A Long Strange Trip (87 page)

Read A Long Strange Trip Online

Authors: Dennis Mcnally

Tags: #Genre.Biographies and Autobiographies, #Music, #Nonfiction

BOOK: A Long Strange Trip
5.29Mb size Format: txt, pdf, ePub

Chapter 39: “What’s the dumbest . . . That”: Alex Bennett, WMCA, 9/16/70. “When I’m really getting”: JG in Territo,
Marin IJ.
“When the Dead are playing . . . re- sponsibility”: RH, “Dark Star.” “Suddenly the music . . . are clear”: Lydon, p. 133. “Music heard so deeply”: T. S. Eliot, “The Dry Salvages,” Four Quartets. “The barriers on the world . . . Pied Piper”: Lydon, p. 134.

Chapter 40: “taking a vacation”: band meeting minutes, 1/14/74, G.D. archives. Hell’s Angel message: Rita Gentry.
Compliments:
JG, John Kahn, Richard Loren. Money from February gigs: 1/2/74 band meeting minutes, G.D. Archives. “Like piloting . . . soundwave”: PL in Wasserman, “The Dead.” “the ultimate derivation”: DH in Wasser- man, “The Dead.” “quite an acceptable”: Alembic Notes, G.D. Archives. “physical model”: JG in Block. “The Book”: G.D. archives. “Dear Guerrilla”: G.D. archives. “The way they describe it . . . your head”: JG in “Interview,” Circus. “a virtually infinite”: PL in ZigZag. “so musi- cally inbred”: BW in Gans,
Conversations,
p. 120. “I am as coked up . . . but what”: Scully and Dalton, p. 238. “The most rewarding . . . people through this”: JG in
Melody Maker,
9/14/74. “What are you looking . . . Mercedes-Benzes”: Chesley Millikin. “There was a bench . . . to get there”: Hal Kant. “to rest, recuperate”: Herb Caen, S.F. Chronicle, 9/17/74. “The kids are walking . . . all the groups”: BG in
The Grateful Dead Movie.
Hart’s return: MH, Jerilyn Brandelius, BK. “Well, we’ll put . . . you got that”: Jerilyn Brandelius. “This is the first time”: MH. “Listen, if there’s one . . . didn’t work”: Stokes, “Death.” “We falter and . . . a relief”: RH, 5/74 Dead Head mailer, G.D. archives.

Chapter 41. Hiatus: band, Hal Kant, Richard Loren, David Parker, Eileen Law, DR, Sue Swanson, AT, Joe Winslow, Jim Furman. Private lives: JG, Deborah Jahnke, Goldie Rush, BW, Frankie Azzara, Eileen Law.
Blues for Allah
: band, Robbie Taylor, DH, RS. “wasn’t listening to things . . . different sensibility”: JG to Gans, 4/28/81. “power-rock raver”: JG in Timothy White, “From the Beatles.” “Look, I’m political . . . abstruse”: Barry Melton. “Listen, I need a song”: JB. “Dear Guerrilla”: 1/27/75 letter to Dead Heads from G.D. Records, G.D. archives. “A horrible bummer”: PL in Platt,
Lode.
“[Garcia] and I talked . . . great, man”: David Crosby in Zimmer, p. 180. Show at Great American Music Hall: band, Mort Feld. “Dear Dead Heads: After going”: band let- ter to Dead Heads, 8/75, G.D. archives. “and a decision that vacationing . . . for sure”: band letter to Dead Heads, 1/76, G.D. archives. “if we get lucky”: JG on KSAN, 1/23/76. “the survival of . . . else either”: JG in Weitzman, “A Chat.” “Should my daughter . . . backstage, man”: Ron Rakow in Greenfield, p. 176. Musical Christmas card: MH. “I’ll show you . . . looks up”: Laird Grant. Rakow and United: see Rakow in Greenfield, pp. 178–79. “I was the family . . . was Hal Kant”: ibid, p. 177. “We had sixteen tracks . . . pissed on his shoes”: PL in Block, “Garcia.” Mixing “Diga”: MH. “Or do I make sure”: Rakow to Greenfield, pp. 178–79. “I’m cutting out . . . strangle Jerry”: PL.

