Whispers in the Sand

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Authors: Barbara Erskine

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BOOK: Whispers in the Sand
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Copyright © 2000, 2011 by Barbara Erskine

Cover and internal design © 2011 by Sourcebooks, Inc.

Cover design by Kelly Eismann

Cover images © Ayal Ardon/Trevillion Images

The quotations at the head of each chapter are adapted from
The Book of the Dead
, edited by E. A. Wallis Budge.

Sourcebooks and the colophon are registered trademarks of Sourcebooks, Inc.

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems—except in the case of brief quotations embodied in critical articles or reviews—without permission in writing from its publisher, Sourcebooks, Inc.

The characters and events portrayed in this book are fictitious and used fictitiously. Apart from well-known historical figures, any similarity to real persons, living or dead, is purely coincidental and not intended by the author.

Published by Sourcebooks Landmark, an imprint of Sourcebooks, Inc.

P.O. Box 4410, Naperville, Illinois 60567-4410

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Fax: (630) 961-2168

www.sourcebooks.com

Originally published in the UK in 2001 by HarperCollins Publishers.

Library of Congress Cataloging-in-Publication Data

Erskine, Barbara.

Whispers in the sand / by Barbara Erskine.

p. cm.

“Originally published in the UK in 2001 by HarperCollins Publishers”—
T.p. verso.

1. Divorced women—England—Fiction. 2. Voyages and travels—Fiction.
3. Egypt—Antiquities—Fiction. 4. Supernatural—Fiction. I. Title.

PR6055.R7W55 2011

823’.914—dc22

2011007308

Printed and bound in the United States of America.

VP 10 9 8 7 6 5 4 3 2 1

Contents

The White Egret

Prologue

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

Afterthought

Author’s Note

Excerpt from Lady of Hay

Prologue

About the Author

THE WHITE EGRET

ITINERARY

Note: alterations to the schedule are subject to change without prior notice

Most evenings there are film shows and talks in the lounge bar on different aspects of ancient and modern Egypt

Day 1

p.m. Arrival

Dinner on board

Day 2

Visit the Valley of the Kings

Overnight: Cruise to Edfu

Day 3

a.m. Visit the Temple of Edfu

p.m. Cruise to Kom Ombo

Day 4

a.m. Visit the Temple of Kom Ombo

p.m. Cruise to Aswan

Day 5

a.m. Visit Unfinished Obelisk

p.m. Kitchener’s Island

Day 6

a.m. Aswan bazaar

Midday: Aperitif at The Old Cataract Hotel

p.m. Visit High Dam

Day 7

a.m. Sail on a felucca

p.m. Free afternoon

Day 8–9

Optional 2-day visit to Abu Simbel (4 a.m. start)

Day 10

Return late afternoon

Evening: Son-et-lumière, Philae Temple

Day 11

a.m. Visit Philae Temple. Cruise to Esna

p.m. Esna Temple. Cruise to Luxor

Day 12

a.m. Temple of Karnac

p.m. Temple of Luxor

Evening: Pasha’s Party

Day 13

a.m. Luxor Museum and bazaar

p.m. Papyrus Museum

Evening: Son-et-lumière, Karnac Temple

Day 14

Return to England

There can be little doubt that the first vessels of glass were manufactured in Egypt under the 18th dynasty, particularly from the reign of Amenhotep II (1448–20 BC) onward. These vessels are distinguished by a peculiar technique: the shape required was first formed of clay (probably mixed with sand) fixed to a metal rod. On this core the body of the vessel was built up, usually of opaque blue glass. On this, in turn, were coiled threads of glass of contrasting colour, which were pulled alternately up and down by a comb-like instrument to form feather, zigzag, or arcade patterns. These threads, usually yellow, white, or green in colour, and sometimes sealing-wax red, were rolled in (marvered) flush with the surface of the vessel. The vessels so made were nearly always small, being mainly used to contain unguents and the like.

