Vintage Munro (15 page)

It was not that he felt the need of sociability. He was not there for chat, though he would greet people if he knew them by name, and he did know most. And he might exchange a few words with the Librarian, though often it was only “Good evening” when he came in, and “Good night” when he went out. He made no demands on anybody. He felt his presence to be genial, reassuring, and, above all, natural. By sitting here, reading and reflecting, here instead of at home, he seemed to himself to be providing something. People could count on it.

There was an expression he liked.
Public servant
. His father, who looked out at him here with tinted baby-pink cheeks and glassy blue eyes and an old man’s petulant mouth, had never thought of himself so. He had thought of himself more as a public character and benefactor. He had operated by whims and decrees, and he had got away with it. He would go around the factory when business was slow, and say to one man and another, “Go home. Go on home now. Go home and stay there till I can use you again.” And they would go. They would work in their gardens or go out shooting rabbits and run up bills for whatever they had to buy, and accept that it couldn’t be otherwise. It was still a joke with them, to imitate his bark.
Go on home!
He was their hero more than Arthur could ever be, but they were not prepared to take the same treatment
today. During the war, they had got used to the good wages and to being always in demand. They never thought of the glut of labor the soldiers had created when they came home, never thought about how a business like this was kept going by luck and ingenuity from one year to the next, even from one season to the next. They didn’t like changes—they were not happy about the switch now to player pianos, which Arthur believed were the hope of the future. But Arthur would do what he had to, though his way of proceeding was quite the opposite of his father’s. Think everything over and then think it over again. Stay in the background except when necessary. Keep your dignity. Try always to be fair.

They expected all to be provided. The whole town expected it. Work would be provided just as the sun would rise in the mornings. And the taxes on the factory raised at the same time rates were charged for the water that used to come free. Maintenance of the access roads was now the factory’s responsibility instead of the town’s. The Methodist Church was requesting a hefty sum to build the new Sunday school. The town hockey team needed new uniforms. Stone gateposts were being erected for the War Memorial Park. And every year the smartest boy in the senior class was sent to university, courtesy of Douds.

Ask and ye shall receive.

Expectations at home were not lacking either. Bea was agitating to go away to private school and Mrs. Feare had her eye on some new mixing apparatus for the kitchen, also a new washing machine. All the trim on the house was due to be painted this year. All that wedding-cake decoration that consumed paint by the gallon. And in the midst of this what had Arthur done but order himself a new car—a Chrysler sedan.

It was necessary—he had to drive a new car. He had to drive a new car, Bea had to go away to school, Mrs. Feare had to have the latest, and the trim had to be as fresh as Christmas
snow. Else they would lose respect, they would lose confidence, they would start to wonder if things were going downhill. And it could be managed, with luck it could all be managed.

For years after his father’s death, he had felt like an impostor. Not steadily, but from time to time he had felt that. And now the feeling was gone. He could sit here and feel that it was gone.

He had been in the office when the accident happened, consulting with a veneer salesman. Some change in noise registered with him, but it was more of an increase than a hush. It was nothing that alerted him—just an irritation. Because it happened in the sawmill, nobody would know about the accident immediately in the shops or in the kilns or in the yard, and work in some places continued for several minutes. In fact Arthur, bending over the veneer samples on his desk, might have been one of the last people to understand that there had been an intervention. He asked the salesman a question, and the salesman did not answer. Arthur looked up and saw the man’s mouth open, his face frightened, his salesman’s assurance wiped away.

Then he heard his own name being called—both “Mr. Doud!” as was customary and “Arthur, Arthur!” by such of the older men as had known him as a boy. Also he heard “saw” and “head” and “Jesus, Jesus, Jesus!”