Chapter 42. “John, explain to people”: John Scher. Moon story: JG, BW. Arista: band, Clive Davis, Michael Klenfner. “Shitty . . . how to do it”: JG in Rainier, “Interview.” “and I say I don’t think . . . the transformation”: JM in Jackson, “Jon McIntire.” “It seemed to most”: BW on “Album Network” radio special. “This might be an off-the-wall . . . I un- derstand”: Clive Davis to JG c/o Richard Loren, 4/11/78, G.D. archives. “Garcia never made it”: Keith Olsen in Selvin, “Guiding Hand.” “it freaked me . . . loved it”: BW in “Al- bum Network” radio special. “about as close”: RH letter to JG on the anniversary of his death, 8/9/96, G.D. archives. “two years of incredible doubt . . . depressed”: JG to Charles Young, “The Awakening.” “I wanted elegantly . . . conception”: JG in Block, “Garcia.” “Our willingness”: ibid. “You’re going to distribute . . . this is the Grateful Dead”: John Scher. “Aural excitement”: Lawrence Van Gelder,
New York Times,
6/3/77. “which, as a short . . . its audience”: Wasserman, “GD Film.” “justifies itself visually . . . his magic”: Robert Christgau,
Village Voice,
6/13/77. “I hope you have been . . . you know”: Hart and Stevens,
Edge,
p. 181. “sparse”: JG to Mary Eisenhart. “put the Grateful Dead”: MH. “incongruous”: PL in “Album Network” radio special. “Fuck ’em”: JG in Block, “Garcia.” “so rude, so outrageous . . . public alike”: Saporita, p. 79.

Chapter 43. “Have you ever played . . . right there”: PL. Origins of trip: PL, AT, Richard Loren, Goldie Rush. Appeal to Graham: PL, MH. “No, Bill”: MH. “Two count them”: telegram to Sue Stephens, 3/21/78, G.D. archives. “Mix in your mind . . . Cairo Cacophany”: Kesey,
Demon Box,
p. 101. “an unlit boulevard . . . thighcarts”: ibid., p. 99. “Burned”: Nichols. “Everyone seemed to be yelling . . . Baksheesh”: Nichols, pp. 40–41. “I have the heart . . . woman”: ibid., p. 71. “indefinite sustain”: DH on WBCN, 11/14/78. “It’s a multidimensional”: Kesey,
Demon Box,
p. 144. “This place has really . . . normal sense”: JG in Watts,
Melody Maker.
“Here it’s okay”: Jeff Boden. “It makes me feel”: MH. “R’all yew guys”: Max Bell, “Pyramid Prank.” “give me, as they must”: Ashraf Ghorbal to Jerry Garcia, 10/10/78, G.D. archives.

Chapter 44: “amazing. It had . . . was the same”: Coppola, p. 278. “In the beginning . . . live with”: Hart and Stevens,
Edge,
p. 10. “People play music . . . consciousness”: MH in Jackson, “Drums and Dreams,” 24. “drumming . . . madness”: Linda Ellerbee.

Chapter 45. “the victory party”: Hirshey,
Rolling Stone.
“You can do it”: BK.
SNL:
Tom Davis. “No . . . I don’t care”: Tom Davis. “We stink”: MH. “You know the conga . . . sucked”: MH. “You’re the promoter”: Jim Koplik. “The bulk of the space . . . my collec- tion”: BG to Richard Loren, 11/9/78, G.D. archives. “there is 100 times . . . Miami”: BG in Selvin, S.F. Chronicle, 12/21/78. “invited too many bikers . . . problems backstage”: BG in Graham and Greenfield, p. 423. Departure of Keith and Donna: Donna Jean Godchaux MacKay. Brent Mydland bio: BM. California-ization: see Ciotti, “Revenge”; Blake Green, “California”; Saltus, “Conti- nental.” “It is no coincidence
. . . into
shape”: Haas, “Drink.” “They came together . . . faith in it”: JB in Swing 51. “Clive Davis actually . . . kill myself”: PL in Platt, Lode. “Mediocrity on the march”: Playboy, 8/80. “uninspired fluff”: J. DeMatteis, Rolling Stone, 8/7/80. “We do not want to be”: Timothy Wachtel in Grushkin, p. 11. “Record more than”: MH. “right slide projector . . . a sale”: BG notes, G.D. archives. Sound development: DH, Don Pearson, Howard Danchik, John Meyer.

