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Authors: Jonathan Carroll

Tags: #Fiction, #Science Fiction, #Masterwork, #Fantasy, #General

Voice of Our Shadow (22 page)

BOOK: Voice of Our Shadow
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Had my life, lucky as it was, run on automatic pilot from the day I’d pushed Ross until now? Was that possible? Could a person function in that kind of vacuum for so long without knowing it? It wasn’t true. Look at all the work I’d done! All the places I’d visited, all the … the …

A light winked on in an apartment on the other side of the courtyard, and I knew what she’d said was right. Not exactly, because I knew it wasn’t magic I was trying to suck from other people, but rather a delight in life I knew I’d never have.

A delight in life. That was what Ross and Paul Tate had in common, as did India and Karen. If magic was the thing, India had sold herself short by not taking her own into account. I
did
want what she and those other people had — the ability to live at ten out of ten on life’s scale for as long as they possibly could. Me? I’d always chosen three or four, because I was afraid of the consequences of higher numbers.

Ross stuck his nose right in life’s face and challenged it to constant duels. Paul and India jumped into it blindly, not ever worrying about what would happen to them, because no matter what, the results would be interesting. Karen went out and bought you cowboy boots because she loved you. She was awed by the light coming through a glass of red wine and cried at old movies because one
should
cry then.

A delight in life. I put my head in my hands and wept. I couldn’t stop. I had done so many things wrong; judged distances and temperatures and hearts (including my own!) incorrectly from Day One, and now I knew why. I wept, and it didn’t even feel good, because I knew I’d never have the delight they did; it tore me apart.

What could I do? I had to talk to India. I had to tell her all of this. I also wanted to tell her about Ross and what I had done to him. She was a good psychiatrist (a little off the mark, but not much, considering the things she didn’t know!). Even if she thought I was using her again, I wanted her thoughts on what I should do, now that the cat was out of the bag; now that I had the rest of my life to live.

As I rubbed my nose on my sleeve, I started laughing. I remembered a ridiculous poster I’d seen in a head shop years before, which even then struck me as particularly trite and offensive:
Today is the first day of the rest of your life
. You could say that again.

“India? It’s Joe. Can I come over and talk?”

“Are you sure you want to?”

“Very sure.”

“Okay. Should I put on my boxing gloves?”

“No, just be there.”

I took a shower and chose my clothes carefully. I wanted to look good, because I wanted it all to be good. I even put on a tie I’d been afraid to wear for a year because it had cost so much. When I was ready, I stood in the doorway and gave a quick look around the apartment. Everything was neat and tidy, in place. Maybe when I returned my life would be in place, too. I had a chance, a fighting chance, to set things right, and I was grateful.

I would have walked, but was so excited by all I had to say to her that I took a cab. As with the soup I’d eaten earlier, I was so preoccupied that I didn’t realize we’d moved until the taxi pulled up at her door; the driver had to ask twice for eighty schillings. I got out the key she’d given me and let myself into the building. A smell of cold stone and dust was waiting, but I had no time for it and took the stairs to her apartment two at a time.

“Two-at-a-time. Two-at-a-time.” I said it to match the cadence of my feet on the steps. Unconsciously I counted how many there were. I’d never done that before. Thirty-six. Twelve, then a landing; twelve, then a landing …

“Twelve-then-a-landing!” I was out of breath, but so hyper by the time I got to her floor I was afraid I’d break her door down.

She preferred that I use my key to the apartment because every time I rang the bell she was either in the bathroom or taking a souffle out of the oven. Inevitably, as soon as she opened the door and greeted me, the next moment she was off, flying down the hall — back to whatever she’d been tending when I buzzed. I let myself in and was surprised to see that all the lights were out.

“India?” I went into the living room, which was only dark shapes lit by the night-gray light from the windows. She wasn’t there.

“India?” Nothing in the kitchen. Or the hall.

Puzzled both by the darkness and by the silence, I wondered if something had happened while I was coming over. It wasn’t like her to do this. What was wrong?

I was about to turn on the lights when I remembered the bedroom.

“India?” The light from the street fell in stripes over the bed. From the doorway I could see her lying there, with her back toward me. She had no top on, and her naked skin was like soft, bright clay.

“Hey, what’s up?” I stepped halfway into the room and stopped. She didn’t move. “India?”

“Play with Little Boy, Joey.”

It came from behind me. A familiar, beloved voice that sent a vicious, twisting chill down my spine. I was afraid to turn, but I had to. He was there. Little Boy. He was behind me. He was there.

I turned; Paul Tate stood leaning in the doorway, his arms crossed over his chest, the tips of white gloves showing behind his armpits. His top hat was cocked to one side. A dancer in the night.

I began to crouch like a child. There was nowhere to go. Lower. If I got lower, he wouldn’t see me. I could hide.

“Play with Little Boy, Joey!” He took off his hat and, in a slow dream, peeled Paul Tate’s face down and off his own: a smirking Bobby Hanley. “April Fool, scumbag.”

“Joe?” India called from the bed and, a snake to the charmer’s pipe, I turned.

She was facing me now, the light unnaturally bright over her naked form. She reached behind her head and, in a quick ripping motion, tore her hair and face away.

Ross.

Where the strength came from I don’t know, but I sprang from my squat and, shoving Bobby aside, ran out of the apartment.

I was going so fast I slipped on the first steps and almost fell, but I grabbed the metal banister and righted myself. Out of the door to the street. Move, run; go, run.

