Yours: A Standalone Contemporary Romance (7 page)

BOOK: Yours: A Standalone Contemporary Romance
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Being an ER nurse in an LA hospital is pretty damn close to working in a war zone. You see all sorts of horrible shit. But as much as I sometimes hate it, there is something in me that needs the rush. The adrenaline. The frenzy to fix a patient. To save a life. To try my damnedest, even if I fail. To know that I

ve helped. To make a difference, as Oliver put it.
 

There

s a pause on the other end of the line. “If Ollie tells me I should bring you on, it is reason enough for me,” Dominique says, in English now. “He is never wrong. Not about people.” She rattles off an address, tells me to bring my resumé and prepare for a more in-depth interview, but then reassures me it

s a formality, and that I

ll have the position if I want it, on the strength of Oliver

s recommendation.
 

When I report for my next shift at work, I have to break the news to Delaney and hand in my notice.
 

She hugs me, with a teary-eyed smile. “You

re too talented a nurse to be stuck here. I knew someone would lure you away someday.” She holds me by the arms and looks at me. “Just be sure it

s what you want. MSF, it

s…hardcore. And very dangerous.”
 

“I know. Maybe it

s crazy, but…that

s part of why I

m going, if I

m being honest.”
 

Delaney grins. “You

re at your best when things get hairy. You

ll be great. Just…stay safe, okay?”
 

“I

m not leaving for another two months, Delaney.”
 

A sniff. “But still. I

m not going to say goodbye. When you go, just go. And know I

ll miss you.”
 

Delaney is my best friend. She was enrolled in nursing school at UCLA, a year older than me. She got the job here first and rose up the ranks. She

ll be unit head before long. I can

t imagine not being with her. We work almost every single shift together. Side by side, every day, for twelve or fourteen hours a day. We drink a bottle or three of wine together after work, and watch Real Housewives, talk about boys and never about work.
 

Now I

m leaving her.
 

We drop the subject and prep for a night shift of incoming patients. A weekend midnight shift always hits hard and heavy with multiple GSWs, stab wounds, concussions and contusions, car accidents and cardiac arrests.
 

Through it all, we stay calm, because that

s what we do.
 

As the shift finally comes to an end, I spare a thought for the future. I wonder what it

ll be like, in Africa.
 

*
 
*
 
*

Bangui, Central African Republic
 

Six months later

“Niall! Get your ass over here!” Oliver shouts from the other side of the tent.
 

“I

m kinda busy, Ollie!” I shout back.

“I

ll take over,” François says in French, stepping in, taking over my suturing job. “He needs you. It

s bad.”
 

I strip off my gloves, toss them in a garbage can, and tug a new pair out of a box on my way over to Oliver

s table.
 

Fuck.

He

s working on an adult male, late forties. Entire stomach is blown open, intestines pulled out of the cavity to reveal a rupture, blood gushing like something out of a Tarantino film. One leg is missing from the knee down, the stump blackened and oozing.

Mine, or a car bomb.

Oliver is covered in blood up to his elbows, and from his hips to his chest. His face is covered in a mask, but I can see his eyes are laser-focused on the job at hand.
 

He feels me come up beside him, and doesn

t have to tell me what he needs. One glance, and I

m on it. I take the forceps from him and hold them, then blot away the blood so Ollie can see what he

s doing. We manage to stop the internal bleeding, then Ollie dumps the intestines back in the cavity and we both watch as they rearrange themselves. He pulls the edges of the gaping stomach wound back together, and then Ollie leaves me to do the sutures while he tends to the leg. Remove shrapnel, clean it, cauterize it, and bandage it.

Finally done, Ollie steps away and lets someone else move the patient to a recovery tent. We strip off our blood-soaked gear, step out of the tent and into the blazing African sun. Walk together in silence, both of us pretending our hands aren

t shaking.
 

“You can

t fucking hesitate, Niall,” he says, his voice tired, a little angry.
 

“I didn

t
hesitate
. I was stitching somebody

s arm back on, okay?” I

m defensive.

“If I need you, I need you right away. Get someone to take over and get where I need you. You have to trust me to know what

s a priority.”
 

“I

m sorry.” I want to think I know better, but he

s the surgeon, and I

m the nurse.
 

He

s got lots of experience on me. My job is to trust him.

“How

re you holding up?” He leans up against a two-ton truck, rubbing his eyes.
 

“Fine,” I sigh. “You?”

“Well, aside from having been awake for thirty hours, I

m just dandy.”
 

I

m about to say something else, but a truck rumbles into the station, and the air is filled with shouts in English, French, and several African dialects. There

s a swarm of activity, crimson-soaked bodies being hauled out of the back of the truck and carried to the triage tent.
 

“Ollie!” Dominique, shouting, urgent. “Need you,
now
!”

A sigh. “Hello, another thirty hours.” Ollie pinches the back of my neck and rubs it. “You

re doing great, Niall. But trust me, yeah?”

“I will. I mean…I do.” I glance up at him. Our eyes meet, and the sparks are there.
 

We

ve been too busy for anything to happen between us, but we both know it

s on the horizon. If we ever get a break. If the fighting ever dies down. The UN has nearly evacuated us a few times, it

s gotten so bad. But Dominique refuses to leave, and so do the rest of us. When the fighting is at its worst, that

s when we

re needed the most. They

ll have to tie us up and drag us away to get us out of here. This is what we do.