Chapter 47. “You’re just a . . . sheer reasonableness”: Morley, “What a Long.” “Dear sir and brother”: PL, G.D. archives. “limitless capacity for denial”: Frances FitzGerald,
New Yorker,
12/24/90. “Why are you asking . . . unhappy with you”: Hal Kant. “The other night I experienced . . . complete”: Dorris, “Concert Sound.” “teaching occasionally . . . order to exist”: JM in Jackson, “Jon McIntire.” “Get [Scrib] to do it . . . that shit”: Mary Jo Meinolf. “Come in, sit down”: Tom Davis. “Twilight Zone”: Phil DeGuere, MH, Merl Saunders, Hal Kant. “Man, I
live”
: JG to Merl Saunders. “I started feeling like . . . the hospital”: JG to Brown and Novick,
Voices,
p. 69. “Jerry’s in the bathroom . . . 911”: BW. “My main experience . . . like my bloodstream”: JG to Brown and Novick,
Voices,
p. 68. “Be tactful . . . Beethoven”: MG in Greenfield, p. 217. “taunted and derided . . . to hear that”: letter from RH to JG, 8/9/86, G.D. archives.

Chapter 48. JG recovery: JG, MH, Merl Saunders, Laird Grant, MG, Sandy Roth- man. “It took a while . . . all that”: JG to Sievert, “Jerry Garcia.” “kind of like a father . . . together for me”: JG to Marre, “At the Edge.” “Those lyin’ sons . . . don’t agree”: JG in Marcus and Gans. “vast and it’s hopeless . . . other side”: RH to Silberman, “Standing.” “I just want to know . . . lately”: BW in “Album Network” radio special. “Another year, another classic”: Randolph Smith,
Hampton Daily Press,
3/24/87. “The Dead and Garcia”: Steve Morse,
Boston Globe,
4/3/87. “radder, riskier . . . save your life”: Gehr, “Dead Zone.” “Lemme ask you . . . Not me”: Sean Coakley. “nostalgia mongers”: Dave Marsh in Gilmore, “New Dawn.” “[It] bespeaks an effortlessness . . . in years”: Browne, “Bob Dy- lan.” “The best Dead songs . . . to every rule”: Jon Pareles, “The Grateful Dead.” “There were plenty . . . different way”: BW in Sutherland, “Acid Daze.” “It was easy to suspect”: Derk Richardson,
Bay Guardian,
8/5/87. “taught me to look inside . . . at the time”: Bob Dylan in
Mojo,
2/98. “Too literal”: Len Dell’Amico in Jackson, “The Making of
So Far.”
14. Garcia Band on Broadway: JG, SP, David Nelson, Sandy Rothman. “This is great . . . somewhere”: David Nelson. “I see more light . . . understanding”: JG to Mary Eisenhart. “When I hear his playing . . . sounds right”: JG in Sievert, “Jerry Garcia.” “I wouldn’t say we’ve got . . . propriety”: Voelpel, “Dead Heads.” “Well, it’s a hideous . . . to play”: JG in
Golden Road
18. “Fuck ’em . . . if I want”: JG to Hal Kant. “potential riot”: Cameron Cosgrove in Bil- liter, “Amphitheatre.” “Give it to her . . . her lights”: Candace Brightman. “We create a deadline . . . hellish”: BW in Timothy White, “From the Beatles.” “But what the concert . . . with conviction”: Pareles, “Just What.” “as much as an inch”: Lacey, “Police.”

Chapter 49. “If you want coherence”: PL to Frost and Wanger, radio. “I just see us . . . won’t hurt anybody”: JG in Fedele, “Fuck No.” “We’re a band . . . something”: BW to ? “anybody in the Grateful . . . real loud”: JG in Reich, p. 160. “They do something”: JB in Ken Hunt, “John Barlow.” “I’ve always called . . . organism”: source unknown. “For me it’s a vehicle . . . I’m here”: DH in Gans, p. 160. “It’s embarrassing . . . remember”: JG in
Boston Phoenix,
1974. “I think basically . . . to get high”: JG in Reich, pp. 127, 86. “Coming to see . . . not work”: JG and BW in Gans,
Conversations,
p. 13. “Ugly but honest . . . good enough”: JG in Haas, “Drink.”

