Voices in Our Blood (49 page)

Read Voices in Our Blood Online

Authors: Jon Meacham

Tags: #Nonfiction

BOOK: Voices in Our Blood
8.99Mb size Format: txt, pdf, ePub

I really felt that I saw death at that moment, that I looked it right in its face. And it felt strangely soothing. I had a feeling that it would be so easy to just lie down there, just lie down and let it take me away.

That was the way those first few seconds looked from where I stood—and lay. Here is how Roy Reed, a reporter for
The New York Times,
described what he saw:

The troopers rushed forward, their blue uniforms and white helmets blurring into a flying wedge as they moved.

The wedge moved with such force that it seemed almost to pass over the waiting column instead of through it.

The first 10 or 20 Negroes were swept to the ground screaming, arms and legs flying, and packs and bags went skittering across the grassy divider strip and on to the pavement on both sides.

Those still on their feet retreated.

The troopers continued pushing, using both the force of their bodies and the prodding of their nightsticks.

A cheer went up from the white spectators lining the south side of the highway.

The mounted possemen spurred their horses and rode at a run into the retreating mass. The Negroes cried out as they crowded together for protection, and the whites on the sidelines whooped and cheered.

The Negroes paused in their retreat for perhaps a minute, still screaming and huddling together.

Suddenly there was a report like a gunshot and a grey cloud spewed over the troopers and the Negroes.

“Tear gas!” someone yelled.

The cloud began covering the highway. Newsmen, who were confined by four troopers to a corner 100 yards away, began to lose sight of the action.

But before the cloud finally hid it all, there were several seconds of unobstructed view. Fifteen or twenty nightsticks could be seen through the gas, flailing at the heads of the marchers.

The Negroes broke and ran. Scores of them streamed across the parking lot of the Selma Tractor Company. Troopers and possemen, mounted and unmounted, went after them.

I was bleeding badly. My head was now exploding with pain. That brief, sweet sense of just wanting to lie there was gone. I needed to get up. I'd faded out for I don't know how long, but now I was tuned back in.

There was mayhem all around me. I could see a young kid—a teenaged boy—sitting on the ground with a gaping cut in his head, the blood just gushing out. Several women, including Mrs. Boynton, were lying on the pavement and the grass median. People were weeping. Some were vomiting from the tear gas. Men on horses were moving in all directions, purposely riding over the top of fallen people, bringing their animals' hooves down on shoulders, stomachs and legs.

The mob of white onlookers had joined in now, jumping cameramen and reporters. One man filming the action was knocked down and his camera was taken away. The man turned out to be an FBI agent, and the three men who attacked him were later arrested. One of them was Jimmie George Robinson, the man who had attacked Dr. King at the Hotel Albert.

I was up now and moving, back across the bridge, with troopers and possemen and other retreating marchers all around me. At the other end of the bridge, we had to push through the possemen we'd passed outside the
Selma Times-Journal building.

“Please,
no,
” I could hear one woman scream.

“God, we're being
killed!
” cried another.

With nightsticks and whips—one posseman had a rubber hose wrapped with barbed wire—Sheriff Clark's “deputies” chased us all the way back into the Carver project and up to the front of Brown's Chapel, where we tried getting as many people as we could inside the church to safety. I don't even recall how I made it that far, how I got from the bridge to the church, but I did.

A United Press International reporter gave this account of that segment of the attack:

The troopers and possemen, under Gov. George C. Wallace's orders to stop the Negroes' “Walk for Freedom” from Selma to Montgomery, chased the screaming, bleeding marchers nearly a mile back to their church, clubbing them as they ran.

Ambulances screamed in relays between Good Samaritan Hospital and Brown's Chapel Church, carrying hysterical men, women and children suffering head wounds and tear gas burns.

Even then, the possemen and troopers, 150 of them, including Clark himself, kept attacking, beating anyone who remained on the street. Some of the marchers fought back now, with men and boys emerging from the Carver homes with bottles and bricks in their hands, heaving them at the troopers, then retreating for more. It was a scene that's been replayed so many times in so many places—in Belfast, in Jerusalem, in Beijing. Angry, desperate people hurling whatever they can at the symbols of authority, their hopeless fury much more powerful than the futile bottles and bricks in their hands.

