You Are Dead (3 page)

Susi Holliday was driving in the stop-start traffic, the wipers struggling to clout away the rain, the brake lights of the car in front flaring against their rain-soaked windscreen. RVK was engrossed in a text he was sending. They were both off for the next two days and Susi was looking forward to a quiet time with her husband James, shopping for stuff for the new flat they had recently moved into in nearby Eastbourne, where the property prices were substantially lower than Brighton.

“What are your plans for your days off, RVK?” she asked her colleague.

“Uh,” he said, and raised a finger, signaling he needed to finish his texting task. After a moment he said, “Taking Joey to the football.” Joey was his twelve-year-old son, whom he doted on. “Then we're going to the outlaws after. You?”

Their radios crackled. Then they heard the female voice of a Resource Room supervisor.

“Charlie Romeo Four?”

RVK answered. “Charlie Romeo Four.”

“Charlie Romeo Four, we have a report of an incident in the underground car park of the Chesham Gate flats, at the corner of Stanley Rise and Briars Avenue. A woman may have been attacked by an intruder. Can you attend? Grade One.”

“Chesham Gate?” Kyrke replied. “Yes, yes. We're on our way.” Then he turned to Susi. “Spin her round.”

Susi Holliday switched on the blue lights and siren and, adrenaline pumping, made a U-turn straight out into the opposite lane and accelerated. Like most of her colleagues, she always got a massive buzz out of responding to a Grade One “shout.” Along with getting in a “bundle,” driving on blues and twos was one of the great kicks—and perks—of the job. And a big responsibility. The lights and siren were, in law, a request to be allowed through, not an automatic right. And with what seemed like half of all drivers on the road either deaf, blind or just plain stupid, all blue-light runs were fraught with hazards and heart-in-the-mouth moments.

She had one now as a Nissan Micra in front, with apparently no rear-view mirrors or indicators, suddenly switched lanes right into her path as she bore down on it at over 60 mph. “Asshole!” she hissed, missing its rear bumper by inches and undertaking it.

As she drove, Constable Kyrke was taking down details from the supervisor, who read out the make and partial index of the woman's car and a description of her.

Ninety seconds later they tore over the roundabout by Brighton Pier, thanks to an intelligent bus driver stopping for them, and on up Marine Parade. They made a left, blazing up past the bed-and-breakfast hotels of Lower Rock Gardens. Less than two minutes later, driving up the steep hill before the hospital, they saw the apartment block, Chesham Gate, ahead to their left.

They pulled up beside the closed entrance to the underground car park, climbed out and walked up to the full-height gates. They peered through the bars of the grille into the darkness below. Susi Holliday took out her torch, switched it on and shone the beam through, but could see little other than a row of parked cars, some beneath fitted covers.

“Any idea how we get in?” she asked her colleague.

“I'll see if there's a caretaker's flat,” he said, and sprinted off toward the main entrance. Suddenly she heard a clank, and the gates began to open. Moments later, she was lit up by the glare of headlights, and heard the roar of an engine behind her. She turned to see a small BMW convertible, driven by a young woman. Raising her arm, she walked toward it and told the driver she wouldn't be able to enter the car park at this time because of a police incident.

She hurried down the ramp, triggering the automatic lights, and could now see much of the interior, switching her torch off to conserve the battery. She was looking for a white Fiat 500, index beginning GU10, and a slim woman in her mid-twenties with long brown hair. There were about sixty or so parking spaces, most of them occupied, as well as several motorcycles and a cycle rack.

But there was no sign of life. She began working her way along the rows of parked cars, breathing in the smells of dust and engine oil, and all the time keeping a wary eye out for anyone else who might be down there.

She reached the end of the row and turned left, toward a darker section. One light above her flickered intermittently, emitting a loud buzz, and she switched her torch back on. She passed a bike rack, with several heavily padlocked bicycles, and a beautiful old convertible Mercedes, caked in dust and sitting on four flat tires. Then she saw, neatly parked, a white Fiat 500. The first digits of its index were GU10. The car looked wet, as if it had only recently been driven in here.

