âDo we have to do that?' I say, gesturing to the floor full of waltzing couples, in the one-hand-on-waist, one-arm-round-shoulder hold to âSomething'.
âEither that or clear a spot in the middle and announce the intention to breakdance, your choice. You be Run DMC and I'll be Jason Nevins.'
âIsn't this something your wife's contractually obliged to do?'
âSimon's claimed her.' Ben rolls his eyes and nods his head towards the two of them, mercifully at the far side of the floor.
âWait, sweaty hands,' I say, rubbing them on my dress, when Ben puts his hand out to take mine.
âThe angel of the north.'
What I'm really doing is clowning to take the tension out of the impending physical proximity. On the dance floor, I put my right hand on his left shoulder and hold his right hand and he puts his other hand lightly on the small of my back. I keep the rest of my body just clear of his with the muscle control of a prima ballerina.
âWhy did you go off on one, just then?' Ben says, distinctly, into my ear.
In the half-light, we can have a conversation without anyone even being sure we're speaking, like spies talking behind newspapers on park benches.
âToday isn't the easiest day for me. For the parents it was going to be a two-part thing, this was the prelude to my wedding.'
âAh, I see. Sorry. I was worried it might be Simon.'
âIt's not helping, but no.'
We do a few turns before Ben adds: âWhen you look sad it makes me sad, and when I get affected by something is when it officially starts mattering. The girl I knew at uni was laughing all the time.'
âThat's because she was ten to thirteen years younger.'
âOh, don't start with the age shit. When you're not texting you're as much the life and soul as you always were.'
I mumble more thanks.
âSorry for being sweaty too,' he adds, briefly breaking hands to pull the front of his damp, and enticingly semi-transparent, shirt away from his chest.
It's actually quite hard to tolerate, but not in the way he thinks. It's all far too much of an assault on the senses, the not-unpleasant masculine body odour and the contact and the whispering in ears and the kindness and the gratitude and use of the word
lover
on stage. Given I need to take my mind off it, and given Ben's being frank, I decide to act relaxed too.
âHey. Sorry for the tit fiddle shame. Before.'
âOh, yeah, hah. Not your fault if they get attention. You can hardly leave them at home.'
I laugh.
Ben draws back, so I can see his poker expression: âI mean your parents.'
âOf course.'
I laugh some more. And then, because I'm a bit âdrunkst' and needy, I say: âWe
nondescript
ladies have to try to get attention somehow.'
Again Ben draws back, this time to check my expression, that I'm definitely quoting him. I look down at our feet.
He rearranges his hand in mine, flexing his fingers as he clasps it more firmly.
âDo you know the updated OED definition of “nondescript”?'
âNo.'
âIt means a complete avoidance of giving any details about an attractive woman when it's your wife requesting them. Literally. No. Description.'
âAh.' I smile, bite my lip.
âSo you know.'
âThat's useful, having the lingo.'
The song ends. The singer announces: â
Thang you very mush guys thizziz a liddle numbah you may know called Toadall Eclipse of the Hard
.'
âAw I
love
Toadall Eclipse of the Hard,' Ben says, and I can feel him shaking as we lean against each other, laughing. Across the floor, Olivia and Simon are talking, serious. How can you not find this song funny?
âYou know, we're never going to win this dancing competition with my wife and Simon if we don't put some flair into it,' Ben says, holding his hand in mine out above me and pointing to the left, to indicate a twirl to the refrain â
turn around
â¦'
I oblige with a twirl left, and then right, and then when the song breaks into its full rawk, Ben tips me a short distance and pulls me up.
âI nearly fell out of my dress,' I gasp, as we resume the waltz-hold, in something more like an embrace because I had to put my arm round him to get my balance.
âThen we'd definitely win,' Ben says, in a half-whisper.
I glance at him in surprise and he gives me a guilty, yet slightly lascivious smile. Pissed as I am, I blush. I rest my head on his shoulder so we don't have to look at each other. This is too much. I have to cut the mood dead, the same way I did when we were feeding the ducks. In minutes, he'll be back with his wife, and I'll return to my chair on Central Park, and I have to be OK with that.
I can't be this close with you, thinking it's a one-off.
I glance over at Simon and Olivia and he's looking directly at us, over her bronzed shoulder blade. He has a look of malevolent and completely disconcerting satisfaction.
Ben's eagerly claimed by a posh bridesmaid with a dishevelled chignon, sprigs of wilted freesia poking out at random angles, as if she's been pulled through a florist's backwards. I excuse myself to the ladies and head across the grass in the dark to the toilets. My exposed flesh goose bumps in the cold, ears ringing with disco tinnitus, heels sinking into the mud like golf tees. The Portaloos are the Porsche of Portaloos: twin stalls, piped-in music, pink dimpled Andrex and wedding flowers between the sinks. As I make my way back down the small step ladder, I see Olivia stood at the bottom, arms folded, tiara making her look like a tiny platinum Statue of Liberty.
âHello!' I say. âDon't worry, there's still loo roll left.'
âCan I talk to you?' Olivia says, which seems redundant given that's precisely what we're doing.
âSure,' I say, drawing level, getting the Jangly Fear.
âHave you slept with my husband?'
â
Sorry?
' I feel as giddy and sick as if I've done that dance floor drop ten times over, after shot-gunning a whole bottle of Laurent Perrier.
âAt university. Did you sleep with Ben?'
âWe were friends.'
âRight. Ben tells me you have slept together. Is he lying?'
