What You Have Left (2 page)

Chapter Five: 1996 Holly

Chapter Six: 2001 Lyle

Chapter Seven: 1979 Wylie

Chapter Eight: 2007 Holly

Reading Group Guide and Author Q&A

Excerpt from
Long Drive Home

 

I was sentenced to life on my grandfather's dairy farm in the summer of 1976. The arrangement was supposed to be temporary, a month or so until my mother recovered from her water-skiing accident, but after one week, on the first day she was able to get out of her hospital bed and walk, a blood clot traveled up from her leg, blocked the vessels to her lungs, and killed her. My father had been the one driving the boat, the one who steered too close to the dock. Three days after the funeral, he walked out of the insurance agency where he worked and wasn't heard from again.

Though my grandfather, Cal, spent months trying to track him down, it was no use, and that's how, at the age of five, I came to be spending my nights in the bed my mother had slept in as a child. Cal made a gift to me of my mother's arrowhead collection, which he'd helped her assemble when she was little. He also decided to repaint her bedroom for me and said I could pick the color. He was trying to be nice, but I wasn't ready for nice. At Taylor Hardware, I chose Day-Glo orange, held the sample card up for my grandfather's approval, and then proceeded to pick out three more hideous shades of orange—one for each wall—daring him to say
no. Instead of stopping me, instead of telling me one color would do, he'd simply nodded. “Anything you want, sugar plum,” he said. Naturally, I threw a tantrum. What I wanted was my mom and dad, not stupid paint for a stupid room in a stupid old farmhouse. I'm sure everyone in the store thought I had it coming, but rather than drag me out to the parking lot for a spanking, as he'd surely have done with my mother, Cal just picked me up and held on as I kicked.

My grandfather's relationship with my mother, his only child, was a difficult one, and the subject of her death always left him at a loss. Whenever I asked about her, Cal would either fall silent or try to deflect my questions with anodyne bits of wisdom, mostly quotations from the tattered
Bartlett's
he kept by the toilet. His standby, the old chestnut that exasperated me most, was a line from Hubert Humphrey: “My friend, it's not what they take away from you that counts; it's what you do with what you have left.”

At the time, of course, I was too young to appreciate what my grandfather was doing with what he had left— raising yours truly—and in all my worry over what had been taken from me, I failed to consider how much had been taken from him. My grandmother, Josie, had passed away before I was born, and shortly after my mother's death, my great-grandfather died as well. The Colonel had been living in the Alzheimer's ward of a nursing home in Blythe-wood, a low brick building that smelled of Pine-Sol and pea soup. I hated visiting him, but Cal always brought me along, telling me that one day I'd be glad I'd gotten to know my great-grandfather.

There wasn't much left to know. During our visits, the
attendant would park the Colonel's wheelchair by the window, where the sunlight lent his eyes a misleading sparkle. On the rare occasions he addressed me, he called me by my mother's name, Maddy, but usually he'd just grab my wrist and shake it, moaning,
oh oh oh.
Looking back on those visits, I now see that if they were unpleasant for me, they were torture for Cal, who wasn't just seeing his father; he was seeing his own future self. Over the years, he'd watched his grandfather, his uncle, and now the Colonel succumb to the same disease—smart, willful men reduced to drooling and diapers. He'd seen the ugliness of it, the anvil weight on his family, and he was determined not to go down the same road. Driving home from the Colonel's funeral, he took a long swallow from his silver flask and swore he'd take matters into his own hands before it came to that.

I never forgot that vow, though when I was old enough to understand what it meant, I told myself it was just talk, that my grandfather would never intentionally leave me. But in the end, Cal was true to his word. When his mind started to go, he fought back with a handful of sleeping pills, leaving me the farm where I now live with my husband, Lyle, who was hired to renovate the farmhouse in the months before Cal's death.

