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And they sang. They sang that the Witch was dead, and that they were free of her. No more bad witches, only good and smiling ones, like Glinda.

Then, when everything seemed nicest and happiest, and everyone was singing, there was a boom and a bash and everything was ruined. The Witch was back. The Munchkins ran.

Jonathan emitted a piercing shriek and hid under the blanket again. He screwed his eyes shut and plugged his ears.

This had not been his pretty little book. Glinda explained: this was the sister of the witch who was dead. This was the Witch of the West. Were all witches, even Glinda, sisters?

“Who killed my sister?” the Witch demanded. Jonathan didn’t want to hear; he couldn’t bear it. “Was it you?” the Witch roared at Dorothy, terrible with hatred, and Jonathan, under his blanket, wailed again. It was wrong to kill, even if it wasn’t your fault. How would Dorothy explain?

“No, no, it was an accident, I didn’t mean to kill anybody!” said Dorothy.

Why had they put the Witch there? He felt his mother’s hand on his shoulder. He peeked out over the edge of the blanket again, and she was still there, swirling with hatred. He screamed again and hid again.

“Jonathan,” said his mother, “if you keep this up, I’ll have to turn it off.”

Jonathan forced himself to come out. He watched, wincing.

The Witch promised death. She promised she would get Dorothy and her dog.

She screamed and cackled and then there was a great booming sound. The Witch exploded and went away, in front of horrified eyes. Jonathan did not learn until years later that in that flash of fire the actress who played the Witch was severely burned.

He stared numbly, bestilled by horror, taking comfort from Glinda’s motherly voice. Quietly and gently, she was telling Dorothy about the great and wonderful Wizard of Oz. And then, and then, she kissed Dorothy on the forehead.

He waited for the kiss to stay there, glowing on her forehead. But nothing happened. Gradually Jonathan realized that in the movie, the kiss was not a spell. The kiss would not protect Dorothy. She could be hurt.

It was television, frightening him again.

“It’s all right,” said Jonathan’s mother. “Look, she’s off to see the Wizard.” But her voice was solemn. Jonathan looked around and his mother’s face was pinched and hurt.

Things began to get hazy. Jonathan wasn’t rocking himself, but watching Oz was rather like being rocked. When he rocked himself to sleep, Jonathan saw things like Oz, wonderful things, colors and magic.

Half-asleep, he met the Scarecrow. Jonathan loved the Scarecrow the best, like he loved Indians. Nothing would shake his loyalty. He loved the floppiness, the weak ankles, the loud cries, the gentleness. In comparison, the Tin Man looked greasy to him and nasty, and besides he was a machine and machines had no magic for Jonathan. He almost disliked the Tin Man, even though he kept crying out of kindness.

The Witch came back, skulking in a corner, appearing on a roof. Terror jerked Jonathan awake.

She called to the Scarecrow like she wanted to play a game. Then, most dreadful of all, the Witch threw a ball of fire at the Scarecrow, fire to burn him alive. Jonathan’s shriek was the most piercing yet. Someone, somewhere, had decided to terrify him. That was what frightened Jonathan most: that it was deliberate. They could have made a movie without a witch at all.

He glimpsed poppies. They were about sleep and he could feel his own limbs go still and heavy. The movie turned into color and he seemed to sink down into it. He sank down and settled very gently, his feet touching solid ground and seeming to spark with life. He ran, into Oz.

He could hear his own running feet, and he could feel cobbles underfoot through the soles of his shoes. The bricks were bright yellow, so bright that it hurt his eyes.

“Wait for me!” he called. And they all turned, Judy Garland and the Scarecrow and the Lion. He caught up with them.

“Can I come too? Can I come too?” he asked them, panting. The fields were bright red, and the sky was full of a white smiling face, and it was snowing too, flowers and snow together, and there was music, grand and happy at the same time.

“Why, of course you can,” said Judy Garland.

Jonathan woke up in the morning in his own bed. The room was dim and gray, shadowed by a curtain. Except that at the foot of his bed, there was a flowering of color. He woke and imagined that the Lion and the Tin Man and the Scarecrow were with him. Jonathan could feel the weight of the Scarecrow, not too heavy, against his feet.

Wake up, Jonathan! Judy Garland seemed to say. We’re off to see the Wizard!

“Hurray!” cried Jonathan. He threw off his blankets and hurled himself into the cold air. “We’re off to see the Wizard!” He ran into the bathroom. His new friends crowded into the bathroom with him. Dorothy brushed her teeth too, and the Lion used dental floss on his fangs, just like Jonathan’s father.