Arthur could have wished for the silence, the sounds and objects drawing back in that dreadful but releasing way, to give him room. It was nothing like that. Yelling and questioning and running around, himself in the midst being propelled to the sawmill. One man had fainted, falling in such a way that if they had not got the saw turned off a moment before, it would
have got him, too. It was his body, fallen but entire, that Arthur briefly mistook for the body of the victim. Oh, no, no. They pushed him on. The sawdust was scarlet. It was drenched, brilliant. The pile of lumber here was all merrily spattered, and the blades. A pile of work clothes soaked in blood lay in the sawdust and Arthur realized that it was the body, the trunk with limbs attached. So much blood had flowed as to make its shape not plain at first—to soften it, like a pudding.

The first thing he thought of was to cover that. He took off his jacket and did so. He had to step up close, his shoes squished in it. The reason no one else had done this would be simply that no one else was wearing a jacket.

“Have they gone a-get the doctor?” somebody was yelling. “Gone a-get the doctor!” a man quite close to Arthur said. “Can’t sew his head back on—doctor. Can he?”

But Arthur gave the order to get the doctor; he imagined it was necessary. You can’t have a death without a doctor. That set the rest in motion. Doctor, undertaker, coffin, flowers, preacher. Get started on all that, give them something to do. Shovel up the sawdust, clean up the saw. Send the men who had been close by to wash themselves. Carry the man who had fainted to the lunchroom. Is he all right? Tell the office girl to make tea.

Brandy was what was needed, or whisky. But he had a rule against it, on the premises.

Something still lacking. Where was it? There, they said. Over there. Arthur heard the sound of vomiting, not far away. All right. Either pick it up or tell somebody to pick it up. The sound of vomiting saved him, steadied him, gave him an almost lighthearted determination. He picked it up. He carried it delicately and securely as you might carry an awkward but valuable jug. Pressing the face out of sight, as if comforting it, against his chest. Blood seeped through his shirt and stuck the material to his skin. Warm. He felt like a wounded man. He
was aware of them watching him and he was aware of himself as an actor must be, or a priest. What to do with it, now that he had it against his chest? The answer to that came, too. Set it down, put it back where it belongs, not of course fitted with exactness, not as if a seam could be closed. Just more or less in place, and lift the jacket and tug it into a new position.

He couldn’t now ask the man’s name. He would have to get it in some other way. After the intimacy of his services here, such ignorance would be an offense.

But he found he did know it—it came to him. As he edged the corner of his jacket over the ear that had lain and still lay upward, and so looked quite fresh and usable, he received a name. Son of the fellow who came and did the garden, who was not always reliable. A young man taken on again when he came back from the war. Married? He thought so. He would have to go and see her. As soon as possible. Clean clothes.

The Librarian often wore a dark-red blouse. Her lips were reddened to match, and her hair was bobbed. She was not a young woman anymore, but she maintained an eye-catching style. He remembered that years ago when they had hired her, he had thought that she got herself up very soberly. Her hair was not bobbed in those days—it was wound around her head, in the old style. It was still the same color—a warm and pleasant color, like leaves—oak leaves, say, in the fall. He tried to think how much she was paid. Not much, certainly. She kept herself looking well on it. And where did she live? In one of the boarding houses—the one with the schoolteachers? No, not there. She lived in the Commercial Hotel.

And now something else was coming to mind. No definite story that he could remember. You could not say with any assurance that she had a bad reputation. But it was not quite a
spotless reputation, either. She was said to take a drink with the travellers. Perhaps she had a boyfriend among them. A boyfriend or two.

Well, she was old enough to do as she liked. It wasn’t quite the same as the way it was with a teacher—hired partly to set an example. As long as she did her job well, and anybody could see that she did. She had her life to live, like everyone else. Wouldn’t you rather have a nice-looking woman in here than a crabby old affair like Mary Tamblyn? Strangers might drop in, they judge a town by what they see, you want a nice-looking woman with a nice manner.

Stop that. Who said you didn’t? He was arguing in his head on her behalf just as if somebody had come along who wanted her chucked out, and he had no intimation at all that that was the case.

What about her question, on the first evening, regarding the machines? What did she mean by that? Was it a sly way of bringing blame?