She stopped and radioed her colleague. “I think I've found the car,” she said.

“I'm on my way down with the caretaker,” he responded.

She approached the car cautiously, then shone her torch beam in through the side window. The interior was empty. A discarded chewing-gum wrapper lay on the passenger seat, and there was a ticket sitting on the dash. She looked at it closely and saw it was a pay and display from a car park in nearby Lewes. She checked both driver and passenger doors but they were locked. The car bonnet was warm.

Just then, PC Kyrke appeared, accompanied by a short man in his fifties wearing chinos and a fabric bomber jacket and holding a mobile phone.

“This is Mark Schulz, the caretaker for this block,” he said.

“So what exactly is the problem?” the caretaker asked.

“We need to ensure the owner of this car, Ms. Logan Somerville, is safe,” she said. “Have you seen her since she arrived back?”

He shook his head. “No, I finish at half past five.”

“Do you have CCTV here?”

He raised his hands with a gesture of despair. “It's not been working for six weeks. I told the management company, but nothing happens.” He shrugged. “What can you do, eh?” Then he hesitated as they walked toward the stairs. “Shall I phone her?”

“Yes, please.”

“Very nice lady,” he said. “Nice boyfriend. Nice people.” He held his phone up, scrolled through the display, then dialed. After some moments he looked at the two officers and shook his head. “No answer.”

“Do you have a key to her flat?”

“Yes, give me a few moments to find it.”

“I'll stay down here and have a look around, and stop anyone else from entering or leaving,” Kyrke said. “You go up to the flat.”

Susi Holliday went up the internal staircase to the ground floor, then waited in the corridor while Schulz went into his flat. He came back out holding a bunch of keys, like a jailer, and led her into the lift.

At the ninth floor they stepped out into a gloomy corridor with a badly worn carpet and a musty smell. Somewhere, music was pounding out insanely loudly. Susi Holliday recognized it as “Patient Love,” by Passenger. She followed the caretaker along the corridor, till he stopped outside a door and pressed the bell.

After some moments he rang again. Then he knocked hard. He waited several seconds then looked quizzically at the police officer. “No answer.”

“Could you open it so I can check if she is there?”

“I don't really like to go in, you know?”

“We're very concerned for her safety—we need to know if she is all right.”

He shrugged. “OK, sure, no problem.”

He opened the door and called out, “Hello! Miss Somerville! Hello, it's the caretaker! I have the police with me.”

They were greeted with silence. The place had a deadened, empty feeling.

“Do you mind if we go in?” PC Holliday asked.

He rolled his mouth pensively, then gestured with his hand. “No, do go in.”

They entered a small hallway, with two mountain bikes leaning against the wall and a cluster of coats and anoraks hung above them, and then walked through into a bright, airy but untidy living/dining room. It had a modern feel, with a cream carpet, beige sofas, and a breakfast bar dividing the room from the small kitchen, on which lay a copy of the
Independent
newspaper and
The Week
magazine. At the rear of the bar was a tropical fish tank, immaculately clean and brightly illuminated, with several tiny fish swimming around.

There were a number of framed photographs, which Susi Holliday looked at with interest. One showed a good-looking young couple, both in cycling gear, posing with muddy bikes against a rugged, mountainous landscape. Another was of the same couple lying on a beach, looking up and grinning at the photographer. Another showed them in ski gear. There were several large, colorful abstract prints depicting deckchairs on the beach, the skeletal remains of the old West Pier and a row of beach huts, and a spaniel that looked like it was by an artist she really liked, a Lewes-based painter called Tom Homewood.

They checked the bedroom, which contained a double bed with a neatly folded duvet and plumped pillows, a television and a table with a lamp either side of the bed. A stack of books lay on one table and a woman's magazine and a partially empty water glass on the other. Susi Holliday noted a boot lying on the floor, and then saw what looked like a small bloodstain at the bottom of the en-suite bathroom door, and some tiny drops on the floor.