It was November and cold, though it had not yet snowed, and Jonathan ran to sit in his morning place: in front of the ventilator duct by the kitchen door where hot air blasted out. He warmed his hands and feet. The Lion held the tip of his tail near it. The Scarecrow hung back in fear of the heat.

“Don’t worry,” Jonathan whispered to him. “It’s not fire. There’s no fire.”

It was Sunday, and his father was home. Normally, Jonathan and his father ate Sunday breakfast together. Afterward they would check the boiler in the basement and make sure the water around the sump pump had not frozen and killed Jonathan’s fish who lived there. This morning, however, Jonathan heard his father already hammering away in the attic. Jonathan was glad. He wanted to be with the people from Oz.

His mother walked in with a bowl of porridge. “You’ll have to hurry this morning, Jonathan,” she said. “It’s late and you’ve got Sunday School.”

He and his mother and the people from Oz all sat at the breakfast table by the front window. The people from Oz were going to have porridge as well. Jonathan’s mother sat down opposite him, smiling with love.

“You fell asleep,” she said, sympathetically.

“When?” Jonathan asked.

“Before the end of your movie.”

“I did not!” Jonathan had felt very adult, being allowed to stay up late. It was a sign of great childishness to have fallen asleep.

“You did,” said his mother, sweetly. She was utterly charmed. He had fought so hard to stay awake.

“I saw the whole movie,” he protested.

“Did you?” said his mother. “What happened at the end?”

Jonathan thought back and found he couldn’t remember. This was a truly terrible thing; he was sure he had seen the film, but he found he had no memory of the Witch’s castle or of the inside of the Emerald City or of Dorothy’s going home.

He went very silent. He wished his mother would stop smiling. He hadn’t seen it, after all. He had slept through his movie. He would never see all of the story now.

“It will be on again,” said his mother.

“I did so see it,” he murmured.

He watched the brown sugar melt on his porridge. He liked that. He used it to help himself forget. Then he poured on the milk to cool it. Otherwise it was too hot. The aim was to get all the porridge floating on the milk, so that the sugar on top was not washed away. He blew on his porridge, and the friends from Oz blew with him.

He looked up at them, appraisingly. He must have fallen asleep and pulled them into his dream from out of the movie. So when he woke up they woke up with him and were still there, and that’s how they joined him. So maybe it was lucky he had slept.

After the porridge, his mother bundled him into the bathroom again and washed behind his ears, which made him squirm, and then she put him into his own gray suit, with his own red bow tie. Then she put him into his mud-colored coat and his cap with flaps that could come down over his ears. She pushed his galoshes over his feet and then sent him off to Sunday School.

There was already a Christmas wreath on the front door, though there was no snow. The house stood on high Canadian foundations, out of the mud. There was a bank of concrete steps leading down from the front door to the earth. Just in front of the steps, waiting like a trap for the unwary, was Jonathan’s wagon. His father had made it out of spare bits of wood. The rubber wheels had a suspension system his father had invented out of springs, too sophisticated for Jonathan to appreciate. He only knew that his wagon ran quietly and smoothly.

Jonathan loaded his new friends onto it and then he ran with his silent wagon, ran down the slope of the small artificial hill on which the house rested. The wagon rolled smoothly over the cover of the cesspit, which his mother was always telling him to avoid. He imagined it was a gate into the underworld or an entrance to an underground house, like Peter Pan’s. He ran over the cesspit to the front drive and its broad opening through the white fence that enclosed the Corndale house as if it were a ranch. He left the wagon right in the middle of the entrance where he always did, ready to be flattened.

The people of Oz walked to Sunday School with him. He hoped that he would see no one else, just them. The Second Line West became the Yellow Brick Road. The circular tin culverts under the driveways seemed full of secrets.

Jonathan carried his secret into Sunday School. He told no one that the Oz people were with him. They were his friends alone. The Oz people sang “Yes, Jesus Loves Me” to the colored slide that showed Jesus and the words. They sang “Suffer Little Children.” They listened to the story of the parting of the Red Sea, and on the way home, they and Jonathan imagined that they were walking between two high magic walls of seawater, pursued by Egyptians. Within the glassy green walls there were giant fish.

The Oz people were with him when his mother undid his bow tie and changed him into his ordinary clothes. They were with him when they ate Sunday lunch, roast goose with roast potatoes. “How did you like the movie?” his father asked Jonathan, having descended from the attic. Jonathan murmured something through a mouthful of food.