My grandfather first told me he was sick during the spring of my sophomore year at Carolina. He was starting to slip, was how he put it. “Maybe it's something and maybe it's not,” he said. “The doctors don't know for sure yet.” It was early April, and I was at the farm for our weekly cocktails, the two of us sitting out front beneath the mossy live oaks, a pitcher of Cal's peppery bloody marys on the wrought-iron
table between us. I watched Lyle and his crew stacking steel beams alongside the house as Cal told me that over the past few months, he'd begun forgetting things—names, appointments, the day of the week. He figured it was probably old age, no reason to get all bent out of shape, but just to be safe, he'd gone to the VA for a checkup. They'd given him a physical and a mental-status evaluation. Now they wanted him back for more tests. I stared into my drink, thinking about how he'd forgotten my birthday that fall, how I'd been so busy with classes and pledge meetings that I blew it off, even though it was exactly the sort of lapse I'd always been on the lookout for. Cal patted my knee and told me to cheer up. “Like Yogi Berra said, it ain't over till it's over.” Then he stared into his drink, too. “Course, he also said the future ain't what it used to be.”

The pecky-cypress paneling in the master bedroom of our house is pitted and scarred, the handiwork of a thousand woodpeckers, or at least that's what I imagined as a five-year-old. When I'd asked Cal about his funny-looking walls, though, he told me the pockmarks weren't the result of woodpeckers or worms or beetles, as many people believed, but rather a rare and little-understood fungus. “What makes pecky hard to find,” he said, “is that you can't tell if a cypress is infected until you chop down the tree and cut it open.”

When he'd purchased the farm, in 1939, the house wasn't a house, it was a grain barn. He divided the building into rooms and framed doors and windows using wood from an old sharecropper's cabin. After that first drafty winter, Josie shivering next to him in bed, he decided to insulate and panel their bedroom walls. He originally thought he'd get the
wood from the Colonel's sawmill, but this was the Depression: Cal couldn't afford to buy lumber, and the Colonel couldn't afford to give it away, not even to his own son. The best he could do was let Cal help himself to the scrap pile, which was where he found, underneath an old tarp, a load of pecky cypress, enough to panel the bedroom and his workshop. In later years, people would develop a taste for pecky and an appreciation for its scarcity, but in those days, it was considered junk wood. Josie didn't care; she said it had low-country charm. Mainly, though, she was pleased that Cal went to all that trouble for her even as he worked twelve-hour days trying to establish their dairy farm. Her gratitude was not lost on him, and for the rest of her life, whenever he wanted to please her, he embarked on some new project to make the house more comfortable. Just before my mother was born, he added on a whole second story, and in later years he expanded the dining room and added a built-in china cabinet, then converted the front porch into a sitting parlor with French doors. In 1969, he was halfway done painting the house a minty shade of green that Josie picked out when doctors discovered the tumor in her breast.

After Josie's death, my grandfather let the house fall into dis-repair, but during the fall of my sophomore year, when he first began having trouble with his memory, he sold off several parcels of land and started using the money to fix the place up. Though I didn't know it at the time, he did this for me, for when I inherited the farm.

At seventy-two, he was no longer able to do the work himself, so he hired Lyle on the recommendation of an old army buddy. In those days, Lyle was more handyman than
general contractor, but he worked cheap, and my grandfather liked his manners, the fact that his family was well off, the fact that he'd been smart enough for grad school but then turned his back on all that academic baloney. Inside a month, Cal was inviting him to join us for happy hour. By then I already had my eye on Lyle—a shirtless guy tuck-pointing a chimney apparently being one of my weaknesses—but he seemed more interested in Cal's company than mine, so I played it close to the chest.

That all changed on the afternoon my grandfather told me he was sick. He'd just finished filling me in on his visit to the VA when Lyle and the two guys who worked for him came crawling out from under the house, brushing soil from their jeans. That week they were trying to fix the sloping floor in the living room. The joists beneath the oak floorboards were supported by heavy girders cut from the heartwood of long-leaf pines, and their plan was to reinforce these girders with steel beams, jack them up, and then build concrete pillars to stabilize the floor. After his crew knocked off for the day, Lyle joined us and began to report on their progress, and soon talk turned to the next project, a new roof. My grandfather didn't mention his health again, but I could think of nothing else, and as he and Lyle droned on about shingles and soffits, I stared out at the fields that once fed Cal's registered Guernseys and quietly plowed my way through two more drinks.