I was inside the church, which was awash with sounds of groaning and weeping. And singing and crying. Mothers shouting out for their children. Children screaming for their mothers and brothers and sisters. So much confusion and fear and anger all erupting at the same time.

Further up Sylvan Street, the troopers chased other marchers who had fled into the First Baptist Church. A teenaged boy, struggling with the possemen, was thrown through a church window there.

Finally Wilson Baker arrived and persuaded Clark and his men to back off to a block away, where they remained, breathing heavily and awaiting further orders.

A crowd of Selma's black men and women had collected in front of the church by now, with SNCC and SCLC staff members moving through and trying to keep them calm. Some men in the crowd spoke of going home to get guns. Our people tried talking them down, getting them calm. Kids and teenagers continued throwing rocks and bricks.

The parsonage next to the church looked like a MASH unit, with doctors and nurses tending to dozens of weeping, wounded people. There were cuts and bumps and bruises, and a lot of tear gas burns, which were treated by rinsing the eyes with a boric acid solution.

Relays of ambulances sent by black funeral homes carried the more seriously wounded to Good Samaritan Hospital, Selma's largest black health-care facility, run by white Catholics and staffed mostly by black doctors and nurses. One of those ambulance drivers made ten trips back and forth from the church to the hospital and to nearby Burwell Infirmary, a smaller clinic. More than ninety men and women were treated at both facilities, for injuries ranging from head gashes and fractured ribs and wrists and arms and legs to broken jaws and teeth. There was one fractured skull—mine, although I didn't know it yet.

I didn't consider leaving for the hospital, though several people tried to persuade me to go. I wanted to do what I could to help with all this chaos. I was so much in the moment, I didn't have much time to think about what had happened, nor about what was yet to come.

By nightfall, things had calmed down a bit. Hosea and I and the others had decided to call a mass meeting there in the church, and more than six hundred people, many bandaged from the wounds of that day, arrived. Clark's possemen had been ordered away, but the state troopers were still outside, keeping a vigil.

Hosea Williams spoke to the crowd first, trying to say something to calm them. Then I got up to say a few words. My head was throbbing. My hair was matted with blood clotting from an open gash. My trench coat was stained with dirt and blood.

I looked out on the room, crammed wall to wall and floor to ceiling with people. There was not a spot for one more body. I had no speech prepared. I had not had the time or opportunity to give much thought to what I would say. The words just came.

“I don't know how President Johnson can send troops to Vietnam,” I said. “I don't see how he can send troops to the Congo. I don't see how he can send troops to
Africa,
and he can't send troops to Selma, Alabama.”

There was clapping, and some shouts of “Yes!” and “Amen!”

“Next time we march,” I continued, “we may have to keep going when we get to Montgomery. We may have to go on to
Washington.

When those words were printed in
The New York Times
the next morning, the Justice Department announced it was sending FBI agents to Selma to investigate whether “unnecessary force was used by law officers and others.” For two months we'd been facing “unnecessary force,” but that apparently had not been enough. This, finally, was enough.

Now, after speaking, it was time for me to have my own injuries examined. I went next door to the parsonage, where the doctors took one look at my head and immediately sent me over to Good Samaritan. What I remember most about arriving there was the smell in the waiting room. The chairs were jammed with people from the march—victims and their families—and their clothing reeked of tear gas. The bitter, acrid smell filled the room.

The nurses and nuns were very busy. Priests roamed the room, comforting and calming people. When one of the nurses saw my head, I was immediately taken through and X-rayed. My head wound was cleaned and dressed, then I was admitted. By ten that night, exhausted and groggy from painkillers, I finally fell asleep.

It was not until the next day that I learned what else had happened that evening, that just past 9:30
P.M.
, ABC Television cut into its Sunday night movie—a premiere broadcast of Stanley Kramer's
Judgment at Nuremberg,
a film about Nazi racism—with a special bulletin. News anchor Frank Reynolds came onscreen to tell viewers of a brutal clash that afternoon between state troopers and black protest marchers in Selma, Alabama. They then showed fifteen minutes of film footage of the attack.

