A Song Called Youth (37 page)

Read A Song Called Youth Online

Authors: John Shirley

Tags: #Action & Adventure, #General, #Science Fiction, #CyberPunk, #Military, #Fiction

BOOK: A Song Called Youth
9.36Mb size Format: txt, pdf, ePub

Claire looked at the leaking suits, the bodies, then at her father. “So let’s go
now,
dammit!” She wanted more than anything to get away from there.

As they went down the hall—her father in his absurd shorts and sandals and bathrobe, Molt in a grimy technicki jumpsuit, she in her Admin jumpsuit—Claire knew that she wanted to go farther than simply away from this end of the Colony.

She wanted off, and down. To Earth.

• 16 •

The message encoder worked like this: Swenson sent a e-message from the SAISC administration to Purchase at Worldtalk.

It was a non-classified message re the acquisition of Worldtalk by the SA Corporation. The message was relayed in groups of signals, each group of signals representing a group of letters. The interval between the transmission of a group of letters was supposed to be uniform. But certain groups of letters arrived fractions of a microsecond later than they should have; a half-microsecond late corresponded with a certain word; one-tenth of a microsecond later corresponded with a certain letter; one-eleventh with another letter, and so forth. Purchase—having reception software equipped to listen for the encoded delays—received first the ostensible message; then—after securing his comm line—he told his console to listen for the delays, make the letter and word correspondences, and print out the decoded message. The message from the SA Second Circle to SA-initiate Purchase read:

Joseph Bonham, political liaison apprentice, arriving on treatied Russian exchange ship from Colony, transfer to SA shuttle orbit, L2, 2-10/0800 EST, arrival New Brooklyn seaport 01100 EST. Meet with double Security, supervise transfer of Bonham to Detention Unit Three for extraction and implantation.

There was a third message hidden within the second. After the second message was decoded, it was transmitted from the computer to the printout mechanism; another decoding unit in the printout mechanism—a unit known only to the NR—heard another set of fractional delays in the transmission of the group of signals, a kind of meaningful computer stuttering, and translated them into the third message, which it printed out after the second.

In the message from Swenson, the SA Second Circle operative to Purchase, the SA Second Circle operative, was a message from Stisky/Swenson, the New Resistance agent, to Purchase, the New Resistance agent.

The message read:

They are prepping me to give Senate testimony against reform of the Antiviolence Laws. Have asked me to stay on at Cloudy Peak. I cannot manage it much longer. Psychological pressure too great. Give me orders or get me out. They are trying to obtain memory extraction experts. They also plan to provide DoD with new submarine silencing techniques in exchange for covert federal backing of SA projects. Tell me what to do, let me do it, and get me out, repeat, get me out. They are going to hold a Service soon.

Purchase read the printout twice. On the outside, he looked like a businessman who was annoyed by a sudden burden of extra work. Inside Purchase, bridges were buckling, guy wires snapping, ceilings falling in.

He glanced abstractedly at his office door, as if simply letting his eyes wander. But looking to see if anyone was in the hall.

No one.

He got up and closed the door. He transferred the message to a high-priority garbled transmission unit, rerouted it through a coded modem—which he had to take from its hiding place in his closet and interface with his system—and relayed the message to Steinfeld, via Joseph Bensimon, the NR contact at the Israeli Embassy. Bensimon would relay the message to the Israeli Secret Service, the Mossad, who, if they could get through the various static blocks, would send it via satellite to Steinfeld.

There was another
if
: if Steinfeld was still in the Mossad’s good graces. The Israelis had had a generation of peace, after the Arab Spring and the Cairo 13 Treaty; Jordan, Kuwait, Egypt, Lebanon, the Saudis, Iran. and the State of Palestine signed the treaty, after Israel signed a pledge to accept a Palestinian state and after it ceased building new settlements. (Iran had come into the fold when the regime of the Ayatollahs had fallen to reformists.) Israel was neutral in the US/Russian confrontation, even when the war moved into the Middle East, as the Russians tried to capture oil fields in the few Arab nations aligned with the West. So far, the Russians had left Israel out of it. Israel’s frontiers were massively defended. The Knesset had gone from pugnacity to moderation, and Steinfeld was regarded by some Israelis as a firebrand, a fanatic who saw Nazis under every bed.

