Valley of the Worm (18 page)

“You mean you were in earnest about cutting out your heart?” demanded Doc Blaine.

“It has to be,” answered old Garfield. “A livin’ thing in a dead thing is opposed to nat’er. That’s what Ghost Man said.”

“Who the devil
was
Ghost Man?”

“I told you. A witch-doctor of the Lipans, who dwelt in this country before the Comanches came down from the Staked Plains and drove ’em south across the Rio Grande. I was a friend to ’em. I reckon Ghost Man is the only one left alive.”

“Alive? Now?”

“I dunno,” confessed old Jim. “I dunno whether he’s alive or dead. I dunno whether he was alive when he came to me after the fight on Locust Creek, or even if he was alive when I knowed him in the southern country. Alive as we understand life, I mean.”

“What balderdash is this?” demanded Doc Blaine uneasily, and I felt a slight stirring in my hair. Outside was stillness, and the stars, and the black shadows of the post-oak woods. The lamp cast old Garfield’s shadow grotesquely on the wall, so that it did not at all resemble that of a human, and his words were strange as words heard in a nightmare.

“I knowed you wouldn’t understand,” said old Jim. “I don’t understand myself, and I ain’t got the words to explain them things I feel and know without understandin’. The Lipans were kin to the Apaches, and the Apaches learnt curious things from the Pueblos. Ghost Man
was
—that’s all I can say—alive or dead, I don’t know, but he
was
. What’s more, he
is
.”

“Is it you or me that’s crazy?” asked Doc Blaine.

“Well,” said old Jim, “I’ll tell you this much—Ghost Man knew Coronado.”

“Crazy as a loon!” murmured Doc Blaine. Then he lifted his head. “What’s that?”

“Horse turning in from the road,” I said. “Sounds like it stopped.”

I stepped to the door, like a fool, and stood etched in the light behind me. I got a glimpse of a shadowy bulk I knew to be a man on a horse; then Doc Blaine yelled: “Look out!” and threw himself against me, knocking us both sprawling. At the same instant I heard the smashing report of a rifle, and old Garfield grunted and fell heavily.

“Jack Kirby!” screamed Doc Blaine. “He’s killed Jim!”

I scrambled up, hearing the clatter of retreating hoofs, snatched old Jim’s shotgun from the wall, rushed recklessly out on to the sagging porch and let go both barrels at the fleeing shape, dim in the starlight. The charge was too light to kill at that range, but the bird-shot stung the horse and maddened him. He swerved, crashed headlong through a rail fence and charged across the orchard, and a peach tree limb knocked his rider out of the saddle. He never moved after he hit the ground. I ran out there and looked down at him. It was Jack Kirby, right enough, and his neck was broken like a rotten branch.

I let him lie, and ran back to the house. Doc Blaine had stretched old Garfield out on a bench he’d dragged in from the porch, and Doc’s face was whiter than I’d ever seen it. Old Jim was a ghastly sight; he had been shot with an old-fashioned .45-70, and at that range the heavy ball had literally torn off the top of his head. His features were masked with blood and brains. He had been directly behind me, poor old devil, and he had stopped the slug meant for me.

Doc Blaine was trembling, though he was anything but a stranger to such sights.

“Would you pronounce him dead?” he asked.

“That’s for you to say.” I answered. “But even a fool could tell that he’s dead.”

“He
is
dead,” said Doc Blaine in a strained unnatural voice. “Rigor mortis is already setting in. But feel his heart!”

I did, and cried out. The flesh was already cold and clammy; but beneath it that mysterious heart still hammered steadily away, like a dynamo in a deserted house. No blood coursed through those veins; yet the heart pounded, pounded, pounded, like the pulse of Eternity.

“A living thing in a dead thing.” whispered Doc Blaine, cold sweat on his face. “This is opposed to nature. I am going to keep the promise I made him. I’ll assume full responsibility. This is too monstrous to ignore.”

Our implements were a butcher-knife and a hack-saw. Outside only the still stars looked down on the black post-oak shadows and the dead man that lay in the orchard. Inside, the old lamp flickered, making strange shadows move and shiver and cringe in the corners, and glistened on the blood on the floor, and on the red-dabbled figure on the bench. The only sound inside was the crunch of the saw-edge in bone; outside an owl began to hoot weirdly.

Doc Blaine thrust a red-stained hand into the aperture he had made, and drew out a red, pulsing object that caught the lamplight. With a choked cry he recoiled, and the thing slipped from his fingers and fell on the table. And I too cried out involuntarily. For it did not fall with a soft meaty thud, as a piece of flesh should fall. It
thumped
hard on the table.

