What a Lady Needs for Christmas (7 page)

Read What a Lady Needs for Christmas Online

Authors: Grace Burrowes

Tags: #Historical Romance, #Regency Romance, #Historical, #Victorian, #Holidays, #Romance, #highlander, #Scottish, #london, #Fiction, #Victorian romance, #Scotland Highland, #England, #Scotland, #love story

BOOK: What a Lady Needs for Christmas
3.51Mb size Format: txt, pdf, ePub

“You can have that argument outside,” Miss Hartwell said, “provided you’re bundled up to your noses. The day has done nothing but grow colder and darker.”

True enough. Joan assisted with dressing the children—Phillip stood still, while Charlie’s mouth and all fourteen of her limbs were in constant motion—then wrapped herself in her velvet cloak.

By the time the children and both women were appropriately attired, the train had come to a halt at the back of yet another gray stone building, this one larger than many of the others. Miss Hartwell gave the children a final stern admonition about running off—running
anywhere
—and turned to open the door.

A man stood directly outside in his kilt, the fellow tall enough to be higher than eye level with Miss Hartwell, even when she had the advantage of the train’s height. His age was hard to determine, but likely fell between thirty and thirty-five.

A gust of frigid air accompanied the moment of silence while Miss Hartwell and the fellow stared at each other, then Charlie tore a hand free from Joan’s grasp.

“Hullo, Hector!” She launched herself at the man, who caught her easily.

“Hullo, ma bonnie wee lass! Did ye save me a kiss?”

The next instant was full of the sort of impressions designed to make Joan feel like an interloper: fellows named Hector should be short, skinny, wear too much pomade in their hair, and eschew kilts.

This Hector had the sort of cliffs-meeting-the-sea features that were the embodiment of sternness in repose. A sloping brow, deep-set eyes, and a prominent nose came together with a determined jaw to form a countenance that would have looked well on an opinionated conservative bishop or a Highland chieftain. Dark hair—no pomade—did nothing to lighten Joan’s impression of the man.

And yet, his waistcoat was bright, even loud plaid, along the lines of the Royal Stewart tartan.

Charlie’s greeting effected a transformation, bringing merriment to blue eyes, and a broad smile to Hector’s face. His affection for the child and hers for him was unabashed and charming.

“We saved you chocolates, too,” Charlie said. “Or Lady Joan did. You mustn’t eat too many sweets, or you’ll get a bellyache. Did you miss me?”

“Fair t’broke ma heart for missing ye,” he said, setting Charlie down but keeping her hand in his.

He was difficult to understand, having a thick Scottish burr—not heart, but hairt. Untangling his speech didn’t spare Joan from noticing the way Hector glanced at Miss Hartwell as he flattered the child.

Fair
to
broke
my
heart
for
missing
ye.

Oh. Dear.

Mr. Hartwell’s man of business—or whatever Hector was—had directed his sentiment at least in part at Mr. Hartwell’s sister. Miss Hartwell was busy rewrapping Phillip’s scarf about his face and likely missed the innuendo entirely.

Or was polite enough to pretend she had.

“Shall we step out for a few minutes?” Joan suggested.

Hector’s smile faded as he treated Joan to a visual inspection. “Hector MacMillan, ma’am. I haven’t had the pleasure…”

“Well, move aside, Hector,” Miss Hartwell scolded. “We’re letting all the heat out of the parlor, and the children aren’t getting any fresh air.”

His expression, if anything, grew more shuttered. “My apologies.”

Miss Hartwell got the introductions wrong, presenting Joan to Mr. MacMillan first, which was three kinds of a blunder. Joan offered her gloved hand, which Mr. MacMillan took in his bare fingers without bowing.

“I don’t recall that a guest was to join the party.”

“I’m not a guest,” Joan said as Margaret bustled off after the children, and two young ladies with the harried countenances of nursery maids hopped down from cars farther along the platform. “I’m a charity case. Mr. Hartwell and I became acquainted over the past few weeks in Edinburgh. When I needed to journey north on short notice, he offered the hospitality of traveling with his family.”

“Don’t insult my guest, Hector,” Mr. Hartwell said, climbing down from the second car. “Lady Joan helped Margs with the children, and for that we must all be grateful.”

Mr. Hartwell shook hands with Mr. MacMillan, then slapped the fellow on the back and offered him a dented silver flask. Not only did the temperature drop and the light fade as one journeyed north, but apparently manners also grew less formal.