Namely, run back to the triage tent, tug on gloves, pull on new aprons, and assess incoming. Sort the dying from the ones who

ll make it with immediate treatment, get Ollie working on the worst cases, me beside him, assisting. We don

t need words, Ollie and me. We just know. I know how he works, and what he needs. He knows I won

t flinch, won

t fail. Won

t hesitate, won

t get sick, won

t get tired. You don

t get to do any of that until after it

s over. Then you can have your meltdown.
 

And we all have them.
 

The next eleven hours are a frenzy of blood and stitches and severed limbs. There

s a skirmish going on between sects to the north of us, dozens are wounded, and all of them coming our way. By far, it

s the worst it

s ever been. Since I

ve been here, at least.
 

Of the thirty-eight victims that come through our tent, five die and seven more probably won

t last the night.

Finally, in the smallest hours of the night, Dominique sends us away. My feet drag, and I stumble. Oliver is barely functioning. He

s been awake and working for forty-eight hours straight. Not stopping for anything, not until the last patient has been given the best possible care. I hang onto him, and he onto me. We

re leaning on each other, supporting each other.
 

We find a spot to lie down, in the bed of an old, battered Nissan pickup used to transport supplies across the station. We lie down side by side in the bed, staring up at the stars. Just breathing. I have that dizzy feeling you get when you finally stop moving after being in motion for endless hours. Like after a day at a theme park, when you close your eyes and it feels like you

re still on a rollercoaster. Like that, but infinitely worse. Your hands want to stitch, compress, apply pressure, wrap bandages. Your eyes see wounds, pleading eyes, you hear whimpers. You see it, feel it, hear it even after you

re done.

Ollie lifts a hip, digs in his back pocket, comes up with a flattened soft-pack of Camel Lights, and a blue lighter. Puts one to his lips, lights it, drags.
 

That

s when I know he

s struggling. So far, Ollie hasn

t had to light up, yet.
 

He breathes out the smoke, and it

s a shuddery, frail sound. “Jesus Christ, that was bad.”
 

“Yeah.”
 

He hands me the cigarette, and we share it in silence.
 

When he lights a second, I know he

s working up to something.

“Nights like this, I hate it here. I hate people. I hate what we do. I hate that people can hate each other for no reason, hate each other so badly they

ll just…butcher one another like that. Over what? I don

t even know. Beliefs? Traditions? Politics?” I watch him put the cigarette to his lips, watch the orange cherry tremble in the darkness. I see his fingers shake in the dim glow as he drags on it.
 

“It

s so senseless.” I don

t know what else to say. I

m only good at comfort when I

m in the thick of things. Otherwise, I get…tongue-tied.

He gives me a drag, takes the butt back, and flicks it away. Lifts up on an elbow. Starlight illuminates his beautiful face, gorgeous even when haggard, exhausted, done in.
 

My heart thumps wildly as he looks down at me.
 

“I

m gonna kiss you now. Okay?” His eyes are intense, piercing.

I just nod, reach for him. Pull him down to me, and we kiss.
 

That kiss, that

s when I know.

He

s it.

He

s my only.

When he pulls away, breaking the kiss, I can see he felt that, too.

“I really,
really
like kissing you.” There

s a twang to his voice I

ve never noticed until now.
 

“Probably because you

re so damn good at it,” I say.
 

“Lots of practice.”
 

“Not supposed to admit that, I don

t think.” I grin up at him, though, because I like this banter. It takes my mind off things.

“Oops.”
 

“Where are you from, Ollie?”
 

He lies back down beside me. Twines his fingers in mine. “Heard that twang, did you?”
 

“I caught a little something, yeah.”
 

“Ardmore, Oklahoma. It

s right on the border of Texas.” He pretends to tip an imaginary hat. “I

m a real-deal cowboy, I

ll have you know.”

“For real?”
 

He laughs. “For really real. Grew up on a six-thousand-acre ranch, roping steer and breaking broncs. My dad kicked a fit when I moved to LA to go to med school. Had to give the ranch to my kid brother who, I have to say, can

t ride half as good as me.”
 

“How did your dad end up in Los Roboles?”
 

“Long story. Marcus still has the ranch down in Ardmore, but Mom and Dad retired a few years ago, moved to the middle of nowhere up in northern Cali. Humboldt County, somewhere. Deserted and rugged, the way they like it. I

m still not quite sure how he ended up in that hospital, actually. I just know I got the call from Mom, so I went. That

s when I met you. Dad

s a stubborn, taciturn old fucker. It

s hard to get two words in a row out of him.”
 

“So how

d you end up so loquacious?”

This gets me a big old grin. “I get that from Mom. She

s the opposite of Dad. It

s hard to get him to talk at all, harder yet to get her to ever shut up. I

m sort of in between.”
 

“Sounds like they

re quite a match.” I know I sound plaintive, a little jealous.

“What are your folks like?” He

s asking, but I think he knows it

s a loaded question.

I can

t help a sigh. “My dad took off with the nanny when I was eleven, left Mom with me, my brother, and a pile of debt. Mom wasn

t exactly…up to the task of being a single mother of two while struggling under crushing financial debt. So I finished junior high and high school living with my mom

s folks, my grandparents. They passed when I was in nursing school, and I don

t talk to Mom, seeing as she abandoned me just like Dad did. Nate, my brother, is a problem child, always has been. In and out of jail, off and on drugs. No one can do anything for him and, believe me, I

ve tried.
 

BOOK: Yours: A Standalone Contemporary Romance
7.83Mb size Format: txt, pdf, ePub
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