Impelled by an irresistible urge, I bent and gingerly picked up old Garfield’s heart. The feel of it was brittle, unyielding, like steel or stone, but smoother than either. In size and shape it was the duplicate of a human heart, but it was slick and smooth, and its crimson surface reflected the lamplight like a jewel more lambent than any ruby; and in my hand it still throbbed mightily, sending vibratory radiations of energy up my arm until my own heart seemed swelling and bursting in response. It was cosmic
power
, beyond my comprehension, concentrated into the likeness of a human heart.

The thought came to me that here was a dynamo of life, the nearest approach to immortality that is possible for the destructible human body, the materialization of a cosmic secret more wonderful than the fabulous fountain sought for by Ponce de Leon. My soul was drawn into that unterrestrial gleam, and I suddenly wished passionately that it hammered and thundered in my own bosom in place of my paltry heart of tissue and muscle.

Doc Blaine ejaculated incoherently. I wheeled.

The noise of his coming had been no greater than the whispering of a night wind through the corn. There in the doorway he stood, tall, dark, inscrutable—an Indian warrior, in the paint, war bonnet, breech-clout and moccasins of an elder age. His dark eyes burned like fires gleaming deep under fathomless black lakes. Silently he extended his hand, and I dropped Jim Garfield’s heart into it. Then without a word he turned and stalked into the night. But when Doc Blaine and I rushed out into the yard an instant later, there was no sign of any human being. He had vanished like a phantom of the night, and only something that looked like an owl was flying, dwindling from sight, into the rising moon.

I think when I am old a furtive shape

Will sit beside me at my fireless hearth,

Dabbled with blood from stumps of severed wrists,

And flecked with blackened bits of mouldy earth.

.

My blood ran fire when the deed was done;

Now it runs colder than the moon that shone

On shattered fields where dead men lay in heaps

Who could not hear a ravished daughter’s moan.

.

(Dim through the bloody dawn on bitter winds

The throbbing of the distant guns was brought

When I reeled like a drunkard from the hut

That hid the horror my red hands had wrought.)

.

So now I fire my veins with stinging wine,

And hoard my youth as misers hug their gold,

Because I know what shape will come and sit

Beside my crumbling hearth—when I am old.

Though fathoms deep you sink me in the mould,

Locked in with thick-lapped lead and bolted wood,

Yet rest not easy in your lover’s arms;

Let him beware to stand where I have stood.

.

I shall not fail to burst my ebon case,

And thrust aside the clods with hands stained red:

Your blood shall turn to ice to see my face

Look from the shadows on your midnight bed.

.

To face the dead,
he
, too, will wake in vain,

My fingers at his throat, your scream his knell;

He will not see me tear you from your bed,

And drag you by your golden hair to Hell.

At a court festival, Nabonidus, the Red Priest, who was the real ruler of the city, touched Murilo, the young aristocrat, courteously on the arm. Murilo turned to meet the priest’s enigmatic gaze, and to wonder at the hidden meaning therein. No words passed between them, but Nabonidus bowed and handed Murilo a small gold cask. The young nobleman, knowing that Nabonidus did nothing without reason, excused himself at the first opportunity and returned hastily to his chamber. There he opened the cask and found within a human ear, which he recognized by a peculiar scar upon it. He broke into a profuse sweat, and was no longer in doubt about the meaning in the Red Priest’s glance.

But Murilo, for all his scented black curls and foppish apparel, was no weakling to bend his neck to the knife without a struggle. He did not know whether Nabonidus was merely playing with him, or giving him a chance to go into voluntary exile, but the fact that he was still alive and at liberty proved that he was to be given at least a few hours, probably for meditation. But, he needed no meditation for decision; what he needed was a tool. And Fate furnished that tool, working among the dives and brothels of the squalid quarters even while the young nobleman shivered and pondered in the part of the city occupied by the purple-towered marble and ivory palaces of the aristocracy.

There was a priest of Anu whose temple, rising at the fringe of the slum district, was the scene of more than devotions. The priest was fat and full-fed, and he was at once a fence for stolen articles and a spy for the police. He worked a thriving trade both ways, because the district on which he bordered was The Maze, a tangle of muddy winding alleys and sordid dens, frequented by the boldest thieves in the kingdom. Daring above all were a Gunderman deserter from the mercenaries and a barbaric Cimmerian. Because of the priest of Anu, the Gunderman was taken and hanged in the market-square. But the Cimmerian fled, and learning in devious ways of the priest’s treachery, he entered the
temple
of
Anu
by night, and cut off the priest’s head. There followed a great turmoil in the city, but the search for the killer proved fruitless until a woman betrayed him to the authorities, and led a captain of the guard and his squad to the hidden chamber where the barbarian lay drunk.

Waking to stupefied but ferocious life when they seized him, he disemboweled the captain, burst through his assailants, and would have escaped, but for the liquor that still clouded his senses. Bewildered and half-blinded, he missed the open door in his headlong flight, and dashed his head against the stone wall so terrifically that he knocked himself senseless. When he came to, he was in the strongest dungeon in the city, shackled to the wall with chains not even his barbaric thews could break.

