"V" is for Vengeance (11 page)

She looked back at the redhead, alerted by the doting smile the woman was lavishing on Channing. It was the only photograph on the entire page where a woman was gazing at her companion instead of smiling directly at the camera. She read the caption and felt a silvery chill, like a veil of mercury, envelop her from head to toe. Thelma Landice. She had her hand tucked in the crook of Channing's arm. His right hand covered hers. Thelma was still overweight, but she'd managed to compress and confine every excess pound into a bloated approximation of the hourglass figure Marilyn Monroe had made famous thirty years before. Gone were Thelma's yellowing teeth and the drab, ill-cut hair. Now her gaudy dyed red tresses were smoothed into a french roll. She wore diamond earrings, and the smile she flashed showed several thousand dollars' worth of snow white caps.

Nora felt the heat rise in her face as comprehension flooded her frame. She'd misunderstood. She'd misread the signs. Meredith hadn't sent her those beseeching looks in hopes of confiding her own marital misery. She'd pitied Nora for what she and half of Hollywood knew was going on between Channing and Thelma Landice, the
fucking typist
who worked for him.

Dante had taken up swimming for the second time in his life when he bought the estate in Montebello eighteen years before. He was actually Lorenzo Dante Junior, commonly referred to as Dante to distinguish him from his father, Lorenzo Dante Senior. For security reasons, he avoided exercising in the open, which meant jogging, golf, and tennis were out. He'd set up a home gym, where he lifted weights three times a week. For cardio, he swam laps.

The thirty-two-acre property was surrounded by a stone wall, with entrance effected through electric gates, one set at the front and a second set at the rear, each with its own small stone guardhouse complete with a uniformed armed guard. There were six men altogether, working eight-hour shifts. A seventh oversaw the security cameras, which were monitored in situ by day and remotely by night. There were five buildings on the compound. The two-story main house had a detached five-car garage, with two apartments above. Tomasso, Dante's chauffeur, lived in one, and the other was occupied by his personal chef, Sophie.

There were also a two-bedroom guesthouse and a pool house, which included Dante's home gym and a twelve-seat theater. Dante's home office was in a sprawling bungalow, referred to as “the Cottage,” which had its own living room, bedroom, one and a half baths, and a modest kitchen. He also had a suite of offices in downtown Santa Teresa, where he spent the better part of his workday. The Cottage and the pool house appeared to be separate from the main house but were actually connected by tunnels that branched off in two directions under the tennis court.

Dante had added the indoor lap pool across the back of the main house: two lanes wide and twenty-five yards long with a retractable roof; the bottom and sides were lined with iridescent glass tiles, and when the sun shone overhead, it was like moving through a shimmering rainbow of light. His mother had taught him to swim when he was four years old. She'd been fearful of the water as a child, and she made certain her own children were skilled swimmers from an early age. Dante did twenty-five laps a day, starting at 5:30 in the morning, counting backward from twenty-five to zero. He kept the water temperature seventy degrees, the surrounding air at eighty-four. He loved the way sound was muffled by the water, loved the simplicity of the crawl stroke, loved how clean and empty he felt when he was done.

He and Lola, his girlfriend of eight years, had returned the night before from a ski trip to Lake Louise, where a fluke in temperatures made the runs almost too sloppy to ski. He hated cold weather anyway, and if it had been up to him, he'd have cut the trip short, but Lola was adamant and wouldn't even entertain the idea. He found vacations stressful. He didn't like to be idle and he didn't like being separated from his business dealings. He was looking forward to getting back in the swing of things.

At 7:00 that Monday morning, he showered and dressed. He could smell coffee, bacon, and something sugar-scented. He looked forward to eating in solitude, catching up on the news while he lingered over his meal. Before he went down to breakfast, he stopped by his father's quarters on the second floor. The door was open and the nurse was in the process of changing his sheets. She told him his father had had a rough night and had finally abandoned any hope of sleep. He'd put on his suit and had Tomasso take him into the office in Santa Teresa. Most days, the old man sat at his desk for hours, drinking coffee, reading biographies of long-dead political greats, and working the
New York Times
crossword puzzle until it was time to go home.

