The pitiful note of profound fear in Einstein’s soft whine and an indescribably disturbing quality in his dark eyes combined to affect Travis to an extent that surprised him. Holding the collar with one hand, his other hand on Einstein’s back, Travis felt the shivers that quaked through the dog—and suddenly he was shivering, too. The dog’s stark fear was transmitted to him, and he thought, crazily,
By God, he really has seen something like this.
Sensing the change in Travis, Nora said, “What’s wrong?”
Instead of answering her, he repeated the question that Einstein had not yet answered: “Are you claiming to have seen such a thing?”
Yes.
“Something that looks exactly like this demon?”
A bark and a wag:
Yes and no.
“Something that looks at least a little bit like it?”
Yes.
Letting go of the collar, Travis stroked the dog’s back, trying to soothe him, but Einstein continued to shiver. “Is this why you keep a watch at the window some nights?”
Yes.
Clearly puzzled and alarmed by the dog’s distress, Nora began to pet him, too. “I thought you were worried that people from the lab would find you.”
Einstein barked once.
“You’re not afraid people from the lab will find you?”
Yes and no.
Travis said, “But you’re more afraid that . . . this other thing will find you.”
Yes, yes, yes.
“Is this the same thing that was in the woods that day, the thing that chased us, the thing I shot at?” Travis asked.
Yes, yes, yes.
Travis looked at Nora. She was frowning. “But it’s only a movie monster. Nothing in the real world looks even a little bit like it.”
Padding across the room, sniffing at the assorted photographs, Einstein paused again at the Blue Cross ad that featured the doctor, mother, and baby in a hospital room. He brought the magazine to them and dropped it on the floor. He put his nose to the doctor in the picture, then looked at Nora, at Travis, put his nose to the doctor again, and looked up expectantly.
“Before,” Nora said, “you told us the doctor represented one of the scientists in that lab.”
Yes.
Travis said, “So are you telling me the scientist who worked on you would know what this thing in the woods was?”
Yes.
Einstein went looking through the photographs again, and this time he returned with the ad that showed a car in a cage. He touched his nose to the cage; then, hesitantly, he touched his nose to the picture of the demon.
“Are you saying the thing in the woods belongs in a cage?” Nora asked.
Yes.
“More than that,” Travis said, “I think he’s telling us that it was in a cage at one time, that he saw it in a cage.”
Yes.
“In the same lab where
you
were in a cage?”
Yes, yes, yes.
“Another experimental lab animal?” Nora asked.
Yes.
Travis stared hard at the photograph of the demon, at its thick brow and deeply set yellow eyes, at its deformed snoutlike nose and mouth bristling with teeth. At last he said, “Was it an experiment . . . that went wrong?”
Yes and no,
Einstein said.
Now at a peak of agitation, the dog crossed the living room to the front window, jumped up and braced his forepaws on the sill, and peered out at the Santa Barbara evening.
Nora and Travis sat on the floor among the opened magazines and books, happy with the progress they had made, beginning to feel the exhaustion that their excitement had masked—and frowning at each other in puzzlement.
She spoke softly. “Do you think Einstein’s capable of lying, making up wild stories like children do?”
“I don’t know. Can dogs lie, or is that just a human skill?” He laughed at the absurdity of his own question. “Can dogs lie? Can a moose be elected to the presidency? Can cows sing?”
Nora laughed, too, and very prettily. “Can ducks tap-dance?”
In a fit of silliness that was a reaction to the difficulty of dealing intellectually and emotionally with the whole idea of a dog as smart as Einstein, Travis said, “I once saw a duck tap-dancing.”
“Oh, yeah?”
“Yeah. In Vegas.”
Laughing, she said, “What hotel was he performing at?”
“Caesar’s Palace. He could sing, too.”
“The duck?”
“Yeah. Ask me his name.”
“What was his name?”
“Sammy Davis Duck, Jr.,” Travis said, and they laughed again. “He was such a big star they didn’t even have to put his entire name on the marquee for people to know who was performing there.”
“They just put ‘Sammy,’ huh?”
“No. Just ’Jr.’ ”
Einstein returned from the window and stood watching them, his head cocked, trying to figure out why they were acting so peculiar.
The puzzled expression on the retriever’s face struck both Travis and Nora as the most comical thing they had ever seen. They leaned on each other, held each other, and laughed like fools.
With a snort of derision, the retriever went back to the window.