He had talked to her about the pictures and the lighting and even told her how his father had sent his own workmen over here, paid them to build the Library shelves, but he had never spoken of the man who had taken the books out without letting her know. One at a time, probably. Under his coat? Brought back the same way. He must have brought them back, or else he’d have had a houseful, and his wife would never stand for that. Not stealing, except temporarily. Harmless behavior, but peculiar. Was there any connection? Between thinking you could do things a little differently that way and thinking you could get away with a careless move that might catch your sleeve and bring the saw down on your neck?

There might be, there might be some connection. A matter of attitude.

“That chap—you know the one—the accident—” he said
to the Librarian. “The way he took off with the books he wanted. Why do you think he did that?”

“People do things,” the Librarian said. “They tear out pages. On account of something they don’t like or something they do. They just do things. I don’t know.”

“Did he ever tear out some pages? Did you ever give him a lecture? Ever make him scared to face you?”

He meant to tease her a little, implying that she would not be likely to scare anybody, but she did not take it that way.

“How could I when I never spoke to him?” she said. “I never saw him. I never saw him, to know who he was.”

She moved away, putting an end to the conversation. So she did not like to be teased. Was she one of those people full of mended cracks that you could only see close up? Some old misery troubling her, some secret? Maybe a sweetheart had been lost in the war.

On a later evening, a Saturday evening in the summer, she brought the subject up herself, that he would never have mentioned again.

“Do you remember our talking once about the man who had the accident?”

Arthur said he did.

“I have something to ask you and you may think it strange.”

He nodded.

“And my asking it—I want you to—it is confidential.”

“Yes, indeed,” he said.

“What did he look like?”

Look like? Arthur was puzzled. He was puzzled by her making such a fuss and secret about it—surely it was natural to be interested in what a man might look like, who had been coming in and making off with her books without her knowing
about it—and because he could not help her, he shook his head. He could not bring any picture of Jack Agnew to mind.

“Tall,” he said. “I believe he was on the tall side. Otherwise I cannot tell you. I am really not such a good person to ask. I can recognize a man easily but I can’t ever give much of a physical description, even when it’s someone I see on a daily basis.”

“But I thought you were the one—I heard you were the one—” she said. “Who picked him up. His head.”

Arthur said stiffly, “I didn’t think that you could just leave it lying there.” He felt disappointed in the woman, uneasy and ashamed for her. But he tried to speak matter-of-factly, keeping reproach out of his voice.

“I could not even tell you the color of his hair. It was all—all pretty much obliterated, by that time.”

She said nothing for a moment or two and he did not look at her. Then she said, “It must seem as if I am one of those people—one of those people who are fascinated by these sorts of things.”

Arthur made a protesting noise, but it did, of course, seem to him that she must be like that.

“I should not have asked you,” she said. “I should not have mentioned it. I can never explain to you why I did. I would like just to ask you, if you can help it, never to think that that is the kind of person I am.”

Arthur heard the word “never.” She could never explain to him. He was never to think. In the midst of his disappointment he picked up this suggestion, that their conversations were to continue, and perhaps on a less haphazard basis. He heard a humility in her voice, but it was a humility that was based on some kind of assurance. Surely that was sexual.

Or did he only think so, because this was the evening it was? It was the Saturday evening in the month when he usually went to Walley. He was going there tonight, he had only
dropped in here on his way, he had not meant to stay as long as he had done. It was the night when he went to visit a woman whose name was Jane MacFarlane. Jane MacFarlane lived apart from her husband, but she was not thinking of getting a divorce. She had no children. She earned her living as a dressmaker. Arthur had first met her when she came to his house to make clothes for his wife. Nothing had gone on at that time, and neither of them had thought of it. In some ways Jane MacFarlane was a woman like the Librarian—good-looking, though not so young, plucky and stylish and good at her work. In other ways, not so like. He could not imagine Jane ever presenting a man with a mystery, and following that up with the information that it would never be solved. Jane was a woman to give a man peace. The submerged dialogue he had with her—sensual, limited, kind—was very like the one he had had with his wife.