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Authors: Shaun David Hutchinson

We Are the Ants

BOOK: We Are the Ants
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For Matt, my favorite alien

TWO POSSIBILITIES EXIST: EITHER WE ARE ALONE IN THE UNIVERSE OR WE ARE NOT. BOTH ARE EQUALLY TERRIFYING.

—Arthur C. Clarke

Chemistry: Extra Credit Project

Life is bullshit.

Consider your life for a moment. Think about all those little rituals that sustain you throughout your day—from the moment you wake up until that last, lonely midnight hour when you guzzle a gallon of NyQuil to drown out the persistent voice in your head. The one that whispers you should give up, give in, that tomorrow won't be better than today. Think about the absurdity of brushing your teeth, of arguing with your mother over the appropriateness of what you're wearing to school, of homework, of grade-point averages and boyfriends and hot school lunches.

And life.

Think about the absurdity of life.

When you break down the things we do every day to their component pieces, you begin to understand how ridicu­lous they are. Like kissing, for instance. You wouldn't let a stranger off the street spit into your mouth, but you'll swap saliva with the boy or girl who makes your heart race and your pits sweat and gives you boners at the worst fucking times. You'll stick you tongue in his mouth or her mouth or their mouth, and let them reciprocate without stopping to consider where else their tongue has been, or whether they're giving you mouth herpes or mono or leftover morsels of their tuna-salad sandwich.

We shave our legs and pluck our eyebrows and slather our bodies with creams and lotions. We starve ourselves so we can fit into the perfect pair of jeans, we pollute our bodies with drugs to increase our muscles so we'll look ripped without a shirt. We drive fast and party hard and study for exams that don't mean dick in the grand scheme of the cosmos.

Physicists have theorized that we live in an infinite and infinitely expanding universe, and that everything in it will eventually repeat. There are infinite copies of your mom and your dad and your clothes-stealing little sister. There are infinite copies of you. Despite what you've spent your entire life believing, you are not a special snowflake. Somewhere out there, another you is living
your
life. Chances are, they're living it better. They're learning to speak French or screwing their brains out instead of loafing on the couch in their boxers, stuffing their face with bowl after bowl of Fruity Oatholes while wondering why they're all alone on a Friday night. But that's not even the worst part. What's really going to send you running over the side of the nearest bridge is that none of it matters. I'll die, you'll die, we'll all die, and the things we've done, the choices we've made, will amount to nothing.

Out in the world, crawling in a field at the edge of some bullshit town with a name like Shoshoni or Medicine Bow, is an ant. You weren't aware of it. Didn't know whether it was a soldier, a drone, or the queen. Didn't care if it was scouting for food to drag back to the nest or building new tunnels for wriggly ant larvae. Until now that ant simply didn't exist for you. If I hadn't mentioned it, you would have continued on with your life, pinballing from one tedious task to the next—shoving your tongue into the bacterial minefield of your girlfriend's mouth, doodling the variations of your combined names on the cover of your notebook—waiting for electronic bits to zoom through the air and tell you that someone was thinking about you. That for one fleeting moment you were the most significant person in someone else's insignificant life. But whether you knew about it or not, that ant is still out there doing ant things while you wait for the next text message to prove that out of the seven billion self-centered people on this planet,
you
are important. Your entire sense of self-worth is predicated upon your belief that you matter, that you matter to the universe.

But you don't.

Because we are the ants.

  •  •  •  

I didn't waste time thinking about the future until the night the sluggers abducted me and told me the world was going to end.

I'm not insane. When I tell you the human race is toast, I'm not speaking hyperbolically the way people do when they say we're all dying from the moment our mothers evict us from their bodies into a world where everything feels heavier and brighter and far too loud. I'm telling you that tomorrow—­January 29, 2016—you can kiss your Chipotle-eating, Frappuccino-drinking, fat ass good-bye.

You probably don't believe me—I wouldn't in your place—but I've had 143 days to come to terms with our inevitable destruction, and I've spent most of those days thinking about the future. Wondering whether I have or want one, trying to decide if the end of existence is a tragedy, a comedy, or as inconsequential as that chem lab I forgot to turn in last week.

But the real joke isn't that the sluggers revealed to me the date of Earth's demise; it's that they offered me the choice to prevent it.

You asked for a story, so here it is. I'll begin with the night the sluggers told me the world was toast, and when I'm finished, we can wait for the end together.

7 September 2015

The biggest letdown about being abducted by aliens is the abundance of gravity on the spaceship. We spend our first nine months of life floating, weightless and blind, in an amniotic sac before we become gravity's bitch, and the seductive lure of space travel is the promise of returning to that perfect state of grace. But it's a sham. Gravity is jealous, sadistic, and infinite.

