When They Were Boys (67 page)

Clapton, Eric,
134
,
359

Clark, Dick,
336–337

Clemons, Clarence,
10

Cliff Richard and the Shadows,
154

Coleman, Ray,
61

Coleman, Syd,
280
,
282

Conventions,
223

Costello, Elvis,
12

Cox, Anthony,
368

Crane, Tony,
240
,
245
(quote),
262
,
290
,
292–293
.
See also
Merseybeats

Cronkite, Walter,
366–367

“Cry for a Shadow,”
131

Curtis, Lee,
213

Daily Express
,
353–354

Daily Mail
,
362

Daily Mirror
,
362

Daltry, Roger,
289

Dancing,
100–103
,
176

Danko, Rick,
10

Davies, Hunter,
168
,
249
,
373

Davis, Rod,
33–34
,
36–37
,
53–54
,
68
,
85–88
,
132
,
261
,
279
(quote),
330
,
369

Decca Records,
212
,
214
,
241
,
264–268
,
310
,
336
,
345–346

Delaney, Pat,
198
,
254

Dexter, Dave,
336–338

Dietrich, Marlene,
361

Dixon, Jeanne,
128

Dixon, Rick,
261

“Do You Want to Know a Secret,”
49

Dr. John,
10

“Does Your Chewing Gum Lose Its Flavor (On the Bedpost Overnight),”
53

Dolina, Alejandro,
92

Domino, Fats,
60

Donegan, Lonny,
31–32
,
53–57
,
76
,
154
,
173
,
272

“Don't Bother Me,”
131

Drummed Out
(Leigh),
261

Dykins, Jackie (John's sister),
41–43
,
45
,
49

Dykins, John,
41–42

Ed Sullivan Show
,
305
,
369

Elizabeth (Queen Mother),
362

Elizabeth II,
74
,
362

Ellis, Ron,
60–64
,
76–77
,
129
,
134
,
154–155
,
158
(quote),
168–169
,
190
(quote),
192
,
273

Ellis, Royston,
99
,
115

EMI Records,
266
,
280–281

Empire Theater, Liverpool,
54
,
76
,
101
,
239–240
,
270
,
297

Ennis, Ray,
200

Epstein, Brian,
19
,
225–226
,
369

   
ambition,
240–241

   
American music,
57–58

   
American promotion,
339

   
American radio coverage,
338

   
American recording contracts,
340

   
Aspinall and,
312

   
autobiography,
352

   
background and education,
233–234

   
Barrow's account of,
241–242

   
Barrow's conflict of interest,
343

   
Beatles' sexual exploits,
360

   
Bill Harry and,
105

   
Billy Kramer and,
50

   
Brian Epstein and,
62

   
business acumen,
238–239

   
character and personality of,
226–228

   
concert tour,
362–363

   
contribution to the Beatles' success,
231–232

   
death of,
231–233
,
239

   
Decca Records audition,
264–268
,
279

   
Derek Taylor and,
354
,
357

   
discovery of the Beatles,
233–235
,
237–238

   
Fascher's first meeting with the boys,
178–179

   
film techniques,
344–345

   
Freda Kelly and,
239
,
299–301
,
303

   
hair,
187

   
Hamburg Star Club,
170

   
John's attack on Wooler,
222

   
John's relationship with,
97–98
,
228–230
,
240–241

   
Louise Harrison and,
304–305

   
Mal Evans and,
319

   
Manchester Playhouse,
253

   
Mersey Beat
,
109–110
,
113
,
119–121

   
Merseybeats,
293

   
Mona Best and,
248

   
Paul's relationship with,
64
,
78
,
334–335

   
Pete's departure,
256–260

   
power of words,
344

   
promoting the group,
280

   
replacing Leach,
208–210
,
236

   
Rory Storm and,
193

   
Royal Command Performance,
361–362

   
the Cavern,
202–203
,
224
(quote)

   
the makeover,
322–327

   
Tower Ballroom,
218

   
Watson's memories of,
251

   
Wooler and,
220
,
222

Epstein, David,
47

Evans, Malcolm,
275
,
316–321

   
Beatlemania,
364

   
George's kindnesses,
134

   
Paris tour,
369

   
Paul's business sense,
63–64

   
Paul's treatment of Derek Taylor,
350–351

   
Pete Best's departure,
256

   
Royal Command Performance,
361–362

   
Sweden episode,
360

   
work ethic,
335

Everton F.C.,
21

The Exciters,
81–82

Fallows, Colin,
107–108
,
160
,
182–184

Fascher, Fred,
180

Fascher, Horst “The Enforcer,”
138
,
170
(quote),
175
(quote),
181
,
279
(quote),
283
,
334
,
369

   
as bouncer,
143

   
Beatles' success in Hamburg,
170

   
drug use,
184–185

   
first meeting with the boys,
178–179

   
history,
175–176

   
jail,
180

   
John and Epstein,
228–229

   
John's rudeness,
171

   
Kingsize Taylor and the Dominos,
288

   
“Love Me Do,”
171–172
,
283–284

   
nightclub management,
177–178

   
Paul's jealousy of Stu,
164

Fashion,
107
,
159
,
186–188
,
205–207
,
322–327
,
367

Fifty Years Adrift
(Taylor and Harrison),
141
,
161
,
352
,
355

Film crews,
344

Finley, Charles O.,
97–98

Flaming Pie
(album),
112

Flannery, Joe

   
American pop music,
58

   
Capitol Records,
339

   
Epstein and,
220
,
228
,
232–233
,
241
,
267

   
haircuts,
186–187

Mersey Beat
poll,
213

Mimi Smith,
35

Mona Best,
255

   
Ringo and,
269

   
the makeover,
323
,
327

Football,
21–22
,
64

Formby, George, Jr.,
31–32

Forshaw, Dave,
152
,
154

Four-track technology,
333

Frank Comments
magazine,
114–116

“From Me to You,”
335–336
,
363

Furlong, June,
20–21
,
37–38
,
161

Fury, Billy,
97

Gaar, Gillian,
148

Gannon, John,
75
,
77

Garry, Len,
33
,
40
,
64–66
,
68
,
369

Gator Bowl concert,
79

Gentle, Johnny,
99–100
,
110–111
,
149
,
274

Gerry and the Pacemakers,
209
,
214–216
,
353–354

Gershwin Prize,
12–14

“Give Peace a Chance,”
349–350

Goldman, Albert,
60–61

Gonorrhea,
142

Graves, Harry,
272
,
297

Griffiths, Eric,
64
,
85
.
See also
Quarrymen

Grohl, Dave,
13

Guma, Tony,
240
,
256

Haig, Kenneth,
124

Hair,
107
,
159
,
186–188
,
323–325
,
367

Haley, Bill,
176

Hall, Colin,
101–102
,
221
,
284

“Hallelujah, I Love Her So,”
180

Hamburg Kaiserkeller,
175–176
,
182
,
189

Hamburg, Germany,
104
,
120–121
,
137
(quote),
274
,
329
,
374

   
aftermath,
145–147

   
art scene,
160

   
Beatles' autobiography,
111–112

   
characters,
181

   
Fascher and,
175–178

   
fashion style,
324
,
326–327