Victoria

Table of Contents

 

 

VICTORIA

KNUT HAMSUN was born in 1859 to a poor peasant family in central Norway. His early literary ambition was thwarted by having to eke out a living—as a schoolmaster, sheriff’s assistant, and road laborer in Norway; as a store clerk, farmhand, and streetcar conductor in the American Midwest, where he lived for two extended periods between 1882 and 1888. Based on his own experiences as a struggling writer, Hamsun’s first novel,
Sult
(1890; tr.
Hunger,
1899), was an immediate critical success. While also a poet and playwright, Hamsun made his mark on European literature as a novelist. Finding the contemporary novel plot-ridden, psychologically unsophisticated, and didactic, he aimed to transform it so as to accommodate contingency and the irrational, the nuances of conscious and subconscious life as well as the vagaries of human behavior. Hamsun’s innovative aesthetic is exemplified in his successive novels of the decade:
Mysteries
(1892),
Pan
(1894), and
Victoria
(1898). Perhaps his best known work is
Growth of the Soil
(1917), which earned him the Nobel Prize in 1920. After the Second World War, as a result of his openly expressed Nazi sympathies during the German occupation of Norway, Hamsun forfeited his considerable fortune to the state. He died in poverty in 1952.

 

SVERRE LYNGSTAD, Distinguished Professor Emeritus of English and Comparative Literature at the New Jersey Institute of Technology, Newark, New Jersey, holds degrees in English from the University of Oslo, the University of Washington, Seattle, and New York University. He is the author of many books and articles in the field of Scandinavian literature, including
Jonas Lie
(1977),
Sigurd Hoel’s Fiction
(1984), and
Knut Hamsun, Novelist: A Critical Assessment
(2005). Among his more recent translations from Norwegian are Arne Garborg’s
Weary Men
(1999); Sigurd Hoel’s
Meeting at the Milestone
(2002); and Knut Hamsun’s
Pan
(1998),
On Overgrown Paths
(1999),
Mysteries
(2001), and
The Last Joy
(2003). Dr. Lyngstad is the recipient of several grants, prizes, and awards, and has been honored by the King of Norway with the St. Olav Medal and with the Knight’s Cross, First Class, of the Royal Norwegian Order of Merit.

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This translation first published in Penguin Books 2005

 

Translation, introduction, and notes copyright © Sverre Lyngstad, 2005

All rights reserved

 

Victoria
originally published in Norway in 1898.

 

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Hamsun, Knut, 1859-1952.
[Victoria. English]
Victoria / Knut Hamsun ; translated with an introduction by Sverre Lyngstad.
p. cm.

eISBN : 978-1-101-16159-3

I. Lyngstad, Sverre. II. Title.
PT8950.H3V4313 2005
839.8’2’36—dc22 2005050950

 

 

 

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Introduction

When Hamsun published a fragment of
Hunger,
his breakthrough novel, in the Danish journal
Ny Jord
(New Earth) in 1888, an event that made him a welcome guest in the drawing rooms of Copenhagen’s intellectual luminaries, he had served a literary apprenticeship of more than ten years and experienced life on two continents. His life during those years, as well as afterward, was often one of extreme hardship.

Born to an impoverished peasant family at Skultbakken, Vågå, in central Norway in 1859,
¹
Knut Pedersen, to use his baptismal name, had a difficult childhood. In the summer of 1862, when Knut was less than three years old, his father moved with his family to Hamarøy, north of the Arctic Circle, where he worked the farm Hamsund, belonging to his brother-in-law, Hans Olsen. From nine to fourteen Knut was a sort of indentured servant to his uncle, since the family was dependent on him. The boy’s beautiful penmanship made him particularly valuable to Hans Olsen, who suffered from palsy and needed a scribe for his multifarious business, from shopkeeper to librarian and post-master. The uncle treated Knut abominably; he would rap his knuckles with a long ruler at the slightest slip of the pen. And on Sundays the boy had to sit indoors reading edifying literature to Hans and his pietist brethren, painfully aware that his friends were outside, waiting for him to join them. No wonder Knut loved to tend the cattle at the parsonage, where his uncle lived, an occupation that allowed him to lie on his back in the woods dreaming his time away and writing on the sky with his index finger.
²
Very likely, these hours of solitary musings away from the tyranny of his uncle acted as a stimulus to the boy’s imagination. His schooling, starting at the age of nine, was sporadic, and his family had next to no literary culture. However, the local library at his uncle’s place may have provided a modicum of sustenance for his childish dreams.

