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Authors: Yiyun Li

Tags: #Short Stories (Single Author), #Fiction

A Thousand Years of Good Prayers: Stories (6 page)

BOOK: A Thousand Years of Good Prayers: Stories
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The boy is trying to sneak a sparrow into his sleeve when a bigger boy snatches his hand. “He is stealing the property of the People,” the big boy shouts to the town.

“My mom is sick. She needs to eat something,” the boy says.

“Hey, boy, what your mom needs is not this kind of bird,” a man says, and we roar with laughter. The buns in our stomachs and the sparrows in the baskets have put us in a good mood.

The boy stares at the man for a moment and smacks into him with his head.

“Son of a bitch,” the man says, bending over and covering his crotch with his hands.

“Beat the little counterrevolutionary,” someone says, and we swarm toward the boy with fists and feet. The famine has made us angrier each day, and we are relieved to have found someone to vent our nameless rage.

The mother rushes into the crowd and tries to push us away. Her presence makes us hit the boy even harder. Some of us pick up bricks and boulders, ready to knock him out. Some of us bare our teeth, ready to eat him alive.

“You all look at his face. Whoever dares to touch him one more time, I’ll sue him for his disrespect for our greatest leader,” the mother yells, charging at us like a crazy woman.

Our bodies freeze. We look at the boy’s face. Even with his swollen face and black eyes, we have no problem telling that he has the face of the dictator, young and rebellious, just as in the illustrations in the books about the dictator’s heroic childhood. The boy stands up and limps to his mother. We look at his face in awe, not daring to move when he spits bloody phlegm at our feet.

“Remember this face,” the boy says. “You will have to pay for this one day.” He picks up a couple of sparrows and walks away with his mother. We watch them supporting each other like husband and wife.

FOR YEARS WE do not know if it is a blessing or a disaster that a boy with the dictator’s face lives among us. We treat the boy and his mother as the most precious and fragile treasure we have, never breathing one word about them to an outsider.

“It may not be a good thing,” our old people warn us, and tell us the story of one of our Great Papas, who happened to have the same nickname as the emperor and was thrown into a well to drown. “There are things that are not allowed to exist in duplicates,” the old people say.

Yet none of us dares to say one disrespectful word about the boy’s face. As he grows older, he looks more and more like the dictator. Sometimes as we walk past him in the street, there is a surge of warmth in our chests, as if the dictator himself were with us. This is the time when the dictator becomes larger than the universe in our nation. Illiterate housewives who have used old newspapers as wallpaper and who have, accidentally, reversed the titles with the dictator’s name in them are executed. Parents of little first-graders who have misspelled the dictator’s name are sent to labor camps. With the boy living among us, we are constantly walking on a thin layer of ice above deep water. We worry about not paying enough respect to the face, an indication of our hidden hatred of the dictator. We worry about respecting that face too much, which could be interpreted as our inability to tell the false from the true, worshipping the wrong idol. In our school the teachers never speak one harsh word to him. Whatever games the students play, the side without him is willing to lose. When he graduates from the high school, the Revolution Committee has meetings for weeks to discuss what is an appropriate job for a young man with a face like his. None of the jobs we have in town is safe enough to be given to him. Finally we think we have come up with the best solution to the problem—we elect him as the director of the advisory board to the Revolution Committee.

The young man prospers. Having nothing to do, and not liking to kill his time over cups of tea with the old board members, he walks around town every day, talking to people who are flattered by his greetings, and watching the female sales assistants in the department store blush at his sight. His mother is in much better shape now, with more color in her face. The only inconvenience is that no girl will date the young man. We have warned our daughters that marrying him would either be the greatest fortune or the greatest misfortune. Born into a town where gambling is genuinely disapproved of, none of us wants to marry a daughter off to a man like him.

THE DAY THE dictator dies, we gather at the town center and cry like orphans. On the only television set our town owns, we watch the whole nation howling with us. For three months we wear black mourning armbands to work and to sleep. All entertainments are banned for six months. Even a year or two after his death, we still look sideways at those women who are growing bellies, knowing that they have been insincere in their mourning. Fathers of those children never receive respect from us again.

