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Authors: Madeleine L’Engle

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“No!” Mr. Murry cried, and stepped toward Meg.

Mrs Which’s voice came through her shimmer. “I ccannnott hholldd yyourr hanndd, chilldd.”

Immediately Meg was swept into darkness, into nothingness, and then into the icy devouring cold of the Black
Thing. Mrs Which won’t let it get me, she
thought over and over while the cold of the Black Thing seemed to crunch at her bones.

Then they were through it, and she was standing breathlessly on her feet on the same hill on which they had first landed on Camazotz. She was cold and a little numb, but no worse than she had often been in the winter in the country when she had spent an afternoon skating on the pond. She looked around. She
was completely alone. Her heart began to pound.

Then, seeming to echo from all around her, came Mrs Which’s unforgettable voice. “I hhave nnott ggivenn yyou mmyy ggifftt.
Yyou hhave ssomethinngg thatt ITT hhass nnott
. Thiss ssomethinngg iss yyourr onlly wweapponn. Bbutt yyou mmusstt ffinndd itt fforr yyourrssellff.” Then the voice ceased, and Meg knew that she was alone.

She walked slowly down
the hill, her heart thumping painfully against her ribs. There below her was the same row of identical houses they had seen before, and beyond these the linear buildings of the city. She walked along the quiet street. It was dark and the street was deserted. No children playing ball or skipping rope. No mother figures at the doors. No father figures returning from work. In the same window of each
house was a light, and as Meg walked down the street all the lights were extinguished simultaneously. Was it because of her presence, or was it simply that it was time for lights out?

She felt numb, beyond rage or disappointment or even fear. She put one foot ahead of the other with precise regularity,
not allowing her pace to lag. She was not thinking; she was not planning; she was simply walking
slowly but steadily toward the city and the domed building where IT lay.

Now she approached the outlying buildings of the city. In each of them was a vertical line of light, but it was a dim, eerie light, not the warm light of stairways in cities at home. And there were no isolated brightly lit windows where someone was working late, or an office was being cleaned. Out of each building came one
man, perhaps a watchman, and each man started walking the width of the building. They appeared not to see her. At any rate they paid no attention to her whatsoever, and she went on past them.

What have I got that IT hasn’t got? she thought suddenly. What have I possibly got?

Now she was walking by the tallest of the business buildings. More dim vertical lines of light. The walls glowed slightly
to give a faint illumination to the streets. CENTRAL Central Intelligence was ahead of her. Was the man with red eyes still sitting there? Or was he allowed to go to bed? But this was not where she must go, though the man with red eyes seemed the kind old gentleman he claimed to be when compared with IT. But he was no longer of any consequence in the search for Charles Wallace. She must go directly
to IT.

IT isn’t used to being resisted. Father said that’s how he managed, and how Calvin and I managed as long as we did. Father saved me then. There’s nobody here to save me
now. I have to do it myself. I have to resist IT by myself. Is that what I have that IT hasn’t got? No, I’m sure IT can resist. IT just isn’t used to having
other
people resist.

CENTRAL Central Intelligence blocked with
its huge rectangle the end of the square. She turned to walk around it, and almost imperceptibly her steps slowed.

It was not far to the great dome which housed IT.

I’m going to Charles Wallace. That’s what’s important. That’s what I have to think of. I wish I could feel numb again the way I did at first. Suppose IT has him somewhere else? Suppose he isn’t there?

I have to go there first, anyhow.
That’s the only way I can find out.

Her steps got slower and slower as she passed the great bronzed doors, the huge slabs of the CENTRAL Central Intelligence building, as she finally saw ahead of her the strange, light, pulsing dome of IT.

Father said it was all right for me to be afraid. He said to go ahead and be afraid. And Mrs Who said—I don’t understand what she said but I think it was
meant to make me not hate being only me, and me being the way I am. And Mrs Whatsit said to remember that she loves me. That’s what I have to think about. Not about being afraid. Or not as smart as IT. Mrs Whatsit loves me. That’s quite something, to be loved by someone like Mrs Whatsit.

She was there.

No matter how slowly her feet had taken her at the end, they had taken her there.

