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Authors: JoAnn Ross

BOOK: A Woman's Heart
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Quinn decided there was no point in denying it. “Yes.” He prepared himself for the usual barrage of questions about the so-called fast life in Hollywood.

“I thought so.” That settled, and seeming less than impressed by his exalted status, she took the map from his hand, making a clucking sound with her tongue as she studied it.

“Ah, here's your problem. You should have taken the second left at the roundabout right before you got to Mullaghmore.”

Quinn had suspected all along that one of the many roundabouts—the Irish answer to eliminating four-way stops—had been his downfall. “Could you tell me how to get back there?”

“That's not difficult at all. The first thing you need to do is turn around and go back in the direction you just came from. Then keep driving until you see a sign pointing off to the right that says Ballybrennan.”

“Ballybrennan?” The name sounded like several he'd already passed by.

“Aye, Ballybrennan,” she repeated with a nod of her scarf-covered head. “Now, mind you don't take that road—”

“I don't?”

“Oh, no. You'll be wanting to take the one that comes a wee bit after it. To Mary's Well. You'll not miss it. There's a lovely statue of the Virgin standing right beside the sign. Follow that road straight through and you'll be finding yourself in Castlelough in no time.”

Considering how many virgins he'd spotted, Quinn wasn't certain the landmark was going to be a very big help, but didn't quibble. “Thanks. You've been a great help.”

“'Twas no trouble at all,” she assured him with a nearly toothless grin. He was almost to the car again when she called out, “Of course, the sign might not say Mary's Well, mind you.”

Biting back a flash of irritation, he slowly turned back toward her. Having always been a direct-speaking kind of guy, Quinn was beginning to realize that the land of his ancestors may prove more of a culture shock that he'd suspected.

“What might it say?” he asked mildly.

“It might be in Irish—
Dabhac a Mhaire.

He was having enough trouble untangling the woman's thick west-country brogue. There was no way he was going to attempt to translate this incomprehensible language.

Quinn had known that Castlelough was located in a
Gael-tact
area of the county, where, despite the penal laws en
forced by the British government, the Irish language had never been allowed to die out. At the time, he'd thought it might add quaint color to his story. He'd never, until now, worried he might be unable to communicate with the natives.

Thanking her again, he climbed back in the car and headed off in the direction he'd come. Quinn considered it another near miracle when he found the turnoff. Although the rest of the directions weren't quite as simple as the woman had promised—the road split into different directions a couple of times and he had to choose—he felt of flush of victory when he finally viewed the sign welcoming him to Castlelough.

Chapter Three

Weather the Storm

B
y the time Nora finished her weekly errands, forced at every step to listen to more talk about the movie people, the gathering gloom had darkened the sky over Castlelough, making her wish she'd insisted her father leave her the car. A stiff breeze from the Atlantic whipped her hair into a wild tangle that kept blowing across her eyes.

She could of course cycle over to The Irish Rose and retrieve the car, but that would leave
him
to walk or cycle home in the rain. Although her father often drove her to distraction, she'd never forgive herself if he came down with pneumonia.

“It's only five kilometers,” she reminded herself optimistically. “If you hurry, you might get home before the rain starts.”

She was grateful Quinn Gallagher wasn't expected to arrive until early this evening, which would give her time to fix a proper supper. She didn't want anyone saying Nora Fitzpatrick wasn't a good hostess.

Nora stuffed her purchases into waterproof canvas bags, then fit them into the wire baskets that hung on either side of the bicycle's rear wheel. She'd barely begun to pedal down the road when the sky opened up. Ten minutes later she'd just about decided to take the children and emigrate to a sheep ranch in sunny west Australia—where her eldest brother Finn served as a parish priest—when the blare of a car horn almost made her crash into the stone edging the roadway.

Swearing beneath her breath, she moved closer to the shoulder, trying not to get bogged down in the thick mud.

Instead of passing, the car pulled up beside her. Rather than the compact usually seen on Irish roads, this was a huge whale of an American vehicle from the gilded era of excess chrome and overgrown tail fins. That alone would have made it unique in a country with such narrow winding roads and expensive petrol.

But what truly made it one-of-a-kind were the pink-cheeked cherubs and gilt-winged angels cavorting amidst the orange rust spots on the thirty-five-year-old lemon yellow body. And then there was the mural—depicting the Virgin Mary, arms outstretched and halo gleaming, riding a puffy white cloud to heaven—painted in bright primary colors on the hood.

Nora knew that inside the car a rosary blessed by Pope John XXIII himself hung from the rearview mirror; also, although the Vatican had repossessed his sainthood, a plastic statue of Saint Christopher continued to ride shotgun on the padded dashboard.

The enormous gas-guzzling Cadillac came to a stop with a protesting squeal of wet brakes; there was an electric hum as the passenger window slowly rolled down and a head as brightly red-gold as Nora's popped out.