Sometimes I think gravity may be death in disguise. Other times I think gravity is love, which is why love's only demand is that we fall.

  •  •  •  

Sluggers aren't gray. They don't have saucer-wide eyes or thin lipless mouths. As far as I know, they don't have mouths at all. Their skin is rough like wet leather and is all the colors of an algae bloom. Their black spherical eyes are mounted atop their heads on wobbly stalks. Instead of arms, they have appendages that grow from their bodies when required. If their UFO keys fall off the console—
boom!
—instant arm. If they need to restrain me or silence my terrified howls, they can sprout a dozen tentacles to accomplish the task. It's very efficient.

Oddly enough, sluggers do have nipples. Small brown buttons that appear to be as useless to them as most men's. It's comforting to know that regardless of our vast differences and the light-years that separate our worlds, we'll always have nipples in common.

I should slap that on a bumper sticker,
© HENRY JEROME DENTON.

  •  •  •  

Before you ask: no, the sluggers have never probed my anus. I'm fairly certain they reserve that special treat for people who talk on their phones during movies, or text while driving.

  •  •  •  

Here's how it happens: abductions always begin with shadows. Even in a dark room, with the windows closed and the curtains drawn, the shadows descend, circling like buzzards over a reeking lunch.

Then a heaviness in my crotch like I have to pee, growing painfully insistent regardless of how much I beg my brain to ignore it.

After that, helplessness. Paralysis. The inability to ­struggle. Fight. Breathe.

The inability to scream.

At some point the sluggers move me to the examination room. I've been abducted at least a dozen times, and I still don't know how they transport me from my bedroom to their spaceship. It happens in the dark space between blinks, in the void between breaths.

Once aboard, they begin the experiments.

That's what I assume they're doing. Trying to fathom the motives of an advanced alien race who possess the technological capacity to travel through the universe is like the frog I dissected in ninth grade trying to understand why I cut it open and pinned its guts to the table. The sluggers could be blasting me with deadly radiation or stuffing me full of slugger eggs just to see what happens. Hell, I could be some slugger kid's science fair project.

I doubt I'll ever know for certain.

Sluggers don't speak. During those long stretches where my body is beyond my control, I often wonder how they communicate with one another. Maybe they secrete chemi­cals the way insects do, or perhaps the movements of their eyestalks is a form of language similar to the dance of a bee. They could also be like my mother and father, who communicated exclusively by slamming doors.

I was thirteen the first time the sluggers abducted me. My older brother, Charlie, was snoring his face off in the next room while I lay in bed, translating my parents' fight. You might believe all doors sound the same when slammed, but you'd be wrong.

My father was a classic slammer, maintaining contact with the door until it was totally and completely shut. This gave him control over the volume and pitch, and produced a deep, solid bang capable of shaking the door, the frame, and the wall.

Mom preferred variety. Sometimes she went for the dramatic fling; other times she favored the heel-kick slam. That night, she relied on the multismash, which was loud and effective but lacked subtlety.

The sluggers abducted me before I learned what my parents were arguing about. Police found me two days later, wandering the dirt roads west of Calypso, wearing a grocery bag for underwear and covered in hickies I couldn't explain. My father left three weeks after that, slamming the door behind him one final time. No translation necessary.

  •  •  •  

I've never grown comfortable being naked around the aliens. Jesse Franklin frequently saw me naked and claimed to enjoy it, but he was my boyfriend, so it doesn't count. I'm self-­conscious about being too skinny, and I imagine the sluggers judge me for my flaws—the mole in the center of my chest shaped like Abraham Lincoln or the way my collarbone protrudes or my tragically flat ass. Once, while standing in the lunch line waiting for shepherd's pie, Elle Smith told me I had the flattest ass she'd ever seen. I wasn't sure how many asses a twelve-year-old girl from Calypso realistically could have been exposed to, but the comment infected me like a cold sore, bursting to the surface from time to time, ensuring I never forgot my place.

Part of me wonders if the sluggers send pervy pics back to their home planet for their alien buddies to mock.
Check out this mutant we caught. They call it a teenager. It's got five arms, but one is tiny and deformed.

It's not really deformed, I swear.

  •  •  •  

When the sluggers had finished experimenting on me that night, the slab I was resting on transformed into a chair while I was still on it. During previous abductions, the aliens had locked me in a totally dark room, attempted to drown me, and once pumped a gas into the air that made me laugh until I vomited, but they'd never given me a chair. I was immediately suspicious.

BOOK: We Are the Ants
7.73Mb size Format: txt, pdf, ePub
ads

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