Directly
ahead of her was the circular building, its walls
glowing with violet flame, its silvery roof pulsing with a light that seemed to Meg to be insane. Again she could feel the light, neither warm nor cold, but reaching out to touch her, pulling her toward IT.

There was a sudden sucking, and she was within.

It was as though the wind had been knocked out of her. She gasped for breath, for breath
in her own rhythm, not the permeating pulsing of IT. She could feel the inexorable beat within her body, controlling her heart, her lungs.

But not herself. Not Meg. It did not quite have her.

She blinked her eyes rapidly and against the rhythm until the redness before them cleared and she could see. There was the brain, there was IT, lying pulsing and quivering on the dais, soft and exposed
and nauseating. Charles Wallace was crouched beside IT, his eyes still slowly twirling, his jaw still slack, as she had seen him before, with a tic in his forehead reiterating the revolting rhythm of IT.

As she saw him it was again as though she had been punched in the stomach, for she had to realize afresh that she was seeing Charles, and yet it was not Charles at all. Where was Charles Wallace,
her own beloved Charles Wallace?

What is it I have got that IT hasn’t got?

“You have nothing that IT hasn’t got,” Charles Wallace said coldly. “How nice to have you back, dear sister. We have been waiting for you. We knew that Mrs Whatsit would send you. She is our friend, you know.”

For an appalling moment Meg believed, and in that moment she felt her brain being gathered up into IT.

“No!”
she screamed at the top of her lungs. “No! You lie!”

For a moment she was free from ITs clutches again.

As long as I can stay angry enough IT can’t get me.

Is that what I have that IT doesn’t have?

“Nonsense,” Charles Wallace said. “You have nothing that IT doesn’t have.”

“You’re lying,” she replied, and she felt only anger toward this boy who was not Charles Wallace at all. No, it was not
anger, it was loathing; it was hatred, sheer and unadulterated, and as she became lost in hatred she also began to be lost in IT. The red miasma swam before her eyes; her stomach churned in ITs rhythm. Her body trembled with the strength of her hatred and the strength of IT.

With the last vestige of consciousness she jerked her mind and body. Hate was nothing that IT didn’t have. IT knew all
about hate.

“You are lying about that, and you were lying about Mrs Whatsit!” she screamed.

“Mrs Whatsit hates you,” Charles Wallace said.

And that was where IT made ITs fatal mistake, for as Meg said, automatically, “Mrs Whatsit loves me; that’s what she told me, that she loves me,” suddenly she knew.

She knew!

Love.

That was what she had that IT did not have.

She had Mrs Whatsit’s love,
and her father’s, and her
mother’s, and the real Charles Wallace’s love, and the twins’, and Aunt Beast’s.

And she had her love for them.

But how could she use it? What was she meant to do?

If she could give love to IT perhaps it would shrivel up and die, for she was sure that IT could not withstand love. But she, in all her weakness and foolishness and baseness and nothingness, was incapable
of loving IT. Perhaps it was not too much to ask of her, but she could not do it.

But she could love Charles Wallace.

She could stand there and she could love Charles Wallace.

Her own Charles Wallace, the real Charles Wallace, the child for whom she had come back to Camazotz, to IT, the baby who was so much more than she was, and who was yet so utterly vulnerable.

She could love Charles Wallace.

Charles. Charles, I love you. My baby brother who always takes care of me. Come back to me, Charles Wallace, come away from IT, come back, come home. I love you, Charles. Oh, Charles Wallace, I love you.

Tears were streaming down her cheeks, but she was unaware of them.

Now she was even able to look at him, at this animated thing that was not her own Charles Wallace at all. She was able to look
and love.

I love you. Charles Wallace, you are my darling and my dear and the light of my life and the treasure of my heart. I love you. I love you. I love you.

Slowly his mouth closed. Slowly his eyes stopped their
twirling. The tic in the forehead ceased its revolting twitch. Slowly he advanced toward her.

“I love you!” she cried. “I love you, Charles! I love you!” Then suddenly he was running,
pelting, he was in her arms, he was shrieking with sobs. “Meg! Meg! Meg!”

“I love you, Charles!” she cried again, her sobs almost as loud as his, her tears mingling with his. “I love you!