To this cell came Murilo, masked and wrapped in a wide black cloak. The Cimmerian surveyed him with interest, thinking him the executioner sent to dispatch him. Murilo set him at rights, and regarded him with no less interest. Even in the dim light of the dungeon, with his limbs loaded with chains, the primitive power of the man was evident. His mighty body and thick-muscled limbs combined the strength of a grizzly with the quickness of a panther. Under his tangled black mane his blue eyes blazed with unquenchable savagery.

“Would you like to live?” asked Murilo. The barbarian grunted, new interest glinting in his eyes.

“If I arrange for your escape will you do a favor for me?” the aristocrat asked.

The Cimmerian did not speak, but the intentness of his gaze answered for him.

“I want you to kill a man for me.”

“Who?”

Murilo’s voice sank to a whisper. “Nabonidus, the king’s priest!”

The Cimmerian showed no sign of surprize or perturbation. He had none of the fear or reverence for authority that civilization instills in men. King or beggar, it was all one to him. Nor did he ask why Murilo had come to him, when the quarters were full of cutthroats outside prisons.

“When am I to escape?” he demanded.

“Within the hour. There is but one guard in this part of the dungeon at night. He can be bribed; he
has
been bribed. See, here are the keys to your chains. I’ll remove them and, after I have been gone an hour, the guard, Athicus, will unlock the door to your cell. You will bind him with strips torn from your tunic; so when he is found, the authorities will think you were rescued from the outside and will not suspect him. Go at once to the house of the Red Priest, and kill him. Then go to the Rats’ Den, where a man will meet you and give you a pouch of gold and a horse. With those you can escape from the city and flee the country.”

“Take off these cursed chains now,” demanded the Cimmerian. “And have the guard bring me food. By Crom, I have lived on moldy bread and water for a whole day, and I am nigh to famishing.”

“It shall be done; but remember—you are not to escape until I have had time to reach my home.”

Freed of his chains, the barbarian stood up and stretched his heavy arms, enormous in the gloom of the dungeon. Murilo again felt that if any man in the world could accomplish the task he had set, this Cimmerian could. With a few repeated instructions he left the prison, first directing Athicus to take a platter of beef and ale in to the prisoner. He knew he could trust the guard, not only because of the money he had paid, but also because of certain information he possessed regarding the man.

When he returned to his chamber, Murilo was in full control of his fears. Nabonidus would strike through the king—of that he was certain. And since the royal guardsmen were not knocking at his door, it was as certain that the priest had said nothing to the king, so far. Tomorrow he would speak, beyond a doubt—if he lived to see tomorrow.

Murilo believed the Cimmerian would keep faith with him. Whether the man would be able to carry out his purpose remained to be seen. Men had attempted to assassinate the Red Priest before, and they had died in hideous and nameless ways. But they had been products of the cities of men, lacking the wolfish instincts of the barbarian. The instant that Murilo, turning the gold cask with its severed ear in his hands, had learned through his secret channels that the Cimmerian had been captured, he had seen a solution of his problem.

In his chamber again, he drank a toast to the man, whose name was Conan, and to his success that night. And while he was drinking, one of his spies brought him the news that Athicus had been arrested and thrown into prison. The Cimmerian had not escaped.

Murilo felt his blood turn to ice again. He could see in this twist of fate only the sinister hand of Nabonidus, and an eery obsession began to grow on him that the Red Priest was more than human—a sorcerer who read the minds of his victims and pulled strings on which they danced like puppets. With despair came desperation. Girding a sword beneath his black cloak, he left his house by a hidden way, and hurried through the deserted streets. It was just at midnight when he came to the house of Nabonidus, looming blackly among the walled gardens that separated it from the surrounding estates.

The wall was high but not impossible to negotiate. Nabonidus did not put his trust in mere barriers of stone. It was what was inside the wall that was to be feared. What these things were Murilo did not know precisely. He knew there was at least a huge savage dog that roamed the gardens and had on occasion torn an intruder to pieces as a hound rends a rabbit. What else there might be he did not care to conjecture. Men who had been allowed to enter the house on brief, legitimate business, reported that Nabonidus dwelt among rich furnishings, yet simply, attended by a surprizingly small number of servants. Indeed, they mentioned only one as having been visible—a tall silent man called Joka. Someone else, presumably a slave, had been heard moving about in the recesses of the house, but this person no one had ever seen. The greatest mystery of the mysterious house was Nabonidus himself, whose power of intrigue and grasp on international politics had made him the strongest man in the kingdom. People, chancellor and king moved puppet-like on the strings he worked.

