After the Parade (4 page)

Three years after that first meeting, when Walter brought Aaron
home with him to Moorhead and introduced him to his circle of closeted friends, one of them, Jonas, commented coyly, “Oh my, look what Walter caught,” and the others laughed as if they had known all along that Walter's weekend getaways were not really about fishing. Within the group it was common knowledge that Jonas was in love with Walter and that his love was not reciprocated, for various reasons, among them that Walter did not date married men, and Jonas
was
married, a fact that the other men snickered at behind his back. They could not imagine Jonas, with his pear-shaped body and hands as white and soft as sifted flour, atop a woman. Walter did not snicker. He was patient with Jonas, partly because Walter was a kind man but largely because he pitied Jonas, pitied him for having both a woman's body and a wife. Pity is a hard thing to bear, for it's never about love; pity is the opposite of love, or one of its opposites, since love has many. Still, Jonas bore it.

Aaron later understood that the men's campiness was a pose, a function of the fact that they lived their lives hidden and needed to make the most of these secret moments together, but at the time he had not known what to think of any of them—not even Walter, who was solicitous of his needs yet laughed along with Jonas's joke, allowing the implication that he and Aaron were sexually involved to stand as truth. In fact, during their first four years together, he and Walter did not have sex, not with each other. Aaron was in college and engaged occasionally in
sexual relations
—as Walter termed it, taking all the passion and dirt right out of it—with other young men, his first encounter with a boy from his British literature class. He had been drawn to the familiar look of the boy, whose name was Ken. They had groped and wrestled on Ken's dormitory bed one afternoon as they studied for their midterm, both of them losing their virginity to the other, but after he left Ken's room, still breathless, he knew that familiarity was not what he wanted from life. He did not want to engage in furtive sex with a boy resembling those with whom he had grown up, a sturdy blonde whose hands gripped him as they once had a cow's teat, a boy whose pillows smelled faintly of hay and gum. Still, it had pleased (and bewildered) him to know that a boy like that—like those who had
shoved him around in the locker room while talking loudly about what their girlfriends did to their penises—desired him.

After Ken, there had been others, none of whom Aaron brought to Walter's house. He felt it would be wrong to do so, even though Walter treated him in the same avuncular manner he treated everyone else, without innuendo or any hint of desire. It was Winnie who finally set him straight. “Don't you see how much he loves you?” she had asked. Aaron said that he did not. “Fine,” she said at last. “He told me that he's in love with you. Okay? But you must never, ever tell Walter that I told you.”

It turned out Winnie was lying, not about the nature of Walter's feelings but about his having confessed them to her, though Aaron did not learn of her dishonesty until after he had seduced Walter the evening of his college graduation party, an event that left him inebriated and nostalgic and deeply grateful to Walter, who had paid his tuition and all of his living expenses, who had made it possible for him to occupy a different brain.

*  *  *

Aaron could smell himself in the cab of the truck, not the thick, musky odor of physical labor but a sickly smell suggesting something passive: fear and anxiety. As he drove, he thought mainly about Jacob, Jacob, who might already be dead. He could call the motel and ask Britta for an update, but he knew he would not, which meant that for the rest of his life, when he thought about Jacob, he would not know whether to think of him as dead or alive.

His right hip throbbed where Lex had kicked him. He imagined Lex in his work cap, striding into the lobby of the motel. “He's a fag,” he would tell Britta by way of declaring his own love, and she would know then that he had been meddling. Perhaps that was the nature of love: either a person was not in it enough to care, or was in it too deeply to make anything but mistakes. Sad Café Love, he and Winnie called this kind of lopsided devotion, after the Carson McCullers novel. Most people, they agreed, could either love or be loved, for these two were like rubbing your stomach and patting your head—nearly impossible to
accomplish simultaneously. Winnie did not have a Sad Café marriage. She was deeply in love with Thomas, her husband, and he with her. They were the most equally in love couple that Aaron knew, the sort that took turns with everything: not just with household chores and finances but even with bouts of self-doubt and sadness. Never did they seem to regard each other as competition, as so many couples begin to. When one of them made a comment at a dinner party, the other found a way to make it sound even wittier or more insightful. As a result, they were in high demand at social gatherings, but they rarely accepted invitations because they enjoyed each other's company best.