But Purchase sent the message, after which he detached the special external modem unit and packed it into a Styrofoam-and-cardboard container in his closet, so it looked like an ordinary extra kept in case of a breakdown.

Then he sat at his desk, drinking cold coffee from a plastic cup. There was a hairline crack in the cup; coffee leaked through in beads to run down onto his hand. He stared at it, thinking,
By the time we get advice from Steinfeld it’ll be too late.

He sighed. Stisky had been his project. His enthusiasm. Witcher had said, “The guy’s almost too good to be true.” And Witcher had been right. Stisky/Swenson had sat in on the last planning session with Steinfeld, before they’d placed him in the SA’s Second Circle. That had been a mistake.

Stisky knew some things. He knew too many names.

And they had a memory extraction man now. They would do a routine extraction on everyone, and if they asked Stisky/Swenson’s memory center the right questions, they’d know about Purchase, and they’d know where Steinfeld was.

Swenson
was your idea, he thought.
Take responsibility.

He turned to the console and told the computer he wanted to send a message to Cloudy Peak Farm.

Rickenharp was trying to understand. Some of the talk at the conference table was in French, some in English, some in Dutch. He’d made out that the French resented meetings carried on in English, but Jenkins had pointed out that at least half the “active” members of the Paris NR—active meaning those prepared to take up arms at any time—were English speaking, and they translated everything. Then the French guy—actually an Algerian immigrant—had complained that this Steinfeld was recruiting all the wrong people and perhaps they should replace Steinfeld with a Frenchman.

But when Steinfeld came in, sitting in the empty chair at the head of the table, the French guy shut up, just like that.

Everyone shut up. They were like children fighting till the teacher came back into the room.

And it was a schoolroom, the teacher’s conference room of the old
école,
with its cracked plaster walls and the oily warmth from its furnace. The school was receiving its electricity ration today and they had electric light, for now; old, humming, tubular fluorescent lights. The room—half its original size—was without windows; the windows had been covered by a false wall, to deceive the spy birds. Two guards stood at the two doors at either end of the room. Each with an old Uzi slung over his shoulder. The actives at the table were armed only with whatever they could carry without showing it. It was considered cloddish to display your guns, except in an actual firefight. But the bigger guns were nearby, under the coatrack, in a case, and loaded.

There were fourteen people around the long, gray-painted metal table, sitting in rickety plastic chairs, daydreaming about coffee. Four women, ten men.

So this is the Paris resistance. Kind of pitiful, really. Does that make it more heroic?

Song lyric in there somewhere . . . 

Smoke sat on Steinfeld’s right, Yukio on his left. Hard-Eyes sat beside Rickenharp, Jenkins on the far side, both of them silent and bored. Yukio and Willow sat across the table from Rickenharp.

Carmen was there, sitting beside the doctor at the corner. She had insisted. Rickenharp stole glances at her. Her complexion was gray, but there was no droop in her posture. She’d changed her look, Rickenharp thought. And then he realized that what she was wearing wasn’t a “look.” She was wearing fatigues and a flak jacket because she meant to fight, and she wanted everyone to know it. She hadn’t said anything to Rickenharp since she’d regained consciousness. He’d tried to apologize, of course. (Thinking: How do you
apologize
to someone for putting bullet holes in their chest?) She’d acted as if she hadn’t heard. There was no angry chill about it. It was as if she’d made up her mind that he didn’t exist.

I’m an embarrassment to her,
Rickenharp thought.

Somewhere in Italy—somewhere inside him—he’d made up his mind to get the hell back to the States or Freezone at the first opportunity. He’d played at being one of the guerrillas, almost believed it, especially when he’d pictured telling the band about it. But he’d had no real intention of going
through
with it. Not after that ride in the boat.

And then the gun. The feeling it was an instrument he wanted to learn to play. And then—

He squeezed his eyes shut, but the image came. Carmen falling back, those little neat round holes punched into her . . . 

But now it was different. Now he
wanted
to be NR. It was as if he’d been slapped awake. Sitting there with his eyes shut, he thought:
Until I shot her, I was asleep, sleepwalking through ego games.

The rest of the world had been unreal, except in the way it reacted to him; the way women reacted, or an audience. But now it was as if he’d been slapped—

“And who’s this? Is he asleep?” Steinfeld’s voice, and suddenly Rickenharp knew Steinfeld was talking about him.