I love you! I love you!”

A whirl of darkness. An icy cold blast. An angry, resentful howl that seemed to tear through her. Darkness again. Through the darkness to save her came a sense of Mrs Whatsit’s presence,
so that she knew it could not be IT who now had her in its clutches.

And then the feel of earth beneath her, of something in her arms, and she was rolling over on the sweet smelling autumnal earth, and Charles Wallace was crying out, “Meg! Oh, Meg!”

Now she was hugging him close to her, and his little arms were clasped tightly about her neck. “Meg, you saved me! You saved me!” he said over and
over.

“Meg!” came a call, and there were her father and Calvin hurrying through the darkness toward them.

Still holding Charles she struggled to stand up and look around. “Father! Cal! Where are we?”

Charles Wallace, holding her hand tightly, was looking around, too, and suddenly he laughed, his own, sweet, contagious laugh. “In the twins’ vegetable garden! And we landed in the broccoli!”

Meg began to laugh, too, at the same time that she was
trying to hug her father, to hug Calvin, and not to let go of Charles Wallace for one second.

“Meg, you did it!” Calvin shouted. “You saved Charles!”

“I’m very proud of you, my daughter.” Mr. Murry kissed her gravely, then turned toward the house. “Now I must go in to Mother.” Meg could tell that he was trying to control his anxiety and eagerness.

“Look!” she pointed to the house, and there were the twins and Mrs. Murry walking toward them through the long, wet grass.

“First thing tomorrow I must get some new glasses,” Mr. Murry said, squinting in the moonlight, and then starting to run toward his wife.

Dennys’s voice came crossly over the lawn. “Hey, Meg, it’s bedtime.”

Sandy suddenly yelled, “Father!”

Mr. Murry was running across
the lawn, Mrs. Murry running toward him, and they were in each other’s arms, and then there was a tremendous happy jumble of arms and legs and hugging, the older Murrys and Meg and Charles Wallace and the twins, and Calvin grinning by them until Meg reached out and pulled him in and Mrs. Murry gave him a special hug all of his own. They were talking and laughing all at once, when they were startled
by a crash, and Fortinbras, who could bear being left out of the happiness not one second longer, catapulted his sleek black body right through the screened door to the kitchen. He dashed across the lawn to join in the joy, and
almost knocked them all over with the exuberance of his greeting.

Meg knew all at once that Mrs Whatsit, Mrs Who, and Mrs Which must be near, because all through her she
felt a flooding of joy and of love that was even greater and deeper than the joy and love which were already there.

She stopped laughing and listened, and Charles listened, too. “Hush.”

Then there was a whirring, and Mrs Whatsit, Mrs Who, and Mrs Which were standing in front of them, and the joy and love were so tangible that Meg felt that if she only knew where to reach she could touch it with
her bare hands.

Mrs Whatsit said breathlessly, “Oh, my darlings, I’m sorry we don’t have time to say good-bye to you properly. You see, we have to—”

But they never learned what it was that Mrs Whatsit, Mrs Who, and Mrs Which had to do, for there was a gust of wind, and they were gone.

A
WIND in
the DOOR

MADELEINE
L’ENGLE

A WIND IN THE DOOR.
Copyright © 1973 by Crosswicks, Ltd. All rights reserved.
No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address Square Fish, 175 Fifth Avenue, New York, NY 10010.
Originally published by Farrar, Straus and Giroux
Square Fish
An Imprint of Holtzbrinck Publishers
Book design by Jennifer Browne
eISBN 9781429915786
First eBook Edition : January 2011
Library of Congress Cataloging-in-Publication Data
L’Engle, Madeleine.
A wind in the door.
p. cm.
Summary: With Meg Murry’s help, the dragons her six-year-old brother saw in the vegetable garden play an important part in his struggle between life
and death.
ISBN-13: 978-0-312-36854-8
ISBN-10: 0-312-36854-2
[1. Science fiction.] I. Title.
PZ7.L5385 Wi 1973
[Fic] 73-75176
BOOK: A Wrinkle in Time Quintet
4.08Mb size Format: txt, pdf, ePub
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