A Song for Issy Bradley (12 page)

There’s another sniggery ripple and Martin Hayes takes the opportunity to poke Chloe Ward in the butt with his pencil. When Chloe whips around to snatch the pencil, Zippy accidentally looks up, and then she can’t look away.

The frog is gray and stiff and its skin is tight and shiny.

“Right, I’m going to make the cut. Here we go.”

The scissors make a rubbery sound as they cut the frog open.

“Now I’m going to make two side cuts at the top, and two at the bottom.”

Mr. McLean cuts across the torso near the front legs and then the hind legs. He picks up the tweezers and pulls the flaps back. The frog is suddenly very human and Zippy’s stomach scrunches—it looks like a little old man, like Jeremy Fisher in a waistcoat of skin.

“I’m going to pin the skin, like this, and this. And now I’ll cut the muscle. See all the blood vessels here?”

The cutting sound is louder this time. Zippy watches as the scissors
slice the tissue. She breathes slowly. The frog’s spirit has left its body, it can’t feel anything. But it looks so pitiful pinned to the tray with its insides out.
Breathe in and breathe out. Keep breathing
. Zippy drags her gaze back down to the workbench. The wood is stripy, flecked with imperfections and scratches. She tries to think about the wood and when that isn’t enough she looks at the tiny hairs on Chloe Ward’s tangerine arms, but it’s no good, the dam breaks and all she can think about is Issy.

W
HEN
D
AD ASKED
her to go to the funeral directors’ with Mum, Zippy said no, but he wouldn’t leave it, he wanted to know why.

“I just don’t want to.”

“That’s not a good reason. Why don’t you do it for Mum?”

“Can’t someone else?”

“She doesn’t want anyone else there.”

“Why?”

“I don’t know—she doesn’t want anyone except family.”

“I’ve never seen a dead person before. It’d be like a horror film.”

“When’ve you ever watched a horror film?”

“Why don’t
you
go?”

“Well, women usually dress women and men dress men. It doesn’t say anything about children, still … I thought Sister Stevens could help, but Mum said no. It’d be a nice thing for you and Mum to do it together.”

“I don’t want women doing stuff to my body when I die. My husband can do it.”

“Don’t be silly, you won’t mind, you’ll be dead.”

“And I don’t want to see Issy.”

“It’s just Issy’s body, she isn’t there anymore.”

“I know. That’s why I don’t want to see her.”

“It’s just an empty shell. There’s nothing to worry about. There’s nothing scary about your sister’s body.”

“But I don’t—”

“OK, OK. It’s fine. Don’t worry about it.”

“I would, Dad,” she said, trying to be generous in victory, “it’s just—”

“No, it’s not a problem. Don’t worry. I’ll sort something else out.”

Dad picked the
Church Handbook
off the bookcase and started thumbing through the pages, his lips moving as he read stuff in his head. “I suppose I
could
go with your mum.”

“That’s a good idea,” she said.

“I just thought that she might prefer it if you …”

His words dangled like a fishhook. Zippy pretended to examine her thumbnail and then scratched a pretend itch on her arm.

“Your mum’s very upset.” Dad sighed and flicked through more pages of the
Handbook
. “When Jesus died his friends went to the tomb to prepare his body for burial. Of course, when they got there, it was empty, but I think their intentions were clear. And I’ve always thought it was such a kind thing to do.”

“I’ve never thought about it.”

“I think it’s what a true friend would do.”

“Yeah, maybe.”

“I imagine Jesus was extremely grateful.”

“Yeah.”

“ ‘Inasmuch as ye have done it unto the least of these my brethren, ye have done it unto me.’ ”

Dad didn’t say anything else. He just put the
Handbook
back on the bookcase and left the room. But his meaning was quite clear. If she didn’t go with Mum, she wouldn’t be a true friend to Issy, and she would have to live with her unkindness forever.

T
HE FRONT BIT
of the funeral directors’ was like an office. A woman sat behind a desk wearing a suit and typing on a keyboard as if she was just doing an ordinary job in a building that wasn’t full of dead people.