Dante went down to the basement level and took the tunnel from the main house to the Cottage. Coming up from below, he crossed a short stretch of lawn to the guesthouse to pay his morning visit to his Uncle Alfredo, who'd been living there since he was discharged from the hospital after cancer surgery the year before. Originally, the guesthouse had been set up to accommodate a series of nannies who worked for the previous owner. Now one of the two bedrooms was outfitted with a hospital bed and the second bedroom was available for the night nurses. A nurse's aide came in days to help with his care.

Alfredo was his father's sole surviving brother and virtually penniless. Two younger brothers, Donatello and Amo, at ages nineteen and twenty-two, had died the same day, February 7, 1943, two days before the Battle of Guadalcanal came to an end.

Dante couldn't figure out what had happened to Pop and his Uncle Alfredo. How could you reach the end of your life and have nothing to show for it? Pop claimed it was bad financial advice from an accountant who was “no longer with the firm,” meaning six feet under. Dante suspected what his father referred to as bad financial advice was really the function of his living perpetually beyond his means.

Lorenzo Senior was a local boy who'd risen to prominence during Prohibition, smart enough to cash in on the boom. The market was wide open with a premium placed on rotgut liquor. Gambling and prostitution seemed to flourish in the same spirit of excess. He'd never regarded the major syndicate mobsters as his allies. New York, Detroit, Chicago, Kansas City, and Las Vegas seemed remote. He was distantly related to many of the players, but his ambitions were strictly provincial, and Santa Teresa was the perfect small community for promoting the sin trades. His organization became a feeder to San Francisco and Los Angeles. Beyond those two cities, he had little interest. He didn't interfere with the big boys and they didn't interfere with him. He had an open-door policy, offering safe haven for any made man who needed to lay low for a while. He also entertained his Midwest and East Coast cronies with a generous hand. The West Coast was already a magnet to rich and restless citizens who came from every part of the country, looking for sunshine, relaxation, and sheltered surroundings in which to indulge their low appetites.

For six decades, Lorenzo Senior had enjoyed his status. Now he was treated with all the deference due a man who'd once wielded power but wielded it no more. Times had changed. The same money could be made from the same sordid activities but with a firewall of paid protection. The legal profession and big business now provided all the cover that was needed, and life went on as before. Control had passed to his oldest son, Dante, who'd worked for years papering over the cracks with a veneer of respectability.

Lorenzo had taken for granted he'd die young and therefore had no need to provide for himself in his old age. Alfredo was the same way, so maybe it was something they'd learned in their youth. Whatever the source of their poor decisions, they now lived on Dante's dime. He also supported his brother, Cappi, who was supposedly “getting on his feet” after an early release on a five-year bid at Soledad. Three of Dante's four sisters were spread out across the country, married to men who did well (thank god) with twelve children among them, democratically distributed at three apiece. Elena lived in Sparta, New Jersey; Gina in Chicago; and Mia in Denver. His favorite sister, Talia, widowed two years before, had moved back to Santa Teresa. Her two sons, now twenty-two and twenty-five, were college graduates with good jobs. Her youngest, a daughter, was attending Santa Teresa City College and living at home. Talia was the only one of his sisters he talked to with any regularity. Her husband had left her megabucks and she didn't look to Dante for financial support, which was a blessing. As it was, he had twelve full-time and five part-time employees at the house.

Dante tapped on Uncle Alfredo's door and the nurse admitted him. Cara had worked the morning shift, making sure the old man was clean, freshly dressed, and had taken his daily regimen of medications. Alfredo was in pain much of the time, but there were moments when he was able to sit out on the patio surrounded by the roses Dante had planted for him when he first arrived. That's where Dante found him now, his white hair still damp from his sponge bath. He had a shawl pulled over his shoulders and he had his eyes closed, enjoying the early morning sunshine.

Dante pulled up a chair and Alfredo acknowledged him without bothering to look.

“How was Canada?”

Dante said, “Boring. Too warm to ski and too cold to do anything else. Two days in, my knees were killing me. Lola claimed it was psychosomatic so I got no sympathy. She said I was just looking for an excuse to go home. How are you?”

His uncle managed a half smile. “Not wonderful.”

“Mornings are tough. It'll get better as the day goes on.”

“With enough pills,” he said. “Yesterday, Father Ignatius came to the house and heard my confession. First time in forty-five years, so it took a while.”

“Must have been a relief.”

“Not as much as I'd hoped.”