Chapter 50. “It’s silly for us . . . no underwear”: Barron, “Few Drug Arrests.” “What we should do”: David Grisman. “[Garcia’s] a virtuoso . . . for me”: Warren Zevon to Steve Morse,
Boston Globe,
in
Golden Road
22. “Those guys can play
. . . fantastic”:
Branford Marsalis in Pooley, “Raising.” “On Thursday night . . . would be”: Marsalis in G.D. archives. “He was willing to die . . . what he was doing”: JG in Henke, “Jerry Garcia.” “didn’t care if they . . . place to be”: David Kemper in Barry Smolin,
Dupree’s Diamond News,
spring 1997. “We must change”: unpublished MS, courtesy of Robert Hunter. “exquisite”: RH to Selvin, “Dead Songwriters.” “Yeah. I can’t stand it . . . going to happen”: JG in Steve Morse,
Boston Globe,
9/25/91.

Chapter 53. JG: JG, Brigid Meier, PL, RH, Vince Di Biase. “a wonderful talker . . . a kind of love”: Barich, “Still Truckin’.” “I just want to sing”: Paddy Moloney. “Always a hoot”: BW. “What’s happening . . . dobro player”: David Grisman. “Down from the bottom . . . you’re playing”: session tape, courtesy of David Grisman. “Can you finish”: David Grisman. “shaky, and his willpower . . . this time”: Sue Stephens. “He is the very spirit . . . and subtle”: Bob Dylan in
Rolling Stone
(eds.),
Garcia,
p. 30. “He said-a dat . . . to me”: Barbara Meier and Sara Katz, in Greenfield, p. 337.

Chapter 54. “I’ve discovered . . . with it”: Dan Healy in Gans,
Conversations,
p. 158. “Say you were . . . I’d want”: JG in Territo,
Marin IJ.
“There’s an old Prankster . . . the merrier”: JG in Tamarkin, “Jerry Garcia.” “Basically I prefer . . . the All”: JG in Stoddard. “series of events”: Krippner,
Siren,
p. 24. “We know from our own . . . for us”: JG in Haas, “Drink.” “Synchronicity . . . to the One”: JG in Stoddard. “Uncertainty is what’s . . . IT”: JG in Haas, “Drink.” “You hear the same sound”: RH, “Endless Parenthesis,”
Night Cadre,
p. 77.

Bibliography

Aldrich, Michael R.
A Brief Legal History of Marihuana.
Do It Now Foundation, n.d.

Allen, Scott.
Aces Back to Back: A Guide to the Grateful Dead.
New York: Pierce-Axiom, 1992.

Anson, Robert Sam. Gone Crazy and Back Again: The Rise and Fall of the Rolling Stone Generation. Garden City, N.Y.: Doubleday & Co., 1981.

Anthony, Gene.
The Summer of Love.
Millbrae, Calif.: Celestial Arts, 1980.

Babbs, Ken, ed. “Spit in the Ocean,” vol. 1, no. 1, “Old in the Streets.” Pleasant Hill, Ore., 1974.

Balfour, Victoria.
Rock Wives.
New York: Beech Tree Books, William Morrow, 1986.

Bane, Michael.
Willie.
New York: Dell, 1984.

Barger, Sonny. Hell’s Angel. New York: William Morrow, 2000.

Barnes, Richard.
The Who: Maximum Rhythm & Blues.
New York: St. Martin’s Press, 1982.

Bell, Dale, ed.
Woodstock.
Studio City, Calif.: Michael Wiese Productions, 1999.

Bettemeyer, Peter.
How My Heart Sings.
New Haven, Conn.: Yale University Press, 1998.

Bill Graham Presents Scrapbooks.

Biskind, Peter.
Easy Riders, Raging Bulls.
New York: Simon & Schuster, 1998.

Blush, Margaret, et al. “The Demography of the Haight-Ashbury, June 1969.” Unpublished group research project, U.C. Berkeley School of Social Welfare. Fitzhugh Ludlow Memorial Library.

Bockris, Victor.
Keith Richards.
New York: Poseidon Press, 1992.

Booth, Stanley.
Keith.
New York: St. Martin’s Press, 1995.

———.
The True Adventures of the Rolling Stones.
New York: Vintage Books, 1985.

Boyd, Douglas.
Rolling Thunder.
New York: Dell, 1974.

Brandelius, Jerilyn.
Grateful Dead Family Album.
New York: Warner Books, 1989.

Brook, Danae, ed.
The Book of the DEAD.
London: Warner Brothers Records, 1972.

Brown, David Jay, and Rebecca McClen Novick.
Voices from the Edge.
Freedom, Calif.: Crossing Press, 1995.

