A Long Line of Dead Men (8 page)

I met him at Pete's Tavern on Irving Place. His name was Arthur Matuszak and he told me to call him Artie. "You were NYPD," he said. "Right?"

"That's right."

"Got your twenty and put your papers in, huh?"

"I didn't hang around long enough for that."

"Yeah, I almost hung it up myself a couple of times. But then I didn't, and the time goes by before you know it. It's nineteen years in September for me, and I swear I don't know where they went. I been on a desk the past two years, administrative work, and it's a lot easier on you, but I have to say I miss the tunnels. You're switched on every single minute down there, you know what I mean?"

"Sure."

"You can't help wondering if it would have been different aboveground. The NYPD instead of the Transit Police. There's not a lot of glamour in the tunnels. How often do you get a Bernie Goetz, does something colorful enough to stay on the front page more than a day or two? He was one in a million." He sighed. "It's been nineteen years of con artists and drunks and chain snatchers and nut jobs. And, yeah, a whole lot of jumped-or-fells. I told you I remembered the first one."

"Yes."

"It was a woman, just a girl, really, and she lost half of one leg below the knee and part of her other foot. She was a jumper, no question, admitted it right off. I visited her in the hospital and she looked me right in the eye and said she'd get it right the next time. I don't know if she ever did. For a while every time we had a jumped-or-fell, whether I caught the case or not, I was looking for it to be her. It could be a man lying there, six-four, three hundred pounds, and I'm still expecting to see her face on him when we roll him over. But if she ever did it she must have saved it for somebody else's tour of duty."

"Considerate of her."

"Yeah, right. Matt, I went over my notes, and I remember your guy. Ian Robinson Heller, killed by the southbound Number One train coming into the IRT station at Broadway and Fiftieth at approximately 5:45 on a Saturday afternoon. Date was the fifteenth of October, 1988. Which happens to be my father-in-law's birthday, only he's been dead for ten years and we been divorced for six, so I don't suppose I have to remember all that, do I? Heller was on his way home from work. It was his usual train. He worked two blocks from the station and he normally rode that train to Times Square and caught the express to Brooklyn, which is where he lived. The point is it was natural for him to be there. I gather you're looking to determine whether it was suicide or accidental death."

"Or homicide," I said.

He cocked his head. "Well, you can't rule it out," he said, after a moment's reflection. "It was rush hour, the platform was packed with commuters heading for home, and he was at the edge of the platform with the train coming. Maybe he stopped for a drink after work, maybe he was loaded up on antihistamines and it affected his sense of balance. Maybe somebody backed up into him accidentally."

"Or maybe he jumped."

"Right, and how can you ever say? Sometimes they plan it. Sometimes they survive and you find out later they never planned it, never even thought about it, that the impulse just swept over them and took 'em right over the edge. Maybe that's how it was with Heller. Or maybe somebody got next to him and timed it just right and gave him a shove or a body block, sent him flying. Again, planned or unplanned, I'll tell you something, I think there's a fucking ton of that goes on."

"People killed that way?"

"You bet your ass." He stood up, pushed through the crowd at the bar, and brought back a fresh gin and tonic for himself and another Coke for me. I tried to pay for the round but he waved me off. "Please," he said, "I'm enjoying myself. You know who drank here? O. Henry. You know, the writer. They're very proud of the fact, they don't let you forget it, but I have to say I love drinking in places like this that are older than God. You know McSorley's down in the East Village? 'We were here before you were born,' that's their motto. Nowadays their crowd is all college kids, Christ, the World Trade Center was there before they were born."

"And still is."

"Yeah, and no thanks to our Arab brothers." We talked about the recent bombing, and then he said, "About people getting tossed in front of trains, yeah, I do think it happens a lot. People acting on an impulse, they're stoned on something, or they're just nuts, they don't need drugs to go crazy. Easiest way in the world to kill someone and get away with it."

"But it would be a hard way to murder someone specific, wouldn't it?"