The bathroom was tidy and dry, with a wicker laundry basket, on top of which lay Lycra cycling shorts and a vest. The shelves were lined with shower gel, shampoo, body cream and other unguents, male and female razors and several bottles of perfume, cologne and aftershave. It seemed as though no one had been here for a few hours, at the very least.

Susi Holliday radioed in her report, and stated that while there was no sign of a struggle, she had seen a small amount of blood.

The controller told them that the woman's fiancé was now just minutes away and to wait at the scene.

 

8

Thursday 11 December

Jamie Ball, normally a careful driver, tore like a man possessed along Edward Street, peering through the windscreen blurred by the pelting rain, weaving in and out of the heavy rush-hour traffic, flashing his lights and hooting, and ignoring the angry horns and waved fists that came back at him. His entire body was pulsing with fear.

A speed camera flashed him and he didn't care. He was oblivious to everything but the desperate need to get home, to make sure Logan was OK. He turned sharp left, the car skidding on the wet surface, the tires juddering for traction as he accelerated up the hill, then made a right into their street. Ahead he saw a police patrol car parked close to the entrance to their apartment block.

He pressed the clicker, waited impatiently for the electronic gates to swing open, then started to drive down the ramp. Almost straight away he was stopped by a uniformed police officer who ran up out of the car park. He identified himself and was directed into an empty bay.

Immediately he jumped out of the car, leaving the door open, and to his immense relief saw her little white Fiat neatly parked in its usual space. She was OK! Thank God, thank God! Then he turned to the police officer and asked, “Where's Logan, my fiancée, what's happened? Is she OK?”

“I think it would be best if you go and speak to my colleague who's gone up with the caretaker.”

He felt a sudden chill of fear. “Why? What's happened?”

“They'll be able to update you upstairs, sir.”

Jamie raced along to the lift, and rode it up to the ninth floor. As the doors opened he stepped out, and saw a uniformed police officer, accompanied by Mark, the caretaker, emerging from their flat.

“Hi!” he called out. “Is everything OK?”

“Hello Jamie!” the caretaker greeted him.

“Logan? Is she OK, Mark? She phoned me—she said she saw an intruder in the car park.”

“I haven't seen her,” Mark said. “She's not home yet, Jamie.”

“Yes she is, her car's downstairs!” He looked at the police officer, ignored her quizzical stare and eased his way past her and into the flat. He strode down the hallway, past their mountain bikes leaning against the wall, turned left into the small anteroom that they had lined floor-to-ceiling with bookshelves, housing his entire collection of Lee Child novels and many of their other favorite crime, horror and sci-fi writers, and into the large, untidy, square living/dining room. No sign of her.

“Logan!” he called, hurrying back into the hallway. He checked their bedroom, the boot Logan had tripped over earlier still lying by the bed, the en-suite bathroom, the tiny guest bedroom, the kitchen, the guest loo and shower room. He went back into the living/dining room and opened the door to the small balcony. Sometimes she went out there for a cigarette, despite his attempts at getting her to quit. But the two plastic chairs and little white table sat there, forlornly drenched in the rain, the soggy stub of a cigarette lying in the ashtray in a pool of water.

He stepped back into the living room and closed the door against the elements. The police officer had returned, with the caretaker standing behind her. “I'm PC Holliday,” she said. “My colleague and I attended at the underground car park of this building following your call, earlier. So far we haven't found anything suspicious—Logan's Fiat is parked and locked in its allocated space downstairs, and there's no sign of any disturbance in your flat.”

“She phoned me from the car park as she drove in. Then she screamed, and her phone went dead.”

“Have you tried her again, sir?”

“Yes, I've been calling her constantly all my way here.” He tugged his phone out of his trouser pocket and dialed her number again. Six rings and it went to voicemail. “Darling,” he said. “Call me, please, as soon as you pick this up, I'm really worried.” He ended the call and looked back at Susi Holliday. “She always calls me back within minutes. It doesn't matter what she's doing—she always calls me back—and I always call her back.”

“She definitely drove to work herself, sir? She didn't get a lift from a colleague, which could explain why her car is here?”