Bugliosi, Vincent, with Curt Gentry.
Helter Skelter.
New York: Bantam Books, 1975.

Burch, Claire.
Dead Heads: Rago & Friends.
Berkeley, Calif.: Art & Education Media, 1992.

Butler, Dougal.
Full Moon.
New York: William Morrow, 1981.

Cahill, Thomas.
How the Irish Saved Civilization.
New York: Doubleday, 1995.

Caserta, Peggy (as told to Dan Knapp).
Going Down with Janis.
New York: Dell, 1973.

Christgau, Robert.
Any Old Way You Choose It.
Baltimore: Penguin Books, 1974.

———.
Grown Up All Wrong.
Cambridge, Mass.: Harvard University Press, 1998.

Cohen, Tom.
Hungry i Revisted.
Transcripts from the film, including interviews with Mort Sahl, Stan Wilson, Lou Gottlieb, etc. Hammermark Productions, P.O. Box 802, Mill Valley, CA.

Constanten, Tom. “Between Rock and Hard Places: An Autobiopsy.” Unpublished MS, 1985.

———.
Between Rock and Hard Places: A Musical Autobiodyssey.
Eugene, Ore.: Hulogosi Books, 1992.

———. “Music Lists.” Unpublished MS, June 9, 1989.

Cooper, Michael, et al.
The Early Stones.
New York: Hyperion, 1992.

Copeland, Alan, ed.
People’s Park.
New York: Ballantine Books, 1969.

Coppola, Eleanor.
Notes.
New York: Simon & Schuster, 1979.

Cornyn, Stan. Exploding. New York: HarperEntertainment, 2002.

Coupland, Douglas. Generation X. New York: St. Martin’s Press, 1991.

Coyote, Peter. Sleeping Where I Fall. Washington, D.C.: Counterpoint, 1998.

Crone, Richard.
Hippi Hi.
Self-published, San Francisco, n.d.

Crosby, David, and Carl Gottlieb.
Long Time Gone.
New York: Doubleday, 1988.

Dalton, David.
Janis.
New York: Popular Library, 1971.

Dannen, Fredric.
Hit Men.
New York: Times Books, 1990.

Davis, Clive, with James Willwerth.
Clive: Inside the Record Business.
New York: Ballantine, 1974.

Davis, Miles, with Quincy Troupe.
Miles.
New York: Simon & Schuster, 1989.

Davis, R. G. The San Francisco Mime Troupe: The First 10 Years. Palo Alto, Calif.: Ramparts Press, 1975.

DeCurtis, Anthony, et al. The Rolling Stone Illustrated History of Rock and Roll. New York: Random House, 1992.

DeRogatis, Jim. Let It Blurt. New York: Broadway Books, 2000.

DesBarres, Pamela. I’m with the Band. New York: William Morrow, 1987.

de Wilde, Laurent.
Monk.
New York: Marlowe & Co., 1997.

Dickstein, Morris.
Gates of Eden.
New York: Basic Books, 1975.

DiFranco, J. Philip, ed. The Beatles: A Hard Day’s Night. New York: Penguin, 1978.

Downing, David.
Jack Nicholson.
New York: Stein & Day, 1984.

Draper, Hal.
Berkeley: The New Student Revolt.
New York: Grove Press, 1965.

Duberman, Martin. Black Mountain. Garden City, N.Y.: Anchor Press, 1973.

Dylan, Bob.
Writings and Drawings.
New York: Alfred A. Knopf, 1973.

Echols, Alice.
Scars of Sweet Paradise.
New York: Metropolitan Books, Henry Holt & Co., 1999.

Editors of Dupree’s Diamond News. Garcia: A Grateful Celebration,
1995.

Ehrlich, Dimitri.
Inside the Music.
Boston: Shambhala, 1997.

Eisen, Jonathan, ed.
The Age of Rock.
New York: Vintage Books, 1969.

Eliot, T. S. Collected Poems. New York: Harcourt Brace Jovanovich, 1963.

Elliott, Anthony.
The Mourning of John Lennon.
Berkeley, Calif.: University of California Press, 1999.

Elman, Richard.
Uptight with the Stones.
New York: Charles Scribner’s Sons, 1972.

Epstein, Jason.
The Great Conspiracy Trial.
New York: Random House, 1970.

Evans-Wentz, W. Y., ed. The Tibetan Book of the Dead. Oxford University Press, 1960.

