dismissed nonessential personnel and phoned Charlie Clapper, head of CSU. I told him to drop whatever he might be doing and hustle over.

“Jam on the gas and jack up the sirens,” I said.

I reported in to Brady, told him what I knew. He said he would get hold of the chief and the mayor,
and would be on scene ASAP.

Yellow tape was unspooled and a perimeter was set up with a wide margin around the Jeep. Roadblocks were placed at both ends of the bridge. Conklin and I documented the scene with our cell-phone cameras and notepads and chewed over some theories.

I was enormously relieved when Clapper’s van came through with a flatbed truck behind it. Both vehicles parked outside
the cordon, and the unflappable Clapper and half a dozen criminalists disembarked.

Clapper is a crisply turned-out man in his late forties, a former homicide cop, and a very fine CSI. I went over to him and said, “I don’t think you’ve ever seen anything like this.”

After I briefed him on what I was calling a crime scene, we walked over to the wreck and Clapper poked his head into the vehicle.

He took a long look, then backed out and said, “It’s an explosion, all right. But the way I understand belly bombs, they’re mechanical devices, surgically implanted. Powder.
Cap. Detonator. I don’t see wires. I don’t smell explosive powder. And this is strange,” Clapper continued. “The blast was restricted to the front compartment. Bombs of this type are meant to blow up not just the vehicle,
but everything around it. You’re right, though. This is a new one on me.”

I said, “We’ve run the plates, but I want the bodies ID’d before
Eyewitness News
notifies next of kin.”

I pointed to a red nylon backpack in the rear foot well. After a tech shot photos of the bag and the fairly untouched rear compartment, I gloved up and unzipped the bag. Inside was a toy dog, a bunch of CDs, cell-phone
charger, and a blue spangled wallet.

Inside the wallet was a driver’s license.

“Our female victim is Lara Trimble, twenty-one, lives in Oakland,” I said.

There was a mess of paper litter in the rear compartment foot well and I found myself staring at something that might be important.

“Can you shoot that?” I asked.

Once forensics had photos, I lifted out a hamburger bag that hadn’t been damaged
in the blast.

“Hello,” I said out loud. “Is this where they had their last meal?”

Clapper said, “Thank you,” and then deftly took the bag from my fingers and sealed it in a glassine envelope. “This is what we like to call evidence.”

Claire joined us and said, “Charles, what are you thinking?”

“I’m thinking that this scene is going to be on the national
news in a wink. The FBI, Homeland Security,
ATF, as many Feds as can fit on the deck will be here in a half hour and the bridge will be closed until next Christmas. For twenty-four hours, anyway.”

The Golden Gate Bridge was a high-quality target, an American icon. Bombs on this bridge would scare everyone in San Francisco. It was scaring the crap out of
me
.

I called Brady’s cell and said that we were looking at possible terrorist activity.

He said, “Shit. Of course we are.”

Then we all stood around in the swirling fog and waited for the Feds to arrive.

PART ONE
SAVE THE LAST DANCE FOR ME
CHAPTER
1

A WEEK AFTER
belly bombs exploded inside two graduate students in a red Jeep, and because nonmetal bombs were of major concern to federal law enforcement, the Feds were working the terrorist implications. And they’d pretty much shut the SFPD out of the case.

While the FBI huddled and labored at our local FBI offices, the tide of worldwide headlines about a mysterious one-car crash that
tied up the Golden Gate Bridge for an afternoon receded and were replaced by breaking news of a movie star’s divorce, political shenanigans, and a significant freeway pile-up in south LA.

Meanwhile, the SFPD was treating the belly bombs as an unsolved crime, very likely a double homicide, and by SFPD, I mean Claire, Clapper, Conklin, and me.

It was just after 6:00 p.m. on a Monday night, and
Conklin
and I were at our desks in the Hall of Justice, home to the criminal courts, the DA’s Office, and the Southern Station of the SFPD. Homicide is on the fourth floor.

My partner and I work at facing desks in the bullpen, a windowless, twenty-by-twenty-foot square of fluorescent-lit gray linoleum floors and dingy walls of unknown color. There are twelve desks in this room. At the moment,
we had the room to ourselves and were reviewing the sparse facts of our belly bomb case.

Over the past couple of days, we’d interviewed the victims’ families. Lara Trimble’s grief-stricken loved ones swore that Lara had no enemies and that she was a music student, not a political activist.

David Katz, the young man who had driven the Jeep, had been doing postgrad work in psychology. Besides
being shattered, his parents were completely dumbfounded by their son’s unexplained and tragic death. They hadn’t even the slimmest guess as to why David and Lara had been killed.

Our week of thorough investigation into Trimble and Katz’s backgrounds and associates bore out the opinion of their family circle. These kids were not radical anything. They were victims.

Claire was still working with
Clapper on what could have been the explosive element and its delivery system, but for now, all we had was comprehensive documentation of the demolished car and a Whitman’s Sampler of trace evidence courtesy of the FBI.

Essentially we had zip, zero, nothing to go on that hadn’t been evident when we stood on the bridge a week ago.

I looked at the scene photos for the hundredth time, scrutinizing
them for something, anything, I may have missed. But when the night shift began filtering into our humble squad room, I was ready to close the book on the day.

I got my gear together and waved hello to cop friends and goodnight to Richie, leaving him on the phone cooing to Tina. My seven-year old Explorer was waiting for me in the lot on Harriet Street, and when I turned the key, she started
right up.

Twenty minutes later, I came through the front door of the roomy apartment I share with my husband, Joe, our six-month-old baby girl, Julie, and Martha, my border collie sidekick and Julie’s best doggy friend.

I called out, “Sergeant Mommy is home,” but there was no clicking of doggy toenails on hardwood, no “Hey, sweetie.”

It was way too quiet. Where
was
everyone?

I had my hand
on the butt of my nine as I went from room to room and back around to the foyer, the little hairs on the back of my neck standing up as I checked reference points: keys missing from the console, baby bottle in the sink, Joe’s slippers by his chair, empty crib—when the front door swung open.

Martha shot through the opening and jumped up on me. My gorgeous and wonderful husband was right behind
her, wheeling our child’s stroller into the foyer.

“Hey, Julie,” Joe said, “Look who’s home.”

I threw my arms around his neck, gave him a kiss, picked up my darling girl, and danced her around. I have
to say, Julie is the most gorgeous baby on the planet—and I’m not just saying that because she’s ours. She’s got her daddy’s dark hair and both of our blue eyes, and actually, I can’t take her
out without people rushing over to her and saying, “Oh, you’re so cute. Do you want to come home with me?”

And Julie will smile and put her arms out for them to take her! It’s kind of a riot—and it kind of scares me, too. I can’t turn my back on Julie for an instant, because she might go with
anyone
.

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