What Has Become of You (8 page)

Later he called my parents and told them he was referring me to this shrink who charges on a sliding scale. I think this made my mother sad and worried, thinking I needed therapy, and I felt awful about that. I felt even worse when I met the shrink—a woman named Dr. Haskell who has some kind of weird mental defect that makes her incapable of saying anything other than “Uh-huh.” I’m not kidding. No matter what you say, that’s all she says back: “Uh-huh.” You could say, “Dr. Haskell, the reception desk just got hijacked by Libyans,” and she’ll croak, “Uh-huh,” and leave it at that. I suppose that’s a therapeutic method, but I didn’t think much of it. I think my parents were relieved when I told them I refused to go to therapy after the third week. Sliding scale or no sliding scale, forty dollars a week is a lot to pay for “Uh-huhs.”

Poor Dean Finister. I ought to have more sympathy for him. It can’t be easy having to spew that same silly pap about school spirit and class pride all the time, and then there’s his home life. His daughter, Lyndsey, is the most matronly teenager known to man—only seventeen years old, and she already has a pigeon breast and a paunch. Looks just like her mother. It can’t be easy having to go home to a wife and daughter who look like pigeon-shaped bookends. And then there’s all that business with his dead niece. That can’t be as fun as a barrel of monkeys, either.

The worst thing about school assemblies, aside from having to look at Finister, is that the right people never get awards. It’s always the people like Cecily-Anne or Autumn who do—the ones whose parents give money to the school. Take somebody like Martha True from our class—she’s actually not stupid, but she’s not what Wallace likes to think of itself as promoting, so she’s not going to get squat. I’m not even going to get into me. Which is not to say I deserve any awards, really. I don’t go out of my way to get noticed. I don’t like raising my hand or speaking up because this anxiety creeps in and I feel like I can’t get any breath in my lungs as soon as I think about responding to a question or a point.

The phone is ringing for me—my Sunday night phone call. I will get back to this and write more later, if you don’t mind too much.

LATER—1 a.m.

Ugh, I can’t sleep.

I did sleep for a little while earlier, maybe an hour and a half, but I woke up and thought I saw someone in my window. My bedroom is on the second floor, so I’m pretty sure no one was there—no one could have been there—but for just one second I was
sure
a man was pressing his sunken face up against the glass. This used to be a regular thing with me, a trick of the eye in the dark. I used to sleep with my head completely covered so that if I woke up in the night, I wouldn’t be tempted to look at the window because seeing a face in it was always my greatest fear. I’ve started doing that again, covering my head, ever since Angela Galvez was killed.

I don’t think I should write about Angela Galvez, though. I need to try to calm myself down, not get myself worked up further. I guess this might be a good time to tell you a little bit about my boyfriend—the Sunday night phone caller.

But no, something even better: I want to tell you about my parents. I should start by telling you that earlier tonight, before I got started on this journal entry, the three of us—me, my mom, and my stepfather, Les—all watched
Wheel of Fortune
and
Jeopardy!
together, like we do every night. “What?” you’re probably asking. “A teenage girl who actually admits to doing something civil with her parents?” I’m all about defying expectations, but the truth is, I get along with them well enough.

I know this is uncommon. Maybe other teenagers just don’t know how to work their parents, don’t know a good thing when they’ve got it. I saw that stupid old movie
The Breakfast Club
on TV a couple of months ago, and I couldn’t believe how the characters kept linking their unhappiness back to their parents. Worst of all was when this character, the supposedly weird girl who is really just a normal girl trying to play a weird girl, has that dumb line where she says: “When you grow up, your heart dies.” When, I wondered, has my heart ever lived? I swear to God, if I do make it to adulthood, it’ll only be for the satisfaction of not having to be a teenager anymore.

My mother is this really funny mixture of earthy redneck, hippie, and prude; she swears like a sailor, but when you get her going on the subject of dating, all of a sudden she turns into a debutante from the 1950s. More about that later.

