Authors: Lois Lowry
Tags: #Ages 9 & Up
Decorations by Diane deGroat
Houghton Mifflin Company Boston
Library of Congress Cataloging in Publication Data
Sequel to Anastasia Krupnik.
Summary: Twelve-year-old Anastasia is horrified at
her family's decision to move from their city apartment
to a house in the suburbs.
[1. Moving, Household—Fiction. 2. Family life—
Fiction] I. Title.
PZ7. L9673Am [Fic] 81-6466
ISBN 0-395-31 147-0 AACR2
Copyright © 1981 by Lois Lowry
All rights reserved. For information about permission
to reproduce selections from this book, write to
Permissions, Houghton Mifflin Company, 215 Park Avenue
South, New York, New York 10003.
Printed in the United States of America
20 19 18
To Laura Beard
"The suburbs!" said Anastasia. "We're moving to the
I can't believe it. I can't believe that you would actually do such a thing to me. I'm going to kill myself. As soon as I finish this chocolate pudding, I'm going to jump out the window."
"We live on the first floor," her mother reminded her. "You've been jumping out of your window for years. The first time you jumped out of your window was when you were three years old and didn't want to take a nap any more."
"Yeah," said Anastasia, remembering. "You thought I'd been kidnapped, when you came to my room to wake me up and I was gone. Actually I was outside picking all your tulips."
"I could have killed you for that. It was the first time I'd ever grown really terrific tulips."
"I wish you
killed me for that. Because there isn't any point in living if you have to live in the suburbs."
Her father put down the magazine he was reading,
The New York Review of Books.
He was reading an article called "Morality and Mythology." Anastasia didn't have any idea what that meant; but she liked it that her father knew what it meant and that he liked reading about it, and she was absolutely certain that there wasn't a single person in the entire suburbs of the United States who would ever in his entire life read an article called "Morality and Mythology."
"How on earth," asked her father, "can you be so sure you would hate the suburbs when you have never lived anyplace but this apartment?"
"Daddy," Anastasia pointed out. "I
You know that. You yourself taught me to read when I was four years old. I read books about the suburbs. I know what people who live there are like."
"Oh? And what are they like?"
"Not like us, that's for sure. One, they live in split-level houses with sets of matching furniture. Can you
that? Rooms of cute matching furniture? Good grief. I mean, think for a minute about our living room here in this apartment. Think of all the neat stuff we have in it."
They thought. "Books," said her mother.
"Right. Millions of books. There aren't any bookcases in split-level houses. Right where the bookcases should be, people in the suburbs have a huge color TV instead."
"We have a TV," said her father. "In fact, I'm about to miss the first inning of the Red Sox game."
"Daddy, we have an ancient, small black-and-white TV. And there are books on top of it, books behind it, books in front of it. That's not the same. I'm talking about a monster color TV, and on top of it is a bowl of fake fruit."
"Fake fruit? Are you sure of that, Anastasia?"
"Absolutely. Just look in the Sears ads in the paper. But forget that for a minute. Think some more about our own living room."
"Paintings," said her mother. "I think people in the suburbs have paintings on their walls."
"Wrong," said Anastasia. "The paintings on our walls are real. We have some of your paintings, Mom. And we have that one that I did of a rooster, when I was five. And we have that really neat one by your friend Annie, Dad..."
"I wish you'd get rid of that, Myron," said Anastasia's mother.
"Annie was a fine painter," muttered her father. "And a fine person. You would have liked her. You will like her if she ever comes back from Central America. We'll have her for dinner."
"Over my dead body we'll have her for dinner," said Anastasia's mother.
"Mom. Daddy. You're missing the point. The point is hat we have meaningful paintings on our walls."
"And people in the suburbs do not?"
"No, they definitely don't. They have pictures of the
Sierra Nevadas, painted-by-number. Or else pictures of kittens with big eyes, playing with balls of yarn. It goes with the matched set of furniture."
"Actually," said her mother, "our furniture is pretty awful, some of it."
"No, it isn't! We're the only people in the whole world who have a white couch with a big sunflower embroidered on it!"
"Anastasia, the only reason for the sunflower is because I had to do something to cover up the spot where Sam threw up."
"But that's okay! I mean it's okay in the
But if we lived in a split-level house in some development, people wouldn't understand it."
," said her father, in the booming voice that he used only when he was beginning to be quite annoyed with something, "Y
OU'RE MAKING ASSUMPTIONS.
"I am not. I never make anything. I didn't make the school basketball team, even."
"You are making assumptions."
"I don't even know what assumptions are. I can't even make decent brownies."
"I didn't make the finals in the sixth-grade spelling bee. I can't make
OU ARE MAKING HASTY JUDGMENTS
DIOTIC PREMATURE ASSUMPTIONS
ND YOU ARE ALSO MAKING ME MISS THE RED SOX GAME ON TV
Now Anastasia knew that he was really getting mad.
