Authors: Blake Bailey
Wolfe, Don M.
Wolfe, Thomas
Wolfe, Tom
Wolitzer, Hilma
Wolper, David
women
Yates's attitude toward
Yates's attractiveness to
Wood, Natalie
The World on Fire
(film project)
World War II
Yates's experiences in
Woskoff, Dan
“A Wrestler with Sharks”
characters and plot
Wright, Ernest Bicknell
Yaddo colony
Yale Review
Yale University
Yardley, Jonathan
Yates, Gina (Yates's daughter)
attitude toward Yates
birth
final visits and calls
party for, in Los Angeles
psychotic episode of
Yates, Horatio (Yates's paternal grandfather)
Yates, Martha.
See
Speer, Martha
Yates, Monica (Yates's daughter)
attitude toward Yates
birth of
final visits and calls
learns of Yates's mental illness
mentoring by Yates
present life
stays with Yates in Los Angeles
visits with Yates
writing career of
Yates, Richard
apartment fire
apartments, gloom and grime of
appearance
disliked by self
down-and-out
good looks
archaic air of
in army
ashes, final disposition of
attachments to unlikely people
attitudes toward
blacks
feminists
poets
suicide
bellicose personality
bipolarity of
birth of
bleak worldview of
as book reviewer
breakdowns
cartoonist talent
character of, opinions of
as child, frailty and unathleticism of
childhood friendships
childhood unpopularity
clothing and style
poor, as child
daughters (grown-up), relations with
daughters (young), visits
death in hospital
divorce from Martha
divorce from Sheila
drinking and alcoholism of
driving lessons and lack of motoring skill
estate of, indebtedness of
European trip with Martha
family lineage
as father
FBI check on
fear of being alone
fights with Sheila
final visits and calls from family and friends
friendships with writers
funeral arrangements
good manners of
health problems
air injections
fire injuries
hypoxia and need for oxygen tanks
inguinal hernia
lung damage
pneumonia
stammer and cough
tuberculosis
his lot to live with women
hospitalizations
induction into Army
interviews with
Ploughshares
interview (1972)
journalism jobs
lack of college education
light verse of
list of neglected writers
list of ten nourishing books
list of writers he admires
literary influences on
marriage counseling undergone by
marries Martha Speer
marries Sheila Bryant
meets Martha Speer
meets Sheila Bryant
memorial services
mental illness and instability of
military experience
morality of
musical zest
name of (Richard Walden Yates)
never exposed daughters to outside women
newspaper experience
nicknames for
nude posing for mother, as child
obituary
parents' divorce
personality, sweetness of
physical incompetence of
politics of
poverty of, in adulthood
poverty of, in childhood
psychiatric treatments
psychopharmacological treatments
public relations work by
résumé he prepared looking for commercial work (1972)
reunions with Sheila
search for female companionship after divorces
self-destructive habits
self-education
separations from Sheila
sexual experience of
sexual performance of
smoking habit
Yates stops
social class insecurity
speechwriter for Robert Kennedy
suicide attempt
summer jobs
teacher of writing
tribute to (New York City, 1992)
work on school newspaper
writing career
advances against sales
earliest efforts
fan letters
first sale
his agent
rejection slips
Yates's ruminations about
writing genres
film scripts
ghostwriting
romans à clef
screenwriting
short stories
writing method
difficulty getting the work out
no more resting
slowness of, and constant revisions
typing of manuscripts
writings
critics' reviews of
fading reputation of, own awareness of
lasting legacy of
out-of-print books
sales
titles of past and future books
writing style
autobiographical elements
determinism
naturalism claimed in
perfectionism
Yates, Ruth (Yates's mother).
See
Maurer, Ruth
Yates, Ruth (Yates's sister)
bad marriage and alcoholism
birth of
childhood
courtship
death of
final days
married life
personality of
relations with father
relations with Yates during childhood
weds Fred Rodgers
Yates, Sharon (Yates's daughter)
birth
called “the Meat,” “Mousemeat,” “Mussy”
childhood
education
in Iowa
present life
troubled adolescence
weds Richard Levine
Yates's visits with
Yates, Sheila.
See
Bryant, Sheila
Yates, Vincent Matthew (Yates's father)
absence of, during Yates's childhood
alimony and child support paid by
birth family of
birth of
illness and death of
Yates's occasional visits to
Yates, William (Yates's uncle)
York, Penn.
York Gazette and Daily
Young, Marguerite
Young Hearts Crying
characters and plot
publication
reviews of
sales
Zola, Emile
ALSO BY BLAKE BAILEY
The Sixties
Additional Acclaim for Blake Bailey's
A Tragic Honesty
“[Bailey] has written not merely a splendid biography of Yates ⦠but one of the most moving and engrossing literary biographies of our times.”
âThe New York Sun
“Mr. Bailey keeps it all interesting by tracing the myriad threads that connect Yates's life and fiction and by writing highly readable prose that at times shines with well-chosen words.⦠His assessments of Yates's novels are insightful and sympathetic.”
âThe Wall Street Journal
“Superb ⦠Blake Bailey's retelling of Yates's life is as good a biography of a contemporary writer as I have read.”
â
Dan Wakefield,
The Boston Globe
“Blake Bailey captures the beauty of Yates's prose and the depth of his vision.⦠[An] excellent biography.”
âChicago Tribune
“Unlike some exhaustively documented recent literary biographies,
A Tragic Honesty
manages without prurience and with great generosity to convey Yates's life and work.⦠Bailey knows how to make clear without condescension. A very Yatesian mode, in fact.”