It is a difficult time for the young man. Upon seeing his face, some of us break into uncontrollable wails, and he himself has to spend hours crying with us. It must have tired him. For a year he stays in his own room, and the next time we see him, walking toward the town center with a small suitcase, he looks much older than his age of twenty-eight.

“Is there anything wrong?” we greet him with concern. “Don’t let too much grief drag you down.”

“Thank you, but I am in a fine state,” the young man replies.

“Are you leaving for somewhere?”

“Yes, I am leaving.”

“Where to?” We feel a pang of panic. Losing him at this time seems as unbearable as losing the dictator one year ago.

“It’s a political assignment,” the young man says with a mysterious smile. “Classified.”

Only after he is driven away in a well-curtained luxury car (the only car most of us have ever seen in our lives) do we catch the news that he is going to the capital for an audition as the dictator’s impersonator. It takes us days of discussion among ourselves to figure out what words like “audition” and “impersonator” mean. In the end the only agreement we come to is that he is going to become a great man.

Now that he has disappeared from our sights, his mother becomes the only source for stories of him. A proud mother as she is, every time we inquire of her regarding his whereabouts, she repeats the story of how she gazed at the late dictator’s face day and night when her son was growing inside her. “You know, it’s like he is the son of our great leader,” she says.

“Yes, all of us are sons of our great leader,” we nod and say. “But surely he is the best son.”

The mother sighs with great satisfaction. She remembers how in the first few years after her son was born, women of her age produced baby after baby, putting framed certificates of mother heroes on their walls and walking past her with their eyes turning to the sky. Let time prove who is the real hero, she would think and smile to herself.

Then she tells us about her son, every bit of information opening a new door to the world. He rode in the first-class car in a train to the capital, where he and other candidates have settled down in a luxury hotel, and are taken to the dictator’s memorial museum every day, studying for the competition.

“Are there other candidates?” we gasp, shocked that she may not be the only woman to have studied the dictator’s face during pregnancy.

“I am sure he is the one they want,” the mother says. “He says he has total confidence, when he looks at the leader’s face, that he is going to be the chosen one.”

In the years to come, some among us will have the chance to go to the capital and wait in a long line for hours to take a look at the dictator’s face. After his death, a memorial museum was built in the center of our nation’s capital, and the dictator’s body is kept there in a crystal coffin.
Let
our great leader live for ten thousand years in the hearts of a
hundred generations
is what the designer has carved into the entrance of the museum. Inside the entrance we will pay a substantial fee for a white paper flower to be placed at the foot of the crystal coffin, among a sea of white flowers. For a brief moment, some of us will wonder whether the flowers are collected from the base and resold the next day, but instantly we will feel ashamed of ourselves for thinking such impure thoughts in the most sacred place in the world. With the flowers in hand we will walk into the heart of the memorial, in a single hushed file, and we will see the dictator, lying in the transparent coffin, covered by a huge red flag decorated with golden stars, his eyes closed as if in sleep, his mouth in a smile. We will be so impressed with this great man’s body that we will ignore the unnatural red color in his cheeks, and his swollen neck as thick as his head.

Our young man must have walked the same route and looked at his face with the same reverence. What else has passed through his heart that does not occur to us? we will wonder.

He must have felt closer to the great man than any one of us. He has the right to feel so, chosen among tens of candidates as the dictator’s impersonator. How he beat his rivals his mother never tells us in detail, just saying that he was born for the role. Only much later do we hear the story: our young man and the other candidates spend days in training, and those who are too short or too weak-built for the dictator’s stature (even they, too, have the dictator’s face) are eliminated in the first round, followed by those who cannot master the dictator’s accent. Then there are the candidates who have everything except a clean personal history, like those born to the landlord class. Thanks to the Revolution Committee in our town, which has concealed the history of our young man being the son of an executed counterrevolutionary, he makes it into the final round with three other men. On the final day, when asked to do an improvised performance, the other three candidates all choose to quote the dictator announcing the birth of our communist nation (which is, as you remember, also the beginning of our young man’s own journey), while he, for reasons unknown, says, “
A
man cannot conceal his reactionary nature forever, just as a
widow cannot hide her desire to be fucked.