The images were stunning—scene after scene of policemen on foot and on horseback beating defenseless American citizens. Many viewers thought this was somehow part of the movie. It seemed too strange, too ugly to be real. It
couldn't
be real.

But it was. At one point in the film clip, Jim Clark's voice could be heard clearly in the background: “Get those goddamned niggers!” he yelled. “And get those goddamned
white
niggers.”

The American public had already seen so much of this sort of thing, countless images of beatings and dogs and cursing and hoses. But something about that day in Selma touched a nerve deeper than anything that had come before. Maybe it was the concentrated focus of the scene, the mass movement of those troopers on foot and riders on horseback rolling into and over two long lines of stoic, silent, unarmed people. This wasn't like Birmingham, where chanting and cheering and singing preceded a wild stampede and scattering. This was a face-off in the most vivid terms between a dignified, composed, completely nonviolent multitude of silent protestors and the truly malevolent force of a heavily armed, hateful battalion of troopers. The sight of them rolling over us like human tanks was something that had never been seen before.

People just couldn't believe this was happening, not in America. Women and children being attacked by armed men on horseback—it was impossible to believe.

But it had happened. And the response from across the nation to what would go down in history as Bloody Sunday was immediate. By midnight that evening, even as I lay asleep in my room over at Good Samaritan, people from as far away as New York and Minnesota were flying into Alabama and driving to Selma, forming a vigil of their own outside Brown's Chapel. President Johnson, who had been contacted by the Justice Department almost immediately after the attack, watched the ABC footage that evening. He knew he would have to respond. Dr. King, too, was informed of what had happened as soon as the President—Andy Young called King in Atlanta, and the two agreed that now there
would
be a march. They made plans to file a request the first thing in the morning, asking for a federal injunction barring state interference in a massive Selma-to-Montgomery march.

That request arrived the next morning, Monday, in Montgomery, on the desk of Federal District Judge Frank Johnson—the same judge who had issued the injunction four years earlier providing us with safe passage out of Montgomery during the Freedom Ride.

Banner headlines, with four-column photographs—many showing the trooper clubbing me as I lay on the ground with my arm upraised—appeared that Monday morning in newspapers around the world. By midday I was receiving telegrams and cards and flowers from total strangers. A wreath arrived from an elderly woman in Southern California: “
A FORMER ALABAMIAN
,” the card read. “
WE ARE WITH YOU
.”

Dr. King and Ralph Abernathy came to see me. They told me what was going on outside, that people all across the country were with us, that they were going to have this march. “It's going to happen, John,” Dr. King told me. “Rest assured it is going to happen.”

John Doar, from the Justice Department, came to interview me about the attack, to take a deposition of sorts. The federal government was now very involved in this thing.

The hospital staff kept the press away from my room, except for a UPI photographer, who was allowed in to shoot a picture, I saw no reporters at all.

I was in a lot of pain that day. And I felt very strange lying in that bed. With all my arrests and injuries over the years, I had never actually been admitted to a hospital before. I'd been treated, but never admitted. And I did not like it. I felt very restless and a little bit frightened. Maybe it was the drugs, but I had visions of someone slipping into the room and doing something to me. I felt vulnerable, helpless.

Worst of all, though, was the sense of being cut off. I was hearing about everything secondhand, if at all. It was killing me not to know what was going on outside that hospital, because I knew there was plenty going on.

And I was right.

Several carloads, and a truckload as well, of SNCC field workers from Mississippi had rushed in that day, along with a chartered plane of staff people from Atlanta—Forman and others. All told, more than thirty SNCC people had arrived in Selma by that afternoon.

Other books

Idiots First by Bernard Malamud
My Darrling by Krystal McLean
Losing Faith by Asher, Jeremy
Indefensible by Lee Goodman
Hot Ice by Madge Swindells
One Lonely Degree by C. K. Kelly Martin
Prelude to Space by Arthur C. Clarke
Christina Hollis by Lady Rascal