Farina, Richard.
Been Down So Long It Looks Like Up to Me.
New York: Dell, 1966.

Farr, Jory.
Moguls and Madmen.
New York: Simon & Schuster, 1994.

Fawcett, Anthony.
John Lennon One Day at a Time.
New York: Grove Press, 1976.

Felton, David, ed.
Mindfuckers.
San Francisco: Straight Arrow Books, 1972.

Fitch, Bob.
Hippie Is Necessary.
San Francisco: Glide Urban Center, 1967.

Fong-Torres, Ben.
The Hits Just Keep on Coming.
San Francisco: Miller Freeman, 1998.

Formento, Dan.
Rock Chronicle.
New York: Putnam Publishing Group, 1982.

Foster, Paul.
The Answer Is Always Yes.
Eugene, Ore.: Hulogosi Books, 1995.

Frame, Pete.
Rock Family Trees.
London and New York: Omnibus Press, 1980.

Franzosa, Bob.
Grateful Dead Folktales.
Orono, Maine: Zosafarm Publications, 1989.

Friedman, Myra.
Buried Alive.
New York: William Morrow, 1973.

Fulbright, J. William.
The Arrogance of Power.
New York: Vintage, 1966.

Gans, David.
Conversations with the Dead.
New York: Citadel Press, 1991.

———, ed.
Not Fade Away.
Thunder’s Mouth Press, 1995.

Garcia, Jerry.
Harrington Street.
New York: Delacorte Press, 1995.

———.
Paintings, Drawings & Sketches.
Berkeley, Calif.: Celestial Arts, 1992.

Garcia, Jerry, and Tom Davis.
The Sirens of Titan.
Unpublished film script, 1988.

Garcia, Jerry, Charles Reich, and Jann Wenner.
Garcia: The Rolling Stone Interview.
San Francisco: Straight Arrow Books, 1972.

Gardner, June Ericson.
Olompali: In the Beginning.
Fort Bragg, Calif.: Cypress House Press, 1995.

Gaskin, Stephen.
Free.
Talk at Longshoremen’s Hall, San Francisco, 12/10/76. Self-published.

———.
Haight Street Flashbacks.
Berkeley, Calif.: Ronin, 1990.

———.
Hey Beatnik!
Summertown, Tenn.: The Book Publishing Co., 1974.

George-Warren, Holly, ed.
The Rolling Stone Book of the Beats.
New York: Hyperion, 1999.

Gerould, Gordon H.
The Grateful Dead: The History of a Folk Story.
David Nutt, 57 Long Acre, London, 1908.

Getz, Michael, and John Dwork. The Deadhead’s Taping Compendium V. I. New York: Henry Holt & Co., 1998.

Gilmore, Mikal.
Night Beat.
New York: Doubleday, 1998.

Gleason, Ralph J.
The Je ferson Airplane and the San Francisco Sound.
New York: Ballantine Books, 1969.

Goldrosen, John.
The Buddy Holly Story.
New York: Quick Fox Books, 1979.

Goldstein, Richard.
Goldstein’s Greatest Hits.
Englewood Cliffs, N.J.: Prentice-Hall, 1970.

Goodman, Fred.
The Mansion on the Hill.
New York Times Books, 1997.

Gordon, Max.
Live at the Village Vanguard.
New York: Da Capo Press, 1980.

Graham, Bill, and Robert Greenfield.
Bill Graham Presents.
New York: Doubleday, 1992.

The Grateful Dead Movie.
Unpublished shooting script, 1974.

Green, Justin.
The Binky Brown Sampler.
San Francisco: Last Gasp, 1995.

Greene, Herb.
Book of the Dead.
New York: Delacorte Press, 1990.

———.
Dead Days.
Petaluma, Calif.: Acid Test Productions, 1994.

Greenfield, Robert.
Dark Star.
New York: William Morrow, 1996.

Gregory, Dick.
Write Me In!
New York: Bantam Books, 1968.

Griffith, Robert.
The Politics of Fear.
Hayden, 1970.

Grissim, John, Jr.
We Have Come for Your Daughters.
New York: William Morrow, 1972.

Grogan, Emmett.
Ringolevio.
New York: Avon, 1972.

Grushkin, Paul, et al.
Grateful Dead: The Official Book of the Dead Heads.
New York: Quill, 1983.