“I think he’s forgotten it already,” said his mother.

In the afternoon, he and his friends went out and played in the mud. Jonathan sank himself as deep as he could into it. It filled the tops of his galoshes. Together with the people from Oz, he made mud pies. They made patties of the wet cold soil. Jonathan had a bottle of poison from the bathroom. It was a bright red bottle of iodine with a skull and crossbones on it. It was a magic spell. Together, he and the Oz people put poison in the mud pies.

“We’re going to feed them to the Wicked Witch,” whispered Jonathan. He crept through he back door. He kicked off his boots, heavy with mud, and peeled off his smeared and sodden trousers and ran into the kitchen, trailing mud from his hands and socks. He put the mud pies on plates. He thought that mud was like melted chocolate and would go crisp and solid in the refrigerator.

His mother arrived to find her best china coated in mud and Jonathan in wet socks and underpants, shivering and leaning into the refrigerator.

“I’m poisoning the Witch,” explained Jonathan. His round face was evil and eldritch. “Those are Poison Pies, so don’t eat them!”

“I promise not to eat Poison Mud Pies,” said his mother, endeavoring to find it amusing. “Where are your trousers?”

“Um,” said Jonathan.

She went to find them. “Oh, Jonathan!” he heard her cry from the back door. She came into the kitchen holding out the trousers, a twist of cloth and mud. “How did you do this?” she demanded. There were wet footprints across her green rug, her polished floor.

Jonathan spent the rest of the afternoon indoors. He rubbed red poison iodine all over his face and lay on the green carpet, closing one eye. The fibers of the carpet looked huge, like trees, and he and the people from Oz walked through them, on their way to see the Wizard.

“Jonathan, wash your face, now,” said his mother. He left red face-stains on the lime-green rug. “What are we going to do with you?” his mother asked.

He and the people from Oz hid in the shoebox. It was a great wooden box that filled one end of the corridor just outside the bathroom. He and the people from Oz lifted the lid and crawled inside it and nestled down amid the smells of rubber and leather and socks, the shoes and boots alternately hard and soft underneath them.

“We’re going to disappear,” Jonathan told the people from Oz. He burrowed down into the boots, piling shoes on top of himself. Later, when his parents began to try to find him, they even opened the lid and looked in and didn’t see him.

Jonathan was as invisible as the people from Oz.

All that winter, Jonathan withdrew from the world to be with his friends. They wandered to the woods far down the Second Line West. They walked quickly and quietly, hoping no one would see them, past Billy Tait’s house, past Jaqui Foster’s house, all the way beyond the house of his parents’ friends, the Harrisons. Jonathan looked down at his feet as he walked, as if ashamed, as if frightened of falling. When he thought there was no chance of anyone seeing him, he broke into a run.

Under a gray November sky Jonathan plunged into the forest through the tangle of shrubs and twigs. Inside, the woods were even darker and grayer. The ground was covered with brown leaves amid the smooth trunks of ash and sycamore. There were birch trees with their magical, white-paper bark that the Indians turned into canoes.

They were in Oz. They all sang and danced together, kicking up leaves. They danced along the banks of a tiny branch of the Credit River. Tree roots overhung the bank. Underneath them were secret houses, full of Munchkins. They would come out to join the Oz people, singing “Ding Dong the Witch is Dead.” The singing went on amid showers of fallen leaves.

Then, one morning, Jonathan got up and saw that the world had turned white and that the air was full of falling flakes. The last time it had snowed had been nearly a quarter of his lifetime ago. He greeted winter like a friend he had not seen in decades. He ran out in ordinary shoes and flung handfuls of snow into the air. The sky was white.

He loved winter. In the dark, as he lay in bed in the mornings, there would be the comforting sound of the snowplows, rumbling past. His father would have to dig snow out of the driveway before he could leave for work. There would be sliding on the ice and toboggan rides. The inside of the living room windows was coated in great leafy patterns of frost. Jonathan and the Oz people sat at the breakfast table, wandering among them, in a forest of frost. As soon as breakfast was over, he would run outside.

Jonathan loved sunlight on snow, and he loved the mystery of ice. One day he and the people from Oz walked on the frozen surface of the ditches, imagining water babies shivering underneath the ice. The surface cracked and Jonathan fell in, soaking himself in ice water to the knees. He kept on walking, enchanted by the world he and his Oz friends walked through.