My stepdad is Les Cudahy. He’s from San Fernando, California, originally, and he went to high school with some kids who later became movie stars. Not big names, but people you’d recognize if you saw them. His real first name is Leslie, but you’d have to call him that at your own peril. He is more than twenty-five years older than my mother; she’s his second wife. He’s older than most of my classmates’ grandfathers, and in fact he does have grandchildren from his first marriage who are older than I am. But he’s been my stepfather since I was two, after my biological dad, Mr. Stephen Willard, took off and became a champion deadbeat. (I don’t even think I have any memories of him. No, that isn’t true—I do have one memory, if you can call it that. I must have been about two years old, and I’d had a nightmare, so I’d gone to my parents’ room and stood by their bedside in the dark, waiting for one of them to wake up. I was near my dad’s side of the bed, and he was sleeping facedown in his pillow. Eventually he lifted his head a little—his hair was all matted, I remember that. “Jesus Christ!” he said when he saw me, and buried his face in the pillow again. In hindsight I wish I’d grabbed the back of his head and pushed his face in a little deeper. Thus ends my first, last, and only fond memory of champion deadbeat Stephen Willard.)

So those are my parents. Neither one of whom is exactly enthralled about my having a boyfriend, by the way. I can’t say that I’m always one hundred percent
enthralled
about it, either.

I first met Bret Folger last summer when I was taking one of those courses in French at the community college. Bret was taking the same course, as some kind of precollege thing. He actually goes to Columbia University now. You might think that sounds bad, me dating a college freshman when I’m only a tenth grader, but he’s a respectable sixteen years old—he did some kind of homeschooling thing where he got his high school degree two years early.

Bret and I never talked the whole time we were in French, but later that July I’d gone to this extremely pathetic student art exhibit at the library. The only reason I was there is because my semi-friend Scotty was supposed to have a painting on display. I refer to Scotty as a semi-friend because we used to be pretty close last year when we went to the same school; we were in the same gym class for a while, and we both had rage in common. Before gym would start, we’d have some downtime where we’d sit on the bleachers, both of us looking ridiculous in sweatpants and T-shirts, and he’d talk to me very enthusiastically about new kinds of homemade bombs he was working on. He’s big on weaponry and explosives. We were always talking about blowing up the school, in a humorous way, of course, and that solidified our bond.

Also, Scotty and I were always comparing notes on how we wanted to kill ourselves if we were going to do it. (Do you think less of me now that you know this about me? Have you downgraded me to just some stupid punk kid? Or maybe placed me in the ranks of one of those wannabe school shooters who is really just looking for attention?) I said I would jump off a bridge, and he said he would slit his wrists. A couple times he tried, or said he did, but I’m not really sure how serious his intention was—he came to school one time with his wrists all bandaged, but when he showed me the cuts underneath, the cuts went across his wrists like bracelets instead of straight up and down, like you’re supposed to do them.

The other main thing that Scotty and I both had in common was that we were both signed up for archery. In ninth grade you could choose between three different sports in gym, and I signed up for archery because it seemed a lesser evil than the alternatives—volleyball and basketball. I don’t like things flying at me from overhead, and I don’t like having to chase things around for no reason. So archery it is—me, Scotty, the fat girls who also don’t like to run around and chase things, and the dorky guys who think they want to be Braveheart when they grow up.

Anyway, I was in the library looking for Scotty’s painting and hoping to see Scotty there, too, I suppose. I hadn’t seen him since school let out. Though we got pretty tight in gym, we were never close enough friends where I saw him after school or had his phone number or anything along those lines, so I guess he falls in the category of “lost” friends, right up there with Annabel. I didn’t see Scotty, and I didn’t see his painting there, either—just a bunch of other students’ work, painful to behold. The product of my former high school’s art classes reflected the preferences of the art teacher, Mrs. Plum, who thinks that drawings and paintings must celebrate Maine’s Maine-ness and therefore be all about loons and lighthouses and lakes. I was standing there in front of a picture of a boat in the Penobscot River. It looked like someone had barfed up a bottle of Scope and superimposed a stick-figure boat over it. Then I got this uncanny sense that someone was standing far too close. I’m pretty good at telling when someone invades my personal space because my personal space takes up a little more room than most people’s.

