Urban Fantasy Collection - Vampires (86 page)

“So what do you care?” he says in a tight voice.

“It's my job.”

“You're awfully dedicated for a summer intern.”

“That's because for the first time I'm helping people, not hurting them.”

“We're not people, Ciara.” He slides his hand over mine. “No matter how much some of us might try, it's too late.”

He leans over and gives my temple a brief, cool kiss. A few moments later, he's out the door, no doubt on his way to a long, warm drink.

“It'll never work,” Regina says, tossing her lighter in the air and catching it. “Shane Evan McAllister has an expression number of three, with a soul urge of nine.”

As if I needed more proof they weren't human.

Lori would kill me if I told her that under her white makeup, tight black leather, and silver chains, she still looks like a Scandinavian pixie. Right now she's applying the same white pancake makeup to my face as we sit in the back office of the Smoking Pig. Strains of industrial Goth rock float from the bar. Between the music's driving beat and my anxiety over the party, I can barely hold still for her.

“Which accessory do you want?” she asks me.

On the desk lie a cross, an ankh, and a feather, all in heavy silver. I snatch the ankh. It goes well with my black leather miniskirt and green satin tieback bustier.

“So what's up with you and Shane?” she asks me.

“I have no idea.”

“Don't talk.” She dabs and smears. The makeup smells like paste. “Are the other DJs as hot as him? Blink once for yes, twice for no.”

“Lori, there's something you need to know about them.”

“Shh. They're vampires, I know.” Dab. “Your brows need waxing, by the way.”

“No, you
don't
know. They're vampires.”

“I know.” Smear. “It's the secret. You told me.”

I push her hand away and look her in the eye. “There's a secret behind the secret. Don't be alone with them. Don't even look them in the eye.”

Her eyes widen, innocent even within their painted black triangles. “Why not?”

“Because they really are vampires.”

Her face contorts. “Don't make me laugh—it'll crack the makeup.”

“Lori, I'm not kidding.”

“I always knew you were crazy.”

“This from the woman saving her pennies to start a Sherwood ghost tour business.”

She shakes her head. “There's a metaphysical basis for ghosts. See, when someone dies—”

“He bit me.”

“Who, Shane?” She brushes my hair from my neck. “I don't see any marks.”

“Not there.” I stand and lift my skirt. The fading scar features two purple punctures along the gash.

Lori leans forward and angles the hood of the banker's lamp on the desk to illuminate the wound. “Wow.” She sits back in her chair. “Your brows aren't all that need waxing.”

My fist clenches. “You'll understand when you see the older vampires. Deep in your gut, you'll know I'm telling the truth.”

“The truth about what?” growls a voice behind me.

Regina shadows the doorway. She's magnificent. Her
teased hair forms a black corona around her luminous face. A studded black leather mini dress slides like a second skin over a torn fishnet bodysuit, which has holes cut for her long, silver-ringed fingers. The only color lies on her lips, a deep, drinkable burgundy.

I turn back to Lori, whose mouth hangs open.

With the power of an opera diva crossing the stage, Re-gina glides forward on silver-buckled combat boots. Lori stands up suddenly, spilling the makeup on the floor.

“What the hell's wrong with her?” Regina asks me.

“I told her you're a vampire.”

“So?”

“I mean, I told her you're a vampire.”

“Aw, for fuck's sake, Ciara.”

“She's my best friend. I won't tell anyone else, and neither will she.”

“Damn right she won't.” Fangs out, Regina advances on Lori, who squeaks and backs up against the filing cabinet. Regina traces a sharp black fingernail down Lori's cheek, then neck, then lower, no doubt following a major blood vessel. “They'll be the last words she ever says. Isn't that right, little bit?”

Lori jerks her head back and forth. “I won't tell, I swear.”

Regina peers into her eyes. “Whose grave do you swear on?”

“That's enough.” I only let it go on this long because Lori needs to be scared. Scared, not abused. “Let her go.”

Without turning, Regina grabs the strap of my top and yanks me to her face. “I don't take orders from you.”

