All the Pretty Horses (26 page)

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Authors: Cormac McCarthy

BOOK: All the Pretty Horses
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He knew he was going to get up and try the door and he took a long time getting ready. First he moved onto his stomach. He pushed himself over all at once to get it done with and he was just amazed at the pain. He lay breathing. He reached down to put his hand on the floor. It swung in empty space. He eased his leg over the edge and pushed himself up and his foot touched the floor and he lay resting on his elbows.

When he reached the door it was locked. He stood, the floor cool under his feet. He was trussed in some sort of wrapping and he’d begun to bleed again. He could feel it. He stood resting with his face against the cool of the metal door. He felt the bandage on his face against the door and he touched it and he was thirsty out of all reason and he rested for a long time before starting back across the floor.

When the door did open it was to blinding light and there stood in it no ministress in white but a demandadero in stained and wrinkled khakis bearing a metal messtray with a double spoonful of pozole spilled over it and a glass of orange sodawater.

He was not much older than John Grady and he backed into the room with the tray and turned, his eyes looking everywhere but at the bed. Other than a steel bucket in the floor there was nothing in the room but the bed and nowhere to put the tray but on it.

He approached and stood. He looked at once uncomfortable and menacing. He gestured with the tray. John Grady eased himself onto his side and pushed himself up. Sweat stood on his forehead. He was wearing some sort of rough cotton gown and he’d bled through it and the blood had dried.

Dame el refresco, he said. Nada más.

Nada más?

No.

The demandadero handed him the glass of orangewater and he took it and sat holding it. He looked at the little stone block room. Overhead was a single lightbulb in a wire cage.

La luz, por favor, he said.

The demandadero nodded and went to the door and turned and pulled it shut after him. A click of the latch in the darkness. Then the light came on.

He listened to the steps down the corridor. Then the silence. He raised the glass and slowly drank the soda. It was tepid, only faintly effervescent, delicious.

He lay there three days. He slept and woke and slept again. Someone turned off the light and he woke in the dark. He called out but no one answered. He thought of his father in Goshee. He knew that terrible things had been done to him there and he had always believed that he did not want to know about it but he did want to know. He lay in the dark thinking of all the things he did not know about his father and he realized that the father he knew was all the father he would ever know. He would not think about Alejandra because he didnt know what was coming or how bad it would be and he thought she was something he’d better save. So he thought about horses and they were always the right thing to think about. Later someone turned the light back on again and it did not go off again after
that. He slept and when he woke he’d dreamt of the dead standing about in their bones and the dark sockets of their eyes that were indeed without speculation bottomed in the void wherein lay a terrible intelligence common to all but of which none would speak. When he woke he knew that men had died in that room.

When the door opened next it was to admit a man in a blue suit carrying a leather bag. The man smiled at him and asked after his health.

Mejor que nunca, he said.

The man smiled again. He set the bag on the bed and opened it and took out a pair of surgical scissors and pushed the bag to the foot of the bed and pulled back the bloodstained sheet.

Quién és usted? said John Grady.

The man looked surprised. I am the doctor, he said.

The scissors had a spade end that was cold against his skin and the doctor slid them under the bloodstained gauze cummerbund and began to cut it away. He pulled the dressing from under him and they looked down at the stitches.

Bien, bien, said the doctor. He pushed at the sutures with two fingers. Bueno, he said.

He cleaned the sutured wounds with an antiseptic and taped gauze pads over them and helped him to sit up. He took a large roll of gauze out of the bag and reached around John Grady’s waist and began to wrap it.

Put you hands on my shoulders, he said.

What?

Put you hands on my shoulders. It is all right.

He put his hands on the doctor’s shoulders and the doctor wrapped the dressing. Bueno, he said. Bueno.

He rose and closed the bag and stood looking down at his patient.

I will send for you soap and towels, he said. So you can wash yourself.

All right.

You are a fasthealer.

A what?

A fasthealer. He nodded and smiled and turned and went out. John Grady didnt hear him latch the door but there was no place to go anyway.

His next visitor was a man he’d never seen before. He wore a uniform that looked to be military. He did not introduce himself. The guard who brought him shut the door and stood outside it. The man stood at his bed and took off his hat as though in deference to some wounded hero. Then he took a comb from the breastpocket of his tunic and passed it once along each side of his oiled head and put the hat back on again.

How soon you can walk around, he said.

Where do you want me to walk to?

To your house.

I can walk right now.

The man pursed his lips, studying him.

Show me you walk.

He pushed back the sheets and rolled onto his side and stepped down to the floor. He walked up and back. His feet left cold wet tracks on the polished stones that sucked up and vanished like the tale of the world itself. The sweat stood quivering on his forehead.

You are fortunate boys, he said.

I dont feel so fortunate.

Fortunate boys, he said again, and nodded and left.

He slept and woke. He knew night from day only by the meals. He ate little. Finally they brought him half a roast chicken with rice and two halves of a tinned pear and this he ate slowly, savoring each bite and proposing and rejecting various scenarios that might have occurred in the outer world or be occurring. Or were yet to come. He still thought that he might be taken out into the campo and shot.

He practiced walking up and down. He polished the underside of the messtray with the sleeve of his shift and standing in the center of the room under the lightbulb he studied the face that peered dimly out of the warped steel like some maimed and
raging djinn enconjured there. He peeled away the bandage from his face and inspected the stitches there and felt them with his fingers.

When next he woke the demandadero had opened the door and stood with a pile of clothes and with his boots. He let them fall in the floor. Sus prendas, he said, and shut the door.

He stripped out of the shift and washed himself with soap and rag and dried himself with the towel and dressed and pulled on the boots. Someone had washed the blood out of the boots and they were still wet and he tried to take them off again but he could not and he lay on the bunk in his clothes and boots waiting for God knew what.