“Every time we go to a dinner party lately,” Winnie had told Aaron not long ago, “there's always some couple that insists on bringing everyone else into their unhappiness. When Thomas and I fight, I don't want anyone to hear because I'm usually just saying stuff out loud to see what I think about it, but having witnesses changes everything.”

“Yes,” Aaron had said, “but when people are really unhappy, they feel like they need witnesses, some kind of permanent record.”

He told her about a fiftieth-birthday party that he and Walter had attended for one of Walter's colleagues, a woman named Nina who taught German. Nina's husband, Peter, had planned the event, an elaborate affair that he referred to throughout the evening as his labor of love, but as he became drunker, he began to tell stories about Nina, secrets that he presented as charming little anecdotes: she had once locked their baby daughter in the bedroom with a mouse for two hours while she waited for him to get home to kill it; during a humid summer in Thailand, a mushroom had sprouted in her navel. After each story, Peter held his glass in the air while Nina sat with a tight smile on her face, inviting the guests to laugh along with her husband, who was too drunk to notice that nobody did.

“It was completely
Virginia Woolf
-ish,” Aaron told Winnie, referring to the Albee play and not the author herself.

“They probably had a very passionate relationship in the beginning,” Winnie said. “When couples start hating each other, everything goes but the passion. It just gets rechanneled.”

Aaron met Winnie when he was nineteen, the summer after his
first year of college. One day Walter announced that his sister would be coming for the weekend. He had never mentioned a sibling.

“Are you close?” Aaron asked.

“We're not un-close. There's no underlying animosity, if that's what you mean. We're typical of many adult siblings, I suspect. Being close, as you put it, requires a certain commitment from both parties, and perhaps we lack the commitment.”

Aaron thought of his mother and Uncle Petey, how they had gone years without speaking, not because they were angry at each other but because they too lacked commitment. His mother said that at the end of each day, when you were tired and just wanted to be left alone, you made a decision either in favor of being left alone or in favor of the relationship, and she and Petey had both chosen solitude. The good thing, she said, was that there were no hard feelings that way.

It turned out that Winnie was visiting because she and Thomas were moving to Minneapolis, where Thomas had taken a job as vice principal at a private school. When Aaron asked her whether they had chosen Minnesota to be closer to Walter, she laughed and said, “The sort of relationship we have doesn't require proximity.”

“Walter didn't even tell me he had a sister,” Aaron confessed.

“That sounds like Walter,” Winnie said, sounding not at all upset.

After she left, Walter noted how well Aaron and Winnie had gotten along, offering this assessment without jealousy. It was the same way he sounded when Aaron asked to borrow a scarf or a bicycle helmet. “Take it,” Walter would say. “I'm not using it. Someone should.”

Now, Aaron was giving Walter his sister back. Walter had not indicated that he wanted his sister back or even that he felt she had been taken, but Aaron preferred to think of his motives in this way because he did not know how to tell Winnie he was leaving. She would want to know why. She would want to know everything. He had instead recorded his reasons in a notebook, cataloging them as though he had in mind a tipping point—25 or 41 or 100—the number of grievances that justified leaving.

Grievance #1:
Whenever Walter and I are sitting in a room together and he gets up to leave, he turns off the light on his way out. He claims that it is a gesture born of habit, something ingrained in him by his parents, but I cannot help but feel that his focus moves with him so that when he leaves a room, everything in it, including me, ceases to exist.

He told me once, not unkindly, that this bothers me because I have “abandonment issues.” I don't particularly care for therapy lingo, yet it struck me as a convincing argument. Still, I cannot help but wonder why Walter does not then take more care to avoid triggering my “issues,” why he continues turning off lights as he goes blithely along to his study or the kitchen, leaving me there in the dark.