Oh God, oh God. Why did he make her this mad and set her free to hunt me? Why would they be having this conversation on a wedding dance floor, with Hall and Oates on harmonies? My mind races. Simon's face ⦠did he know she'd been told what had happened? Why did Ben seem so casual? Why did he not warn me?
âAre you telling me my husband's lying?' Olivia repeats. âEither way something's going on, isn't it â why would he lie?'
âNo! Ben's not lying. It was only the once, it was nothing.'
A deadly silence. The throb of chatter and music from the marquee seems a long, long way in the distance. Somewhere in the surrounding blanket darkness, right on cue, an owl hoots.
âIf it was nothing, I wonder why it was kept from me.' Olivia's voice sounds as jagged and dangerous as a shard of glass.
âBen probably didn't want to upset you with something so trivial, from so long ago.'
Olivia's eyes flash like a Disney witch casting a bad spell.
âIt's trivial? You think this is trivial?'
I shake my head. âNo, not to you, of course not.'
âOr are you saying it wasn't any good?'
âWhat?'
âWas. It. Any.
Good
?'
I may not be a lawyer, but I'm a journalist, and I know this is an attempt to extract a quote that will sound, out of context, like either gloating or mocking.
âIt ⦠I â¦' Mindy's TripAdvisor idea comes back to me, hardly helpful.
Great facilities, attentive service, ten out of ten, will be back!
âWe were drunk, I can't remember much.'
âI don't want you to come anywhere near me or my husband or my home ever again. Do you understand?'
âYes.'
A pause where I hope I can decently get away from her, belt back into the Big Top, grab my things and run.
âSimon said I shouldn't trust you. He said you spent your date talking about Ben.'
I feel my first flash of anger.
That bastard.
Sod you and the pig you rode in on.
âSimon's lying,' I say.
âThat's funny, he said you were the liar.'
âWell, that's a lie.' This conversation's heading towards the farcical. âSimon also thinks I went on a date with him to investigate a kiss-and-tell story I knew nothing about at the time.'
âYou're going to run my friend down?'
âI don't know how else to defend myself when he's making things up.'
I'm clammy, hands curled into fists, nails digging into my palms. My dress is digging in to me too, the balls of my feet aching. I'm suddenly very sober, long past midnight on any Cinderella moment
.
I know Olivia's made up her mind about me. I should still have one last try.
âI'm sorry you didn't know about this. I didn't know if Ben had told you. I didn't think it was my business to ask. But as for Simon, he's already told me I'm a piece of shit because of the Shale story. Whatever he's told you is designed to make you angrier at me. He was the one asking about Ben on our date.'
âGuess what, Rachel. Simon said you weren't being honest about only being friends with Ben. He said to get you on your own and tell you my husband had sold you out. Instant result.
Whoops
. So stand here and tell me some more about how he doesn't know what he's talking about.'
Don't worry Simon, you will be made partner. You twat.
âIf you're going to take Simon's word over mine, there's nothing I can say. There's nothing inappropriate going on.'
âLike hell. What a surprise to see you with Ben on the dance floor, the second I was with Simon.'
âHe asked me.'
âHah, sure,
he's
after
you
.'
âThat's not what I was â¦'
âKnow what else Simon said about you? He said you're exactly the type of woman who starts chasing other women's husbands when she realises no one wants to marry her. You're a strictly “bed don't wed”.'
The nastiness of this winds me. Bed don't wed?
The 1950s called, they want their attitudes back.
When slinging me on the fallen females reject pile, they forget the part where I chose not to get married.
âRight, OK. What a nice guy he is to say something like that. If Slime-On won't put a ring on it then I may as well end it now. I'll start putting my paperwork in order and find my father's pearl-handled revolver.'
âOh, that's right, you're so
funny
, aren't you,' Olivia says, with whiplash-spite that turns my stomach right over. âYou're still miles out of your league, anywhere near my husband or Simon.'
As I move to walk off, Olivia adds, bitterly: âI don't know what Ben saw in you.'
I stop, think, turn. â⦠Himself?'
I brace myself for Olivia to slip her L.K. Bennett mule off and give me a good shoeing.
At that second, a traumatised middle-aged lady appears silhouetted in the doorway of the Portaloos, a vision in lavender sent from heaven to bestow peace.
âHave you ever seen such lovely soap! In a Portaloo! Soap!'
I don't have to knock on Mindy's front door in Whalley Range as she's heard the taxi's engine and is already waiting, arms folded, as if I've overshot my curfew. She's also obviously on high alert due to my text insisting I was on my way to hers and not under any circumstances to go to bed, however much the Shipping News encouraged it. As I reach her, I see Caroline's head bobbing over her shoulder, both of them wearing forehead-crumpling expressions of concern.
âWhat's up?' Mindy demands.
They stand back as I sweep into the kitchen and throw my bag down on Mindy's kitchen table. I must look a state: up-do unravelling, smoky eyes gone full polecat-smudgy, problems with normal respiration.
âOlivia tricked me into admitting me and Ben slept together at university and went supernova and said I could never come near either of them ever again.'
Mindy and Caroline stare at me with dull stupefaction, as if I've blown in from another world using an alien language, which this Saturday night, I sort of have.
âWait, wait.' Mindy holds a hand up. âYou
slept
with him?'
âOnce. Right before we left university. Remember Rhys and I called it off around graduation?'
âYou wily lady!' Mindy squeals. âWhy'd you never tell us? When? Where?'
âMindy!' Caroline barks. âWhat the fuck does it matter where it was?'
âI'm just trying to get the facts established!'
âAt our student house. You and Caro were home the night before the grad ball? Then.'