“Please sit down while I get things ready,” she said. Then she picked up a phone and said, “The Bradleys are here.” She didn’t get anything ready. She just carried on typing with her clicky nails.

Mum sat down on the edge of a chair. She had a big shopping bag, which she put on her lap.

“What’s in the bag?”

Mum opened it wide so Zippy could see inside: a little pile of clothes, a pair of shoes, Issy’s patchwork blanket, the CD player from the kitchen, and several CD cases.

“We’re going to have music?”

“Some people like it.”

“You’ve done it before?”

“A few times. But the sisters were all old.”

“Do nonmembers do it?”

“Dress the dead? I don’t know. I don’t think so. It’s mostly to do with Temple clothes I think, with not letting nonmembers see them. And it’s a last act of service for the person who’s died. I’m sure you don’t think about dying, I didn’t when I was your age, but if you just try to imagine it, it’s nice to think that when you die people who love you, not strangers, will take care of your body.”

Zippy glanced at Mum’s body. It was a bit baggy, slightly droopy in places, and she knew she never wanted to see it naked or look after it when it was dead. She gestured at the woman who was staring at her computer screen as her fingers went clickety-click, click.

“Why can’t
she
just do it? Isn’t it part of her job?”

Mum looked at the woman too. The woman’s nails were long and straight with sharp edges and painted with sparkly purple polish.

“I wouldn’t want her touching Issy.”

They didn’t say anything else to each other for a bit and Zippy started to feel fidgety and awkward. Eventually Mum said, “Did you have a nice day?”

Zippy pulled the sleeves of her school sweater over her hands
before sitting on them. Her day had been all right. She was beginning to get used to the pitying looks and the barely concealed curiosity.

A door opened and a man in a suit stepped into the reception area. He had a swirl of white hair that curled around his head like a Mr. Whippy ice cream. He looked very serious, his hands were clasped, and he did a funny little bow.

“If you’d like to come through now,” he said.

Mum sprang off her chair and Zippy followed. On the other side of the door, things were different. There was a long, green-carpeted corridor flanked by gold curtains that were pulled across partitioned segments, like a posh changing room. Zippy wondered whether there were dead people in all of the cubicles or if they kept them in a big fridge somewhere and just wheeled them out when their relatives came to visit. The man stopped by one of the curtains and did the funny bow again. Then he pulled it back a little and extended one arm. Mum stepped in first. Zippy hesitated but the man bowed and gestured again, so she followed Mum into the little cubicle.

There wasn’t a window. The walls were painted yellow and decorated with a couple of old-fashioned pictures of angels in thick golden frames. The angels had wings, which made Zippy feel annoyed—angels are resurrected humans and humans don’t have wings. A tablelike stand leaned against the right wall. It was covered in a long white cloth and Issy’s coffin lay on top of it. The coffin didn’t have a lid, which surprised Zippy because she’d imagined that it would be propped open, like in
Dracula
. The funeral directors had covered Issy with a white blanket, and from her position by the curtain Zippy couldn’t see anything except the spread of Issy’s hair, which made her knees wobble. She looked at the yellow walls and the green carpet and the shopping bag in Mum’s hand instead.

“Take as long as you wish,” the man said to Mum. Then he bowed one last time, closed the curtain, and disappeared.

“I’
M GOING TO
remove the stomach now,” Mr. McLean announces. He pokes around the frog’s insides with the tweezers and scissors. When he pulls the stomach out, he holds it up like a prize. It’s prawny, a sort of tiny fetus, and a tube attached to its end curls like a little tail.

“Look at
this
, everyone.”

People laugh. A couple of the lads say daft things like, “Whoa, nice stomach,” and a girl giggles and says, “I’m not looking, sir, I can’t look.”

