1635: Music and Murder (13 page)

"Well?" Marla asked impatiently from her seat. He was encouraged to see even more color in her face than had been there when he left. "What's the verdict on the Steinway?"

He crossed over to her, bent down and kissed the top of her head. "The piano has been totally uncrated and reassembled in the palace. Friedrich has examined it with great care, and both he and Hermann are of the opinion that it has suffered no harm from its journeys. So, you may rest your mind about it, and therefore rest your body as well."

Marla sighed, and Franz watched as a certain tension drained out of her, leaving her almost limp in the embrace of the chair. Her blue eyes peered up at him through the curtain of her bangs, followed by one of those smiles that reminded him of just why he loved her. "Okay. I've had a nice long chat with Mary, but I think I'm ready to go to bed now. Help me up."

He reached down to take one arm just as Hilde the maid appeared at the other side of the chair; between them they raised Marla to her feet. He walked with them to the door that led to the stairway. Marla gave him a quick kiss, then started up the narrow stairs with Hilde supporting her.

"An unusual young woman," Franz heard from behind. He turned to face Mrs. Simpson.

"I believe that is what my friend Ingram would call an understatement," he said soberly.

Mary smiled. "No doubt."

"Frau Simpson . . . "

"Mary," she interjected.

"Mary, then . . . I thank you for arranging a place for my friends and me to stay, but I must tell you that a simple inn would have been more appropriate than the . . . Wettin household."

"Oh, that. Actually, my original plan was to rent some rooms in an inn, but Eleonore volunteered . . . insisted, actually. She said that now that she was a commoner, she wanted to meet some of these interesting people that before now would hardly open their mouths in her presence."

Franz was surprised into a laugh. "She may get her wish, then. Hermann will talk to anyone, and is almost impossible to stop once he begins."

"Good. I would so hate for her to be disappointed." Mary's impish smile surprised Franz.

Saturday, October 16th, 1633

The next day dawned with clear skies. The rain had stopped in the middle of the night, and the clouds had dissipated. Franz stepped out into the street with his friends, smiling at Hermann's last joke with the maid who closed the door of the Wettin house behind them.

"Right," Isaac said. "What do we do today?" They all looked at Franz.

"You go to the palace. I will go to the Simpsons' and look in on Marla, then join you."

They walked together past several houses, then separated to go their ways. Franz continued alone down the busy streets until he arrived at the Simpsons' house. After Gunther's revelation yesterday, Franz looked at the surroundings with new eyes, finding what Gunther had assured him would be there: two young men, hard-edged and hard-eyed, standing together under a streetlight across the street from the Admiral's house. He swallowed nervously as he approached, but nodded to them and said "Good morning." They said nothing, but did nod in return.

Feeling somewhat encouraged, he crossed the street and knocked on the Simpsons' door. Hilde opened it with a smile. "Welcome." She stepped back to allow him to enter, then took his coat.

"Good morning, Franz," he heard behind him. Mrs. Simpson and Marla were seated in the same chairs they had occupied when he left them yesterday. The only way he could tell that time had passed was that they were both wearing different clothing. Well, that and Marla looked normal again. Her eyes were smiling above her coffee cup as Mary reached for the pot to pour a cup for Franz. He took a seat as Mary handed the cup across to him.

"What's on the agenda today?" Mary asked.

Before Franz could respond, Marla said, "Practice at the palace."

"Just a moment!" Franz interjected, not believing what he was hearing. "I do not believe that is a good idea, not after the way you felt yesterday, and the day before."

Marla carefully set her cup down on the table, clasped her hands together, and stared into Franz's frowning eyes. In a very calm tone of voice, she said, "I feel better than I have since we started the trip. It's not raining. I will bundle up and stay warm and dry. I will not push my limits. But I am going to the palace. The piano must be tuned, and I've got to check out the acoustics of the hall. Unless you plan on tying me to this chair, I am going." Her expressionless face told Franz that if he did, he would regret it.