“'Tis only a fit day for fish, ducks and lake creatures,”
Fionna Joyce declared. “Put your bicycle in the back, darling. And get yourself in out of the rain before you catch your death.”

After stowing her bicycle and groceries in the vast cavern of a trunk, Nora opened the angel-adorned door and settled into the tucked and pleated heavenly sky blue leather seat of her grandmother's ancient miracle-mobile.

The heat blasting from the vents in the padded dash immediately began warming the chill from her bones. The Cadillac might be a ridiculous car for Ireland, or anywhere else for that matter, and it might be large enough for a family of four to live in, but Nora couldn't fault its heater.

Fionna Joyce was a small wiry woman with a complexion ruddied by the suns of more than eighty summers and weathered by the winds that blew from coast to coast. Despite her age, her dark eyes were bright as a sparrow's and her hair was a vivid red-gold.

“You should have dragged Brady from the pub and gotten him to drive you home,” Fionna said.

“It's not that far,” Nora argued. “And I didn't want to disturb him.”

Fionna sighed as she fingered the tiny crucifix with Jesus' feet crossed modestly at the ankles that hung from a gold chain in the vee of her pink wool cardigan. The lapels of the heavy sweater were adorned with religious cameos.

“I dearly love my youngest son, but he's an incurable dreamer. Just like his father before him.”

“And you're not?” Nora's smile took the sting of accusation from her words.

“Of course not!” Fionna seemed honestly shocked by the idea. “Women don't have time to be dreamers, Nora. Shouldn't you, of all people, know that?”

“Wouldn't you consider your Bernadette crusade just a wee bit fanciful?”

“There's nothing fanciful about getting dear Bernadette canonized, darling. And, heaven knows, don't those red-skirts in the Vatican owe us a saint after taking Saint Philomena away from us?” She paused. “And speaking of Bernadette, I have a line on a new tale.”

Fionna had been attempting to get Sister Bernadette Mary—a Sister of Mercy nun who'd worked tirelessly to bring about peace during the Anglo-Irish War for independence and had been killed by the Black and Tans for her efforts—declared a saint for the past decade. Since an important part of the juridical process was to document the candidate's life, holy works and, most importantly, provide proof of at least two miracles, Fionna had been relentless in her search for evidence of a miraculous event done in the young woman's name.

Nora had begun to worry that such religious obsession might be a sign of senility. Then again, considering her own close conversational relationship with her long-dead mother, she decided perhaps all the Joyces were more than a little fanciful.

“How did your trip to Eniscorthy go?” she asked.

Fionna sighed. “I suppose it depends on whether or not the Holy Father would consider the curing of a mare's colic a miracle.”

Nora repressed the smile tugging at the corners of her mouth. Fionna found nothing humorous about sainthood. “I'd suspect the owner was happy. But I doubt such an event would pull much weight with the bishop.”

“The only way that man would be impressed would be a modern-day repeat of the wine-at-the-wedding miracle. If Bernadette could make whiskey flow out of the bishop's water tap, he'd recommend her before you could say Bushmills malt.”

Bishop McCarthy had steadfastly refused to pass along
any of Fionna's documents to the Vatican's Congregation for the Cause of Saints. Nora knew her grandmother believed that such an unrelenting lack of cooperation was proof of the bishop's sexism.

“It's bad enough, in his mind, that the evidence is being compiled by a mere female, instead of a priest, as is usually done,” Fionna muttered. “It's obvious he has no intention of adding another female saint to the religious roster.”

Like her Irish Volunteer forefathers who'd refused to give up a good fight, Fionna refused to surrender what she'd come to view as a holy war.

She slanted Nora a look. “If I die before the Vatican comes through, you'll have to carry on.”

“You're going to live forever,” Nora said quickly. Firmly.

“No one lives forever, dear,” Fionna said mildly. “Not in our mortal form, at any rate.” Then, as if understanding Nora's reluctance to discuss the subject, she returned the topic to its earlier track. “I'm off to Derry to hear another story next week. Is there anything you'd like me to get for you?”

Although the prices were often lower in Northern Ireland, Nora wasn't at all eager to hear that her grandmother would be traveling there. But she also knew the futility of arguing.

“My Sunday blazer is getting too holey even for church, thanks to the moths dining on it,” Nora said. “Perhaps, if you have time, and find one on sale…”

“On sale or not, it's yours.”

“Remind me to give you the money before you go.”

“That's not necessary. And it's not a gift,” the older woman insisted before Nora could argue the point. “Consider it payment. For continuing my work after I'm gone,” she tacked on slyly.

Knowing when she was bested, Nora didn't even try to
protest. As she watched the mist-shrouded landscape flash by the window, she wondered if the American writer would expect dessert every night after his supper.

Nora heard the wails before she even got to the kitchen door. Since her older brother, Michael, was away in Kerry, selling his wool, her younger brother, John, had been stopping by Michael's farm after school to tend to the milking. Which had left the younger two children in Mary's hands this afternoon.