“Any regrets?”

“Everybody has regrets. Things you did, you shouldn't have. Things you didn't do, you should have. Hard to know which is worse.”

Dante said, “Maybe in the end, it doesn't matter.”

“Believe me, it matters. Tell yourself it doesn't, but it does. I repented my sins, but that don't repair the damage.”

“At least you had a chance to come clean.”

Alfredo shrugged. “I wasn't entirely candid. Close as I am to leaving this earth, there are some secrets I'm reluctant to give up. It's a burden on my soul.”

“You still have time.”

“Don't I wish,” he said mildly. “How's Cappi doing?”

“That fuck's got more ambition than brains.”

Alfredo smiled and closed his eyes. “So use that to your advantage. You know Sun-Tzu,
The Art of War
?”

“I do not. He says what?”

“‘To secure ourselves against defeat lies in our own hands, but the opportunity of defeating the enemy is provided by the enemy himself.' You understand what I'm saying?”

Dante studied his uncle's face. “I'll give it some thought.”

“You better do more than that.” Uncle Alfredo fell silent.

Dante watched the rise and fall of his chest, shoulders now spindly, arms as white as bone. His knuckles were red and swollen, and Dante imagined they'd be hot to the touch. A gentle snoring began, which at least signaled that the old man was alive if not attentive. He admired Alfredo's stoicism. The fight was wearing him down, the pain grinding away at him, but he didn't complain. Dante had no use for people who whined and bellyached, an attitude he'd learned from Pop, who wouldn't tolerate complaints from him or from anyone else. Dante had lived his life listening to his father's admonitions about people whom he considered weak and stupid and conniving.

Dante was the eldest of six. Cappi was the youngest with the four girls between them. After his mother had walked out, Lorenzo had taken to beating Dante with a savagery that was unrelenting. Dante took the punches, thinking to protect his little brother. He knew Lorenzo would never lay a hand on the girls. Between the ages of twelve and fourteen, Cappi was subject to the same abuse, but then something changed. Cappi began to fight back, refusing to take the old man's crap. For a brief period, the violence escalated and then, suddenly, Lorenzo backed off. Whatever the strange dynamic between them, Cappi had ended up just like Pop, careless, mean, and impulsive.

The dining room was empty when Dante sat down. Sophie had laid out the
New York Times
, the
Wall Street Journal
, the
Los Angeles Times
, and the local paper that Dante occasionally scanned for gossip. Lola wouldn't be joining him. She'd use jet lag as today's excuse for sleeping in. Lola was a night owl, staying up until all hours watching TV, old black-and-white movies shown nightly on an off channel. Most days she wouldn't emerge from the master suite until early afternoon. One day a week she went into the office and made a show of being useful. He'd put her on the payroll and he insisted she do something to earn her keep.

She was the first woman who'd been in his life longer than a year. He'd always been wary of women. He made a point of keeping his distance, which most women found intriguing at first, then infuriating, and finally intolerable. Women wanted a relationship that was concrete and clearly defined. The commitment talk would begin after the first few months and accelerate until he shut it down and the women moved on. He never had to break up with them. They broke up with him, which suited him just fine. It had been pointed out to him more than once that he was attracted to the same type over and over: young, dark-haired, dark-eyed, and thin; in effect, his mother at thirty-three when she'd left without a word.

Lola was different, or so it seemed. They'd met in a bar on her twenty-eighth birthday. He'd stopped in for a drink, bringing his usual contingent: chauffeur, bodyguard, and a couple of pals. He'd noticed her the minute he walked in. She was there celebrating with friends, in the midst of a Champagne toast when he sat down at the next table. Dark mane of hair, dark eyes, a voluptuous mouth. She was long-limbed and rail thin in tight jeans and a T-shirt through which he could see the shape of her small breasts. She'd spotted him about the same time, and the two had played eye-tag for an hour before she walked over and introduced herself. He'd taken her back to his place, thinking to impress her. Instead, she'd been amused. He learned later that her tablemates had warned her about him . . . for all the good it did. Lola was attracted to bad boys. Until she met Dante, she'd spent years bailing guys out of jail, believing their promises, waiting for them to change. Lola stuck with them through their prison sentences and stints in rehab. Her faith in them rendered her only more gullible in the face of the next unlucky loser.