When the sun started to dip behind the bluff, Cal left for his monthly poker game at the country club; as he drove down the lane, he flashed us the peace sign, something he'd picked up from Lyle. Once he was gone, I lit a smoke and emptied the last of the pitcher into my glass. “You ought to make sure he pays you before he blows his brains out,” I said.
Lyle smiled, then quit smiling when he saw I was serious, then smiled again because he didn't know what else to do.

“Come again?”

I sent him inside to mix another pitcher, and when he returned, I continued to get embarrassingly drunk and told him everything, all the while vaguely aware that I was trying to seduce him, never mind that he was twenty-four and I was only nineteen. When I got around to the part about Cal planning to “take matters into his own hands,” Lyle was doubtful. “Isn't that just something people say? To give themselves a sense of control?”

“You don't know my grandfather,” I said. I hoped Lyle was right, though. It had always terrified me to think Cal would end up like the Colonel, but even that would have been better than no Cal at all. Still, the few times he'd alluded to killing himself—usually in the fading twilight of a vodka-soaked cocktail hour, and usually in the context of what his father ought to have done—I'd simply nodded along, trying to maintain the sort of grown-up composure he admired. I understood, even as a child, that I was always being compared to my mother, contrary, contentious, confounding Maddy. “You,” he'd say, tousling my hair, “you I don't have to worry about.”

But of course he worried anyway, and as I sat there with Lyle, listening to the crickets and watching the Spanish moss flutter in the breeze, I began to understand why Cal kept inviting him to join us: He was worried about what would happen to me after he was gone. He was worried about me being alone. By now I'd started to get weepy, and Lyle put an arm around me, telling me things would work out. The fireflies were just starting to appear as I took his hand and led him into the house, through the French doors of the parlor,
past the pocked paneling of the workshop, and upstairs to the bedroom with faded Day-Glo walls and the curio cabinet lined with my mother's arrowheads.

A few days before semester's end, Cal was scheduled for a neurological exam at the VA, but he missed the appointment. Dr. Miller assumed he'd forgotten—a symptomatic memory lapse—but I chalked it up to my grandfather's dislike of hospitals, and who could blame him, given the way things had turned out with Josie and my mother? It was decided that I'd take him to his next appointment. On a Tuesday morning in early May, I hurried through a biology exam and then drove out to the farm. When I arrived, I found Cal in his workshop, a stifling, narrow room crowded with fishing poles, hand tools, gardening tools, faded seed packets, scraps of sandpaper, bits of wood, rusted Folgers cans filled with nails, screws, washers, nuts, and bolts. He invited me in. On his workbench was a brown prescription bottle; he'd been grinding up pills with the porcelain mortar and pestle he'd once used to mix medicine for livestock. As he poured the powder back into the bottle, he said that if it turned out he was sick—and nobody was saying for sure he was, don't go burying him yet—but
if
he was, this was how he'd do it. Sleeping pills. Twenty of them dissolved in a stiff drink were guaranteed to do the trick. I picked up one of the bottles and examined the label, feeling suddenly hot and dizzy, as if I'd just downed a handful of pills myself.

“Why not just use a shotgun?”

“And mess up this pretty face?” Cal tapped his watch and turned to go: We didn't want to miss another appointment.

•   •   •

In spite of the tough-girl act I put on for Cal, I never could stomach what passed for mercy on a farm. Over the years, I saw him put down more animals than I care to remember: sick cows, sick goats, and sick chickens; rabbits maimed by cats, cats mauled by dogs, dogs hit by cars. “You don't let a suffering thing suffer,” he'd say. One hazy morning when I was ten, I went to the mailbox and found our coon dog, Leopold, lying in a ditch beside the highway, bleeding from the mouth. His ribs quivered as if he were torn between the need for air and the pain of breathing. My grandfather brought his shotgun, took one look at Leo, and did what needed to be done. When I heard the gunshot, what I felt was relief, but also a kind of hatred.