What do I do? Where do I go? Bobby, Ross, Paul, India. My feet slapped those names at me as I ran nowhere, anywhere. Away. As fast as I’d ever run in my life. Move! A car honked, and I brushed its cold metal with my hand. A dog screamed because I kicked it running by. The owner’s outraged cry. Another car horn. Where was I going? Ross. He’d done it.

Karen! Get to Karen! The idea lit my mind. A gift from God. Get to Karen! Get to New York. Run and hide, and go to Karen, where there was love and truth and light. Karen. She would save me. I looked fearfully over my shoulder for the first time to see if they were following me. They weren’t. Why? Why weren’t they there? It didn’t matter. I thanked God for that, thanked him for Karen. I ran and prayed and saw it all — the whole Ross game. Saw it all with such perfect clarity that it was all I could do to keep myself upright. I wanted to lie down in the street and die. But there was Karen. She was sanctuary.

Things became clearer. I knew I was near an overhead station stop, and the train went near the Hilton Hotel. I could go to the Hilton and take a bus from there to the airport. Still running, I felt my back pocket to see if my wallet was there with all my money and credit cards. It was. Hilton, bus to the airport, first plane —
any
plane — out of Vienna, and then a connection from wherever to New York. To Karen.

Heaving for breath, I got to the station and once again took stairs two at a time.

No one was on the platform. I cursed because that probably meant a train had recently come and gone. I clenched and unclenched my fists at no trains, Ross, life. Ross was India. I had fallen in love with, made love to … my brother. How brilliant. Utterly fucking brilliant.

I paced up and down the platform, straining my eyes down the tracks, trying to will a train to appear. Then I looked behind me at the steps to see if anyone was coming. No one. Why? When that question began to frighten me, the thin line of a train light showed down the track. I was saved. As it grew larger, I heard someone coming up the stairs. The steps were slow and heavy, tired. The light loomed larger; the steps kept coming. The train snaked noisily into the station and stopped. The steps did too. The two cars in front of me were completely empty. I reached for the door and was about to pull it open when she spoke.

“Joseph?”

I turned; Karen was there. My Karen.

“Play with Little Boy!”

Ross.

EPILOGUE

Formori, Greece

There are one hundred people on this island. Tourists never come, because it is an ugly, rocky place and not what one has in mind when one thinks of Greece. Its closest neighbor is Crete, but that is seventeen hours away over the sea. With the exception of a supply boat that comes about every two weeks, we rarely see others. That is fine.

My house is stone and simple. Two hundred feet away is the water. I have a wooden bench by the door and I sit on it for hours. It is pleasant. I pay well, so they bring me lamb and fish to cook at the end of each day. Kalamaria, sometimes even great red lobsters big enough for three people. I sit outside when the weather is good, but fall is coming and there are many storms. They are brutal and endless. It doesn’t matter. If it rains, I light a fire inside my house and cook and eat and listen to the rain and the wind. My house, my bench, the wind, the rain, the sea. I can trust them. I can trust nothing else.

About The Author

Carroll was born in New York City to Sidney Carroll, a film writer whose credits included The Hustler, and June Carroll (née Sillman), an actress and lyricist who appeared in numerous Broadway shows and two films. He is the half brother of composer Steve Reich and nephew of Broadway producer Leonard Sillman. His parents were Jewish but Carroll was raised in the Christian Science religion. A self-described "troubled teenager," he finished primary education at the Loomis School in Connecticut and graduated with honors from Rutgers University in 1971, marrying artist Beverly Schreiner in the same year. He relocated to Vienna, Austria a few years later and began teaching literature at the American International School, and has made his home in Austria ever since.

His first novel, The Land of Laughs (1980), is indicative of his general style and subject matter. Told through realistic first person narration, the novel concerns a young schoolteacher searching for meaning through researching the life of a favorite children's book author of his youth, which involves meeting the author's daughter. Everything seems fine until the dog begins talking to him, as the line between the fantasy world created by his research subject and the reality of the schoolteacher's life, while the reader begins to wonder just how much trust can be placed in this narrator. Subsequent novels would expand on these themes, but often contain unreliable narrators in a world where magic is viewed as natural. 

Praise for Voice of Our Shadow


Voice of Our Shadow
 is the most frightening novel I’ve read since Bram Stoker’s 
Dracula
. I thought it was a love story, and it was. Then I thought it was a ghost story, and it was, sort of. Then I thought it was a story of madness, and it might be, maybe. It is a cunning, magical, wonderful novel — funny, sexy, sad, and tender.”

— PAT CONROY

author of 
The Great Santini

and 
The Water Is Wide

 

Outwardly, Joseph Lennox is an ordinary young man, raised in a New York suburb and striving to make his way as a writer. Yet for him Vienna is not just one of the lures of Europe but a refuge in time and place, a refuge from a tragedy in his boyhood in which he played a far more complicit role than anyone realized. Joe’s overbearing older brother, Ross, taunted him as they played near a railroad and touched the third rail, dying instantly. But he lives on in Joe’s lonely guilt and dreams.

Now, in Vienna, Joe finds friendship with the strangely mantic Paul and India Tate, and their destinies soon become erotically — and ominously — intertwined. Once again Joe is haunted by the specter of betrayal and death. In the end he must face the horrifying realization of how fragile is the barrier that separates the demons of our own conjuring from the inescapable reality of the unseen.

Jonathan Carroll’s first novel, 
The Land of Laughs
, was dubbed by 
The Washington Post
 an “intricate, challenging, ultimately chilling tale.” 
Voice of Our Shadow
, in its imaginative power and delineation of terrifying pursuit, will be seen as an even greater achievement.

 

BOOK: Voice of Our Shadow
9.18Mb size Format: txt, pdf, ePub
ads

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