“I bet you'll take orders from this.” I snatch the silver
cross from the desk and thrust it toward her nose. A flicker of fear dances in her eyes, then she laughs.

“That has no power wielded by an unbeliever. You might as well come after me with a spatula.”

“Maybe I will.” I realize that makes no sense and try to recover. “David doesn't want you harassing civilians.”

Regina scoffs but lets us go, her fangs retracting. “I came to tell you I nicked some of Shane's CDs.” Her foot nudges the backpack she dropped on the way in. “That way if he shows up, maybe one of you posers can convince him to spin a few tunes.”

“Or maybe you can,” I say.

“I can't play that shit. It's not as bad as some, but—”

“No, I mean, maybe you can convince him.”

Her eyes lock on mine. “I don't have that kind of influence on him anymore,” she says, more softly than I've ever heard her speak. “I bollocksed that one up a long time ago.”

She slips out of the office without a sound, despite her heavy boots.

Lori grabs my arm with a cold hand. “She—she's—”

“A bitch and a half, I know. But one hell of a DJ.”

Lori starts to hyperventilate. I sit her in the chair and push her head down between her knees.

“You were right.” She sounds like she's trying not to cry. “I could feel it down in my blood.” She looks up at me suddenly. “What do we do?”

“Do?”

“We can't let them mingle with the crowd. Someone might get hurt.”

“They know how to handle themselves around humans. If they rampaged through every public gathering,
you think they'd have survived this long?” I help her to her feet. “But don't hook up with any of them unless you want to get bitten.”

She rubs her arms. “Why would anyone want that?”

“It's supposed to feel good—after the pain, that is.”

Lori looks at my thigh. “Did it?”

“I never got past the pain. You know me.”

She squats to gather the spilled makeup. “Shane didn't creep me out the same way that one did. He seems so normal.”

“He's younger, so he's less of a freak.” I pick up a runaway tube of black lipstick. “Plus, Regina just likes scaring people.”

Lori takes a deep breath. “So you're going out with a vampire who bit you? That's pretty messed up.”

“We're just friends.” I consider the good-night kiss and the string of 5:54 a.m. songs. “With potential.”

The packed bar is decked out like a Goth club, with metal— or a plastic facsimile thereof—covering wood wherever possible. The ceiling is covered with black balloons, which bop around in the air-conditioning breeze.

“I'm impressed,” I yell over the music to Lori's boss Stuart, whose black cape subtracts years from his forty-something age. His dark blond hair is slicked back with at least two handfuls of gel.

“Thanks,” he says. “Too bad I couldn't finish the bondage parlor in the game room. The cuffs kept falling off the foosball table.”

I look past him at the tiny raised stage in a dark corner of the bar, where Spencer, Jim, and Noah are conferring.
They're each dressed in their usual charmingly outdated— and distinctively nonghoulish—outfits.

“Have you met the vamps?” I ask Stuart with an ironic twist on the last word.

“I'm serving them free liquor, which makes me their temporary best friend. They laughed at my cape, though.”

I withhold comment and turn to the table holding our WVMP merchandise, which Franklin is hawking in fine barker fashion.

“Ciara?”

I look up to see David approach. He stops and does a doubletake at my outfit. I return the gesture. He's dressed all in black—jeans, boots, and a tight T-shirt covered with a leather jacket.

“Hel-lo.” He scratches his head after hearing the inflection of the word. “I mean, hi. Spencer says Monroe's coming by when he gets off work at midnight.” He pauses, no doubt waiting for me to ask about Shane. “No word from the other one. I'll try again.” He pulls out his cell phone and steps into the kitchen.

I join an uncostumed Franklin behind the sales table, since a line of excited customers is starting to form. People actually want to pay for the privilege of advertising our business. Most radio stations have to give away T-shirts and bumper stickers; but most radio stations don't have vampire DJs (again, I'm assuming).

As Franklin delivers the goods, I take people's money and give them change. From the corner of his eye, he watches me handle the cash, probably making sure none of it finds its way into my pockets.

