Acts and Omissions

Catherine Fox was educated at Durham and London Universities. She is the author of three adult novels:
Angels and Men
,
The Benefits of Passion
and
Love for the Lost
; a Young Adult fantasy novel,
Wolf Tide
; and a memoir,
Fight the Good Fight: From vicar's wife to killing machine
, which relates her quest to achieve a black belt in judo. She lives in Liverpool, where her husband is dean of the cathedral.

‘A delightful portrait of the follies and foibles in a contemporary Anglican diocese, written with wit, wisdom and impeccable liberal sympathies.'

Michael Arditti, author and critic

‘Clear-eyed, moving and mischievously funny,
Acts and Omissions
is at one with the deep linguistic and human resources that make the modern Church of England what it is. The novel brims with wit and heart, acknowledging the awkwardness and consolations of Anglicanism in the twenty-first century. Hugely entertaining and highly recommended.'

Richard Beard, author of
Lazarus is Dead

‘Catherine Fox writes so well about the Church of England that she can make sense of a world in which the salacious and the sacred are intimately entwined. This is a novelist who is never frightened to enter ecclesiastical territory where bishops fear to tread. She writes not merely with affection but with love for an institution that is creaking under the weight of its own contradictions.

‘
Acts and Omissions
will help people in the Church who already pray for one another daily to like one another a little more. It is also a great collection of intertwining stories that throw a welcome ray of light for those who find it hard to understand why an institution made up of good, caring people has become better known for hypocrisy than for happiness.

‘The Diocese of Lindchester is full of people who bless one another, sometimes without realizing it. They blessed me.'

The Very Revd Kelvin Holdsworth, Provost, St Mary's Cathedral, Glasgow

‘This is a delicious novel: clever, witty and subtle – and as good a rendering of the Church of England as you could wish to read. I want to live in Lindchester. I want to visit the cathedral, drink prosecco with Fr Dominic, become friends with the Dean and marry the Archdeacon. Most of all, I want Catherine Fox to hurry up and write the sequel.'

The Baroness Sherlock

‘
Acts and Omissions
is brave and beautiful, devastatingly honest, mercilessly funny, fundamentally kind. It will make you think, laugh – possibly even cry. It's one of those hugely enjoyable novels which has you racing on to find out what happens, but that you never really want to come to an end.'

Dr Margaret Masson, Vice-Principal, St Chad's College, Durham

First published in Great Britain in 2014

Society for Promoting Christian Knowledge

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London SW1P 4ST

www.spckpublishing.co.uk

Copyright © Catherine Fox 2014

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SPCK does not necessarily endorse the individual views contained in its publications.

Scripture quotations are either taken from the Authorized Version or the English Standard Version.

Extracts from the Authorized Version of the Bible (The King James Bible), the rights in which are vested in the Crown, are reproduced by permission of the Crown's Patentee, Cambridge University Press.

Scripture quotations from The Holy Bible, English Standard Version, are copyright © 2001 by Crossway Bibles, a division of Good News Publishers. Used by permission. All rights reserved.

Extracts from The Book of Common Prayer, the rights in which are vested in the Crown, are reproduced by permission of the Crown's Patentee, Cambridge University Press.

The publisher and author acknowledge with thanks permission to reproduce extracts from the following:

Extracts from
Common Worship
are copyright © The Archbishops' Council, 2000, and are reproduced by permission.

Common Worship: Ordination Services
is copyright © The Archbishops' Council, 2006, and extracts are reproduced by permission.

Every effort has been made to seek permission to use copyright material reproduced in this book. The publisher apologizes for those cases where permission might not have been sought and, if notified, will formally seek permission at the earliest opportunity.

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library

ISBN 978–0–281–07234–7

eBook ISBN 978–0–281–07235–4

Typeset and eBook by
Graphicraft Limited, Hong Kong

For
John and Molly with love, and in grateful
memory of Kate Jones

Acknowledgements

I would like to thank my original readers, who followed
Acts and Omissions
faithfully as I blogged it week by week. I'm also grateful to my Twitter followers for their suggestions, corrections and encouragement.

Dramatis personae

Bishops

Priests and deacons

People

JANUARY

Chapter 1

When the Linden bursts its banks, the ancient city of Lindchester is safe. It rises from the sky-filled fields like an English Mont St Michel. Even when the river keeps to its meanders the place has an island feel to it. It is landlocked, though, as far from any coast as it is possible to be in Britain. There are no motorways near. Tourists never Visit Historic Lindchester because they are passing; they have to go there on purpose. Once upon a time the city lay on a busy coaching route, as the Georgian inns of the Lower Town attest. But when the stagecoach was superseded, it was twenty years before the railway came to Lindchester, and the city has never shaken off that backwater heritage.