"You mean like somebody you got a reason to kill?" He thought about it. "You could tail him into the subway, but suppose he stays away from the edge of the platform? Crowded station, you'd have a few dozen people crammed between him and the tracks. Unless you and him were friends."

"What do you mean?"

"What was his name again? Ian? 'Hey, Ian, good to see you. How's it goin', old buddy?' And you throw your arm around him, and you walk this way and you walk that way, and you just manage to be standing right at the edge of the platform when the train's coming. If he thinks you're his friend, he won't draw away, he won't get suspicious, and the next thing he knows he's under the wheels. You think that's what happened?"

"No idea."

"Fifteen years later and somebody's starting to wonder? Let me know how it comes out, huh? If it comes out." I said I would. "What I do, I take the subway all the time. I'll be honest with you, I love the subway, I think it's a wonderful and exciting urban rail system. But I am very careful down there. I see a guy who don't look right, I don't let myself be between him and the edge. I got to walk past somebody and it's gonna put me close to the edge of the platform, I wait until I can step past him on the other side. I want to take a chance, I'll go in a deli, buy a lottery ticket. I'll go by OTB, put two bucks on a horse. I love it down in the tunnels, but I don't take chances down there." He shook his head. "Not me. I seen too much."

Hal Gabriel had lived on West End Avenue at Ninety-second Street. At the Two-four station house on West One Hundreth I sat across a desk from a young police officer named Michael Selig. He was still in his twenties and already losing his hair, and he had the anxious look of the prematurely bald. "This all ought to be on computer," he said of Gabriel's file. "We're working our way back, getting our old files copied, but it takes forever."

Gabriel, forty-six, married but separated from his wife, had been found hanging in his eighth-floor apartment on a weekday afternoon in October 1981. He had evidently stood on a chair, looped a leather belt around his neck, wedged the tongue of the belt between the top of his closet door and the doorjamb, and kicked the chair over.

"High blood alcohol," Selig said.

"No note."

"They don't always leave a note, do they? Especially when they get drunk and start feeling sorry for themselves. Look at this- he estimates death as having occurred five to seven days before discovery of the body. Must have been ripe, huh?"

"That's why they broke in."

"Didn't have to, it says here the super had a key. Woman across the hall noticed the smell."

She'd also told the investigating officers that Gabriel had seemed despondent since his wife's departure several years earlier, that his only visitors had been delivery boys from the liquor store and the Chinese restaurant. He'd worked up until two months of his death, managing a film lab in the West Forties, but had been out of work since then.

"Most likely drank himself out of the job," Selig offered.

His wife, apprised of his death, said she hadn't seen Gabriel since they'd signed their separation agreement in June of 1980. She described her late husband as a sad and lonely man, and seemed saddened herself if not terribly surprised by his death.

Fred Karp had left a note. He'd tapped it out on his computer screen, printed out two copies, left one on his desk and tucked the other, neatly folded, into his shirt pocket. I'm sorry, it read. I can't take it anymore. Please forgive me. Then he'd opened the window of his fifteenth-floor office and stepped out.

That's tough to do in the newer buildings, where you generally can't open the windows. Often they aren't windows at all, just glass walls. At an AA meeting I once heard an architect talk about how he'd had to reassure office workers who had a phobic response to glass walls. He used to run full speed and crash headlong into the wall to demonstrate its solidity. "People got the point," he said, "but I felt pretty stupid the time I broke my collarbone."

You could open the windows in Karp's building. It was a twenty-two-story prewar office building on Lexington Avenue, just a couple of blocks north of Grand Central Station and the Chrysler Building. Karp was an importer, dealing primarily in goods from Singapore and Indonesia. He'd sent his secretary home at five, called his wife to tell her he'd be working late. A deli on Third Avenue delivered two sandwiches and a container of coffee around seven. At ten after nine he went out the window, and it was easy to pinpoint the time of death because there were people on the street who saw him land. One of them collapsed, and was treated by paramedics at the scene.