Encyclopaedia Britannica

PROLOGUE

In the cool, incense-filled heart of the temple, the sun had not yet sent its lance across the marble of the floor. Anhotep, priest of Isis and of Amun, stood before the altar stone in the silence, his hands folded into the pleated linen of his sleeves. He had lit the noon offering of myrrh in its dish and watched as the wisps of scented smoke rose and coiled in the dimly lit chamber. Before him, in the golden cup, the sacred mixture of herbs and powdered gems and holy Nile water sat in the shadows waiting for the potentising ray to hit the jewelled goblet and fall across the potion. He smiled with quiet satisfaction and raised his gaze to the narrow entrance of the holy of holies. A fine beam of sunlight struck the rim of the doorframe and seemed to hover like a breath in the hot shimmer of the air. It was almost time.

“So, my friend. It is ready at last.” The sacred light was blocked as a figure stood in the doorway behind him; the sun’s ray bounced crooked across the floor, deflected by the polished blade of a drawn sword.

Anhotep drew breath sharply. Here in the sacred temple, in the presence of Isis herself, he had no weapon. There was nothing with which he could protect himself, no one he could call. The sacrilege you plan will follow you through all eternity, Hatsek.” His voice was strong and deep, echoing round the stone walls of the chamber. “Desist now, while there is time.”

“Desist? When the moment of triumph is finally here?” Hatsek smiled coldly. “You and I have worked towards this moment, brother, through a thousand lifetimes, and you thought to deprive me of it now? You thought to waste the sacred source of all life on that sick boy pharaoh! Why, when the goddess herself has called for it to be given to her?”

“No!” Anhotep’s face had darkened. “The goddess has no need of it!”

“The sacrilege is yours!” The hiss of Hatsek’s voice reverberated round the chamber. The sacred potion distilled from the very tears of the goddess must be hers, by right. She alone mended the broken body of Osiris, and she alone can renew the broken body of the pharaoh!”

“It is the pharaoh’s!” Anhotep moved away from the altar. As his adversary stepped after him, the purifying ray of sunlight sliced the darkness like a knife and struck the crystal surface of the potion, turning it to brazen gold. For a moment both men stared, distracted by the surge of power released from the goblet.

“So,” Anhotep breathed. “It has succeeded. The secret of life eternal is ours.”

“The secret of life eternal belongs to Isis.” Hatsek raised his sword. “And it will remain with her, my friend!” With a lunge he plunged the blade into Anhotep’s breast, withdrawing it with a grunt as the man fell to his knees. For a moment he paused as though regretting his hasty action, then he raised the bloody blade over the altar, and in one great sweeping arc, he brought it down on the goblet, hurling it and the sacred potion it contained to the floor.

“For you, Isis, I do this deed.” Setting the sword down on the altar he raised his hands, his voice once again echoing round the chamber. “None but you, oh great goddess, holds the secrets of life and those secrets shall be yours forever!”

Behind him, Anhotep, his bloodied hands clutching his chest, somehow straightened, still on his knees. His eyes already glazing over, he groped, half blind, for the sword above him on the stone. Finding it, he dragged himself painfully to his feet and raised it with both hands. Hatsek, his back to him, his eyes on the sun disc as it slid out of sight of the temple entrance, never saw him. The point of the blade sliced between his shoulder blades and penetrated down through his lung into his heart. He was dead before his crumpled form folded at the other man’s feet.

Anhotep looked down. At the base of the altar the sacred potion lay as a cool, blue-green pool on the marble, stained by the curdling blood of two men. Staring at it for a moment, Anhotep looked round in despair. Then, his breath coming in small painful gasps, he staggered across to a shelf in the shadow of a pillar. There stood the chrismatory, the small, ornate glass phial in which he had carried the concentrated potion to the holy of holies. He reached for it, his hands slippery with blood, and turned back to the altar. Falling painfully to his knees, sweat blinding his eyes, he managed to scoop a little of the liquid back into the tiny bottle. Fumbling with shaking fingers, he pressed in the stopper as far as it would go, smearing blood over the glass. In one last stupendous effort he pulled himself up and set it down on the back of the shelf in the darkness between the pillar and the wall, then he turned and staggered out towards the light.

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