But backwaters escape the attentions of town planners, who focus their ruinous zeal on more important places. Places like Lindford, county town and seat of local government, its once-beating heart now concretized by 1960s improvement. Lindford still has its attractions. People must head there if they are looking for nightlife and shopping malls, for the Crown Court and council offices and someone to lambast about wheelie bins. Lindford is where you will find A&E and multi-screen cinemas, trains to London and signs saying The North, The South.

What does Lindchester have to offer? It is the sort of place where you take your American visitors and bored grandchildren to mess about on the river and get punt poles tangled in the willows. You can visit the History of Lindchester Museum, with its 1970s model Vikings and merchants in dusty periwigs. You can explore the cobbled streets, or climb the very steps John Wesley was tumbled down by a mob when he tried to preach here. This is where you finally find a present for someone impossible to please – in the specialist coffee merchant's, or the antiquarian book dealer's. Afterwards you can treat yourself to Earl Grey and homemade scones in a tea shop with beaded doilies over the milk jugs, just like Grandma used to have.

But above all, on the summit of the island, Lindchester boasts a medieval cathedral. It is so perfect it looks like a film set; a toy Cathedral Close. You expect giant hands to reach down and move the canons in and out of their houses, lift off the cathedral roof and post the choristers into their stalls, then shake the spire to make the matins bell tinkle.

It is New Year's Eve. Light is fading. Before long the residents of the Close will be partying. Not the bishop and his wife: they are away in their little bolt-hole in the Peak District. He is a lovely, lovely man, but we can have a naughtier time without him, because he is an Evangelical. We can drink more than we ought, tell cruder jokes, be cattier about our colleagues when Mary Poppins isn't at the party. At midnight we will reel out into the Close and assemble in front of the cathedral's west doors around the giant Christmas tree, and wait for Great William to tremble the air as he tolls out twelve ponderous strokes. Rockets from the Lower Town will streak the sky. We will cheer and champagne corks will fly – or rather, the corks of special-offer cava, because these days canons aren't made of money – and we will busk our way through ‘Auld Lang Syne', not quite knowing the words.

But that is still hours off. Let's while away the time somewhere else in the region. The diocese of Lindchester is not large, squashed as it is between Lichfield to the south and Chester to the north; so don't worry, we will not be travelling far. Tonight I want to take you to an ordinary parish and introduce you to its priest, someone who toils away fairly unglamorously on the coalface of the C of E, and seldom breathes the rarefied air of the Close, except when he's buying books or candles in the cathedral bookshop, or attending an ordination service.

Come with me. We will launch ourselves on the wings of imagination from the cathedral's spire, swoop down over the city to where the Lower Town peters out into water meadows. Do admire the river below, if you can still glimpse it in the dusk. There's the lake – an oxbow lake! that one feature of second-form geography we have retained, when everything useful has long since vanished – where herons stalk and shopping trolleys languish. We are heading south-east, towards Lindford, over fields striped with ancient ridge and furrow; cows and pigs, rape and wheat; this is gentle midlands countryside, with hedges not drystone walls, punctuated by mature trees. Soon these hedges will look like smiles with the teeth punched out. We don't need to weep for the ash trees quite yet, but they are going the way England's elms went forty years earlier. Our children's children will never see their like.

Look down again: that's the dreary politeness of 1930s suburbia, the dormitory village of Renfold. This is where I am taking you. You will notice that they like their Christmas lights in Renfold. Twinkling Santas clamber over roofs like burglars. Blue icicles dangle from eaves. In every garden the magnolias and cherry trees are festooned with lights. We are coming in to land now. We circle a brick church, make a pass over the detached house next door just to be sure: yes, this is the one. St John's Vicarage.

Inside is Dominic Todd. He is seeing the New Year in with an old friend, Dr Jane Rossiter. I hope you will suspend judgement on Father Dominic. I am very fond of him, but I'm aware you will not be meeting him at his best. Go on in. That's his cassock hanging on a peg, and that pompom hat there is called a biretta. (Insiders will know from this that Dominic is no Evangelical.) Go straight past the study and the downstairs loo (which every vicarage must have). You will find them in his sitting room.

‘Oh, rubbish! He is not gay.' Jane put her hand over her glass. ‘I've had enough. You can always put a spoon in the neck.'

‘Put a spoon in my
arse
!' Dominic cried in horror. ‘You do not spoon 1989 Veuve Clicquot!'

Jane gave in. ‘Paul Henderson is not gay,' she repeated.

‘Yes, he is.'

‘Oh, you think everyone is gay.'

‘Do not. I so don't.'