This had happened just three years ago, and the police of-ficer I spoke to was still attached to the Seventeenth Precinct and had no difficulty remembering the incident. "Hell of a mess," he said, "and a hell of a way to do it. Suppose you change your mind halfway down. 'Hey. I take it back! I was only kidding!' Yeah, right, lots of luck."

There was no question in his mind that it was suicide. There was the note, on Karp's desk and in his pocket and right up there on the still-glowing screen of the computer monitor. And there were no injuries inconsistent with a fall from a great height, although he agreed that the fall itself would have erased evidence of an earlier blow to the head, or indeed of anything less obvious than a gunshot wound.

I said, "I wish the note was handwritten. Who on earth types out a suicide note on a computer?"

"It's a new world," he said. "You get used to a computer, you want to use it for everything. Pay your bills, balance your checkbook, keep your appointments straight. Here's a guy ran his whole business by computer. He wants to get the note right, he can tinker with it, phrase it just the way he wants it. Then he can print out all the copies he wants with one keystroke, plus he can save it on his hard drive." He was around thirty, part of the computer generation himself, and he was eager to tell me how the computers in the station house speeded up the paperwork and took a lot of the unpleasantness out of it. "Computers are great," he said. "But they spoil you. The trouble with the rest of life is there's no UNDO key."

I went to Karp's office, now occupied by an attorney specializing in patents, a man about my age with a drinker's complexion and the sour smell of failure clinging to him. He'd had the office for less than two years and knew nothing of its history. He let me look out his window, although I don't know what either of us thought I might see out there. I didn't tell him a previous tenant had taken a dive from that very window. I didn't want to give him any ideas.

Karp's widow, Felicia, lived in Forest Hills and taught math in a middle school in South Ozone Park. I phoned her at home around dinnertime and she said, "I can't believe the investigation's been reopened. Does this have something to do with the insurance?"

I told her it was in connection with another matter, and that I was trying to rule out the possibility that her husband's death had not been suicide.

"I never thought it was," she said forcefully. "But what else could it be? Listen, do you want to come to the house? I have two hours of tutoring to do tonight, but I could meet you tomorrow. Say four-thirty?"

She was waiting for me in the upper flat of a semidetached two-family house on Stafford Avenue, just a few blocks from where they used to play the tennis tournaments. She was a tall, angular woman with straight dark hair and a strong jawline. She had coffee made and we sat at her kitchen table. There was one of those black cat clocks on the wall, with the eyes rolling from side to side and the tail swinging like a pendulum. She said, "Isn't it ridiculous? The kids gave it to me for my birthday a couple of years ago, and I have to admit it's grown on me. Let's talk about Fred."

"All right."

"It never made sense to me that he would kill himself. They said he was having problems with his business. Well, he was in that business for over twenty years, and you always have problems. He never had trouble making a living. And we had two incomes, and we were never extravagant. Look where we live."

"It's a nice house."

"It's okay, and the neighborhood's decent, but it's not Sutton Place. The point is my husband wasn't under any great financial pressure. Look, after his death I ran the business myself long enough to straighten things out and get a few dollars for the stock and goodwill. The business was in fine shape. Day-to-day chaos, yes, but nothing unusual. Certainly nothing to kill yourself over."

"It's hard to know what goes on inside another person."

"I realize that. But why are you here, Mr. Scudder? You didn't schlepp all the way out here to talk me into accepting my husband's suicide."

I asked her if she knew anything about a club her husband had belonged to. She said, "What club? He was in the men's club at the temple but he wasn't very active. His work took too much of his time. He joined Rotary but that was at least ten years ago and I don't think he maintained his membership. That can't be what you're referring to."

"This was a club of fellows who had dinner once a year," I said. "In the spring, at a restaurant in Manhattan."

"Oh, that," she said. "What threw me off was your using the word 'club.' I don't think it was that formal, just a bunch of fellows who were friends in college and wanted to stay in touch over the years."