Murilo scaled the wall and dropped down into the gardens, which were expanses of shadow, darkened by clumps of shrubbery and waving foliage. No light shone in the windows of the house which loomed so blackly among the trees. The young nobleman stole stealthily yet swiftly through the shrubs. Momentarily he expected to hear the baying of the great dog, and to see its giant body hurtle through the shadows. He doubted the effectiveness of his sword against such an attack, but he did not hesitate. As well die beneath the fangs of a beast as the ax of the headsman.

He stumbled over something bulky and yielding. Bending close in the dim starlight, he made out a limp shape on the ground. It was the dog that guarded the gardens, and it was dead. Its neck was broken and it bore what seemed to be the marks of great fangs. Murilo felt that no human being had done this. The beast had met a monster more savage than itself. Murilo glared nervously at the cryptic masses of bush and shrub; then with a shrug of his shoulders, he approached the silent house.

The first door he tried proved to be unlocked. He entered warily, sword in hand, and found himself in a long, shadowy hallway dimly illuminated by a light that gleamed through the hangings at the other end. Complete silence hung over the whole house. Murilo glided along the hall and halted to peer through the hangings. He looked into a lighted room, over the windows of which velvet curtains were drawn so closely as to allow no beam to shine through. The room was empty, in so far as human life was concerned, but it had a grisly occupant, nevertheless. In the midst of a wreckage of furniture and torn hangings that told of a fearful struggle, lay the body of a man. The form lay on its belly, but the head was twisted about so that the chin rested behind a shoulder. The features, contorted into an awful grin, seemed to leer at the horrified nobleman.

For the first time that night, Murilo’s resolution wavered. He cast an uncertain glance back the way he had come. Then the memory of the headsman’s block and ax steeled him, and he crossed the room, swerving to avoid the grinning horror sprawled in its midst. Though he had never seen the man before, he knew from former descriptions that it was Joka, Nabonidus’ saturnine servant.

He peered through a curtained door into a broad circular chamber, banded by a gallery halfway between the polished floor and the lofty ceiling. This chamber was furnished as if for a king. In the midst of it stood an ornate mahogany table, loaded with vessels of wine and rich viands. And Murilo stiffened. In a great chair whose broad back was toward him, he saw a figure whose habiliments were familiar. He glimpsed an arm in a red sleeve resting on the arm of the chair; the head, clad in the familiar scarlet hood of the gown, was bent forward as if in meditation. Just so had Murilo seen Nabonidus sit a hundred times in the royal court.

Cursing the pounding of his own heart, the young nobleman stole across the chamber, sword extended, his whole frame poised for the thrust. His prey did not move, nor seem to hear his cautious advance. Was the Red Priest asleep, or was it a corpse which slumped in that great chair? The length of a single stride separated Murilo from his enemy, when suddenly the man in the chair rose and faced him.

The blood went suddenly from Murilo’s features. His sword fell from his fingers and rang on the polished floor. A terrible cry broke from his livid lips; it was followed by the thud of a falling body. Then once more silence reigned over the house of the Red Priest.

Shortly after Murilo left the dungeon where Conan the Cimmerian was confined, Athicus brought the prisoner a platter of food which included, among other things, a huge joint of beef and a tankard of ale. Conan fell to voraciously, and Athicus made a final round of the cells, to see that all was in order, and that none should witness the pretended prison break. It was while he was so occupied that a squad of guardsmen marched into the prison and placed him under arrest. Murilo had been mistaken when he assumed this arrest denoted discovery of Conan’s planned escape. It was another matter; Athicus had become careless in his dealings with the underworld, and one of his past sins had caught up with him.

Another jailer took his place, a stolid, dependable creature whom no amount of bribery could have shaken from his duty. He was unimaginative, but he had an exalted idea of the importance of his job.

After Athicus had been marched away to be formally arraigned before a magistrate, this jailer made the rounds of the cell as a matter of routine. As he passed that of Conan, his sense of propriety was shocked and outraged to see the prisoner free of his chains, and in the act of gnawing the last shreds of meat from a huge beef-bone. The jailer was so upset that he made the mistake of entering the cell alone, without calling guards from the other parts of the prison. It was his first mistake in the line of duty, and his last. Conan brained him with the beef-bone, took his poniard and his keys, and made a leisurely departure. As Murilo had said, only one guard was on duty there at night. The Cimmerian passed himself outside the walls by means of the keys he had taken, and presently emerged into the outer air, as free as if Murilo’s plan had been successful.

In the shadows of the prison walls, Conan paused to decide his next course of action. It occurred to him that since he had escaped through his own actions, he owed nothing to Murilo; yet it had been the young nobleman who had removed his chains and had the food sent to him, without either of which his escape would have been impossible. Conan decided that he was indebted to Murilo, and, since he was a man who discharged his obligations eventually, he determined to carry out his promise to the young aristocrat. But first he had some business of his own to attend to.