Franz was astute enough to recognize a battle he could not win, so he gave in to the inevitable. "Frau Simpson . . . Mary," forestalling her correction, "would it be possible . . . "

Mary smiled as she said, "I've already arranged for a ride." Both women laughed at Franz's rueful expression. Franz muttered . . . under his breath, he thought.

"What was that?" Marla asked.

"Nothing."

"Franz . . . " with a rising tone of warning.

"I said, I feel conspired against."

Mary chuckled. "Poor man." Sobering, she continued, "She'll be fine, Franz. I would not willingly risk her, any more than you would."

And with that he had to be content.

****

Franz looked around as his foot touched the ground, seeking that which would previously have gone unnoticed. There, across the street, two more young men in the mold of those who waited outside the Admiral's house. He turned to help the ladies down: first Frau Simpson, then Marla. Even after only one day in her presence, he had not a problem with thinking of Mary Simpson as the Dame of Magdeburg. Her charm and grace were the equal of the rumors and legends beginning to circulate about her. Marla, in her own right, young though she was, bid fair to shape into the same kind of woman. Already, he could see one or two little ways where she had been influenced by Mary.

Together they proceeded up the steps. Franz held open the outer door, then led the way into the great room. The sound of the piano poured out as he opened those doors. Marla smiled and pushed past him, hungry for her 'baby'. Mary followed in a more sedate manner.

Hermann was playing another piece from Bach's
Three Part Inventions—
and doing a good job of it, Franz thought, given that he had only been working on it for two weeks prior to the move to Magdeburg. He looked up from the keyboard. "Marla!" His obvious surprise resulted in a delighted tone of voice.

"Hi, Hermann." Marla plopped down beside him on the piano bench. "How does it sound?"

"The piano sounds fine," Hermann enthused. "This is the first time I have been able to play this one. It is much better than the pianos we heard at the school."

"Now you understand why I want it here. Move over." Marla bumped his hip. Hermann not only moved over, he got up and let her have the entire bench. She set her hands on the keys, paused for that instant that Franz had learned to recognize as her moment of focus, then began a piece that he didn't recognize. It was not polyphonic, but the chords were harmonious to his ear, so he knew it had to be an 'early' piece from Marla's repertoire.

All the others gathered around the piano as Marla played: Franz, Mary Simpson, Johann and Rudolf and Friedrich. The piece was not lengthy, and before long she brought it to a rousing conclusion. Her audience burst into applause. Franz could tell from the startled expression on her face when she looked up that Marla had, as usual, focused on the music to the exclusion of everything around her.

"That, my dear," Mary said, "was simply lovely. I don't believe I've heard a piano transcription of Mozart's
Eine Kleine Nachtmusik
before. Did you produce it yourself?"

"No." Marla flushed slightly at the praise. "I would have, or Thomas Schwarzberg would have done it for me, but the Grantville High School band department has a band transcription of it. The condensed conductor's score actually is nothing more than a piano transcription. I borrowed it from the band a couple of years ago, and learned it for fun. I haven't played it for a while, so I'm pretty rusty."

"You should include that in your recital program," the older woman remarked. "It should be well received by those who attend."

"I intend to," Marla responded.

Mary started to say something else, then visibly collected herself as Marla began playing a pattern of scales, beginning at the low end of the keyboard and rolling to the high end, pausing for a moment, then commencing again on the next highest pitch at the low end. She repeated this several times, until she had played every key on the piano at least once, and most several times. Finally, she stopped and played several widely separated keys individually, obviously listening carefully.

"Friedrich," she called out. "Where's the tuning kit?"

Friedrich was already digging it out of his bag, and in a moment handed it to her. He slid the music stand out of the piano frame above the keyboard and set it on a chair to one side as she unrolled the kit on the bench. Then he opened the lid up to its maximum height, standing to one side to allow Marla full access to the interior of the instrument.

Franz watched with Mary Simpson as Marla reached inside the piano with the tuning wrench. "Okay, how much did Ingram show you about tuning pianos?" Marla asked.

"Master Ingram said that I had learned the theory well, that what I needed now was the practice," Friedrich responded.

"Okay, practice away. First thing, the d2 is flat."