During his adolescence and youth Hamsun led a virtually nomadic existence, at first in various parts of Norway, later in the United States. After being confirmed at Lom, a neighboring township of Vågå, in 1873, in the same church where he had been baptized, he was a store clerk in his godfather’s business in Lom for a year, then returned north to work in the same capacity for a merchant, Mr. Walsøe, not far from his parents’ place. Here, at Tranøy, Knut seems to have fallen in love with the boss’s daughter, Laura. It is uncertain whether the young man was asked to leave because of his infatuation with Laura, or because Mr. Walsøe was hurt financially by the failure of the herring fisheries in 1875.
³
In the next few years Hamsun supported himself as a peddler, shoemaker’s apprentice, schoolmaster, and sheriff’s assistant in different parts of Nordland. After the failure of his literary ventures in the late 1870s, the school of life took the form of road construction work for a year and a half (1880-81).

Hamsun’s dream of becoming a writer had been conceived at an early age, amid circumstances that gave him no choice but to fend for himself. If ever a writer can be said to have been self-made or self-taught, Hamsun was one. Not surprisingly, the two narratives published in his teens,
Den Gådefulde
(1877; The Enigmatic One) and
Bjørger
(1878), were crude and insignificant, products of literary imitation. The former is an idyllic story in the manner of magazine fiction, in a language more Danish than Norwegian. The latter, a short novel, was modeled on the peasant tales published by Bjørnstjerne Bjørnson (1832-1910) in the 1850s. In 1879, with the support of a prosperous Nordland businessman, E. B. K. Zahl, Hamsun wrote another novel, “Frida,” which he presented to Frederik Hegel at Gyldendal Publishers in Copenhagen. It was turned down without comment. The manuscript of this story—which was dismissed by Bjørnson, Hamsun’s idol, as well—has been lost. Bjørnson suggested he become an actor. Thus, in early 1880, shortly after his twentieth birthday, the first period of Hamsun’s literary apprenticeship came to an end.

The 1880s were marked by hard physical labor and renewed literary efforts. During the period he was employed in highway construction, Hamsun made his debut as a public lecturer. His next decision was not unusual for a poor, ambitious Norwegian in the 1880s: emigrating to America. However, he was not chiefly interested in improving his fortune; instead, he foresaw a future for himself as the poetic voice of the Norwegian community in the New World. Needless to say, the dream quickly foundered, though the lecturing activity continued. To support himself he worked as a farmhand and store clerk, except for the last six months or so of his two-and-a-half-years’ stay, when he was offered the job of “secretary and assistant minister with a salary of $500 a year” by the head of the Norwegian Unitarian community in Minneapolis, Kristofer Janson (1841- 1917).
⁴
This was Hamsun’s first significant encounter with an intellectual milieu. While he did not share Janson’s religious beliefs, he clearly enjoyed browsing in his well-stocked library. But his stay was cut short: in the summer of 1884 his doctor diagnosed “galloping consumption,” and in the fall of that year Hamsun returned to Norway, apparently resigned to die. He was twenty-five years old. His illness turned out to be a severe case of bronchitis.
⁵

Back in Norway, Hamsun’s endeavors to support himself by writing stories, articles, and reviews for the newspapers in the capital, Kristiania (now Oslo), while working on a “big book,”
⁶
brought only a meager harvest financially, despite a considerable amount of publishing activity. Worthy of mention is his article on Mark Twain in the weekly paper
Ny illustreret Tidende
(New Illustrated Gazette) in March 1885, important because by a compositor’s error the “d” in his name, Hamsund, was left out.
⁷
The young aspiring writer adopted this spelling of his name for the rest of his life.

After a couple of years in Norway, at times in severe want, Hamsun returned to America, but now for purely economic reasons: to finance his literary ambition. From New York he wrote a friend in Norway that it had become “impossible” for him at home.
⁸
However, the challenges posed by America were still formidable. Only toward the end of his two-year stay, after supporting himself as a streetcar conductor in Chicago and a farm laborer in the Dakotas, was he able to turn his attention to literature. Having returned to Minneapolis in the fall of 1887, he delivered a series of lectures there during the winter of 1887-88. These lectures, which dealt with such literary figures as Balzac, Flaubert, Zola, Bjørnson, Ibsen, and Strindberg, attest to Hamsun’s painfully acquired familiarity with the literary culture of his time. By July 1888 we find him in Copenhagen. In a brief sketch of his early life recorded in 1894 he says that he “hid on board a day and a half”
⁹
when the ship reached Kristiania, bypassing the city that had so bitterly frustrated his literary dreams.