“A wee nip, Lady Joan?” Mr. Hartwell asked when Mr. MacMillan had declined the proffered libation.

Joan had an older brother, and she and her sisters had been duty bound to sneak a nip from his flask. The memory was not happy, for Mary Ellen had snorted the contents of the flask into her nose, and accused Joan of trying to poison her loudly enough for Mama to hear.

Mama had made them finish the flask, though she’d diluted the contents with water.

Why had Joan not taken that lesson in the evils of strong spirits to heart?

“No, thank you. A pleasure to meet you, Mr. MacMillan. I’ll see how Miss Hartwell is getting on with the children.” Those children had run down the platform, trying to catch snowflakes on their tongues and narrowly missing collisions with other travelers.

The men moved away, back toward the second train car as the wind snatched at terms like “profitability” and “rate of return” and “damned Sassenach.”

Joan qualified as a Sassenach—a rather cold, miserable Sassenach. She was no longer on the swaying train, and the brisk wind blew the coal smoke away from the platform, and yet, even standing still in the frigid air, Joan’s stomach was still unsettled.

Perhaps she was a damned Sassenach after all.

***

“Charity cases don’t wear velvet cloaks that cost more than my grandda’s entire harvest of wool would have brought in a good year.”

Hector was a master of the casual observation.

I see you haven’t made notes on these reports yet.

How
interesting, that you’re now in correspondence with the very English earl who damned near tried to shoot you on your own grouse moor.

Margaret
appears
a
wee
bit
wroth
with
you.

“And yet, Lady Joan had no way to travel home to see her family, dirty weather was closing in, and Margs seemed in need of some company,” Dante
observed
with equal casualness. “They’re getting on well enough.”

Hector paused before climbing into the second parlor car—the one with the decanters, but lamentably lacking in that marzi-whatever confection.

“I don’t believe I’ve ever seen Margaret try to catch a snowflake on her tongue.”

Another observation. Down the platform, Lady Joan, Margaret, and the children were holding hands in a circle, everybody’s face turned skyward, while some sort of silly game got under way and a queer sensation tugged at Dante’s chest.

“Into the train with you,” he said. “I have questions about Balfour’s holdings, and if we’re quick, we can snatch the box of chocolates and nobody will notice.”

“Nobody will notice for about five minutes,” Hector said, climbing aboard, “and Balfour’s situation was hard to gather information about. Until a year or so ago, the present earl was presumed dead, and a younger brother was styled as the earl. An older relation had the keeping of the earldom’s trusts, and the family has been wrangling ever since.”

“They’re Scottish. Of course they’ll wrangle,” Dante said, while outside, the sound of laughter cut through even the bustle on the platform. “The present earl owns ships, I know that much. Bloody fast ships, if the captains at the Edinburgh docks can be believed. Where there are ships, there can be capital.”

Dante hung his coat on a peg while Hector lingered at the window.

“Margaret isn’t wearing a bonnet.”

Neither had Lady Joan been wearing a bonnet. Perhaps Hector’s habit of observation was contagious. “A good wool scarf is better protection from the elements.”

They fell silent while porters appeared with another bucket of coal, more tea, and scones—in this modern age, could Her Majesty’s rail services boast no fare more imaginative than tea and scones?—and a few disapproving looks aimed at the swag-less mantel.

“I’d kill for a pair of hot bridies,” Dante said. “The spicy kind my grannie used to make for my nooning.”

“Shall I have meat pasties delivered on your next trip?”

Hector was quintessentially Scottish—in his diction, his substantial build, his stubbornness—and yet he made the occasional swipe at English vocabulary. Dante had no idea why.

“Not meat pasties, a batch of damned bridies. Somebody’s mama likely sells them out front of the station, fresh and piping hot.” Dante grew hungry even thinking about them. “Stay here and prepare to explain to me about Balfour’s personal assets when I get back.”

Hector raised one dark eyebrow high enough to let Dante know that attempts to deliver orders were humored rather than tolerated—Hector was plenty Scottish when he wanted to be.

When Dante returned with the box of chocolates, minus the last piece of that almond sweet, Hector had wedged himself in at the table and was making notes in pencil on a sheet of foolscap.

A conductor’s whistle sounded a single blast.