As they gradually regained control of themselves and as their laughter subsided, Travis became aware that he was
holding
Nora, that her head was on his shoulder, that the physical contact between them was greater than any they had allowed themselves before. Her hair smelled clean, fresh. He could feel the body heat pouring off her. Suddenly, he wanted her desperately, and he knew he was going to kiss her when she raised her head from his shoulder. A moment later she looked up, and he did what he knew he’d do—he kissed her—and she kissed him. For a second or two, she did not seem to realize what was happening, what it meant; briefly, it was without significance, sweet and utterly innocent, not a kiss of passion but of friendship and great affection. Then the kiss changed, and her mouth softened. She began to breathe faster, and her hand tightened on his arm, and she tried to pull him closer. A low murmur of need escaped her—and the sound of her own voice brought her to her senses. Abruptly, she stiffened with complete awareness of him as a man, and her beautiful eyes were wide with wonder—and fear—at what had almost happened. Travis instantly drew back because he knew instinctively that the time was not right, not yet perfect. When at last they did make love, it must be exactly right, without hesitation or distraction, because for the rest of their lives they would always remember their first time, and the memory should be all bright and joyous, worth taking out and examining a thousand times as they grew old together. Although it was not quite time to put their future into words and confirm it with vows, Travis had no doubt that he and Nora Devon would be spending their lives with each other, and he realized that, subconsciously, he’d been aware of this inevitability for at least the past few days.
After a moment of awkwardness, as they drew apart and tried to decide whether to comment on the sudden change in their relationship, Nora finally said, “He’s still at the window.”
Einstein pressed his nose to the glass, staring out at the night.
“Could he be telling the truth?” Nora wondered. “Could there have been something else that escaped from the lab, something
that
bizarre?”
“If they had a dog as smart as him, I guess they might have had other things even more peculiar. And there
was
something in the woods that day.”
“But there’s no danger of it finding him, surely. Not after you brought him this far north.”
“No danger,” Travis agreed. “I don’t think Einstein understands how far we came from where I found him. Whatever was in the woods couldn’t track him down now. But I’ll bet the people from that lab have mounted one hell of a search. It’s them I’m worried about. And so is Einstein, which is why he usually plays at being a dumb dog in public and reveals his intelligence only in private to me and now you. He doesn’t want to go back.”
Nora said, “If they find him . . .”
“They won’t.”
“But if they do, what then?”
“I’ll never give him up,” Travis said. “Never.”
8
By eleven o’clock that night, Deputy Porter’s headless corpse and the mutilated body of the construction foreman had been removed from Bordeaux Ridge by the coroner’s men. A cover story had been concocted and delivered to the reporters at the police barricades, and the press had seemed to buy it; they had asked their questions, had taken a couple of hundred photographs, and had filled a few thousand feet of videotape with images that would be edited down to a hundred seconds on tomorrow’s TV news-cast. (In this age of mass murder and terrorism, two victims rated no more than two minutes’ airtime: ten seconds for lead-in, a hundred seconds for film, ten seconds for the well-coiffed anchorpersons to look respectfully grim and saddened—then on to a story about a bikini contest, a convention of Edsel owners, or a man who claimed to have seen an alien spacecraft shaped like a Twinkie.) The reporters were gone now, as were the lab men, the uniformed deputies, and all of Lemuel Johnson’s agents except Cliff Soames.
Clouds hid the fragment moon. The kliegs were gone, and the only light came from the headlamps of Walt Gaines’s car. He had swung his sedan around and aimed his lights at Lem’s car, which was parked at the end of the unpaved street, so Lem and Cliff would not have to fumble around in the dark. In the deep gloom beyond the headlamps, half-framed houses loomed like the fossilized skeletons of prehistoric reptiles.
As he walked toward his car, Lem felt as good as he could feel under the circumstances. Walt had agreed to allow federal authorities to assume jurisdiction without a challenge. Although Lem had broken a dozen regulations and had violated his secrecy oath by telling Walt the details of the Francis Project, he was sure Walt could keep his mouth shut. The lid was still on the case, a bit looser than it had been, perhaps, but still in place.
Cliff Soames reached the car first, opened the door, and got in on the passenger’s side, and as Lem opened the driver’s door he heard Cliff say, “Oh, Jesus, oh God.” Cliff was scrambling back out of the car even as Lem looked in from the other side and saw what the uproar was about. A head.
Teel Porter’s head, no doubt.
It was on the front seat of the car, propped so it was facing Lem when he opened the door. The mouth hung open in a silent scream. The eyes were gone.
Reeling back from the car, Lem reached under his coat and pulled his revolver.
Walt Gaines was already out of his car, his own revolver in hand, running toward Lem. “What’s wrong?”