Despite the fact that her sister suffered the usual mood swings that came with being sixteen, Mary was, for the most part, a good dependable girl.

“Another boy crisis,” Fionna guessed.

“You're probably right.” Nora hoped that whatever it was that was making her sister keen like a banshee was not as serious as it sounded. She felt guilty when the first thought that came to mind was an unplanned pregnancy, but then again, Nora knew all about teenage desires.

And wasn't Mary's best friend, Deidre McMann, about to become a mother? The father was a college boy Deidre had met at a fair in Limerick.

“Jack broke Mary's heart,” Rory ran up to announce, his wolfhound at his heels, as always. Blue eyes, the deep-sea shade of his father's, held seeds of worry. His dark hair, again so like Conor's, had fallen over his forehead.

Feeling a familiar rush of love for her son, Nora brushed the hair back. “I'll tend to Mary. Meanwhile, why don't you go finish your chores? I brought Maeve a nice juicy bone,” she said, handing him a package tied with a string. “She can chew on it while you feed your rabbits.”

“Thanks, Mam!” He was off like a shot, seemingly relieved to leave matters of the heart to the female members of the family. Uncharacteristically, Maeve, emboldened by
the smells emanating from the waxed white paper, began barking excitedly and nipping at his heels.

Enjoying the carefree sight of boy and dog, Nora said a quick prayer that she wouldn't have to take her son from the life here that fit him so well. Then, unable to avoid this latest problem any longer, she went with Fionna into the house. She put the grocery bags on the wooden counter and turned to her sister. “So. What did Jack do now?”

Since her mother had taught her there were very few problems that couldn't be solved by a cup of tea, Nora put a kettle of water on the stove to boil.

“He broke my heart!” Mary wailed, echoing Rory's explanation.

“And how exactly did he do that?”

“He asked Sharon Fitzgerald to the May Dance.”

“Is that all?” Fionna asked.

“You don't understand! Everyone's already coupled up. I won't have a date!”

“You could always go to the dance alone,” Fionna suggested.

“Grandmother!” Mary shot a desperate look at Nora. “Would you please explain that these days only the wretched homely girls destined for spinsterhood go to dances alone?”

“I doubt you're destined for spinsterhood,” Nora replied mildly as she noted the black trails of mascara running down her sister's cheeks.

While she understood a teenager's natural impulse for rebellion, she did wish that Mary hadn't taken to emulating what had become known in Dublin as the Gothic look. The black tortured-artist's clothing, white Kabuki-dancer powder and maroon-painted lips Mary favored on weekends away from school detracted from her natural beauty.

At least the nuns had forbidden the fluorescent green or
orange spiked hair sported by the city teenagers. And, needless to say, body piercing was out of the question. Nora decided to be grateful for small favors.

“I realize it hurts,” she tried again. “But it's not the end of the world, darling. There are still three weeks until the dance, and perhaps Jack will change his mind—”

“He's not going to change his mind,” Mary sniffed. “Because the only reason he dropped me for Sharon is 'cause she puts out. She's probably slept with half the boys in school.”

There it was again. That ever-threatening sex issue. Lately, Nora had finally come to understand all too well why her mother had worried so during the days
she'd
been stealing off to hidden meadows with Devlin Monohan.

“A man won't buy the cow when he can get the milk for free,” Fionna said sagely. “You're right to hold on to your virginity, Mary, dear. When you're with your husband on your wedding night, you'll look back on this day and be glad you held firm.”

“I'm never going to get married!”

“Of course you will.” Nora handed her a tissue.

“No, I'm not.” Mary blew her nose with a loud unfeminine honk. “I've decided to become a nun.”

“You've certainly got the wardrobe for it,” Fionna muttered, casting a derisive look at the flowing black skirt and ebony tunic sweater.

“You can't be a nun,” seven-year-old Celia, who was coloring in a book of Irish Grand National winners, piped up. “You have to have a vocation. Then you go off to be a missionary in the Congo.”

The kettle whistled, allowing Nora to turn away to hide her smile.
The Nun's Story
was a perennial favorite on television, broadcast every season during Lent.

Mary turned on the youngest Joyce sister. “That's just a stupid movie.”

“I know that.” Celia lifted her small pointed chin. “But Sister Mary Anthony is reading us the lives of the saints, and they all had vocations. Like Saint Theresa who walked on thorns and didn't flinch. And Joan of Arc who was burned at the stake and never even cried.”

“And let's not be forgetting Saint Maria Goretti who died rather than submit to a man,” Fionna said pointedly. “She didn't even lose courage when her attacker started stabbing her with his dagger. Now
that's
a vocation.”

“I didn't say I was going to be a bloody saint!” Mary's palm hit the kitchen table with enough force to send crayons rolling off onto the floor. “I said I was going to be a nun.”

“There's no need to swear.” Nora put the teapot on the table.

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