(2012) Colder Than Death (15 page)

“Yeah. She's very nice.”

“She must like you.”

“Why do you say that?” I couldn't wait for her answer.

“She told you about her father and the murder and him being in the institution. She must've felt safe with you.”

“Is that good?”

“Gretchen's very particular about who she gets close to. The clincher was when she told you about how she tried to kill herself. Bizarre, huh? You don't think people as together as Gretchen would ever try suicide.”

I didn't respond. I thought of the numerous inexplicable suicides I'd buried. “So where should I drop you?”

“Nowhere. I'm coming with you.”

“No you're not. I'm about to pick up a body.”

“It'd be interesting to see how a body gets picked up.”

“Haven't you had a enough death in your life for awhile?”

“C'mon. I won't get in the way or ask stupid questions.”

“Number one, it's illegal for an unlicensed person to be in a vehicle that's transporting a body.”

“I won't tell if you won't.”

“And number two, this is no ordinary funeral. It's going to be a lot of work.”

“Why? Who died? Like, the Mayor of Dankworth?”

“The owner of Dankworth's other Funeral Home.”

She rolled her eyes. “That's weird. Aren't you, like, competitors?”

“His son asked me to do it. Look, I'm sorry to be so abrupt, but I have to get on this right away. Where would you like me to drop you off?”

“Nowhere. I'm staying with you.”

“I have to work.”

“
Please
.”

“This is going to be a very stressful twenty-four hours for me. Organizing some funerals is like planning a big wedding.”

Quilla slammed her left hand on the seat. “I don't want to be alone. Okay?”

“I'll take you to Spider's house.”

“His name is Viper. He'll still be in therapy.”

“What about some of your other friends?”

“They're all in school.”

“Then I'll take you home. Wait 'til they get out.”

She again slammed her right hand on the dashboard and burst into tears. “I don't want to be by myself!”

“Why don't you just go to school?”

“On the day my aunt is buried?”

I was suddenly glad I didn't have children.

“Can I just hang with you until Viper gets out of his therapy session?”

“No. That's it. Now, tell me where you want to go.”

“Nowhere!” she said. “Let me out here. Stop the car.”

“Quilla...”

“Stop the car!”

“Alright. Fine.” I stopped the car. Without saying a word, she opened the door, got out and slammed it. She walked a few yards and leaned against an oak tree, staring downward.

I waited a few seconds, then drove off slowly, looking at Quilla in my rear view mirror. I'd gone maybe twenty yards when I saw her look in my direction, then slide down the tree and onto the ground into a sitting position. I felt sorry for her and even though having her in the car with me with Alphonse's body would be highly inappropriate, I felt that her being alone would be worse. I backed up the car, stopped in front of her, leaned over and opened the door. “Get in.”

She smiled, stood up and ran into the car.

“Promise me you won't tell anyone that I let you in a car with a body.”

“No problem. Like, the only person I know who would be interested is Viper. By the way, did he talk to you about being a make-up man on bodies?”

“Yes. I mean, no. He didn't say anything about being a restoration man--that's what it's called. He said he was interested in being a Funeral Director.”

“He's just confused. He thought he wanted to be a hair stylist or a make-up consultant, but lately he's been thinking about working on bodies.”

“Then he shouldn't talk to me. He should talk to the person who does that for me.”

“Should Viper call
that
guy instead of you?”

“No. I'll have to check with Nolan first.”

She suddenly got a serious look on her face, then said, “This
Nolan
person...is he the one who took care of my aunt?”

“Yes.”

“What a job--touching dead bodies.”

I nodded noncommittally, but to myself said, “You don't know the half of it.”

As we headed to DiGregorio's my thoughts turned to the irony of me handling Alphonse's funeral. It was another of the many “firsts” in the career of a Funeral Director. The first corpse you embalm. The first child you bury. The first pretty girl. The first relative. The first friend. But there is one “first” that you remember above all others. Or more accurately, you can't forget: the first murdered body you come in contact with.

The horror of how life can turn out for some infects you with a sober realization that there are people in the world to be feared.

Chapter 15

“Here we are,” I said as I pulled into the lot of DiGregorio's Funeral Home and headed round to the back where the body would be waiting. “I'll be back in a few minutes.”