âThe Atlanta Journal-Constitution
“
A Tragic Honesty â¦
manages to trump [Yates] at his own game ⦠Authoritative ⦠Admirably thorough.”
âThe Washington Post Book World
“[A] lucid and surprisingly uplifting biography.”
âMilwaukee Journal Sentinel
“If you did not love this handsome, terribly sick person in real life, as did so many of us in this good book, you will surely celebrate his gallantry in demanding of himself perfection in at least one part of his awful life, which was the words he put on paper.”
â
Kurt Vonnegut
“Blake Bailey tells Yates's story in terms that the novelist might have approved.”
â
Fred Chappell,
The Raleigh News & Observer
“This biography should go a long way toward introducing a new generation of readers to a man once called, with reason, the best American writer of the last half of the last century.⦠It's a story Blake Bailey tells stylishly and thoroughly ⦠Yates deserves this rich and ample treatment of his life.”
âThe San Diego Union-Tribune
“Utterly extraordinary.⦠[
A Tragic Honesty
] is a harrowing, black-humored great book of its time.”
âThe Buffalo News
“An impressive piece of reclamation work ⦠It's an odd sensation to read a biography as laudable and as necessary as Mr. Bailey's.”
âNew York Observer
“[An] excellent new biography ⦠Neither glamorizing nor condemning Yates,
A Tragic Honesty
gives us one more reason to revisit this singular author and his legacy.”
âNewsday
“
A Tragic Honesty
reads like a novel, its pace quick and littered with unforgettable stories and vivid characters. This is the textured account of one man's life and his nearly obsessive need to create art, and Bailey strikes to the depths of Yates the writer and man, all in all making the book a pleasure to read even for those who have never read a line of his work.”
âThe New Orleans Times-Picayune
“[An] unflinching biography.”
âThe Seattle Times
“Blake Bailey's compelling biography of Richard Yates tells a great, singularly American story about one of the greatest, most singularly American writers who ever lived.
A Tragic Honesty
is an honest tragedy. It is also a triumph.”
â
Mark Winegardner, author of
Crooked River Burning
“Bailey's biography is excellent at weaving the life and work into a single, coherent narrative, one that hews to the facts and avoids speculation.⦠Bailey's biography will be the definitive one.”
âThe Tampa Tribune
“As rewarding as reading [Yates's] novels ⦠As amazing as it is commendable â¦
A Tragic Honesty
is an excellent explication and analysis of Yates's life and fiction.”
âChicago Sun-Times
“Bailey has done a great job of sorting through the facts of Yates's difficult life, assembling them into a story that mirrors the best of his subject's fiction.”
âPublishers Weekly
“[Bailey] writes with just the sort of clean, precise, and powerful prose his subject devoted himself to.⦠As Bailey meticulously and perceptively chronicles Yates's arduous translation of experience into art, and the vagaries of his critical reception, he exposes the anguish and transcendence of the writing life, and the tragedy of mental illness.”
âBooklist
(starred review)
A TRAGIC HONESTY.
Copyright © 2003 by Blake Bailey. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address Picador, 175 Fifth Avenue, New York, N.Y. 10010.
Picador
®
is a U.S. registered trademark and is used by St. Martin's Press under license from Pan Books Limited.
Portions of this book appeared in
The Gettysburg Review, The New England Review,
and
Night Train
.
For permission to quote at length from letters, private papers, and other materials, the author and publisher are grateful to the following individuals: Kay Cassill, Mitch Douglas, Gordon Lish, Robert Andrew Parker, Grace Schulman, Martha Speer, and Sheila Yates. The author particularly appreciates the generous cooperation of Monica Shapiro, Richard Yates's daughter and literary executor.
Library of Congress Cataloging-in-Publication Data
Bailey, Blake.
    A tragic honesty: the life and work of Richard Yates / Blake Bailey.â1st ed.
    p. cm.
    ISBN 0-312-28721-6 (hc)
    ISBN 0-312-42375-6 (pbk)
    EAN 978-0312-42375-9
    1. Yates, Richard, 1926â92. Authors, Americanâ20th centuryâBiography. I. Title.
PS3575.A83 Z56 2003
813'.54âdc21
[B]
2002042525
First Picador Paperback Edition: May 2004
eISBN 9781466848856
First eBook edition: June 2013
*
 “Uncle Dick never liked Aunt Ida,” Yates's sister Ruth wrote her son Peter in 1964. “Come to think of it, Uncle Dick doesn't like any of them.”
*
 Richard Yates told his friends Grace and Jerry Schulman that, to him, the violin was a symbol of his family's history and breeding, and he entrusted it to the Schulmans when he became too transient to bother with precious things; they presented this heirloom to Yates's daughters at his memorial service.
*
 At the time, 1953, Dookie was still alive and lucid, and Yates worried about her response to “Lament for a Tenor”âhis first explicitly autobiographical work about his family. He was living alone in England when the story was accepted by
Cosmopolitan,
and it fell to his wife Sheila to explain the premise of “Tenor” to Dookie. “Dook knew right away that it was autobiographical,” Sheila wrote her husband from the States, “and wasn't too happy, but said she'd realized you'd eventually write about things that she might be uncomfortable about. She defended the Artist's right to do that and launched into her story about those friends of [Thomas] Wolfe.” Dookie's defense of artistic freedom (even at her own potential expense) is commendable, though it's safe to assume she had no idea what lay in store for her following “Tenor.”