Marla and the journeyman instrument crafter labored to restore the piano to perfect tuning. Mary beckoned Franz to follow her to the rear of the room, where she turned to face him. "I understand why you and Friedrich are here, but why did Marla bring the others?"

"Hermann is to accompany her when she sings," Franz said.

Mary grimaced. "Of course, I should have realized that. She can't very well accompany herself, not with the art music I've asked her to sing. That explains Hermann; what about the rest?"

"Isaac she wishes to do a duet with, although she has not yet decided what to sing with him."

"Hmm, I may have a suggestion or two there, depending on what music she has brought with her. And the others?"

"I do not know. It was a late decision, made just before we left. She said something about
Maestro
Carissimi possibly having something for them to perform."

Mary's eyes widened. "Carissimi? Giacomo Carissimi?"

"Yes, I believe that is his name."

"She knows him?"

"Yes. We all do. He arrived in Grantville from Italy several weeks ago, along with an instrument crafter named Giro . . . Girolamo Zenti, I believe. He has had several long conversations with Marla, and even sat in on one or two of our seminar discussions. He is working now with
Frau
Elizabeth Jordan to learn the new music styles, much as we worked with Marla this summer."

"Oh, my." Mary was silent for long moments, staring at the wall beyond his shoulder.

"Do you know him?"

Mary sighed. "Know him? No, I don't. I do, however, know
of
him. I think it just finally sank in to me in a way that it never had before that I really am in the seventeenth century; that I will have a chance to meet some of the people that I have loved from afar and whose works I have listened to with joy and appreciation. Oh, my." She took a deep breath, and turned to focus on Franz with glittering eyes. "Yes, indeed, if she has an opportunity to do something by
Maestro
Carissimi, we should make every effort to include it."

"You must ask Marla," Franz said. "I have told you what I know."

Mary nodded, a determined look on her face as she stared in Marla's direction. After a moment, she looked to Franz again. "Weren't there more people studying with you?"

"Yes; Thomas Schwarzberg and Leopold Gruenwald. They were left in Grantville by their own desires." Mary looked at him with a quizzical expression. Franz continued, "Thomas stayed to copy music. He can notate anything he can hear, so he stayed to notate everything that is recorded in the records, tapes and CDs. It may well prove to be his life's work. And Leopold, although not as adept as Thomas, is also good at notation, so he will assist Thomas when he is not working with Master Wendell to learn the designs of up-time wind instruments. He is a crafter of horns in his own right, much as Friedrich and
Herren
Bledsoe and Riebeck are of things that sing from wood."

"So, after Friedrich leaves, Marla will have the core of your group with her, those who have learned from her and will perform with her?"

Franz turned to look at the others: Friedrich, who had his head inside the piano alongside Marla's as she explained something technical to him; Josef and Rudolf who waited patiently to one side, their fingers silently running patterns on their instruments; and Hermann, who was fidgeting in his chair—which was as patient as he knew how to wait—all of them somehow bound to Marla. He looked back at Mrs. Simpson. "Yes. These men will be with Marla forever. They have committed to her, to follow her lead, to be her hands and voices in this lifetime."

"And you, Franz," Mary asked, "what will you be to her?"

He looked down at Mary, who waited expectantly, then looked out at the sun and moon of his life where she laughed at something Friedrich said. "I will be her heart."

Wednesday, October 19, 1633

Franz threw the door to the tavern open and they all trooped in, exclaiming at how good it felt to be out of the weather. The wind was from the north that evening, and as dark closed in it felt as if it had blown straight down from the Swedish mountains, it was so frigid. Everyone but Franz had instrument cases tucked up under their arms as they blew on their fingers to try and warm them. His crippled left hand was aching savagely. He tucked it inside his coat under his arm to warm it as quickly as possible.

"Come on, guys," Marla said, eyes sparkling and cheeks reddened by the cold, "the host is waving us to the table by the stove." They made their way through the throng, Josef and Rudolf leading the way and parting the mass of people, followed by Marla and Franz, with Hermann and Isaac bringing up the rear. They all sat down on the benches and carefully set their instruments on the table.