Zippy doesn’t want to look either, but she can’t help it. Mr. McLean’s tweezers remind her of chopsticks and the stomach dangles from them like something meaty from a tub of fried rice. Her own stomach clenches and she runs a hand across her forehead to check for sweat. It’s moist and cool and she pulls the sleeve of her school sweater down past her fingers before making a second wipe. She shouldn’t have spent so long on the Internet last night; she knew she’d regret it later, but she hadn’t been able to stop herself.

When they got back from the funeral directors’, she wanted to know exactly what had happened to Issy. There’d been no point in asking Dad, he’d have only said, “What do you need to know that for?” and she couldn’t bring herself to ask Mum, so she asked Wiki instead. The brain in the autopsy picture appeared to be wearing a polo neck of skin. She learned that the skin is cut along the crown and rolled back over the face. She tried to imagine Issy with her scalp inside out, and couldn’t. She read that a cut is made from the middle of the neck to the pubic bone. The major blood vessels are sliced open and inspected, and the chest cavity is emptied of organs, which are then weighed, bagged, and, once the cavity has been lined with cotton, placed back inside, in a big jumble. When she’d finished reading, she turned off the computer, trudged upstairs, and cried herself to sleep.

“Ready for a testicle?” Mr. McLean asks.

The boys groan in unison and Mr. McLean gives a sympathetic
laugh. He rummages in the frog’s torso for a moment and retrieves a bright orange thing about the size of a baked bean.

“There you go,” he says. “Have a good look at that.”

He leans across his desk and presents the testicle for the students in the front row to inspect. Zippy wipes her forehead again and breathes deeply and slowly.

M
UM PUT THE
bag on the floor and lifted the CD player out. She opened a case and crouched to place the disc in the player. She selected “Dearest Children, God Is Near You.” Then she stood up and held out her hand.

Zippy’s feet felt like they were stuck to the green carpet and she couldn’t move for a moment, but then she took a step, and another, and another until she was standing next to Mum. She felt raw and shivery. She didn’t want to touch Mum, but it seemed mean not to and so she held Mum’s dry hand and they stood side by side for a little while, not saying anything. Zippy stared at Issy’s face; she didn’t look peaceful and she didn’t look asleep. She looked like a badly made model of herself, empty of all her Issy-ness. She looked really dead.

“Right. OK.” Mum unfastened their hands and took a deep breath, as if she were getting ready to start a race, or dive off a high board. “Let’s get rid of the blanket and then we can get her dressed.”

Mum’s fingers trembled as she lifted the blanket. Zippy thought about suggesting that they go home and let the funeral people do it instead, but she knew Mum would say no.

Issy was wearing her Cinderella nightie.

“I brought her undershirt and knickers over earlier, while you were at school, and I asked if they’d put them on her,” Mum said. “So don’t worry, we don’t have to see where they did the … you know.” She folded the funeral directors’ blanket in half and in half again, then placed it on the floor.

“Right, I’m going to get her nightie off.” She bent down, rummaged in the bag, and pulled out a pair of scissors.

“You mean you’re going to cut it off with the
kitchen scissors?”

“I can’t get it off by myself. And I think you’re going to struggle to help, aren’t you?”

Zippy nodded.

“That’s why I brought the scissors.”

When Mum started cutting the nightie, Zippy stepped back toward the curtain so she didn’t have to watch. A new hymn started, “Lead Kindly Light,” one of her favorites, a hymn full of lovely words like “encircling” and “garish.”

“You like this one, don’t you?” Mum said as she put the scissors on the floor next to the white blanket. “Why don’t you sing along? Issy would like that.”

Zippy didn’t feel as if she had much choice; she had to do something. While she sang, she watched Mum lift Issy’s arms and pull the nightie away. Everything was OK until the last lines of the hymn; when she sang about the smiling angel faces, her voice went all wobbly, and by the time she reached the bit about being
“lost a while,”
she was crying properly—noisy sobs that bounced off her diaphragm and bumped against the yellow walls and curtains. Within moments, Mum was doing it too and Zippy hoped that the man with the swirly hair and the woman with the clicky nails couldn’t hear them.