Two guards came. They stood at the open door and waited for him. He got up and walked out.

They went down a corridor and across a small patio and entered another part of the building. They walked down another corridor and the guards tapped at a door and then opened it and one of them motioned for him to enter.

At a desk sat the commandante who’d been to his cell to see if he could walk.

You be seated, said the commandante.

He sat.

The commandante opened his desk drawer and took out an envelope and handed it across the desk.

This is you, he said.

John Grady took the envelope.

Where’s Rawlins? he said.

Excuse me?

Dónde está mi compadre.

You friend.

Yes.

He wait outside.

Where are we going?

You going away. You going away to you house.

When.

Excuse me?

Cuándo.

You going now. I dont want to see you no more.

The commandante waved his hand. John Grady put one hand on the back of the chair and rose and turned and walked out the door and he and the guards went down the hallway and out through the office to the sallygate where Rawlins stood waiting in a costume much like his own. Five minutes later they were standing in the street outside the tall ironshod wooden doors of the portal.

There was a bus standing in the street and they climbed laboriously aboard. Women in the seats with their empty hampers and baskets spoke to them softly as they made their way down the aisle.

I thought you’d died, said Rawlins.

I thought you had.

What happened?

I’ll tell you. Let’s just sit here. Let’s not talk. Let’s just sit here real quiet.

Are you all right?

Yeah. I’m all right.

Rawlins turned and looked out the window. All was gray and still. A few drops of rain had begun to fall in the street. They dropped on the roof of the bus solitary as a bell. Down the street he could see the arched buttresses of the cathedral dome and the minaret of the belltower beyond.

All my life I had the feelin that trouble was close at hand. Not that I was about to get into it. Just that it was always there.

Let’s just sit here real quiet, said John Grady.

They sat watching the rain in the street. The women sat quietly. Outside it was darkening and there was no sun nor any paler place to the sky where sun might be. Two more women climbed aboard and took their seats and then the driver swung up and closed the door and looked to the rear in the mirror and put the bus in gear and they pulled away. Some of the women wiped at the glass with their hands and peered back at the prison standing in the gray rain of Mexico. So like some site of
siege in an older time, in an older country, where the enemies were all from without.

It was only a few blocks to the centro and when they eased themselves down from the bus the gaslamps were already on in the plaza. They crossed slowly to the portales on the north side of the square and stood looking out at the rain. Four men in maroon band uniforms stood along the wall with their instruments. John Grady looked at Rawlins. Rawlins looked lost standing there hatless and afoot in his shrunken clothes.

Let’s get somethin to eat.

We dont have no money.

I got money.

Where’d you get any money at? Rawlins said.

I got a whole envelope full.

They walked into a cafe and sat in a booth. A waiter came over and put menus in front of them and went away. Rawlins looked out the window.

Get a steak, said John Grady.

All right.

We’ll eat and get a hotel room and get cleaned up and get some sleep.

All right.

He ordered steaks and fried potatoes and coffee for both of them and the waiter nodded and took the menus. John Grady rose and made his way slowly to the counter and bought two packs of cigarettes and a penny box of matches each. People at their tables watched him cross the room.

Rawlins lit a cigarette and looked at him.

Why aint we dead? he said.

She paid us out.

The señora?

The aunt. Yes.

Why?

I dont know.

Is that where you got the money?

Yes.

It’s got to do with the girl, dont it?

I expect it does.

Rawlins smoked. He looked out the window. Outside it was already dark. The streets were wet from the rain and the lights from the cafe and from the lamps in the plaza lay bleeding in the black pools of water.

There aint no other explanation, is there?

No.

Rawlins nodded. I could of run off from where they had me. It was just a hospital ward.

Why didnt you?

I dont know. You think I was dumb not to of?

I dont know. Yeah. Maybe.

What would you of done?

I wouldnt of left you.

Yeah. I know you wouldnt.

That dont mean it aint dumb.

Rawlins almost smiled. Then he looked away.

The waiter brought the coffee.

There was another old boy in there, said Rawlins. All cut up. Probably wasnt a bad boy. Set out on Saturday night with a few dollars in his pocket. Pesos. Goddamned pathetic.

What happened to him?

He died. When they carried him out of there I thought how peculiar it would of seemed to him if he could of seen it. It did to me and it wasnt even me. Dying aint in people’s plans, is it?

No.

He nodded. They put Mexican blood in me, he said.

He looked up. John Grady was lighting a cigarette. He shook out the match and put it in the ashtray and looked at Rawlins.

So.

So what does that mean? said Rawlins.

Mean about what?

Well does it mean I’m part Mexican?

John Grady drew on the cigarette and leaned back and blew the smoke into the air. Part Mexican? he said.

Yeah.

How much did they put?

They said it was over a litre.

How much over a litre?

I dont know.

Well a litre would make you almost a halfbreed.

Rawlins looked at him. It dont, does it? he said.

No. Hell, it dont mean nothin. Blood’s blood. It dont know where it come from.

The waiter brought the steaks. They ate. He watched Rawlins. Rawlins looked up.

What? he said.

Nothin.

You ought to be happier about bein out of that place.

I was thinkin the same thing about you.

Rawlins nodded. Yeah, he said.

What do you want to do?

Go home.

All right.

They ate.

You’re goin back down there, aint you? said Rawlins.

Yeah. I guess I am.

On account of the girl?

Yeah.

What about the horses?

The girl and the horses.

Rawlins nodded. You think she’s lookin for you to come back?

I dont know.

I’d say the old lady might be surprised to see you.

No she wont. She’s a smart woman.

What about Rocha?

He’ll have to do whatever he has to do.

Rawlins crossed his silver in the platter beside the bones and took out his cigarettes.

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