She scowled. "I hardly ever even make my bed," she muttered. "The last thing I ever made in my life was a dumb potholder, in third grade. I
made a premature assumption. If I did, it would come out crooked."
Her mother sighed. "I'll tell you what you make, Anastasia. You make life very difficult sometimes." She began to pick up the chocolate pudding bowls from the table. "Let's let your dad watch the ball game. I'm going to wash these dishes. You want to help, or do you want to get Sam up from his nap? We can talk about all of this later."
"I'll go get Sam. Unless maybe he's already jumped out the window. He's getting old enough to figure stuff like that out."
She wandered down the hallway of the apartment, thumping the walls as she went. It made a nice, hollow, echoing sound in the dark hall. Anastasia had noticed that for the first time when she was three or four and had been thumping the walls ever since. There were handprints way down low, from when she was very small; handprints higher up, from when she was bigger (and a dark stain at that height: she had squashed a tomato there when she was nine and very angry about something); and now that she was twelve and beginning to be quite tall, her handprints were appearing at a level that had never had handprints before.
The whole apartment had a history, and it was
history and her parents' history and beginning to be Sam's. She had planned to show Sam how to thump the walls with that hollow sound very soon. The thought of moving made her stomach ache.
"And we didn't even have a chance to talk about the
stuff!" she called back toward the kitchen, where she could hear her mother washing the dishes. "That we would have to have a
for pete's sake! We would have to pollute the atmosphere with a car! And I would have to do dumb suburban stuff. Probably I would have to be a Girl Scout!"
There wasn't any answer from her mother. In the living room, she could hear her father turn the volume up on the TV to drown her out.
"You could never
wear jeans any more, you know, Mom!" she called. "Ladies in the suburbs only wear cute cotton dresses from Lord and Taylor's!"
No answer. She stood still for a minute outside Sam's door.
"And they play
every afternoon! And have affairs with the neighbors' husbands! Do you
No answer. Her mother was washing the dishes very loudly, which meant that she was getting pretty mad. In a minute she would probably throw a dish.
"Oh, rats," muttered Anastasia to herself, and opened the door to her brother's room. Once, before Sam was born, it had been the dining room. It was true that they were outgrowing the apartment. But it didn't matter. Not as much as the other things mattered.
"Hi, Sam," said Anastasia. Her brother was sitting in his crib with a blanket over his head, chuckling. "Quit
being so cute," she said. "I have terrible news." Sam took the blanket off his head and looked at her. His face had sleeping wrinkles on it.
"Frank Goldfish is going to die," said Anastasia sorrowfully. "Goldfish can't survive things like moving to the suburbs. Suburban goldfish are different, anyway. They have tanks with all that plastic junk in them: castles and little fake divers. Frank just likes his little ordinary city-goldfish bowl. I am quite certain that Frank will not survive this."
Then she realized that Sam didn't care about that. It was Sam who had flushed Frank the First down the toilet.
"And also," she told him sadly, "I know that your blanky won't survive. Moving men absolutely refuse to move grubby old blankies. I'm sorry to tell you that, Sam." She lifted him out of his crib and took his faded yellow blanket away from him. He grabbed for it, missed, and burst into howls.
"It's really too bad about your blanky, Sam," Anastasia said in a soft, mournful voice. "I suppose we'll have to put it out for the trash men to pick up."
Sam stamped his small bare feet. "Gimme my blanky!" he roared, grabbing for it. Anastasia held it up higher.
"I'm so terribly sorry, Sam," she said in a stricken tone that she was imitating from an old movie that had been rerun on TV recently. George Brent telling Bette Davis that she had a brain tumor.
Sam's howls turned into shrieks, and he threw himself on the floor and began to kick.
"Mom? Dad?" called Anastasia. "I just told Sam the news! Can you hear him? He doesn't want to move to the suburbs either!"
Anastasia went to her room to sulk. She always left the door open when she was sulking. She had perfected the art of sulking, and one of the essential points was that people had to
you were doing it. So it was important to leave the door open.
She lay on her bed, which was the best place for sulking, and was visible from her open door. But when no one was walking past her room, sulking was boring. So, to pass the time, she got out the notebook in which she intended to write a mystery novel. She had been intending to write it for almost a year, as soon as she could think of a title. She had decided to write a mystery after she began to think that Nancy Drew mysteries had no relationship to real life. Whose real life, after all, included haunted houses, spiral staircases, or twisted candlesticks? Yet real life—especially Anastasia's real life—was full of mysteries. For almost a year, she had been making notes about the mysteries of her own existence. None of them yet seemed to lend themselves to an entire book. "The Mystery of Why I Am Not Allowed to Go to X-rated Movies Even Though I Have Known All the Facts of Life Since I Was Six," for example, was a legitimate mystery of real life; but she couldn't seem to go on to write a novel about it.