Rickenharp opened his eyes and looked down the table. Everyone was looking back at him, except Carmen.

“I’m not asleep,” Rickenharp said.

“This building is no longer a school, in the traditional sense. So don’t sleep in it,” Steinfeld said. His voice was mordant. Some of them laughed, and Rickenharp realized it was a joke.

Steinfeld, though, was not laughing. He was waiting.

“I’m Richard Rickenharp,” he said. It felt clumsy in his mouth.

“I’m sponsoring him,” Hard-Eyes said.

Carmen looked at Hard-Eyes, annoyed, and Rickenharp had to smile.

“Me too,” Jenkins said. “I’m, uh, sponsoring him too.”

Steinfeld tugged at his own beard, hard, as if wondering if it was a fake. “But isn’t this the young man who—?” He looked at Carmen.

Oh, God,
Rickenharp thought.

But Rickenharp cleared his throat (Thinking,
For God’s sake, don’t let your voice quaver!
) and said, “I’m the guy who shot her. I take responsibility. I shouldn’t have insisted on having a gun when I didn’t know how to use it . . . ”

“I’m not at all sure it’s your responsibility,” Steinfeld said, surprising only Rickenharp.

Carmen was looking at her hands folded on the table. She nodded. “It was my fault. I should never have given it to him. I knew he didn’t know how to use it. And it wasn’t an emergency.”

Steinfeld nodded. “Still—if he’s to be an active . . . ” He shrugged.

“We’ve put in ten days target practice in the catacombs,” Hard-Eyes said. “Rickenharp’s working hard. He won’t make the same mistake.”

The catacombs. Rickenharp seemed almost to hear the echoes of the gunshots ringing off the curved stone walls.
Smelling the wet mineral smell of the place, the underscent of sewage, then the smell of gunpowder. Seeing the cold gray stone reach of the subterranean target-practice room, with its woebegone, ravaged wooden silhouettes. Feeling the gun cold in his stiff hands, then feeling it grow warm with its compressed internal explosions. Hearing the hail-clatter of spent shells hitting the floor. Visualizing a guitar but holding the machine gun and fighting the urge to—

“He’s learned fast. He can take the weapons apart and put them back together. He’s accurate. He’s careful. We work on hand-to-hand; Jenkins teaches him field communications. He works hard.”

—the urge to laugh.

“Mr. Rickenharp is a . . . performer, right?” Steinfeld said. “And we are not performing here.”

“I know that.” Rickenharp began. “I—”

“Are you trying to make up for shooting Carmen by working hard to be one of us?”

Rickenharp sensed that Steinfeld considered that kind of motivation insufficient. But he also sensed Steinfeld would know it if he lied. “Partly. But—” He reached for words and couldn’t find them, but plunged into trying to explain anyway. “It’s
more.
Everything’s different when you—well . . . it’s like you’re . . . like that Poe story where the guy is tied to a table and there are rats all around him. But in my version, it’s like the guy was asleep, and there was someone there trying to untie him and save him from the rats, and a rat bites the guy who’s tied up, so . . . uh, when he wakes from the pain, he strikes out and accidentally hurts the guy trying to untie him and then he realizes what he’s done so he wants to kill the rats but it’s also because it made him realize, you know, something he never realized before:
the rats are all around him
—”

“Oh, for God’s sake, stop babbling!” Carmen said, very definitely looking at him now—looking two round neat bullet holes into him.

But Steinfeld was shaking, silently shaking, and after a confused moment Rickenharp realized he was laughing.

“Well—” Steinfeld tried to speak but the laughter made it impossible. He had to wheeze for a moment. Then he tugged on his beard and, with an effort, stopped laughing, and shook his head, his face red. “Well, that’s a wonderfully, uh, baroque explanation, my friend; and the frightening thing is I know just what you mean!”

Some of the others were laughing now, the English-speaking ones. The French speakers looked confused.

Carmen permitted a smile to lift a corner of her mouth, for just a moment.

Rickenharp saw her as she’d been at the club, bare-breasted and spike-crowned. He wanted her, and he knew that, now, he’d never make the move. Having made a small
faux pas.
Having
shot
her.

Other books

Veiled Innocence by Ella Frank
Risky Shot by Kathleen Brooks
Courtesan's Lover by Gabrielle Kimm
Secrets by Robin Jones Gunn
Frankenkids by Annie Graves