I turned around and saw all six foot five inches of Bret Folger hulking over me. I should say here that he is not a very attractive guy, physically. At least I didn’t think so in the beginning. He’s about a hundred and thirty pounds, tops, which gives him the appearance of a giant, slightly stooped tapeworm. He also has reddish-blondish hair that his mother cuts for him—it literally looks like one of those cuts where someone puts a bowl over your head and snips away to beat the band. I knew from French class that he was very smart, though, by scholarly standards.

“Hi,” he said. “I know you. Jensen, right?”

I was surprised he knew my name. I was surprised, too, that he was bothering to speak to me. That’s just not something that people ordinarily do. Even more surprising, he kept on talking.

“Do you like art?” he asked me.

“Some of it. Not this stuff.”

“More modern?”

“No. Not too modern. Do you mean like crumpling up a Big Mac wrapper and throwing it on the floor and calling that art? I hate that kind of thing.” I thought for a moment. Under his heavy lids, Bret’s eyes—beetle eyes, practically all pupils—were looking at me like he wanted to gobble me up. It made me want to mess with him a little. “I like the Pre-Raphaelites. I know some people think they’re tacky, but I like them. Anyone who exhumes the corpse of his dead wife like Rossetti did is probably a pretty interesting person.”

Bret stared at me even more closely with those beetle eyes, trying to see if I was serious. This crazy-looking flush had started surging up behind his acne, and this made me think less of him—why would anyone blush on
my
account?

“You know,” Bret said, “I’d always meant to talk to you in French class. You seemed pretty cool. I was wondering . . . do you like movies? Sometimes a group of us gets together on Thursday nights and rents stuff. Sometimes at my place, and sometimes at my friend Dave Epstein’s, and sometimes at my friend Colin Mackay’s. Last week we watched, um,
Plan 9 from Outer Space
? It was pretty cool. Anyway, tonight’s Thursday, and we’re meeting at my house.”

Let me interject here that I can’t stand the word
cool
. It just sounds so stupid, and Bret had gone ahead and used it twice. I wanted to walk away instantly. But something compelled me not to.

“I could come,” I said without even thinking about it. You might well ask, “Why would you go to Bret Folger’s house when you find him repugnant and hadn’t had a real social outing since the last time Annabel invited you to a pool party three years ago?” Maybe because the last social outing I’d had was when Annabel invited me to a pool party three years ago.

Bret gave me his address on this piece of wadded-up paper he’d had in his pocket—the paper felt warm, which was a little disgusting—and I put it in my knapsack. Funny, when I was on my way out the library about a half an hour later, I saw this kid Joey Fitts, who I knew a little from my old school; he used to skateboard down by the waterfront parking lot with Scotty sometimes. I asked him how Scotty was doing, and he told me Scotty hadn’t been in school for a month or two, and that maybe he was either locked up somewhere or had dropped out. And yes, I felt a little jealous of my old friend, hearing that. I miss that kid sometimes.

Later that day, it took my parents some convincing that it would be okay for me to watch movies with a bunch of guys I’d never met, at the home of a boy I barely knew. “We don’t even know this boy,” my mother said, turning on her prim persona in a flash. “I’d feel better if we met him first.”

“Why would you have to meet him? It isn’t a date. My God, he repulses me.”

“That sounds like a hell of a basis for a friendship. I guess you can go if Les is willing to drive you.”

Poor Les is always driving me around everywhere, but he does it uncomplainingly for the most part. When it comes right down to it, my parents will do just about anything for me. There was no question that I’d be able to go.

So that’s how I ended up lounging around in Bret Folger’s living room, which turned out to be the sort of suburban space that looked as though it’d been lifted straight out of a catalog—leather couches that made squeaking, farting noises when you got on and off them, and those dumb little end tables that serve no real purpose stuck everywhere. Knickknack shelves with completely insignificant knickknacks on them; you could tell Mrs. Folger had just gone wild at a Pottery Barn sale rather than looking for interesting objects that would make a statement. The lights were turned down low, maybe to make the movie on the big-screen TV seem a little more cinematic. The cinematic masterpiece itself was
Repo Man
, some movie from the ’80s starring Emilio Estevez.