Grievance #14:
Walter insists on using the French pronunciation of all Anglicized French words, an affectation that I must admit has become a source of embarrassment for me, unexpressed of course, for I understand that I am the one who has changed. In other words: Once, at the very beginning of our relationship—before sex entered the equation, before I became the person I now am—we went grocery shopping together. There, I watched Walter ask one stock boy after another where he might find the “my-o-nez,” watched and felt proud of his perfect pronunciation, proud of the fact that it never brought us one step closer to what we sought, a jar of bland, white mayonnaise.

Grievance #86:
Last night we got together with three of Walter's friends from college. The Credentialists, I call them. Walter doesn't approve of the name, but I consider it apt. The first time we met, several years ago now, one of them, Harold, immediately asked where I had attended college.

“I went to a state school in Minnesota, the one where Walter used to teach.”

They had gone to Harvard. They said it apologetically—“at Harvard.”

At dinner, they proclaimed the food “fabulous,” and one of them said, “Remember how awful the food was in the cafeteria?” and another, Harold again, said, “It was dreadful, but that's the thing. Anyone else can say their college food was terrible, and nobody thinks they're talking about anything more than food, but if I say to a group of people—not you guys, of course, because we're all in the same boat—that the food was awful at Harvard, well, everyone just assumes that I'm not talking about the food at all. It's become a bit of a problem.”

“That does not sound like a problem,” I said.

There were 149 grievances in the notebook by the time he left, but the main reason that he was leaving, which he never recorded, was that he no longer loved Walter. He did not know how to consider this alongside the sheer longevity of their relationship, the fact that he had been with Walter more than half his life. Several years earlier, before Aaron began keeping his notebook, Walter had remarked during a walk one day, casually, “You know if you left me now, it would be like tossing these years aside, regarding them as wasted.” There seemed to Aaron nothing worse than feeling you had wasted your life.

The day he stood in Walter's office reading aloud the list of items that he wished to take, after Walter said, “I saved you” and began to cry, Aaron went into his own office and took out the notebook. It seemed cruel to add to it in the home they had created together, but he took up his pen and composed Grievance #149:
He saved me knowing that there is no stronger way to bind another human being to you than by saving him. This is why I must leave.

*  *  *

Most of his grievance cataloging had been done at Milton's, a diner on Central Avenue, where he had secretly been eating lunch every Friday for the nine years they lived in Albuquerque. He considered himself a regular, though he suspected that nobody else did. The true regulars fell into three categories: truckers, prostitutes, and the old men who lived in the Route 66 motor lodges scattered along this stretch of
Central. The truckers came and went, as did the prostitutes, though their comings and goings were dictated not by the road but by the law and their own bad luck. They sat in groups of three or four, talking without lowering their voices, even when they discussed the vicissitudes of business or the policemen who trolled for “freebies,” which the women expeditiously dispensed in the front seats of squad cars. They did not rage against these circumstances, but instead spoke as if bad luck were a family member they could not envision their lives without.

It was the old men who intrigued him most. He knew nothing of their lives and had always been too intimidated to strike up a conversation, but he thought of them, collectively, as a cautionary tale.
Do not become comfortable with loneliness,
he told himself as he listened to them converse awkwardly while vying for the waitresses' attention. One of the men, whom he nicknamed Elmer, was obsessed with terrorism, specifically with the possibility that his flophouse motel might be the next object of an attack. This was right after 9/11, when terrorism was on everyone's mind, but the certainty with which Elmer asserted his theory left Aaron disheartened. Elmer held forth from the smoking end of the counter, waving a cigarette in the air to help his point along. Aaron had never seen him without one, and as he watched Elmer light each new cigarette from the butt of the last, listened to him wheeze and hack phlegm into his napkin, he wanted to scream from his booth that it was clear what would kill Elmer and it had nothing to do with terrorists.