When the next customer walks away, T-shirt in hand,
I lean over to Franklin. “Relax. Con artists don't steal. We take.”

“There's a difference?”

“Why go to the trouble of robbing someone's money when they're perfectly willing to give it to you?” I unzip the cash pouch and pull out a ten-dollar bill. “For instance, if I took this and turned it into twenty, with Stuart's help, that wouldn't be stealing.”

Franklin frowns at the ten. “How do you turn that into a twenty?”

“I'll show you.” I start to approach the bar, then stop, gesturing to the six-person-deep crowd. “He's too busy now. We'll just practice here.” I step to the other side of the table. “Hey, mister, I'd like to buy one of those swell ‘Feed the Need' buttons.”

He hesitates. “That'll be a dollar.”

I hand him the ten, and he gives me nine dollars in change. “Oh wait.” I look at the cash pouch. “This won't work.”

“Why not?”

“We don't have enough ones to do the whole trick.” I dig into my pocket and bring out a wad of dollar bills. “Here, let me give you ten ones for that, and we can start over.”

“Okay.” He gives me the ten.

I count out some ones. “Why do people come to bars with big bills? It drives Lori batshit.” I place the ten he just gave me on the bottom of the pile of nine ones, which I hand back to him.

Franklin recounts the money, eyeing me suspiciously. I wave my bare arms to show I have nothing up my sleeves.

“Hang on.” He holds up the stack of bills. “You gave me too much. There's nineteen dollars here.”

“Crap.” I grit my teeth. “I'm so out of practice it's pathetic.” I sigh and pull out another dollar bill. “Here, let me just give you one more and you give me a twenty to even it out.”

“Thought you could outsmart me, heh?” He takes the bill and pulls a twenty out of his pile.

I smile sheepishly. “I wanted to impress you. You are the master, after all.”

He slaps the bill into my palm. “Better luck next time.”

I pick up my negative-nineteen-dollar button. “Buy you a drink?”

I decide not to add, “sucker.”

The Goth music fades as a light comes up on the stage. Spencer steps up to the microphone, the light glinting off his slicked-back auburn hair. The crowd hushes to murmur level as he surveys them with dark, hypnotic eyes.

“Thank you all for coming out to hear our little show.” He holds the mike in one hand and shifts the stand in a gesture of false bashfulness. “Along with playing some tunes to get you moving, we've been asked to tell our stories tonight. Stories of how we became vampires.” The crowd emits scattered snickers, but Spencer's face bears such an earnest look of wild innocence that most people just stare.

“Some of us wanted to live forever,” he says. “Some of us just wanted to live.” His Adam's apple bobs once, and his eyes go far away for a moment so brief I'd have missed it if I'd blinked.

“But for all of us,” he continues, “it was about the music. The music turned us as much as the blood.”

At the last word, the crowd buzzes, titillated.

“Lotta people say rock 'n' roll is about goin' all the way, seeing as that was the original meaning of the term.” From beneath his long, dark lashes, he sends the women to his left a look that says,
I wouldn't know anything about that, but maybe you could show me.

“Rock 'n' roll is really about immortality,” he continues. “Thanks to Mister Edison's invention, your great-great grandchildren can hear Elvis and Jerry Lee like they were sitting right there with them in that Memphis studio. That's living forever, folks.

“But immortality isn't just about not dying—it's about never growing old, never growing up, never
wanting
to grow up.” He tosses off another self-effacing smile, as if surprised by his own conclusion. “You might say being vampires has given us the ultimate rock 'n' roll lifestyle.”

He hits a switch on the turntable, launching into “Blue Suede Shoes”—the Carl Perkins version. Within moments the crowd is bopping and twisting and whatever else-ing the music inspires their bodies to do. Spencer eyes the line of adoring women again. I watch him for signs of bloodthirst, but instead of rubbing his face, he just runs a hand through his hair and smooths the front of his white T-shirt in a classic cool preening gesture.

“What do you think?” says a familiar voice in my ear.

I turn to see David. “I think Spencer slinked out of telling his story. Do you know it?”