“Thanks for letting me come along.”

I nodded to her and went to get Alphonse DiGregorio. The corpse was ready for me to remove. It was covered only by a white sheet, resting on a gurney in a holding area by the service entrance at the back of the building. This was where all bodies came in. Most bodies left by way of DiGregorio's front entrance on their way to their final resting place. The only bodies that went out this way were the direct disposals: people who were going to be cremated without ceremony, without benefit of family friends.

Wilt Ging, the chief embalmer and restoration man for DiGregorio's, was with Alphonse's body. He looked deep in despair, lost in his own sad thoughts, his brown eyes--the left one peering slightly off towards the wall--floating in a watery residue of broken veins and impending cataracts. His nose was the nose of a drinker, pockmarked and swollen, looking more like a fatty red tumor waiting to explode. If this were the first time you were meeting Wilt you would assume that he had been crying for hours, maybe days, and that Alphonse's death was a profound personal loss.

In reality, Wilt always looked as if he was in mourning and in the midst of an overbearing gloom. In all the years I'd known him, I never saw him smile or heard him laugh. Even the way he walked smacked of sadness. He was an inch or so over six feet, but he had a bent, hunched gait that made him seem much smaller and older than his fifty-four years. He trudged along like a beaten down, old gorilla lost in the jungle, his thick arms, too long for his body, hanging limply at his side.

Wilt was a functioning alcoholic who hid his disappointment in beer. Tyler said he drank a case a day, but that he never missed a day of work, never screwed up while working on a body, always did his drinking in the privacy of his home and never disgraced DiGregorio's. As Alphonse himself was a steady drinker, he was forgiving and under-standing and Wilt respected him for it. Wilt was also friendly with Nolan, each bailing the other out when either was under the weather or out of town or overwhelmed with bodies. They came and went into each other's Embalming Rooms borrowing chemicals and supplies as naturally as two neighbors using tools from each other's garages.

“How you doing, Wilt?” I asked.

He nodded in bewilderment. You got the impression that he was always surprised that someone would actually say hello to him.

“I'm glad you'll be taking care of him,” he mumbled softly. “It would've been hard, Del. I would've done it if the boys asked me. Tyler did the right thing.”

“I know. Is he upstairs?”

Wilt nodded yes, adding “They all are.”

I knew that by “all” he meant Mrs. DiGregorio, Tyler, Gordon and their wives.

“Let me say a quick hello and I'll be back in a minute for the body, okay?”

“I'll be here with Alphonse,” he said and I headed upstairs to the main residence where three generations of DiGregorios had lived while presiding over their Home.

The door was closed, but I knocked, then opened it, much like I had done as an adolescent when Tyler and I had first become friends, and stepped inside. Mrs. DiGregorio was on the couch, surrounded by her two daughters-in-law Jeanne and Helen. She was barely five feet tall and a hundred pounds, but looked even smaller, almost childlike. Tyler and Gordon stood off in a corner. Gordon noticed me first and acknowledged my arrival with an insincere grin and overly enthusiastic wave. He whispered something to Tyler who turned in my direction. I walked over to them. Tyler hugged me. Gordon shook my hand and patted me on the back, saying, “You're looking good, Del and I really like your shirt” as if he was about to try and sell me a car. I smelled gin on his breath and cigarette smoke on his clothes.

“Thanks, Gordon.”

“Come say hi to my mother,” said Tyler, pulling me towards Mrs. DiGregorio and away from Gordon for which I was grateful. “Mom, Del's here.” I bent over, kissed her on the cheek and said how sorry I was. She was a pathologically shy, old fashioned, deeply religious Italian wife and doting mother to her sons. Her shyness prevented us from ever having a meaningful or truly personal conversation, but she'd always made me feel comfortable and welcome. Almost from the day I met her she never failed to ask me the same question whenever she laid eyes on me: “How's your mother?”

Today was no exception. “How's your mother, Del?”

“Good.”

“Do you think she'll ever come back to Dankworth?”

“Other than to visit me, I don't think so.” My mother had remarried eight years ago and moved with her husband, Ken, to Albuquerque.