Jane recited a list of those prominent churchmen and politicians who, from time to time, had strayed into the cross-hairs of Dominic's gaydar. One by one Dominic re-certified them gay. A couple of them he had no recollection of ever identifying before. Perhaps Jane was testing him? That would be like her, the cow.

‘Anyway, everyone knows Paul Henderson is gay.'

‘Of course they do!' said Jane. ‘Except
his wife
.'

‘Even back in Cambridge we all knew,' said Dominic. ‘In Lightfoot we kept a list of closet queers and Paul Henderson was right at the top.'

‘You're making that up.'

Possibly Dominic was. He couldn't remember. But Jane was annoying him. ‘Poor, poor Paul! He is so far back in the closet he's in Narnia! Always winter and never Christmas,' he mourned. ‘I actually pity him, you know. No, really.'

‘I preferred Narnia before Aslan came and melted the snow.'

‘
Oh!
' shrieked Dominic. He was a great shrieker. He sounded like a duchess with mice in her pantry. ‘You can't say that, Jane! Aslan is Jesus! Every time you say that, an innocent Evangelical dies!'

‘Anyway,' Jane said, ‘you're only saying it because you hate him.'

‘I do not hate him.' Dominic took a prim sip of champagne. ‘One does not hate one's bishop. He is my Father in God. And anyway,' – yes, they had reached the ‘and anyway' stage of drunkenness, I'm afraid – ‘you only think he's not gay because you're still in love with him.'

Jane sat back and tilted her head, giving this accusation proper academic scrutiny, for she was a university lecturer. Was Dominic right? Was she still in love with Paul Henderson? Or not? She turned the notion this way and that.

While Jane is pondering, I will provide a bit of helpful background information. Many years before, when she was an earnest young woman in her mid-twenties and God still seemed like a viable proposition, Jane Rossiter began training for the Anglican ministry. She spent two whole years at Latimer Hall Theological College in Cambridge. Paul Henderson was also there, with his young wife Susanna, being great with child. The Hendersons lived out, but Paul had a study next door to Jane's college room on G Staircase. They prayed together in Staircase Prayers, they attended lectures together. Together they waded through Wenham's
Elements of New Testament Greek
, in which blaspheming lepers threw stones into the temple. And yes, back then Jane was more than half in love with Paul Henderson. But as belief gave way to doubt, she needed ever more urgently to escape from the clean-limbed heartiness of Latimer to the loucheness of Lightfoot House, where the liberal catholics trained for ordination. The Lightfoot students rather pitied the boorish Evangelicals, metaphorically tapping fag ash on them from their far greater aesthetic and cultural height. This was where Jane got to know Dominic.

But that will have to do for now. Jane has reached her considered conclusion: ‘Bollocks I am.'

‘Are.'

‘Am bloody not.'

I think we'd better leave them to it. They are not far from shouting aggressively how much they really, really fucking love one another, and conking out, so we may as well speed on fiction's wings back to Lindchester Cathedral Close.

An almost full moon hangs picturesquely in the sky above the spire. Wind stirs the branches of the Christmas tree, making the lights dance. The lights are white. They are tasteful, because this is the Close, not Renfold. All around in the historic houses we can see windows – round ones, arched ones, tall, narrow ones – with pretty trees glowing. It is like a huge Advent calendar.

Down in the Lower Town there is some vulgar roistering. You can probably hear the shouts. Sirens tear the night. A rocket goes off prematurely. It is five to midnight. And now the big door of the canon precentor's house opens and people spill out. Next comes a troupe of lay clerks from Vicars' Hall. Stragglers from other houses join the throng and stand shivering on the west front. The precentor carries a jingling box of champagne flutes, his wife and sons have the cava. Here comes the canon chancellor, Mr Happy, and here's the dean, Marion Randall – yes, a woman dean! In deepest Lindfordshire! – with her supercilious wine merchant husband.

Someone asks, ‘Where's Freddie?' Where's Freddie, where's Freddie, goes up the cry. Yoo hoo, Freddieeee!

Freddie woke with a lurch. What the fuck? He was up on the palace roof still. Ah, nuts. What time was it? The first boom of Great William rocked the air. He scrambled to his feet. Naw. He'd been so-o-oo going to enjoy this New Year, and he'd now fucking missed it?

Should auld acquaintance be forgot?

But just then: how silently, how silently! A flock of red Chinese lanterns floated up from some hidden garden and over the cathedral. Freddie watched them in wonder. They trailed wishes behind them. Prayers. Resolutions. This year everything will be different. I will be a better person. Let it be all right. Off and away they sailed into the night, carried by the wind.

And the days of Auld Lang Syne.

Then, sure-footed as Amadeus, the cathedral cat, Freddie made his way back over the bishop's roof to the window he'd left open.

At the last second a slate slipped under him.

He clawed at air. And fell.