For a moment, he is horrified by his blunder, and feels the same shame and anger he once felt as a dead sparrow turned cold between his fingers. To his surprise, he is chosen, the reason being that he has caught the essence of the dictator, while the other three only got the rough shape. The three of them are sent with the rest of the candidates for plastic surgery, for, as our old men have said, there are things that are not allowed to exist in duplicate.

OUR YOUNG MAN becomes the sole face that represents the dictator in the nation, and thus start the most glorious years of his life. Movies about the dictator, starring our young man, are filmed by the government-run movie factories. Back in town, we cram into our only theater and watch the movies, secretly blaming our mothers or wives for not having given birth to a great face.

The marriage of the young man becomes our biggest concern. He is over thirty now, an age generally considered indecent for our young daughters. But who will care about the age of a great man? The old-style ones among us hire matchmakers for our daughters, and send with them expensive gifts to his mother. Others, more modern and aggressive, knock on his mother’s door with blushing daughters trailing behind. Dazed by the choices, his mother goes to the town center and makes long-distance calls to him every other day, reporting yet another suitable candidate. But he is no longer a man of our town. He has been flying all over the nation for celebrations and movies; he has seen more attractive women than our town can provide. Through his apologetic mother, he rejects all of our offers. Accepting that our town is too shallow a basin to contain a real dragon, most of us give up and marry our daughters off to local young men. Yet some among us cling to the nonexistent hope, waiting for the day when he will realize the incomparable beauty and virtue of our daughters. For a number of years, scores of girls in our town are kept untouched by their parents. Too much looking forward makes their necks grow longer each year. It is not an unfamiliar sight to see a girl with a crane-like neck walk past us in the street, guarded by her parents, who have grown to resemble giraffes.

The young man is too occupied with his new role to know such stories. He appears in the national celebrations for all the holidays. His most loyal audience, we sit all night long in front of the television and wait for his appearance. On the screen, men and women sing and dance with hearty smiles on their faces like well-trained kindergarteners. Children four or five years old flirt with one another, singing love songs like joyful parrots. At such moments, those of us who think a little more than others start to feel uneasy, haunted by a strange fear that our people are growing down, instead of growing up. But the worry vanishes when our young man, the dictator’s impersonator, shows up. People on the screen stand up in ovation and hold out their hands to be shaken. Young women with the prettiest faces rush to him with bouquets of flowers. Kids swarm around him and call him by the name of the dictator. Nostalgic tears fill everyone’s eyes. For a moment we believe time has stopped. The dictator is still alive among us, and we are happily living as his sons.

BUT TIME HAS sneaked by while we were mesmerized by our young man’s face. Now we have Sony and Panasonic; we have Procter & Gamble, Johnson & Johnson. We have imported movies in which men and women hold hands freely in the street, and they even kiss each other without a trace of fear in their eyes. Our life, we realize, is not as happy as we have been taught to think. People in those capitalist countries are not waiting for us to be their liberators. They never know of our love for them.

This must be a difficult period for our young man as well. Biographies and memoirs about the dictator appear overnight like spring grass. Unlike the books written collectively by the government-assigned writing groups, these books spell trouble the moment they appear. Soon they are decided to be illegal publications, and are confiscated and burned in great piles. Yet some of the words have spread out, bad words about the dictator. Mouth to mouth the rumors travel, how under his reign fifty million people have died from famine and political persecution. But if you looked at the number closely, you would realize it is far less than what the dictator was once willing to sacrifice to American nuclear bombs. So what is all the fuss about?

BOOK: A Thousand Years of Good Prayers: Stories
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