“Are you calling her regularly?”

“Every Sunday and sometimes during the week.”

“That's important to a mother,” she said, then without skipping a beat she said, “You take good care of Alphonse. These last few weeks, the cancer took away his looks. Make him look good in the coffin. Alphonse always liked to look good. His hair needs a trim and his color is bad.”

“Don't you worry, Mrs. DiGregorio,” I said reassuringly.

Tyler and I spent a few minutes going over the funeral arrangements. Though my Home would be providing all the services, they would provide the coffin. They chose a top of the line mahogany that retailed at nearly eight thousand dollars. As for the burial, it would take place in the family plot in Elm Grove cemetery. We would handle the embalming, preparation and visitation. Tyler had an expensive gray suit, white dress shirt, necktie, tie pin, T-shirt, underpants, shoes and socks waiting for me, all folded neatly as if prepared by a professional laundry. He walked me downstairs to Wilt, saying only “I've counseled so many people through this phase but I can't say anything to myself to make me feel better.”

“Well, since I am the Funeral Director of record, I'm available to talk.”

He shrugged, then went back upstairs.

Wilt was standing over Alphonse's body. He helped me guide the gurney outside. “They're going against Alphonse's wishes. This whole elaborate funeral. He wanted to be laid out in a simple pine box and buried in the ground with nothing covering him, not even a plain old sheet. He wanted to be one with nature from the start.”

“Why aren't they doing what he wanted?”

“His wife. She's stuck in that old guinea tradition.”

As I opened the rear door I glanced forward and noticed that Quilla wasn't in the front seat. Wilt and I slid the body inside and I shut the door.

“Alphonse was the executor of my will, Del. Now that he's gone, I'll have to change it. I'm thinking of asking Nolan to do it. One way or another though, I want you to know what I want with my remains. Do you mind?”

“Of course not.”

“Once I'm dead, pick me up from where my body's found and take me straight to the crematorium. Direct disposal.”

“Whatever you want, Wilt.”

“I appreciate it.” He nodded, then looked into the car at Alphonse's covered corpse.

“You'd think that after all the death I've seen, I'd become immune to it.” He shook his head back and forth. “It’s much better being on the business end than what I do.

Good thing you've got Nolan there.”

I nodded in agreement because I knew what he meant. Nolan was like a machine when it came to his work. He could embalm anyone without the least bit of emotion. He knew Alphonse DiGregorio, not as well as I and definitely not as well as Wilt, but they were competitors for over thirty years. I knew that once he began to work on the body he would have the emotional distance as if Alphonse had been someone he'd never met in his life.

Wilt and I shook hands and he walked back to the Home. I got in the station wagon only to discover Quilla crouched down in the seat.

“What the hell are you doing?”

“I didn't want to get you in trouble. You said there’s a law against having a passenger in the car with a body.”

“Thanks for being so considerate.”

I started the ignition and we drove out of the lot.

“So where do we go now?” she asked almost playfully.

“Now I take the body to get it ready for viewing.”

“That’s what that Nolan guy does, right?”

“Yes.”

“Can I watch?”

“No. That's illegal. I'm taking you home now.”

“Are we gonna go through this again? I can't handle being alone yet.”

“Why do you want to hang out with me anyway? I thought kids hated adults.”

“I do. But not you.”

“Why not?” I was touched and curious.

“Cuz you're the only one besides me and Gretch who cares about finding out who killed my Aunt. I figured maybe we could do some more talking about possible crime scenarios.”

“Look, like I said before, until I get the funeral arrangements made for the gentleman in the back of this car, I can't concentrate on anything else. But because you've come this far and I'm tired of hearing you whine, I'll let you stick around.”

“Thanks.”

******

Nolan was waiting. He sat on the back steps that led to the rear entrance to the Home. I'd called him and told him I was on my way. I backed the station wagon up to the loading dock where Nolan was now standing.

“I’ll wait here,” said Quilla as she slid down onto the seat, stretching out like she had done at DiGregorio's. I closed my door and met Nolan as he approached the car with a gurney. Just as we had done hundreds of times before, Nolan and I removed the body from the station wagon.