Halberstam, David.
The Best and the Brightest.
New York: Fawcett Crest, 1972.

Hamill, Pete.
Why Sinatra Matters.
Boston: Little, Brown & Company, 1998.

Hansberry, Lorraine.
The Movement.
New York: Simon & Schuster, 1964.

Harris, Marvin.
America Now.
New York: Simon & Schuster, 1981.

Harrison, Hank.
The Dead.
Millbrae, Calif.: Celestial Arts, 1980.

———.
The Dead Book.
New York: Links Books, 1973.

Hart, Mickey, and Fredric Lieberman, with D. A. Sonneborn.
Planet Drum.
San Francisco: HarperSan Francisco, 1991.

Hart, Mickey, with Jay Stevens. Drumming at the Edge of Magic. San Francisco: HarperSan Francisco, 1990.

Helm, Levon, and Stephen Davis. This Wheel’s on Fire. New York: William Morrow, 1993.

Henderson, David. Jimi Hendrix: Voodoo Child of the Aquarian Age. Garden City, N.Y.: Doubleday, 1978.

Hennesey, Mike.
Klook: The Story of Kenny Clarke.
Pittsburgh: University of Pittsburgh Press, 1990.

Hill, Sam, and Glenn Rifkin. Radical Marketing. New York: HarperBusiness, 1999.

Hills, Tim. “Crystal Ballroom History.” Unpublished MS, 1996.

Hirsh, Diana.
The World of Turner 1775–1851.
New York: Time-Life Books, 1969.

Hoffman, Abbie.
Woodstock Nation.
New York: Time-Life Books, 1969.

Hofmann, Albert. LSD: My Problem Child. Los Angeles: J. P. Tarcher, 1983.

Hopkins, Jerry.
Hit and Run.
New York: Perigee, 1983.

Hopkins, Jerry, and Danny Sugerman.
No One Here Gets Out Alive.
New York: Warner Books, 1980.

Hoskyns, Barney.
Beneath the Diamond Sky.
London: Bloomsbury Publishing, 1997.

Hunter, Robert.
A Box of Rain.
New York: Viking Press, 1990.

———.
Glass Lunch.
New York: Penguin Poets, 1997.

———.
Night Cadre.
New York: Viking, 1991.

———.
The Silver Snarling Trumpet
. Unpublished MS.

———.
A Strange Music.
Unpublished MS, draft #3, 3/4/91.

Jackson, Phil, and Hugh Delehanty.
Sacred Hoops.
New York: Hyperion, 1995.

Jeffers, Robinson.
Selected Poems.
New York: Vintage Books, 1964.

Je ferson Airplane Scrapbooks.
San Francisco: The Airplane House, 1965–1980.

Jones, Leroi.
Black Music.
New York: William Morrow, 1968.

———.
Blues People.
New York: William Morrow, 1963.

Joseph, Peter.
Good Times.
New York: Charterhouse, 1976.

Kael, Pauline.
Reeling.
New York: Warner Books, 1976.

Kandel, Lenore.
Word Alchemy.
New York: Grove Press, 1967.

Karman, James.
Robinson Je fers: Poet of California.
Brownsville, Ore.: Story Line Press, 1995.

Katzman, Allen.
Our Time.
EVO interviews. New York: Dial Press, 1972.

Kearns, Doris.
Lyndon Johnson and the American Dream.
New York: Signet, 1976.

Kelly, Linda.
Deadheads.
New York: Citadel Press, 1995.

Kesey, Ken.
Demon Box.
New York: Viking, 1986.

———.
The Further Inquiry.
New York: Viking/Penguin, 1990.

———.
Garage Sale.
New York: Viking, 1973.

———.
One Flew over the Cuckoo’s Nest.
New York: Viking, 1962.

———.
Sometimes A Great Notion.
New York: Bantam Books, 1963.

Kleps, Art.
Millbrook.
Oakland, Calif.: Bench Press, 1975.

Knight, Curtis.
Jimi.
New York: Praeger, 1974.

Koller, James.
Like It Was.
Noblesboro, Maine: Blackberry Books, 1999.

Other books

Red Right Hand by Chris Holm
The War Within by Yolanda Wallace
Appleby Plays Chicken by Michael Innes
The Maze by Will Hobbs
The Broken Universe by Melko, Paul
In Cold Blood by Anne Rooney
More Than a Billionaire by Christina Tetreault