“I didn’t quite manage to memorize the guest list for this holiday farce,” Dante said, “much less untangle all the begats and wed-the-daughter-of’s. Tell me about Balfour’s money. Why would an earl who owns a shipping enterprise want to involve himself with my mills?”

And how much could Dante charge him for that privilege?

“You could sell the mills,” Hector said, running his pencil down the side of the page as if a few scribbled notes held the key to untold riches. “They’re profitable.”

In two words, Hector managed to put a strong whiff of disapproval in the air. The mills could be
more
profitable, of course. Significantly more profitable.

“If the mills aren’t to become more dangerous than they are at present, improvements are necessary. If I sell them to some greedy Englishman, nobody will make those improvements, an entirely avoidable accident will transpire, and then somebody—maybe a hundred somebodies—will have a gravestone, and my profits will be buried with them.”

If that accident took the form of fire or broken machinery, there’d be no wages for the hundred women employed at each facility, some of whom had held their positions for more than ten years. This signal fact kept Dante from selling one mill to finance improvements on the other two.

Which one would he sell?

How would his suppliers and buyers—many of whom were English—react to the news that he was liquidating a major asset?

How would the women fare when the new owner realized how much more profitable the mill could be if hours were extended, wages cut, younger children employed?

“I can’t imagine Margaret brought a box of chocolates along on a journey that involved the children,” Hector said, helping himself to a pair of sweets.

Dante sprawled lengthwise on the couch, pleased to think he might be napping in the same place Lady Joan had.

“Can’t you simply ask, Hector? Where did the chocolates come from? Maybe I bought them. Christmas is coming, you know. A few holiday treats might be in order.”

A silence from across the car was punctuated by a double whistle blast. The sound of laughter and thumping feet came from the adjacent car, and another queer pang assailed Dante.

Had that been Phillip laughing along with Charlie?

“You are attending this house party to find investors to capitalize updating your mills,” Hector said, folding the table down and crossing his feet on the opposite bench. “Your efforts to catch a wealthy titled bride having failed, I’d think you’d want to focus on business, and not on cadging treats provided by charity cases wearing ermine cloaks.”

“Lady Joan wears a velvet cloak.” Also a velvet dress, lots of lace, and a lovely scent.

“Your efforts to find a bride did fail, then?”

Finally, a direct question.

“Spectacularly. English mamas aren’t stupid. They aren’t about to marry off their darling titled daughters to a climbing Scottish cit when so many of the English variety ooze about the ballrooms with better manners and their knees decently covered at all times.”

“What do knees have to do with it?”

Another question, nearly drowned out by the third whistle blast.

“I should have left my kilts in Glasgow. Balfour has a wealthy brother, doesn’t he?”

“Several, in fact. Connor MacGregor is married to a wealthy Northumbrian widow. Ian MacGregor married an English baroness with significant assets, and Balfour—Asher MacGregor—is doing very well for himself. A third brother, Gilgallon MacGregor, also married money—pretty, English money. The MacGregors are Scotsmen. If you can’t scare up interest among them, then you really ought to consider selling one of the mills.”

“Tell MacDermott to start stocking that almond sweet in this car.”

“It’s expensive, if you’re talking about marzipan.”

“Not as expensive as my trip to Edinburgh. Everybody in town knows I tried to find a well-connected bride and failed. That will make attracting investors for the mills that much harder.”

“Then you’d better give it your very best effort, hadn’t you?”

In the next car, Charlie was laughing uproariously, and a lady in a velvet cloak was probably wondering where her box of chocolates had got off to. In
this
train car, Dante was trying not to become annoyed with Hector, who had a sniffy little answer for everything.

Dante closed his eyes and crossed his arms over his chest.

“You were telling me about Balfour’s assets.” One of the man’s assets was family. Three brothers, all doing well, plenty of family wealth to help out any sibling whose fortunes suffered a reverse, a nice big country house to gather everybody together for the holidays…

While Dante had a few dependents, and Hector’s reports.

“Are you even listening, Dante?”

Dante rose and crossed the car, which was lurching and swaying away from the train station.

Other books

Meet Me in Barcelona by Mary Carter
Chasing Cezanne by Peter Mayle
Deeper Illusions by Jocoby, Annie
Stealing Heaven by Elizabeth Scott
Ryder by Amy Davies
Under the frog by Tibor Fischer